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Tyrrell's 4 Acres Shiraz 2007

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This label seems to have gathered quite a following over its short life. I count myself amongst its fans. Ever since Gary Walsh created a stir with his review on Winorama, I've been particularly excited to taste the 2007 vintage.

The most lovely purple-red hue, deep and moderately dense. To smell, it's very "4 Acres" but in an altogether deeper register. The characteristically pretty red and blue fruit is there yet, compared to previous vintages, it  demonstrates greater, quite extraordinary extension into the bass octaves. With only minimal swirling, an array of other aromas; earth, minerals, purple flowers, the slightest hint of gum leaf; emerge to create significant complexity. There's also a slightly funky, barnyard dimension that strikes me as essentially regional, though very much secondary. I've been smelling this for a good half hour now and remain fascinated by each twist and turn the wine takes.

To the palate, then. So much goes on here, and it's so attractive, I find it hard to respond analytically. But I'll try. First, the acid. Structurally, this wine is driven by acid rather than tannin, so the acid's quality is both critical and highly exposed. The attack is not overwhelming in this regard; instead, acidity builds linearly over the tongue, like a wedge that opens up from front to back of the mouth. It's finely textured, three dimensional, and would be enough on its own to make a lesser wine worthwhile.

But it's not on its own here. Flavours that precisely echo the nose run in and around the acidity, winding their way across the palate. The 4 Acres is always intense and finely etched but, as with the nose, there's a density and depth here that goes beyond my previous experience of this wine. Body is also up on previous vintages. When you add acid to the mix, the effect is not unlike the richest textured velvet caressing one's tongue. Silt-like, ripe tannins make a contribution to this texture. There's a climax of acidity on the after palate, and then it all relaxes into a shapely finish that goes on for some time. Sensuous, complex and delicious.

If I were to highlight one quality this wine possesses above all others, it would be an immaculate line. From initial smell to lingering finish, there's a sense of wholeness and integrity here that unifies each individual component and delivers a wine that, in the end, has its own philosophy. Whether you enjoy it as much as I do will, I suspect, hinge on whether you can relate to its point of view. It had me enthralled.

Tyrrell's
Price: $A35
Closure: Stelvin
Date tasted: August 2008

Tyrrell's Vat 9 Shiraz 2002

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Do we overrate the importance of vintage when assessing wine? Vintage conditions have an effect, at times profound, on the character of wine, but I wonder how productive is an absolute view of quality? Does our obsession with a "best" vintage enhance our ability to enjoy the drink? Or do we, in fact, neglect wines that have something interesting to say in favour of the latest "vintage of the century?"

More and more, I find myself happy, indeed quite interested, to taste wine from supposedly inferior vintages.  Vintage variation helps me to understand the full expression of a particular varietal, vineyard or region. After all, one doesn't choose to spend time with friends only when they are at their most sparkling. A melancholy mood can reveal new facets, perhaps less brilliant, but no less authentic.

All this serves as a lengthy preamble to my tasting of Tyrrell's premium Shiraz label. The Hunter has had some excellent vintages over the past decade and a bit. So when I went to the cellar to select a bottle, various '98s, '03s, '05s, etc looked awfully tempting. In the spirit of enquiry, however, I decided to taste those later. Tonight, we'll see what a somewhat overshadowed Hunter vintage can tell us.

Characteristic nose of damp earth, minerals and rich red berry liqueur. Totally regional and quite expressive, if not massively complex. Good impact on entry, with immediate fruit flavour and significant density. A notably velvet mouthfeel caresses the tongue as a deliciously savoury flavour profile unfolds towards mid-palate. Medium to full bodied, this wine shows sap, more earth and minerals, and the sort of tart red fruit one might reasonably expect in a good Chianti. Acid and tannins are present, adding shape, but the overall impression is one of plush luxury (despite the savoury flavour profile). On the after palate, vanilla custard oak, perhaps too much of it, becomes the key influence. Fine, ripe tannins blanket the tongue before carrying the wine to a lingering, fruit-sweet finish. 

I've tasted Hunters with brighter fruit, or more well defined earth, or better shape and cut. Perhaps those things come in better years, and I won't deny their worth. But this is an excellent wine, able to be enjoyed right now, preferably in concert with food. 

Price: $A40
Closure: Cork
Date tasted: August 2008

How things change. I tasted this a couple of years ago and found it lean, mean and a little green. It's still the same wine, of course, but time has been kind.

A heady nose of powdery, dusty cabernet fruit, tobacco, eucalyptus leaves on a hot day, perhaps a hint of oak. There's some bottle aged complexity in an edge of leather, but the wine is surprisingly youthful in its aroma profile. Quite complex, but certainly not one for those with an aversion to eucalyptus/vegetal aromas.

Good presence on entry, with an attractively clean run over the tongue. Cool cabernet fruit and dusty eucalyptus beat a path to the mid-palate. Texture begins to roughen up at this point, and some additional flavour elements introduce themselves. There's some varnishy oak, a bit of dusty library, some bramble. In short, it gets a whole lot more interesting. Medium bodied at most, and with still-prominent acid, there's a rough and ready character to the mouthfeel and structure of this wine that suggests additional bottle age will be of benefit. Overall, the flavour profile is quite savoury, with cabernet fruit distinctly sweet but largely subservient to the other elements. Fine, powdery yet slightly raw tannins are a dominant element on the after palate, and the wine does hollow out a bit at this point. The reasonably long finish is consequently quite dry, with little fruit weight to counterbalance the tannins. A lovely counterpoint of bottle aged sweetness emerges at the back of the mouth.

An angular style, then, and not the most elegant. But not at all bad and worth a try if your tastes lead to the more intellectual face of Cabernet. I have one more bottle and will let it sit for year or two before retasting.

Mitchell
Price: $A30
Closure: Cork
Date tasted: August 2008

And so we come to the end of our bargain dozen. I've enjoyed the tasting and, for the most part, have been pleasantly surprised by the quality and variety available at around the $10 mark. I came across remarkably few corporate lolly-water type wines, and it's nice to know one can buy a dozen wines at this price point whose flavours are willfully different from one another. To finish, I'm tasting a well-known quaffer, The Stump Jump, d'Arenberg's entry-level blend of McLaren Vale fruit. 

Nose is slightly hot, with some green funkiness alongside savoury red fruit and sweet spice. It's got personality. On entry, it's surprisingly acidic, with a fresh and quite textured mouthfeel establishing early and carrying right through the line. Riding this acid wave is bright red fruit, some round spice and an astringent, sappy edge. Light to medium bodied, this wine has an almost Pinot-like flavour profile in some respects, initially savoury but gathering fruit sweetness as it moves through the after palate. There's nothing outrageously complex here, and the acid is, to my taste, somewhat too aggressive, but it's good drinking. The finish is perfectly acceptable, with subtle, plush tannins blanketing the tongue. 

A good wine to finish with, then. Rustic, unsophisticated, real. 

Price: $A10.45
Closure: Stelvin
Date tasted: August 2008

Deen De Bortoli Vat 1 Durif 2006

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Durif isn't a varietal you see too much of, especially outside the Rutherglen and surrounds. This wine, made from Riverina grapes, is part of De Bortoli's value-priced "Deen" range. De Bortoli does better than most with its wines at the lower end of the market, so I've been looking forward to tasting this curiosity.

An attractive nose, with plum, some spice and a darker, slightly vegetal oak character that adds depth without any hint of unripeness. A bit of lift too. The fruit character is ever so slightly confected, but because the aroma profile is dark and dense, it's not unduly distracting. The palate shows an interesting array of flavours. There's a rich, very ripe plum note, teetering on overripe, held in check by a range of savoury influences (including quite prominent oak) that, together, create a flavour profile miles away from the sweetness of many cheaper red wines. Definition isn't all that great, but it's a very generous wine, with heaps of flavour and good presence in the mouth. Mouthfeel is interesting, being a little rough and almost spritzy, whilst also showing ripe, slightly chunky tannins. Intensity of flavour tapers off through the after palate and the finish isn't all that long. 

A really tasty quaffing wine that could sit comfortably at the $15 mark. We enjoyed it a lot.

Price: $A9.50
Closure: Stelvin
Date tasted: August 2008

Angove's Long Row Shiraz 2006

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I've got a head cold, am slightly cranky and, quite frankly, couldn't take another cheap wine last night. So instead I opened a bottle of Collector Marked Tree Red. Thus sated, I can once again turn my attention to our value priced offerings. Here is a South Australian Shiraz from Angove's, a Renmark-based winery with a broad portfolio of products. At $A6.60, it's one of the least expensive wines in the dozen.

An attractive deep ruby colour, not overly dense. The nose speaks of black pepper and spice as much as fruit. Not the high toned floral spice of a cooler climate wine, but deep, rich spice that tends towards the brown, nutty type. Fruit character is subservient, dark and straightforward. The palate has good impact and its upfront acid brings more spice to the fore, at least on entry. Fruit emerges on the mid-palate as dark and slightly jubey in character, simple but certainly clean.  A hardness becomes apparent at this point, and the wine never relaxes as much as its flavour profile needs. More pepper washes over the after palate before fine, well balanced tannins add some welcome texture to the adequate finish.

A neat wine. It's well made, varietal and avoids the industrial confectionary flavours that can afflict less expensive red wines. Its structure also suggests food-friendliness (I shall test this in a moment). Given the price, I'm more than satisfied by this wine.

Price: $A6.60
Closure: Stelvin
Date tasted: August 2008

Sirromet Perfect Day Burnbelt 2005

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Sirromet, located about twenty minutes from my house, is a winery I've driven past on many occasions but never visited. I thought I'd browse its website as part of writing this note, and in doing so discovered a rather large range of wines. Whilst there is a vineyard at the cellar door facility in Brisbane, I gather its fruit comes primarily from vineyards located in the Granite Belt region, near Stanthorpe. This wine, a blend of Shiraz, Cabernet Sauvignon and Merlot, is part of Sirromet's entry level "Perfect Day" range, and is made from Granite Belt grapes.

I tasted this over two evenings, which is just as well as the wine improved markedly overnight. At first, I wasn't terribly inclined to taste in depth; it struck me as all stalk, with very little underlying fruit. The second night brings things somewhat back into balance, although I still think the stalky/vegetal notes are overplayed. Funky, prickly aromas of stalk, with some spice and a hint of red fruit. It's different, but whether in a good way will depend on your tolerance for greener flavours. The palate is quite bright, with more funk and stalk overlaying subservient yet attractive red and black berry flavours, and powdery vanilla oak. The wine veers from astringent greenery to sweet oak, without the depth of fruit to harness and make sense of this progression. Structure is quite well judged, with balanced acid and just enough dry tannins to round off the unremarkable finish.

I don't have enough experience with this label or region to know how this wine sits in the overall scheme of things. It's certainly interesting enough in its way, and I'd prefer to drink this, flaws and all, to a mass-produced wine of technical correctness but absolutely no character. 

Price: $A8.55
Closure: Stelvin
Date tasted: August 2008

Somerton Shiraz Cabernet Merlot 2006

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Surely, at $4.25, I'm tempting fate. The bargain dozen has gone quite well so far, with some unexpectedly unusual wines and a bit more character than I dared to hope for. Here, then, is a red blend from that vaguest of "regions", South Eastern Australia. Having barely escaped a critter wine encounter with my sense of wine still intact, I'm interested, if a little apprehensive, regarding this equally inexpensive label.

A hint of black pepper and spice on the nose, backed up by smooth, rather flat berry fruit and a bit of toasty oak. Bland to be sure, but it smells more or less vinous. The palate reveals the extent to which this wine emphasises round, easy fruit. Relatively sweet, slightly confected berry fruit hits the tongue early and travels easily down the line. Some vanilla jumps on board as the wine chugs steadily towards the finish, and it all sort of disappears before you've had an opportunity to think about how you really feel. There's not much in the way of structure, but neither are there off flavours or anything that makes you stop and think. In other words, it drinks like a good soft drink.

We've definitely jumped into "extreme value" territory with this wine, and style has shifted gears accordingly. At $10, it's possible to get some sense of individuality. At $5 or under, I've yet to see it.

Price: $A4.25
Closure: Stelvin
Date tasted: August 2008

La Cantina Dry Red NV

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This wine stood out on the shelf as an oddity: a non-vintage red table wine made from the pressings of miscellaneous (and unspecified) varietals, proudly advertised as unfiltered and preservative free. All this strangeness for $10.15 -- now that's value. According to its website, La Cantina is a family-run producer in the King Valley of Victoria. Its range includes a number of very reasonably priced labels made from predominantly Italian varietals. This wine is the baby of the range.

A dark, dense colour, apparently garnet/ruby, some flashes of brilliance. The nose is immediately offputting and, initially, I thought the wine was tainted with brett. As I smell it more, though, its savoury funk translates to a slightly vegetal note that, in the end, is moderately attractive in its way. Certainly not a clean style, though. On the palate, more surprises. The nose's savouriness is overwhelmed by unexpectedly bright, sweet, raisin-like fruit on entry and mid-palate. It is crunchy and red and in some ways reminiscent of young Pinot Noir. Acidity sweeps over the tongue and accentuates a sappy, stemmy dimension to the flavour profile. Mouthfeel is correspondingly rough and bright -- not a bad thing at all, especially considering the almost-too-sweet nature of the fruit. The after palate reverts to an almond-like note before transitioning to a finish marked by grainy, unobtrusive tannins and more slightly over-ripe fruit flavours. 

Interesting wine. It's totally unsophisticated in its structure and flavour profile, and trades instead on a sense of coarse rusticity that, for me, has its own attraction. In some ways, it is almost unbalanced, but it also coheres on its own terms as an unpretentious, food-friendly wine. One to throw back over a picnic or with pizza.

Price: $A10.40
Closure: Cork
Date tasted: August 2008

Offcuts

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I've been revisiting a few wines previously examined on Full Pour, with pleasing results. Here are some brief thoughts.

The Clonakilla Hilltops Shiraz 2006, last tasted a few months ago, continues to resolve well. When young, this wine was pretty lumpy, though full of flavour. It is now achieving good harmony across its various elements and, to my taste, is starting to enter into its proper drinking window. Lovely pepper, deep purple fruits, spice and excitement. 

The Mike Press wines have received a lot of press and, of those I've tasted, the 2005 Merlot and Cabernet are my favourites. I had a bottle of the 2005 Cabernet a few nights ago, and it demonstrates a balance and sophistication that its 2006 sibling currently lacks. Really nice Cabernet at a very cheap price. 

The Hoddles Creek Chardonnay and Pinot Noir from 2006 are in fine form at the moment. The Chardonnay has filled out nicely with a few months in bottle, and provides incredible intensity and sophistication for a wine under $20. Lovely, generous flavour profile. The Pinot is a deliciously beetroot/rhubarb-laden wine, good structure, full of flavour and texture. It's more plush and sensuous than it was on release, and all the better for it. I understand the 2007 versions are out and I shall be hunting them down. If 2006 is anything to go by, a few months in bottle will do them a world of good.

About Full Pour

Full Pour is a place for two long time friends, and fellow wine nuts, to document their ongoing vinous adventures.

It's a place to celebrate wine (from the cheap to the rarified), to share impressions, complain, exalt, dissect and guzzle. It's also a place to learn and, hopefully, enjoy the company of like-minded people.

Full Pour is Christopher Pratt and Julian Coldrey, with occasional guest contributors.

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