Eloquesta A Boy with Fruit No. 1 NV

With his previous releases, Stuart Olsen with his Eloquesta label skirted the edges of eccentricity, but this release blasts through any vestigial sense of convention. Hipster-bait to be sure, this non-vintage mixed black blend (along with some Viognier) is, so declares the press release, more about region and winemaker than variety.

As an aside, how nice to see a producer acknowledge that, yes, people do play a role in winegrowing, and not just as impossibly romanticised shepherds of Nature’s Will as grapes make their way into the bottle.

No, this is a celebration of the winemaker, and it’s a good argument for placing an interesting person at the centre of a wine project. I’ve not had an opportunity to talk with Stuart Olsen aside from the occasional online interaction, but clearly there’s a curious, exploratory mind at work, even if some of the ideas being juggled (harvesting “in line with the lunar cycle”) are less interesting to me than others.

In the end, we judge these ideas through the wine produced, and I’m happy to note this is a very distinctive, enjoyable wine. It wears its eccentricity on its sleeve, and this smells notably unlike the mainstream. Its aroma is deeply fruited and forward, with a sappy edge and a general air of savouriness that underline the fruit and take it into less familiar territory. There’s an interplay of fresh, vibrant fruit, nougat oak and aldehydic cocoa powder that, for me, strikes a good balance.

The palate is very supple and establishes this as a wine that drinks well right now. It’s very giving, with a relaxed acid line that allows the mid-palate some expansiveness, perhaps at the expense of some tension and precision. Flavours are, again, an interesting mix of freshness and age, just as successful as on the nose, but with the added attraction of ripe, rather plush tannins through the after palate. Not a wine of great impact, perhaps, but drinkability is high, and the flavours are most distinctive.

I really like what’s happening with this label and I look forward to more.

Eloquesta by Stuart Olsen
Price: $A28
Closure: Stelvin
Source: Sample

Wendouree Cabernet Malbec 2011

Aside from an older vintage of its delightful Zibibbo Muscat of Alexandria, I’m ashamed to admit I’ve never properly written up a Wendouree wine on Full Pour, despite having drunk many over the years. Time to fix that.

This, from the legendarily difficulty 2011 vintage in South Australia, represents my favourite Clare Valley regional blend. Interestingly, growing conditions have resulted in a wine that’s far more approachable and coherent than many a young Wendouree I’ve tasted. There can, indeed, be an upside to these things. The aroma’s expressiveness provides a first clue to the wine’s relative accessibility, yet it’s the aromas themselves I find enveloping and transportive. Instantly, I’m walking home from school in the suburbs, the pavement hot underfoot, each nature strip a mini-oasis of cool, gum trees releasing a gentle aroma into the air, the occasional kick of dust and tar from a driveway. Indeed, this is vivid and spacious and, somehow, so Australian.

The palate’s moderate weight suits its highly aromatic countenance well. Those famous Wendouree tannins do make an appearance, but less so than usual, and with less density and impact overall. The focus here, rather, is on fluidity of movement and complete transparency of flavour. This is so pretty, and so gentle, one goes to it willingly and is amply rewarded with bright fruit flavours, tanbark textures and a general sense of elegant ease. Some may find the acid strident; I welcome its sizzle and vivacity. Certainly, fruit flavours are intense enough to provide balance. The finish isn’t especially long, but what’s there provides a coherent closure to the wine’s line.

This would be a sensational lunchtime claret.

Wendouree
Price: $A55
Closure: Stelvin
Source: Retail

Wynns Coonawarra Estate Johnson’s Block Shiraz Cabernet 2003

Time to test a theory: that this wine would benefit from a few years in the cellar. I was underwhelmed when I tasted it in 2009 and, while combing through my cellar the other day, thought I’d drag a bottle out to try.

Sadly, it’s different, but not substantially better. Structurally, the edge I noted in my previous note has calmed, though it remains a fairly tannic wine through the finish. There are regional aromas of blackcurrant and dusty leaf that I appreciate, and the wine’s line shows even density. The straightforward fruit character it showed as a young wine persists, though, leading to an impression of simplicity and bluntness on the palate. There are certainly some tertiary flavours now, and these are welcome, yet the wine never transcends the lump of indistinct berry fruit at its core.

Only okay.

Wynns Coonawarra Estate
Price: $A35
Closure: Cork
Source: Retail

Dodgy Brothers Cabernet Franc Cabernet Sauvignon Petit Verdot 2012

The last of Dodgy Brothers’ three new releases to grace my tasting bench and one that, in some ways, I’ve been slightly apprehensive about tasting. You see, I’m a fairly recent convert to McLaren Vale Cabernet. I used to feel the Vale’s warmer climate did strange things to Cabernet and its siblings, smoothing out some of the edges that I enjoy with this variety and substituting a certain Shiraz-like roundness. It’s true this region doesn’t produce the sort of spiky, angular wines one associates with “classical” Cabernet style. Working in the region last year, though, I saw quite a few parcels of Cabernet, Merlot and Petit Verdot. Yes, these wines can be structurally quite cuddly, but at their best they are astonishingly fragranced, showing recognisably varietal aroma profiles with a rich, regional twist.

And that sums up this wine quite well. It is unquestionably expressive aromatically, and the dominant Cabernet Franc component contributes a lovely red capsicum note alongside a range of florals, spices and purple fruit. There’s a relaxation and composure to the way this wine smells that is very accessible and should be quite crowd-pleasing.

In the mouth, quite a rounded presence that seduces at first with its volume before ushering in the sort of tannin structure Cabernet lovers demand. Tannins are abundant and slightly rambunctious, giving the wine some texture and helping the wine’s darker flavour notes to persist through the after palate and finish. Flavours are full and ripe, with berries tending towards purple and black, and oak making a toasty, spiced contribution. This is very much the hedonist’s Cabernet blend, one that is unashamedly voluptuous without sacrificing the fragrance and tannin structure that makes these varieties so wonderful.

Dodgy Brothers Wines
Price: $A29
Closure: Stelvin
Source: Sample

Alkoomi Cabernets 2011

I lingered a little in Frankland River last May. Of all the sub-regions in Great Southern, this felt the most isolated and pastoral and, in being so, made flesh what I had until that point only been able to imagine about the region. To drive from Manjimup to Frankland River is in some ways to travel into the vastness of Australian agricultural life. Magnificent forests of impossibly tall trees give way to farmland that, in its cultivation, shows another side of the landscape’s beauty. I’d say it’s a pity it’s so isolated, but that isolation is an integral part of Frankland River’s appeal. To know you’re hours from a city of any significance makes the experience of being there so much more vivid.

I sometimes wonder about the challenge of marketing Great Southern wines. It’s as if the region’s remoteness translates to an equally remote connection those of us on the east coast feel for the producers who toil there. In any case, even a cursory taste of the region’s wines is sufficient to demonstrate this vast region, with its varied sub-regions, is capable of wines of exceptional quality. I had great visits with Alkoomi and Frankland Estate while in the sub-region, and was lucky to spend some time with Alkoomi’s winemaker Andrew Cherry when I popped in on a Sunday. Lots of wines impressed, but this particular wine stood out not just for its taste but for the value on offer.

It’s a real Bordeaux blend, this one, with all fruit harvested from the estate’s vineyard in quite a warm year. The aroma is thick with purple and black berries, and the floral lift I associate with Petit Verdot in particular. There are darker edges too, of damp twig and black spice, that add depth and savouriness to the aroma. What marks this, perhaps, as a wine of value is a certain lack of definition, of delineation between notes, that means the aroma tends to blurriness. Nonetheless, a nice wine to smell.

The palate tells a similar story. Berry flavour floods the mouth and is of a quality and character that far transcends its price point. This wine has especially good continuity down its line, with no unseemly peaks or troughs. It’s medium bodied and fresh-tasting, with ripe tannins that tighten the after palate and introduce a welcome textural dimension. As with the nose, flavours tend to blur into one another, and the wine lacks the sort of precise articulation one sees at higher price points.

Still, a real bargain at $18 and a great taste of Frankland River Cabernets.

Alkoomi
Price: $A18
Closure: Stelvin
Source: Retail

Robert Stein Reserve Cabernet Sauvignon Shiraz 2009

I’m quite sure the tide will turn in favour of Australia’s heritage styles eventually. Right now, the (often deserved) attention being paid to our Chardonnay and Pinot wines comes at the expense of wine styles with genuine lineage. I’m thinking of dry Riesling, fortified wines and, of course, the Cabernet Shiraz blend. As things stand today, this wine from Mudgee is firmly on the wrong side of fashion.

Which is a shame because, as many have remarked before me, there’s a lot to commend this particular blend. Shiraz’s tendency towards flesh on the mid-palate can work well with a leaner Cabernet, giving weight to the latter’s focus and structure. I sense when tasting this wine that the components are working in harmony. The dominant influence is certainly Cabernet, and the wine is quite linear on the palate. But there’s some sweet juiciness too, a swell on the mid-palate, that screams Shiraz. The balance struck between the two seems right to me and, while it’s not a wine that prioritises finesse, it does retain an elegance of fruit despite its fundamentally ballsy character. The wine’s region also sings loudly, with a characteristic red dirt/dust note featuring on both nose and palate.

I do find, though, that oak plays a fairly strident role in the wine’s flavour profile at present. It’s glossy and glamourous for sure, yet I can taste it quite separately from the fruit, which suggests a bit of time for it to integrate would be of benefit. Acid is also a smidge disjointed at the back of the palate, leading to an orange juice, sweet-sour impression as the wine moves through its final moments. So, a wine that remains youthful and edgy, in need of time.

Robert Stein
Price: $A60
Closure: Stelvin
Source: Sample

Vignobles de Gascogne Madiran Reserve des Tuguets 2010

As much as I adore aromatic white wines and light, elegant reds, after several weeks in Germany I have developed unhealthily deep cravings for something big, tannic and slutty. I’m in the UK right now, so my usual game of restricting myself to supermarket wine holds. A recent visit to a Tesco the size of a small village resulted in this, a Madiran with some Cabernet Sauvignon and Franc in addition to the usual Tannat. Surely a combination to salve some of my tannin withdrawl.

And yes, it’s reasonably tannic. It’s also, initially, pretty mean, showing little lusciousness of fruit and, in its place, a bloody flavour profile that’s not metallic so much as sinewy and spare. There are big holes in the aroma and flavour of this wine, holes that are are partially addressed with air, but it remains a fundamentally lean, savoury wine even through extended tasting. To the extent there is overt fruit character, it’s bright and red, with some sweetness but little weight. Structure is more gratifying, with tannins that are well textured and acid that keeps things fleet. Yet I can’t love the balance of this wine, and the whole is akin to someone painfully skinny who isn’t, alas, especially handsome either.

At Tesco, I also purchased a Cahors I hope will provide more satisfaction.

Vignobles de Gascogne
Price: £8.99
Closure: Cork
Source: Retail

Pontotoc Vineyard Smoothing Iron Mountain 2011

All three wines in the Pontotoc range are named after landmarks visible from the winery. One is the vineyard itself, another the San Fernando Academy, the ruins of which stand right at the winery’s front door. This one has a grander parent, a gentle beast of a mountain in the Hill Country that rises gently above Pontotoc and that looks vaguely like a smoothing iron. Driving around Llano and Mason Counties, one can’t avoid seeing this rounded landform on the horizon, putting us all into some kind of perspective.

This particular blend is what I jokingly call a Super Texan: a cross between Tempranillo, a variety that seems to do really well in the Hill Country, and Cabernet, the prestige import. Of all the wines in Pontotoc Vineyard’s 2011 portfolio, this will probably taste the most familiar to those without any exposure to Texan wines. Whether this is a good or a bad thing depends entirely on one’s point of view.

To my palate, the Cabernet component has tamed some of the estate vineyard’s natural exhuberance; the aroma here is dusty, with hints of Cabernet leaf, showing dark fruit and lightly coconutty oak. Compared to the straight 2011 Tempranillo, this tastes a smidge darker and less angular, with perhaps less fruit and more savoury elements.

In the mouth, lots of coffee and milk chocolate, dusty Cabernet fruit with some flashes of brighter berries. It’s vibrant and fresh-tasting, though again a more adult, streamlined wine than the straight Tempranillo. Palate structure is a highlight, with fine tannins and enough acid to carry the finish but not constrict the mid-palate. There’s also a lovely biscuit-like flavour that I especially like.

Wines from this region aren’t naturally built up or full bodied; rather, their value lies in elegance, transparency and freshness. However, I imagine there’s a demand for more robust styles that can stand up to the equally robust foods of the region. This wine should meet that need well, as it’s a touch more structured and darker in flavour profile, despite its inevitably moderate body.

Note: For the 2013 vintage, I was an intern with Don Pullum, the maker of this wine.

Pontotoc Vineyard
Price: $US30
Closure: Cork
Source: Sample

Ridge Monte Bello 2008

During my recent visit with Chris, I was lucky enough to taste several vintages of Monte Bello, Ridge’s flagship Cabernet blend. Not a single bottling was less than excellent, and I found exciting transparency as to vintage conditions across years.

This particular bottle was tasted in a lineup that included Grosset Gaia, Penfolds Bin 707, wines from Cayuse, Clonakilla and more. In other words, some stiff competition. It jumped out at me immediately, though, as the most appealing wine in the moment, and I couldn’t get enough of its power and layers of flavour.

Some wines leap lithely into the mouth, placing flavour delicately and with finesse. This isn’t one of those wines. New World Cabernet this most definitely is, and joyously so. This has presence in the mouth, real impact and body, but it’s only mid-weight, and its charisma instead comes from density of flavour combined with a cascade of notes that land on top of each other, both sweet and savoury, meshing and building down the line.

Texture weaves in and out of these flavours and is an integral experience of the wine; I wouldn’t say it’s forbiddingly tannic, but there’s a firm framework of acid and gloriously luxurious tannin within which this wine’s components rest. All in balance and certainly with a few years ahead of it yet. More than any one thing, though, this wine just begged to be tasted again and again when the other wines in the lineup had said all they had to say.

Is it a matter of absolute quality? No more than in art or friendship.

Ridge
Price: $NA
Closure: Cork
Source: Gift

The Scholium Project Chuey Cab 2009

There’s a particular type of wine in which I have an inherent interest; they form part of, for lack of a better term, what I’ll call the postmodern wine project. These are bottlings that draw on a particular view of wine history, elevating practices that have, over time, become outmoded, and attempting to illuminate in modern form things we may have lost from our experience of drinking wine. This project can sometimes take generous form, as in the Mountain X wines, or be somewhat more retaliatory tone, as in this one.

The idea here is to reclaim a not-long-lost style of Napa Cabernet that is earlier picked and more elegant in effect. Those who lived through unripe Australian Cabernets from the 80s may shake their heads at this folly, but I am pleased to note this wine, though it shows signs of a certain greeness, is far from the leaf bombs that Coonawarra was churning out those decades ago. At 14.24% ABV it’s not exactly a lean wine in terms of alcohol, and there is a core of ripe fruit here that supports more questionable edges of green.

To focus on ripeness, though, is perhaps missing the point of this wine, which achieves obvious, genuine elegance. Sure, it comes at the cost of some green tannins and a slightly lean (though purely fruited) mid-palate, but I’m not prepared to dismiss this wine on the basis of pulling back ripeness to provide a different view of the fruit. This seems a sophisticated attempt to do something different and beautiful that engages with a (real or imagined) past. And it’s a very good wine, even when judged by conventional markers like complexity, balance and line. Would I prefer it without a smattering of green tannins on the finish? Unequivocally, yes. Do they ruin the wine? Absolutely not.

Another fascinating Scholium wine.

The Scholium Project
Price: $US85
Closure: Cork
Source: Gift