Results tagged “Barossa Valley”

I was excited to find this wine; I've been eagerly anticipating opening the bottle all week. From what I've read over the last decade, I was wondering: would it be a leaky bottle? Would the cork be too small? What would be wrong with it? And thankfully I was not disappointed: I'm now bleeding on the knuckle of my right hand as opening the bottle turned out to be a major production number: the too-small cork was firmly wedged in the bottle, and attempting to remove it using the standard methods resulted in failure along with a broken cork. Skittishly attempting to remove the final inch of it with a regular corkscrew resulted in a sudden burst of pressure and an accidental stabbing. Ouch. So how's the wine?

Thankfully, the wine isn't dead. I bought this sight unseen, not knowing how old it is: turns out it's a fairly old bottle. The bead is fairly anemic, but at least it's still there. The color is an awful lot like American root beer mixed with cranberry juice: alternately nearly brown and occasionally surprisingly translucently black cherry red. It's pretty, but could also be mistaken for Dr. Pepper.

The nose is distinctly old earth, dusty loam with hints of prune, chocolate, and an intriguing mentholated eucalyptus mint note hovers over the glass. On the palate, this isn't like any red sparkling wine I've had before: it's extremely dramatic, the vinous equivalent of Norma Desmond, beautifully lit from all sides, a wine from another era. At times, it reminds me of extremely old balsamic vinegar or shoyu, with almost caramelized, umami notes. At other times, there's a refreshing mintiness not unlike some Aussie sparkling chambourcin. The most amazing thing about the wine, however, is how long the finish lasts: minutes. Minutes, I say. Thinking about the wine long after I've swallowed it, I find myself thinking of hunting cabins in high meadows, cedar-smoked fire raising smoke in a starry sky, soft Spring flowers withholding the perfume for the morning.

This really is a beautiful, profound, satisfying wine in a way few wines ever truly are. More than anything, I can't think of anything else like it. This has got to be one of the most distinctive Australian wines there is - shame it's so damn difficult to find. At this rate, I reckon I'll next taste some shortly after retiring. Ah well!

Rockford
Price: $40
Closure: Cork
Source: Retail
I love a nice Aussie Shiraz VP and this is certainly one. As an aside, I generally drink this style as a table wine, with food, and I feel it works tremendously well in this context. I guess that's why I have a soft spot for some over those overwrought, overripe red table wines that exist between medium bodied sanity and the delicious lunacy that is the Shiraz VP style.

A woollen blanket of aroma, all prickly and comforting. Such dense smells of chocolate, ripe plum, spice, nuts, vanilla and leather. I can't tell if this is complex or just overwhelming; it's certainly seamless and expressive. The palate is pure luxe. Quite cool and slippery on entry, it quickly floods the mouth with sweet plum and chocolate, and that unmistakable mouthfeel that goes with 17.5% abv. Aside from abundant flavour, there are equally abundant tannins, silty-fine in character, and a burn of alcohol through the after palate and finish that speaks of decadence rather than imbalance. 

Admittedly, this isn't a style for everyone, but those who enjoy these wines will find great reward here. Will go for ages.

Flaxman Wines
Price: $A20 (375ml)
Closure: Stelvin
Source: Sample
I find it interesting that Viognier seems to polarise not only drinkers, but winemakers as well. It's perhaps not unexpected for a variety that is still quite new in mass market Australian terms, but there's a diversity of styles (see our recent mega-tasting for some examples) that, it seems to me, speaks more of uncertainty than confident choices. 

By contrast, one of the things I enjoy about Anita Bowen's wines is that they are all about confidence. Not showiness, but a certainty that enables them to reveal themselves slowly, never crying out too loudly for either love or admiration. Her 2008 Viognier stood out in the mega-tasting lineup for its appropriate winemaking and sense of stylistic resolution. This more recent vintage is no different, though apparently achieved with more subtle winemaking inputs.

A heady, perfumed nose of honeysuckle, spice and nectarine skins. It's an entirely coherent aroma profile without being especially complex (in the sense of having a cascade of different flavours). It is, however, very well defined and precisely layered, and becoming more expressive the longer it sits in glass. 

The palate is similarly etched, with an additional, quite adult, streak of phenolic bitterness that strikes me as entirely positive. First, the entry, which is immediate and fleet, depositing bright fruit flavours onto the tongue before reaching a middle palate that shows good balance between acidity and the sort of viscous mouthfeel that can easily sink Viognier. The tension between these two elements is more interesting to me than the flavours here, which are very correct but slightly simple and "grapey." The after palate shows that lovely bitter, pithy streak before the wine tapers off through a reasonable finish.

This wine just feels right in the way it has been judged and executed. 

Balthazar of the Barossa
Price: $A19.50
Closure: Other
Source: Sample
The third in Yelland & Papps's trio of new release reds (Grenache and Cabernet Sauvignon reviewed earlier). I think I like the Grenache most of all, though this comes in a close second.

The nose shows brown spice, oak, liquerous dark fruits; generous and comforting without being excessively rich. It's a very clean aroma profile with a hint of mystery too -- a dark pool of smells, rippling gently and promising cool refreshment.

A gentle entry follows, showing no great rush to get to the middle palate. Rather, fruit begins to come in waves, riding slightly prickly acidity and an incline of grainy tannins. Not a highly defined wine, this is more about expressionist brushstrokes and broad statements. It's also quite sophisticated; the flavour profile, mixing sourness and nutty oak flavours with just enough fleshy fruit, seems quite adult to me. A nice, long, gentle finish.

This held up well over three days of tasting. Give it a couple of years and then tuck in.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample
Two things to note up front regarding this wine: it doesn't smell or taste much like Cabernet, and I've personally struggled with it over two days of tasting. From which some readers may conclude it's a bad wine, or that I don't like it, neither of which is necessarily the case. It is atypical and difficult. It's also oddly compelling and quite drinkable. 

Starting with the nose: nougat-heavy, somewhat malty oak flavours cushion red, plum-like fruits and an odd tarry note. It's very expressive in its way, though the aroma profile is angular and overwhelming in equal measure. It reminds me of a woolen blanket you've just taken out of storage; promising comfort but giving off strange smells that are both familiar and difficult to love.

In the mouth - plenty of flavour for sure. A rush of confectionary red fruit alongside a slightly raw, twiggy note, plus the aforementioned coal tar. In form, it's quite uncontrolled, lurching this way and that, swelling on the middle palate and turning suddenly towards a thinner expression through the after palate. It's also charismatic and a bit of a wag. Some heat on the finish seems oddly appropriate.

What to make of this? Bad vintage? Perhaps, though in terms of wine appreciation, that strikes me as a cop-out. Still, its aesthetics defeat me; you may have better luck.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample
As nice as it was, the 2007 vintage of this wine pales in comparison to the current release 2008. This is seriously good Barossa Grenache in all respects.

Part of the reason why it's good is that it doesn't try too hard. Rather than going down the "more is better" road to quality, I feel this aims for a distillation of the style's potential, cleanly articulating instead of overreaching. The colour here is certainly approachable, quite see-through really, showing some vibrant purple hues and flashing brightly due to its moderate density. 

The nose is complex and bounces between sweet and savoury. There's certainly a hit of sweet Grenache fruit, but there's also musk, nougat, deeper plum fruit, coffee and more, wrapped in an expressive, almost piercing bundle. Though there's clearly oak here, it's not the dominant element. Good integration for such a young wine, and any slight edginess that is showing at the moment will no doubt calm further with short term bottle age (or some air).

The palate is simply awash with fruit from entry through to finish. It's quite tingly at first, fine but edgy acidity pushing bright red fruits onto the tongue, at which point they take a fast ride to the mid-palate and are joined by an altogether darker series of notes. A slightly meaty element asserts at this point, along with black fruits and coffee grounds. Nervous structure aside, the flavours are well harmonised. Brisk movement through the after palate, where a medicinal note lifts and carries the wine through a high toned finish.

There's lots going on here, most of it attractive and compelling. I suspect this will be a ripper in two to five years' time.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample
My acquaintance with Marie Linke of Karra Yerta Wines has been rewarding in all sorts of ways; it has provided me insights into the world of the boutique micro-producer, into the trials associated with just getting your wine out there in the public eye, into the challenges of juggling family and work life. And, not least, it has provided me with the opportunity to taste wonderful wines, borne of passion and commitment to regional tradition. My view is producers such as Karra Yerta are the backbone of the industry, providing a philosophical base around which trends and companies may come and go.

Case in point: this wine. It's identifiably Barossan in character, with that luscious, irresistibly drink now fruit character starting to come up against some more adult, bottle-aged aromas. So, it's very much in transition. I sometimes read that as a mark of disinterest, but that's kind of like saying teenagers aren't interesting because they're neither children nor adults. Surely there's a particular fascination in the confluence and clash of nascent maturity? That's what I'm seeing in this wine's aroma. 

The palate is full of flavour in a characterful way. An interesting counterpoint to this wine was a 2006 Penfolds Bin 407 I tasted just the other day. I didn't write it up because it was pristine, perfect, clean, and faceless. This is precisely the opposite; it's tangibly textured, imprinted with imperfection in the most positive manner; from entry through finish, a dense wave of regional fruit, roughed up by an edge of earthy, spiced humanity that puts corporate swill to shame. This isn't trying to win medals, it's simply a reflection of its place and maker, and is utterly worthwhile for precisely this reason.

Perhaps not much of a tasting note, then, but, one hell of a worthwhile experience to taste. Highly recommended.

Karra Yerta Wines
Price: $A25
Closure: Stelvin
Source: Sample
Really curious flavour profile here. Looking back over my notes, I found the 2006's fruit character quite sweet, though tempered by spice and meatiness. This wine, all other things being equal, presents a rebalanced set of flavours, tilting further towards savouriness, though retaining hints of the fun, playful Grenache fruit of its predecessor. I like it.

The nose takes some time to blossom. When it does, it shows quite complex aromas of malt, cough syrup, red fruit and twigs. I found it a little confronting at first. I suppose it's not the kind of aroma profile one expects in a sub-$20 wine, possessing considerable character and feeling somehow risky. Does it all come together? I'm not sure. It's certainly fun to smell. It will probably polarise drinkers too, perhaps alienating those who prefer a straighter set of aromas. 

The palate retains the moderate intensity of the 2006, while reflecting the complexity of the aroma. Entry is subtle, ushering in little bombs of sweet fruit on the mid-palate, framed by sappy, meaty flavours and underpinned by a softly viscous mouthfeel. This is a light to medium bodied wine, brightly flavoured, unapologetically funky. The after palate is savoury, with medicinal flavours over the top of pepper steak. Finish is sappy and astringent.

A cubist rendition of Barossa GSM. 

Update: another unexpected trait for a wine of this modest price -- it tastes even better on day two. Markedly better balance and integration of flavours. A really pleasant surprise!

Balthazar of the Barossa
Price: $A19.50
Closure: Other
Source: Sample
Without wanting to suggest this wine is all about its 15.4% abv, smelling it reminded me of something a very clever fellow said to me the other day. And I paraphrase: alcohol can have its own smell, and it may, perhaps, be legitimate to enjoy a sweet tingle of ethanol as much as any other aroma. Food for thought, and a challenge to the reflexive position often taken that perceptible alcohol is a fault. 

And yes, this wine does show a whiff of alcohol on the nose, as well as that characteristically swollen, slinky mouthfeel. It's also a complex and seductive wine that I am enjoying very much. The alcohol lends an air of louche decadence and seems appropriate within the context of the style. Hence, it bothers me not in the slightest. 

On the nose, hospital floors, rich earth, dark berries, cedar and tobacco. It's quite approachable and well integrated, yet also shows quite serious levels of density and concentration, befitting its position as the premium label in Balthazar's portfolio. It seems more approachable in some respects than its older sibling, with perhaps a slightly different oak flavour (going by my previous note, anyway). 

The palate is very impressive. On entry, quite a fruit driven flavour profile, showing sweet blackberries and some astringent plum skins alongside attractive, supportive oak. The suppleness of the mouthfeel becomes apparent as we hit mid-palate; it glides and winds its way over and around the tongue, scattering complex flavours of cigar box, blackberry, salami, spice and dirt roads. The fruit is sweet, but the overall impression is savoury. Really satisfying intensity of flavour, and the density isn't so great as to be forbidding. Indeed, this is quite approachable right off the bat. Very good, flavoursome finish.

As with all of Anita Bowen's wines (that I've tasted), this wine shows serious intent and possesses an ability to jump around under one's nose, delivering a series of shifts and changes through what I'd suggest should be a lengthy drinking experience. Sip slowly, deliberately, sensually. 

Balthazar of the Barossa
Price: $A49.95
Closure: Stelvin
Source: Sample
What are the chances? This is the second Australian wine tasted in as many weeks made in a joven style, blending Grenache and Tempranillo, but referring to the former as Garnacha instead of the more bogan-sounding Grenache. This one is from micro-producer Smallfry, and the bottle in front of me is one of a run of 110 cases.

Dowie Doole's G&T showed a Grenache Garnacha-dominant flavour profile of jammy red fruit, with Tempranillo adding savouriness and complexity at the edges. This, by contrast, takes a completely different approach, with funky, meaty Tempranillo taking centre stage, and Grenache adding some soft fruitiness. On the nose, the smell of pulling weeds, charcuterie, spice and soft red fruits. It's light and fun, and its savouriness is attractive to me. No oak that I can detect. 

The palate is feather light, almost insubstantial, and it all might be too ephemeral if it weren't such easy fun. Entry is sweet, but this quickly fans out to a savoury middle palate that is perhaps a bit dilute. The after palate shows the greatest complexity of flavour -- crushed leaf and fresh cranberries --  plus a smattering of grainy tannins. Finish is decent. 

Very refreshing style. Personally, I prefer this to the Dowie Doole, though the latter's generously sweet fruit will win many fans too. 

Smallfry
Price: $NA
Closure: Stelvin
Source: Gift
Flaxman wines are, if nothing else, beautifully packaged. Pete Caton has created the design, and lovely it is too, but the words are also well chosen and applied, something I wish I felt more often about wine labels. It's all quite artisanal and cuddly in equal measure. The wine itself is made from purchased grapes (hence "The Stranger").

The nose is slow to emerge from its shell. At first, I got a bit of stressed stalk and old oak, which has in time given way to quite dense red and black berry fruit. It's not the most expressive nose -- not right now, anyway -- though it seems to express a coherent character in its low-key way. It's almost as if there's a whole aroma profile in there relaxing in shaded comfort. 

The palate makes complete sense of the nose, bringing what is merely suggested by the aroma into full sun. It's also luxuriously textured. The entry shows dense, dark fruit, liqueur-like in expression and elevated in deliciousness. It also establishes a charismatic textural presence, with velvet-like tannins appearing almost instantly, weaving in and out of a fine acid line. It's a deliciously sour, orange-juice acid that risks disrupting the more voluptuous aspects of the wine's flavour profile, but which in the end just serves to keep things fresh and shapely. The middle palate is pure luxe, lashes of fruit flavour flowing over the tongue. There's perhaps a hint of overripe fruit here, tending towards a prune flavour. No matter. This is a sensual wine; satin sheets and chocolates and all that implies. A decent finish rounds the experience off with a gentle taper, neither too dry nor simple.

A really lovely wine with serious "x factor," particularly impressive considering the difficult vintage. 

Flaxman Wines
Price: $A35
Closure: Stelvin
Source: Sample
Some producers, often the more interesting ones, evolve a consistent house style that, presumably, speaks to a certain idea of wine. In the case of Yelland & Papps, there's an easygoing lack of pretentiousness to its wines that is, frankly, a relief after tasting more ambitious, overwrought styles. On the minus side, it can come across as excessively dilute and unstructured, as I felt was the case with the 2007 Cabernet I tasted (but did not write up) the other day. But when it works, as with this Shiraz, it's very pleasing indeed.

Once past an initial bit of stink, lots of expressive, soft aromas, with a mixture of milk coffee, sweet juicy berries, crushed leaf and warm brown spice. It just smells good really, the same way coming home to an almost-ready roast dinner smells good, and it's not hard to forgive a hint of overripe fruit that is also in the mix.

The palate is attractively structured, with the same prominent acidity I noted in this producer's 2007 Grenache propping up each flavour and tempering the sweeter tendencies of the fruit. The entry is straightforward and quite lively, introducing a core of clean blackberry fruit surrounded by supporting spice and coffee oak. The middle palate is just so easy and clean, it's hard not to enjoy. Nice movement through the after palate, with lighter red berry flavours coming to the fore. Decent, balanced finish with subtly textured tannins lightly brushing the tongue.

A very down-to-earth wine. Provided you don't have any issues with acid-driven, relatively fruit sweet red wines, it should go down a treat.

Yelland & Papps
Price: $A30
Closure: Stelvin
Source: Sample
There's a lot of waffle about wine, to which I'm sure I contribute my fair share. So to read the back label of Yelland & Papps wines is a breath of fresh air: "[Yelland & Papps]'s sole aim is to enjoy all aspects of the process and sharing this with others." Hard to argue with that.

The nose was initially sweet-fruited, slightly one-dimensional, definitely generous. It's gained some complexity through the evening, with malty oak and a savoury, stemmy edge that runs alongside the main event: luscious, jammy Grenache fruit. It's not a facile wine, yet it's not intellectual either; the priority here is sensual enjoyment, which I respect absolutely as a stylistic goal. The fruit is quite dark in character, like a mixed berry conserve slathered over a fresh scone. 

The palate is very much more of the same, with a nice rush of fruit quite early that accelerates through the middle and after palates. There's no stopping the fruit, except perhaps a personal aversion to fruit-driven, relatively sweet flavour profiles. Certainly, if one's bent were strictly towards Bordeaux, this might seem hopelessly naive as a wine style. Yet within its stylistic bracket, this wine delivers a nice hit of clean, varietal fruit without pretense. It's not flabby either, acid in particular propping up flavours and providing well-defined shape to the palate. The finish is quite long and doesn't thin out until it's almost out of steam; the fruit here really does have good thrust and penetration along the entire line.

Perhaps a matter of taste more than many other wines, this is a solid example of fruity, exuberant Barossa Grenache that fans of the genre needn't hesitate purchasing. Worked rather well indeed with spicy Thai food.

Yelland & Papps
Price: $A30
Closure: Stelvin
Source: Sample

Balthazar Shiraz 2005

2005Shiraz1.jpg
There are few things in art, and indeed life, more tantalising than a mistaken first impression.

The bottle in front of me is festooned with gold stickers (much more so than in the accompanying photograph); so much bling threatens to overwhelm a striking label design. To certain weary enthusiasts (that's me), it might also signal an unsubtle, "show" style.  So its true character, when revealed, comes as a surprise. Indeed, what is remarkable about this wine is its powerful intimacy. It draws you in quietly, peeling itself back one translucent layer at a time, until you're lost in its grasp.

I was advised by this wine's mother to give it a good hour and a half of air before attempting serious evaluation. In fact, I left it overnight to breathe, and feel on day two its expression is close to complete. At first, a nose that is all mocha oak and deep, ripe plums. It's complex yet utterly restrained from flowing as it ought. A couple of hours later, the aroma profile is wider and more expressive, though still deeply coiled and suggestive of untold generosity. Finally, a day on, there's some freedom, structured yet moving without restraint, a multi-coloured kimono of aroma. Black fruit, complex spice, hot sun on brambles, some vanilla. It's all quality, with good integration and poise, yet it's subdued and subtle, in a positive sense. There's no yelling, just sweet harmony and rhythm.

The palate is equally seductive, and it's difficult to tease each element apart.  Flavours are in line with the nose, though a successful balance between sweet and savoury fruit is more evident here. There's a voluptuous slipperiness to the mouthfeel that is also notable. On entry, inky fruit and coffee grounds create a dark flavour profile that carries through to the middle palate. Here, it lightens a little, red fruit and plums emerging alongside orange juice acidity and brown spice. There's a lot going on. The after palate is positively fruit driven, and very clean in presentation. It sustains the momentum of the front palate through to a musky, powerfully soft finish of ultra-ripe tannins and sweet fruit.

What a lovely wine. It's striking and intense and all of those good things, yet somehow manages to communicate with understatement. A most intriguing, satisfying wine.

Balthazar of the Barossa
Price: $A50
Closure: Procork
Sometimes, I wonder why I ever moved to Brisbane. Sure, it's beautiful today, and I'm sure it will be perfect tomorrow, but I'm a Canberra boy at heart. I like cold, mercilessly windy Winters and hot, dry Summers, not least because they tend to be framed by idyllic Springs and Autumns. Brisbane, on the other hand, goes from warm to ridiculous, with days (like today) that feel hot well in excess of the measured temperature. Natives say it's the humidity, and assure me I'll get used to it, but like many acquired tastes I'm not sure whether it's worth the effort.

In any case, I needed some refreshment this afternoon and reached for this Grenache-based rosé from Yelland & Papps, a small producer in the Barossa Valley. A lurid strawberry colour, not overly dense but certainly pretty in its neon way. A party colour. The nose is exuberant, with boiled lollies and a counterpoint of savoury, medicinal notes. Simple, fun and certainly generous. It might present too much confectionary for those who prefer a more savoury rosé style; it's all about context I guess. 

The palate is quite full, with a round mouthfeel and surprisingly intense flavour. The entry is soft and a little underwhelming. The middle palate, by contrast, is full of bright flavours that echo the sweet/savoury profile of the aroma. Things get even more interesting through the after palate, where the acidity contributes a strong, sour thread that accentuates the savoury aspects of the flavour profile. There seems to be a bit of heat on the finish (13% abv). 

An honest, flavoursome wine that would suit casual Summer quaffing for those not averse to the sweeter (and more alcoholic) side of Grenache.

Yelland & Papps
Price: $A17
Closure: Stelvin
I don't envy wine show judges. Quite apart from the difficulty of appearing dignified with purple teeth, there's the challenge of judging a wine based on a quick tasting, in a lineup of fourty, perhaps even fifty like wines, after what may have been several flights earlier in the day. Even if I had the tasting perspective, I'd no doubt make a hash of the process, simply because I feel terribly disappointed when I derive no enjoyment from wine, and therefore tend to give most wines a chance to show a positive side.

And that can take time, sometimes days. Or, in the case of this wine, about half an hour. Still, I was ready to write it off at first. My initial sip was as follows: bright red, aggressively confected aroma preceding a sweet, medium bodied palate of considerable simplicity. Next!

But oh, how it's evolved in the glass. After a little time and air, the nose is quite transformed. While it remains within an easy drinking idiom, there's plenty of interest to the aroma profile, with meaty Mourvèdre and spicy Shiraz framing fruit that, though confectionary in nature, is well balanced against the savoury elements, and has evolved both sour and sweet faces. 

Similarly, the palate is a long way from its initial presentation and shows surprising sophistication in terms of its movement through the mouth. It's medium bodied at most, with subtle tannins and enough acidity to stay fresh. Well-judged for frictionless consumption, then; this extends to intensity and density of flavour, neither of which call too much attention to themselves. In fact, it threatens to become a bit weedy, but is saved somewhat by a nice surge of sweet fruit as the middle palate transitions to the after palate. A meaty savouriness leads into the finish, which shows cough-syrup flavours and goes on for a decent amount of time.

There's cheeky intent behind this wine, or at least a reluctance to forego interest for drinkability. Smart quaffing.

Balthazar of the Barossa
Price: $A19.50
Closure: Stelvin
A blend of Eden and Barossa Valley fruit, this wine makes a great case for itself through a combination of peppery, cooler climate characters and that luscious fruit for which Barossa Shiraz is renowned. 

You know you're in good hands when you smell this little number, as assertive black pepper rides racily atop juicy blackberry and plum fruit. It's delicious to smell, in the way a fruit-based dessert smells delicious as it approaches readiness in the oven. No great complexity as such, but it almost says "who cares?" as it caresses one's nostrils with generous flavour. The palate is in no way a let-down after this tease, as it reveals a generous gush of ripe fruit early on entry. Medium bodied, there's a spicy lilt to the middle palate that is a refreshing foil to the generous, eager blackberry fruit running underneath. Oak is a mere support act, and I appreciate the unforced, casual character here. This wine knows it is destined for barbeques and weekday evenings across the country, and never undersells these occasions. Delicious plum fruit rides the after palate through to a spicy, surprisingly long finish. 

I purchased this wine for under $A15 and, at the price, it is a bloody bargain. 

Mountadam
Price: $14.25
Closure: Stelvin
From one of the few makers in Australia focusing on Merlot as its signature red grape comes this affordable wine made from a blend of Eden and Barossa fruit. I've enjoyed previous vintages of this label very much.

Nice nose, a little muted perhaps, showing a mix of bouncy dark berry fruit and leaner, more vegetal notes that strike me as varietal rather than unripe. It's not quite in the olive spectrum as I have found some Merlot to be, but is definitely on the funkier side, all of which is a relief because one sometimes dreads the simplicity of this grape, in particular at the "value" end of the price scale. As it is, good to smell -- not enough volume though -- with a subtle thread of bubble-gum oak.

In the mouth, surprisingly well structured, with spiky acidity and loose-knit tannins very much at the fore. In fact, the fruit never quite attains sufficient intensity to match the firm structure, such that there's an element of imbalance; it's like a fantastically detailed underground cave which should house a raging river but which is instead graced with a lazy stream. Still, one can't have it all, and the flavours on offer are most attractive, despite their reticence. Ripe plum and blackberry, some powdery vanilla, and a hint of the vegetal note observed on the nose. It's not complex, but neither is it facile. 

I'm wishing for more oomph but each sip brings good enjoyment nonetheless. Good food wine.

Irvine Wines
Price: $A17.09
Closure: Stelvin
The nose is a riot of licorice allsorts, intense fresh plums, baking spices and marzipan. There's a vibrancy to the fruit character that is startling in its clarity and directness. It's the kind of aroma that playfully invades your nostrils before you've made a concerted effort to inhale. Quite voluminous, primary and delicious. 

Happily, the palate showcases a lot of flavour, firm structure and minimal oak influence. The entry is spiced and aniseed-laced, with dark fruit bubbling up from underneath these savoury notes. On the middle palate, plenty of plum fruit with some tart skins, more spice and a bit of heat. Reasonable, though not overwhelming, intensity. It's very fruit driven and generous, and retains shape and flow thanks to the acid structure. The after palate lightens a shade and suggests very ripe red fruit plus some stemmy complexity. The finish echoes juicy plums in tart mode.

This wine is quite hard to write about because its strengths lie in abstract notions of drinkability and balance. Certainly, I've not had many wines of late that are as purely, joyously quaffable as this, all without resorting to a "lowest common denominator" flavour profile. Indeed, it speaks very much to its region and connects well with how Barossa Shiraz grapes might be best expressed. Buy a bottle, relax with a favourite food and let this wine enhance your quality of life.

Teusner
Price: $A17.95
Closure: Stelvin
This is the latest wine to take part in what I fondly refer to as my ongoing "neighbourhood Chinese takeaway wine matching" experiment. One of life's little pleasures.

Really typical Barossa Semillon aroma, showing quite fleshy fruit notes of citrus and perhaps pear, plus some composting hay and a hint of honeyed age. The aroma profile is relatively thick and even, if not hugely expressive. In the mouth, a lot more forward, thanks partly to an acid structure especially well balanced for approachability. The acid is very fine and even, delivering good impact without being forbidding. A big wash of flavour starts right at the tip of the tongue and widens out towards the middle palate. This is a relatively weighty wine, and its structure, whilst present, is counterbalanced by a juicy mouthfeel that's all about flavoursome drinking. There are definite indications of bottle age, and these nascent flavours add some complexity to primary flavours of citrus, sweet hay and soap. The overall effect is vividly autumnal and recalls slowly decomposing leaves. It's also a bit rustic and unrefined, in the best possible way.

Barossa Semillon is quite a different beast from Hunter, and I often choose the former for more immediate gratification and a less intellectual drinking experience. This wine isn't as full-on as some Barossas can be, with no discernable oak influence and little in the way of winemaking artifact. It's also fresh-tasting within the context of the style, neatly avoiding vinous obesity. It could probably be a bit tighter but I kind of like its easygoing nature. A delicious and straightforward wine that would go well as a picnic quaffer. Not bad with the Chinese either. 

B3
Price: $15
Closure: Stelvin
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