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Tyrrell's 4 Acres Shiraz 2007

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This label seems to have gathered quite a following over its short life. I count myself amongst its fans. Ever since Gary Walsh created a stir with his review on Winorama, I've been particularly excited to taste the 2007 vintage.

The most lovely purple-red hue, deep and moderately dense. To smell, it's very "4 Acres" but in an altogether deeper register. The characteristically pretty red and blue fruit is there yet, compared to previous vintages, it  demonstrates greater, quite extraordinary extension into the bass octaves. With only minimal swirling, an array of other aromas; earth, minerals, purple flowers, the slightest hint of gum leaf; emerge to create significant complexity. There's also a slightly funky, barnyard dimension that strikes me as essentially regional, though very much secondary. I've been smelling this for a good half hour now and remain fascinated by each twist and turn the wine takes.

To the palate, then. So much goes on here, and it's so attractive, I find it hard to respond analytically. But I'll try. First, the acid. Structurally, this wine is driven by acid rather than tannin, so the acid's quality is both critical and highly exposed. The attack is not overwhelming in this regard; instead, acidity builds linearly over the tongue, like a wedge that opens up from front to back of the mouth. It's finely textured, three dimensional, and would be enough on its own to make a lesser wine worthwhile.

But it's not on its own here. Flavours that precisely echo the nose run in and around the acidity, winding their way across the palate. The 4 Acres is always intense and finely etched but, as with the nose, there's a density and depth here that goes beyond my previous experience of this wine. Body is also up on previous vintages. When you add acid to the mix, the effect is not unlike the richest textured velvet caressing one's tongue. Silt-like, ripe tannins make a contribution to this texture. There's a climax of acidity on the after palate, and then it all relaxes into a shapely finish that goes on for some time. Sensuous, complex and delicious.

If I were to highlight one quality this wine possesses above all others, it would be an immaculate line. From initial smell to lingering finish, there's a sense of wholeness and integrity here that unifies each individual component and delivers a wine that, in the end, has its own philosophy. Whether you enjoy it as much as I do will, I suspect, hinge on whether you can relate to its point of view. It had me enthralled.

Tyrrell's
Price: $A35
Closure: Stelvin
Date tasted: August 2008

Lake's Folly Chardonnay 2006

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This is the current release Lake's Folly white, although I believe it sells out rather quickly, so its currency is rather academic. Lake's Folly, as a winery, fascinates me. It is historic in terms of the modern Australian wine industry, has deviated little from its original purpose (releasing just two wines each year, and white and a red), exists in a currently daggy wine region and seems to fly under the radar most of the time. And yet its wines remain sought after. I think that's pretty cool.

The appearance of wine is usually of secondary importance when I'm enjoying a glass, but this wine has such a lovely golden green hue, it deserves mention as its own particular pleasure. Distinctive, slightly sharp nose of marzipan, lightly caramelised stone fruit and more astringent citrus. It's full and luscious but shows beautiful restraint, and I love this ostensible contrast. In the mouth, fresh acidity contributes impact on entry, but there's so much flavour packed into this wine it doesn't take long for texture to assume second place. Quickly, the mouth is awash with fresh peach, almond and a hint of vanilla cream. There's good intensity and attractive fruit character, but overwhelmingly a sense of poise and balance that defies the rich flavour profile. This is why Chardonnay is so revered as a variety; such complexity and capacity to absorb winemaker input, yet still retain stature and shape. The after palate capitalises on clingy, creamy stonefruit, while the finish shows excellent length and linearity. 

What an excellent wine. As well as this is drinking now, I suspect it will truly sing as an aged style. 

Price: $A50
Closure: Cork
Date tasted: August 2008

Tyrrell's Vat 9 Shiraz 2002

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Do we overrate the importance of vintage when assessing wine? Vintage conditions have an effect, at times profound, on the character of wine, but I wonder how productive is an absolute view of quality? Does our obsession with a "best" vintage enhance our ability to enjoy the drink? Or do we, in fact, neglect wines that have something interesting to say in favour of the latest "vintage of the century?"

More and more, I find myself happy, indeed quite interested, to taste wine from supposedly inferior vintages.  Vintage variation helps me to understand the full expression of a particular varietal, vineyard or region. After all, one doesn't choose to spend time with friends only when they are at their most sparkling. A melancholy mood can reveal new facets, perhaps less brilliant, but no less authentic.

All this serves as a lengthy preamble to my tasting of Tyrrell's premium Shiraz label. The Hunter has had some excellent vintages over the past decade and a bit. So when I went to the cellar to select a bottle, various '98s, '03s, '05s, etc looked awfully tempting. In the spirit of enquiry, however, I decided to taste those later. Tonight, we'll see what a somewhat overshadowed Hunter vintage can tell us.

Characteristic nose of damp earth, minerals and rich red berry liqueur. Totally regional and quite expressive, if not massively complex. Good impact on entry, with immediate fruit flavour and significant density. A notably velvet mouthfeel caresses the tongue as a deliciously savoury flavour profile unfolds towards mid-palate. Medium to full bodied, this wine shows sap, more earth and minerals, and the sort of tart red fruit one might reasonably expect in a good Chianti. Acid and tannins are present, adding shape, but the overall impression is one of plush luxury (despite the savoury flavour profile). On the after palate, vanilla custard oak, perhaps too much of it, becomes the key influence. Fine, ripe tannins blanket the tongue before carrying the wine to a lingering, fruit-sweet finish. 

I've tasted Hunters with brighter fruit, or more well defined earth, or better shape and cut. Perhaps those things come in better years, and I won't deny their worth. But this is an excellent wine, able to be enjoyed right now, preferably in concert with food. 

Price: $A40
Closure: Cork
Date tasted: August 2008

How things change. I tasted this a couple of years ago and found it lean, mean and a little green. It's still the same wine, of course, but time has been kind.

A heady nose of powdery, dusty cabernet fruit, tobacco, eucalyptus leaves on a hot day, perhaps a hint of oak. There's some bottle aged complexity in an edge of leather, but the wine is surprisingly youthful in its aroma profile. Quite complex, but certainly not one for those with an aversion to eucalyptus/vegetal aromas.

Good presence on entry, with an attractively clean run over the tongue. Cool cabernet fruit and dusty eucalyptus beat a path to the mid-palate. Texture begins to roughen up at this point, and some additional flavour elements introduce themselves. There's some varnishy oak, a bit of dusty library, some bramble. In short, it gets a whole lot more interesting. Medium bodied at most, and with still-prominent acid, there's a rough and ready character to the mouthfeel and structure of this wine that suggests additional bottle age will be of benefit. Overall, the flavour profile is quite savoury, with cabernet fruit distinctly sweet but largely subservient to the other elements. Fine, powdery yet slightly raw tannins are a dominant element on the after palate, and the wine does hollow out a bit at this point. The reasonably long finish is consequently quite dry, with little fruit weight to counterbalance the tannins. A lovely counterpoint of bottle aged sweetness emerges at the back of the mouth.

An angular style, then, and not the most elegant. But not at all bad and worth a try if your tastes lead to the more intellectual face of Cabernet. I have one more bottle and will let it sit for year or two before retasting.

Mitchell
Price: $A30
Closure: Cork
Date tasted: August 2008

And so we come to the end of our bargain dozen. I've enjoyed the tasting and, for the most part, have been pleasantly surprised by the quality and variety available at around the $10 mark. I came across remarkably few corporate lolly-water type wines, and it's nice to know one can buy a dozen wines at this price point whose flavours are willfully different from one another. To finish, I'm tasting a well-known quaffer, The Stump Jump, d'Arenberg's entry-level blend of McLaren Vale fruit. 

Nose is slightly hot, with some green funkiness alongside savoury red fruit and sweet spice. It's got personality. On entry, it's surprisingly acidic, with a fresh and quite textured mouthfeel establishing early and carrying right through the line. Riding this acid wave is bright red fruit, some round spice and an astringent, sappy edge. Light to medium bodied, this wine has an almost Pinot-like flavour profile in some respects, initially savoury but gathering fruit sweetness as it moves through the after palate. There's nothing outrageously complex here, and the acid is, to my taste, somewhat too aggressive, but it's good drinking. The finish is perfectly acceptable, with subtle, plush tannins blanketing the tongue. 

A good wine to finish with, then. Rustic, unsophisticated, real. 

Price: $A10.45
Closure: Stelvin
Date tasted: August 2008

Deen De Bortoli Vat 1 Durif 2006

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Durif isn't a varietal you see too much of, especially outside the Rutherglen and surrounds. This wine, made from Riverina grapes, is part of De Bortoli's value-priced "Deen" range. De Bortoli does better than most with its wines at the lower end of the market, so I've been looking forward to tasting this curiosity.

An attractive nose, with plum, some spice and a darker, slightly vegetal oak character that adds depth without any hint of unripeness. A bit of lift too. The fruit character is ever so slightly confected, but because the aroma profile is dark and dense, it's not unduly distracting. The palate shows an interesting array of flavours. There's a rich, very ripe plum note, teetering on overripe, held in check by a range of savoury influences (including quite prominent oak) that, together, create a flavour profile miles away from the sweetness of many cheaper red wines. Definition isn't all that great, but it's a very generous wine, with heaps of flavour and good presence in the mouth. Mouthfeel is interesting, being a little rough and almost spritzy, whilst also showing ripe, slightly chunky tannins. Intensity of flavour tapers off through the after palate and the finish isn't all that long. 

A really tasty quaffing wine that could sit comfortably at the $15 mark. We enjoyed it a lot.

Price: $A9.50
Closure: Stelvin
Date tasted: August 2008

Peter Lehmann Barossa Riesling 2008

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Riesling has provided me and many other wine lovers with a fabulous hunting ground for labels that vastly outperform their price points. Consider: the pinnacles of Australian Riesling; singular styles recognised internationally; routinely sell for $20-40. Even Hunter Semillon costs more at the top end. Here, though, is a $9.50 Riesling from the Barossa Valley, a region not renowned for the variety. On the plus side, Peter Lehmann is a winery that has a history of solid, well-priced wines.

A forward nose of candied pineapple and other tropical fruits, plus a bit of spice. I'm not getting the "crisp citrus and floral" notes referred to on the back label. Instead, this seems a broader Riesling style. In the mouth, some initially welcome acidity fades as lemon and candied fruit notes take over. These flavours are assertive but lack intensity at the same time. I suspect a level of residual sugar contributes to this flavour profile, though there's nothing overtly sugary about the wine. A dip in intensity through the after palate precedes some bitterness on the rather chalky finish. 

A flavoursome quaffer, then, but quite basic too. Stylistically, I'm not very excited. Lovers of crisp, dry Riesling are advised to keep looking.

Price: $A9.50
Closure: Stelvin
Date tasted: August 2008

Redbank The Long Paddock Chardonnay 2007

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I'm not familiar with this label but, according to the winery's tasting note, grapes were sourced from across Victoria after bushfires affected its traditional regional base of the King and Ovens Valleys. That's some pretty cool one off-ness for a paltry $9.50. I remember the days (not very long ago) of cheap Chardonnay oaked so heavily one practically got splinters in the mouth. I'm sure they're still out there, but the vogue for tighter, finer wines seems to to have stimulated a fresh breed of cheapies. Or so I hope.

A high toned, slightly spirity nose that is decidedly vinous without being especially distinctive. A subtle layer of butter and vanilla cream indicates equally subtle malo and oak inputs. This is perhaps a relief, though it also clearly exposes simple fruit flavours of apple and white stonefruit. For all that, quite nice to sniff. Entry has good immediacy of flavour and shows just enough fine acid to retain shapeliness. The mid-palate is of medium body and plentiful flavour, with a clean, round mouthfeel. More white stonefruit, hints of malo and cream vye for attention; it's all straightforward and very easy to drink. The butter and cream takes over on the after palate, and the finish is of medium length, showcasing the wine's soft, easy style above all else. There's also a bit of heat (14% ABV), but it's not ruinous. 

This wine is terribly easy to drink and strikes me as well made and well judged. Some texture would be a welcome addition, as it would add interest to the wine's simple, slightly anonymous flavour profile. Good quaffer.

Price: $A9.50
Closure: Stelvin
Date tasted: August 2008
Anecdotally, Sauvignon Blanc, alone and in blends, seems to be the quaffer of choice for casual work lunches and similar occasions. It's not hard to see why; flavours are for the most part easily discerned and unchallenging. There are some quite lovely versions of the "classic dry white" blend. The Grosset springs immediately to mind, and the Margaret River style seems especially prized by the lunchtime crowd. Most examples, though, seem to express more modest vinous aspirations. This one, from McLaren Vale based winery Tatachilla, is made from fruit sourced across South Australia. 

A sharp, upfront aroma profile comprising powdery lemon and some tropical fruit, along with a suggestion of astringent herbs (basil-like). It's simple and a little tame within the context of the style, and a far cry from the grassy Margaret River style. In the mouth, entry lacks immediacy but builds flavour towards the mid-palate, where more citrus and passionfruit settles on the tongue. The Semillon influence is most noticeable in the wine's palate weight, which is more substantial than a straight Sauvignon Blanc. Despite the weight, flavours strike me as dilute, and the wine never reaches an adequate crescendo of intensity. Acidity ramps up as the wine moves to the after palate, and the finish is as much textural as it is flavoursome. 

A very quaffable, straightforward wine that, to my taste, offers little beyond the immediate. That's no bad thing; in fact, this wine is well judged with respect to its likely market and consumption context. Just don't expect a bundle of character here.

Price: $A9.50
Closure: Stelvin
Date tasted: August 2008


Angove's Long Row Shiraz 2006

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I've got a head cold, am slightly cranky and, quite frankly, couldn't take another cheap wine last night. So instead I opened a bottle of Collector Marked Tree Red. Thus sated, I can once again turn my attention to our value priced offerings. Here is a South Australian Shiraz from Angove's, a Renmark-based winery with a broad portfolio of products. At $A6.60, it's one of the least expensive wines in the dozen.

An attractive deep ruby colour, not overly dense. The nose speaks of black pepper and spice as much as fruit. Not the high toned floral spice of a cooler climate wine, but deep, rich spice that tends towards the brown, nutty type. Fruit character is subservient, dark and straightforward. The palate has good impact and its upfront acid brings more spice to the fore, at least on entry. Fruit emerges on the mid-palate as dark and slightly jubey in character, simple but certainly clean.  A hardness becomes apparent at this point, and the wine never relaxes as much as its flavour profile needs. More pepper washes over the after palate before fine, well balanced tannins add some welcome texture to the adequate finish.

A neat wine. It's well made, varietal and avoids the industrial confectionary flavours that can afflict less expensive red wines. Its structure also suggests food-friendliness (I shall test this in a moment). Given the price, I'm more than satisfied by this wine.

Price: $A6.60
Closure: Stelvin
Date tasted: August 2008

About Full Pour

Full Pour is a place for two long time friends, and fellow wine nuts, to document their ongoing vinous adventures.

It's a place to celebrate wine (from the cheap to the rarified), to share impressions, complain, exalt, dissect and guzzle. It's also a place to learn and, hopefully, enjoy the company of like-minded people.

Full Pour is Christopher Pratt and Julian Coldrey, with occasional guest contributors.

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