Clonakilla Hilltops Shiraz 2003

Around six and a half years ago, I was preparing to leave for Australia. Me, I’m Californian, but I’d always wanted to visit; after many years of planning and saving, my partner and I decided to leave for Sydney in February 2001.A few weeks before we did, I met Julian for the first time: we had mutual friends in Sydney, and it was clear that we were both, well, obsessed with wine to a certain extent. I brought a couple of bottles of wine to Australia with me – Bonny Doon pinot gris, I believe – but schedules didn’t work out and we didn’t get a chance to meet in person, unfortunately.Six weeks later, I found myself in Melbourne. I’d already begun having a look around Australia’s wine regions – most memorable were Moorilla Estate (for verging on the ludicrous – think tacky art museum with an utterly trashed tasting room with no actual wine available to taste) as well as Golders Vineyard (probably the first pinot noir I’d ever had that verged on the transcendent). In the meantime, I’d arranged to get together with Julian the next week in Sydney, but of course I wanted to find some wine from my home state. You know, the usual home town pride, nothing special.According to Bonny Doon’s importer, there was one small shop in Melbourne that carried Le Cigare Volant, which was just about the only Californian wine I was able to find in town. Strangely enough, a wine sales rep noticed I was buying it and started to gossip about how Bonny Doon winemaker Randall Grahm had just been in town for some kind of international Shiraz symposium. He’d basically trashed the entire Australian wine industry for producing nothing but “raspberry motor oil” – but did concede that there was one winery in the entire country worth its while: Clonakilla.As luck would have it, Clonakilla isn’t far from the Hume Highway (that’s the road from Melbourne to Sydney for your Americans). It’s just a short detour of about half an hour and besides, I’d never really seen Canberra.I made the detour.An hour later, I realized that I’d probably just had one of the key experiences of my life. Clonakilla winemaker Tim Kirk heard our ridiculous Californian accents in their small tasting room and decided to come check it out; we wound up being invited to taste barrel samples, which had never happened before. I was incredibly grateful and embarrassed, really – it’s unusual for anyone to be that generous in my personal cultural experience, so I didn’t know how to comport myself. To thank Tim, I gave him the bottle of Le Cigare Volant that I’d bought in Melbourne; he gave me a bottle of port in return.The next morning, after breakfast, I bought the most expensive bottle of wine I’d ever bought in my life: a bottle of the Clonakilla shiraz viognier. It had been sold out at the winery, but one shop in Clonakilla still had some. It cost me US $28, which was unspeakably expensive. (It now sells for US $65, assuming anyone has any in stock, just six years later). Julian and I drank that bottle together; it was the beginning of a beautiful friendship (what can I say? As a Californian, I’m prone to inane movie quotes from time to time).Today’s a typical San Diego June day. It’s cool, mostly sunny. I headed into our tiny 1940s garage and grabbed the first thing I could find, and it was a Clonakilla wine. If there was ever proof that a winery’s generosity to a total stranger can pay dividends, it’s the simple fact that I’ve been a loyal customer ever since.In the glass, the wine is behaving French, not Australian. There are tiny particles clinging to the side of the glass; the color is noticeably young – surprising for a five year old wine – all crimson blacks and vibrancy. The nose is unspeakable; by that I meant that it shuts even the most loquacious wino up faster than anything short of La Tâche. It could be meatloaf. It could be an old leather bound book that fell behind your carrel in the library basement. It could be sheets that have been in the closet too long. It could be fresh blackberry jam with demerara sugar. It could be any number of things. It is, at any rate, fascinating.It appears to be a very young wine at times; at other times, aged notes sneak in. They don’t detract from the wine, not at all; instead, they serve as a gentle reminder that this wine, too, will fade at one point, so you’d best drink it now. There’s bright acidity, yet not too much; the initial attack fades quickly and you’re left with a sweetness supported by nicely resolved tannins, a certain smoothness, and a gentle finish that reminds me of croutons and pancetta. At other times, there are decidedly smoky notes, bacon fat, water crackers, and possibly even something like roses. I’ll stop now; I’m sure you get the drift.In my room, it’s 2002 again and I’m standing outside in the Australian sun wondering how the hell this stuff exists. It’s a religious moment as I’ll ever have. I’m grateful to have a glass of this in front of me, I really am.ClonakillaPrice: US $17.99Closure: CorkDate tasted: June 2008

Domaine Alain Chavy Saint-Aubin 1er Cru En Remilly 2005

Such is the allure of the great vineyards of Burgundy that those sites with any connection, however tenuous, to vines of renown are almost relentlessly flogged as such. Who am I to buck the trend? En Remilly, the source of this wine, is usually mentioned in the same breath as Le Montrachet, as it is on the same slope above its more famous neighbour. Does proximity to greatness mean anything in this hottest of terroir hotbeds?

The nose certainly promises good things. It’s soft, delicate, and rounded, with floral notes dominating a background of subtle cashew oak, lovely flint and even some banana. Smelling this wine is like sniffing a well-planned garden just coming into bloom. It has the same freshness and intermingled complexity of aroma.

The palate takes these elements and amplifies them, while retaining a similar balance. The entry displays fresh, fine acidity that lingers on the tip of the tongue, then leads the way to the mid-palate ahead of delicate yet persistent fruit flavour. There’s still tight focus as we reach the wine’s mid-point, but the flavour profile by now shows its full spectrum of elements. Lightfooted citrus fruit and flinty minerality are the key ingredients, and play off each other beautifully. There’s also some creaminess and lightly nutty oak in the background. The fruit is clingy but not cloying, thanks to the freshness of the acidity, and shows great definition. Structure relaxes a little out as it moves through the after palate, and spreads the same clingy fruit throughout the mouth ahead of an impressively long finish.

The wine continued to improve and gain weight all evening, and I think reached its peak at a relatively warm temperature (just lightly chilled), so don’t be afraid to serve it even warmer than you might other Chardonnays. It’s not a blockbuster by any means, as it showcases delicacy and balance above power. But it’s pure and balanced and deliciously intense. A lovely style and one of my favourites in the recent pack of white Burgundies tasted at Full Pour. Good value.

Domaine Alain Chavy
Price: $A44
Closure: Cork
Date tasted: June 2008

De Bortoli Yarra Valley Estate Pinot Noir 2005

One of the many joys of wine is to revisit a label that, for whatever reason, sticks in the mind from a previous tasting. The experience is akin to renewing an acquaintance. Will there still be a dialogue, hopefully even more mature and satisfying? Or does elapsed time mean increased distance without corresponding fondness? It’s this unknown that creates a pleasant frisson of anticipation when I check a bottle out of the cellar for repeat tasting. This De Bortoli stood out from the pack when I worked my way through a range of new release Pinot Noirs a while back. I clicked with its assertiveness and sense of style, so promptly purchased a few for later consumption. Pale orange-red in the deceptively dilute Pinot manner. If a barnyard could slap one in the face, it would smell (and perhaps feel) like this wine’s nose. It’s willfully funky and expressive and all those good things that Pinot can be. Red fruit with a touch of musk is there but takes a back seat to all the sappy, savoury aromas that waft from the glass. It’s still very primary and high toned. As nice as the nose is, the light to medium bodied palate is a step up and shows unexpected structure and intensity. Sizzly yet fine acidity hits the tongue and spreads widely towards the middle palate. Although the acid is prominent and creates a bright flavour profile, it’s not a forbidding acidity, and the wine shows a contradictory relaxation in the mouth. Bright, sour red fruits, rhubarb, citrus peel, sappy vegetal characters, beguiling complexity, good flow and consistency of line. There’s a lot to like here. A delicious after palate whose fruit fades just as slightly grainy tannins and yet more acidity transform the finish into a primarily textural experience. This wine has hardly budged in the last year or so and, as mouthwatering as it is right now, should fill out with at least a couple of years in bottle. I’ll be eager to reacquaint myself with it again, and again.Update: three days of air, and the wine is only now starting to evolve. This one’s got years ahead of it. De BortoliPrice: $A25Closure: StelvinDate tasted: June 2008

Domaine de la Chanteleuserie Bourgeuil Cuvée Beauvais 2006

All signs point to vin de terroir: little bits of unidentified crud on the cork, cheap glass, a label that looks like it was generated with Broderbund Print Shop circa 1992, and a Kermit Lynch importer’s sticker on the back.

Sure enough, the wine is noticeably light in color in the glass, and it doesn’t smell like a New World wine at all. There’s sort of a sweet, smoky, summer sausage smell (sorry for the alliteration, it just came out that way) here, balanced out with dusty closet and violets. In terms of feel, the wine is light in the mouth, fairly tannic, and leaves behind a noticeable whack of unresolved tannins; it’s presumably best eaten with something meaty to balance out the tannin. It’s not unpleasant, though; I remember the very first wines I ever tried as being somewhat similar.

Being a Californian, is it just possible that I’ve grown up with wines designed for American consumers? That is, wines that are designed to be as innocuous as possible? The surprise tannin onslaught is kind of enjoyable; it leaves a pleasant tobacco leaf taste behind, and it’s a nice change from the usual fruit bomb effect that leaves you with nothing but a hangover the next morning.

Over time, I came to the conclusion that this doesn’t taste like any wine I know of, and that’s a wonderful thing. I have no idea if this is typical for Bourgeuil; I’ve never had it before (only Chinon). Plus, at this price, c’mon, there are a million boring Californian wines for fifteen bucks out there – why not try something radically different for a change?

Domaine de la Chanteleuserie
Price: US $14.99
Closure: Cork
Date tasted: June 2008