Quinta do Vale Meao Meandro Red 2011

Today’s spectacular train journey along the Linha do Douro has deposited me in the pretty town of Pinhão, Portugal. I’m in the heart of Douro wine country, surrounded by terraced vineyards that defy common sense and Quintas whose names shout loudly from brightly whitewashed walls along the river banks. I went to a local restaurant tonight, one that I can recommend highly (the Restaurant bar veladouro), and drank entirely on the recommendation of the house. Why aren’t Portuguese table wines better known? I’ve had several beautiful wines in my two days in the country so far, and I’m quite confident there will be more to come.

Just bottled in June of this year, this is a blend of Touriga Nacional, Touriga Franca, Tinta Roriz, Sousão, Tinta Barroca and Tinta Cão. The aroma shows notes that span a range from determinedly odd to almost familiar. Hessian, tart dark berries, sea spray, sap and a subtle sprinkling of fruit cake spice. It’s already busy for such a young wine, although its notes do stand apart from one another somewhat. Still, the overall impression is one of complexity, subtlety and and balance, with juicier berry notes sneaking in over time.

In the mouth, medium bodied with a fine tannin structure and mid-palate that is waiting to relax and please. For now, acid keeps things in good check, such that the experience of this wine remains somewhat linear. There’s a lot of savoury complexity through the after palate. including a contribution from oak that tastes rather raw for now. It’s clearly a young wine, but its components are achingly good in a restrained, modest way. The best is yet to come here.

I enjoyed this bottle of wine with a traditional Portuguese meal of salted cod gratin. An unlikely, but sympathetic, pairing.

Quinta do Vale Meao
Price: €20 (wine list)
Closure: Cork
Source: Retail

All Saints Hogshead Matured Shiraz 1983

[Editor’s note: as is our occasional habit, we here publish the work of a guest author, Simon Clayfield of Clayfield Wines.]

My son was out of bed unusually early last Sunday morning and presented me with a Father’s Day card and gift: a really neat waiter’s friend corkscrew. A lovely thought and truly appreciated, but a strange gift considering that most wines these days are sealed with a screwcap.

I have a moderate collection of corkscrews and my favourite is the “screwpull,” which has coaxed the most fragile and stubborn corks from many bottles. Teenagers often forget that mums and dads exist, let alone appreciate the slightest moments of love and caring, but this gesture made my day. Our boy is about to complete secondary school and if all goes according to plan will be moving away early next year to start a career in the defence forces. I will make a habit of carrying this tool with me at all times and not just for practical reasons.

Tonight we cooked a simple but flavoursome pasta carbonara. I went rummaging through my special stash of older wines and, after a few minutes, pulled out a bottle of 1983 All Saints Shiraz to accompany the meal. The cork looked to be in sound condition and still offered some resistance, christening the brand new corkscrew; it came out nicely and without any offensive odour of cork taint. I have a habit of pouring a little straight into the glass and sniffing it before decanting just in case, to avoid cleaning the decanter un-necessarily. Decanting left a small deposit and the wine had good clarity.

The initial aroma was inviting but somewhat closed from all the time spent confined; it needed a little while to reveal the beauty within. Its ruby red colour defied its thirty years’ age and, after a while, a brick red hue appeared in the meniscus — definite signs that the cork had done satisfactory job of protecting the contents from excessive oxygen. According to the label, the wine was matured in French Nevers Oak hogsheads; clearly evident early but not obtrusive and gradually changing into wonderful cigar box/cedary character. The fruit showed defining peppery Shiraz notes that soon morphed into attractive glazed fig and plum. These nuances carried onto the palate, balanced with grainy tannin and a slight aftertaste similar to Morello cherries.

Overall, I this wine is a splendid example of aged Australian Shiraz which was most likely made in the traditional way. 1983 was drought time. I think the winemaker made a good call to pick the grapes early, avoiding excessively jammy and overripe fruit characters, considering also that the vineyard is located in a relatively hot viticultural region made famous its fortified wines styles.

The wine made a good partner with dinner and a great excuse to use the corkscrew — something we don’t do often enough these days. Thanks son.

All Saints
Price: $NA
Closure: Cork
Source: George’s private stock

Pontotoc Vineyard Estate Tempranillo 2012

A bit of a pre-release note for this wine; as at this tasting, it had been bottled about two weeks.

In speaking with the winemaker, Don Pullum, about this wine and the 2012 vintage generally, it seems the defining character that year was a forwardness of bright berry flavours. In response to this, Don kept a portion of the finished wine in tank, rather than barrel, to preserve some of that character through to bottling time.

An interesting approach and one that has certainly translated to incredibly bright primary fruit flavours in this wine. I left this a couple of days after I first tasted it; predictably, this led to a diminution of fruit and an increase in savoury flavours, whereupon this wine’s DNA becomes a lot clearer. There’s certainly a family resemblance to the initial estate release. Pleasing transparency into vintage, though.

Aromas begin with a plume of smoke wound around bright red fruit. At present, it opens almost entirely fruit-driven but gains a lot of complexity with air. The nose begins to show a range of dusty, floral, grassy aromas; the whole reminds me of walking through a lush field on a very hot day. It’s difficult for me not to think of the vineyard itself, which often bakes in forty degree heat and which smells not unlike this wine, in spirit if not in fact.

The palate is sweetly fruited and, in this quite, is different from the 2011. It’s a much more up front wine at this stage of its life, throwing red fruit in your face the moment you sip it. As a result, it’s a lot more accessible than the earlier wine, and I can see a lot of people preferring it for this reason. The fact that it has gained savouriness with air suggests it will head in this direction with bottle age, and I feel the wine will benefit from some short term cellaring at least, to build some of these flavours.

From what I tasted of the 2013 ferments and finished wine, the current vintage’s release will sit part way between the 2011 and 2012 wines, with both a good deal of savouriness and sweet fruit. I’m happy to have worked on that wine.

Note: For the 2013 vintage, I was an intern with Don Pullum, the maker of this wine.

Pontotoc Vineyard
Price: $NA
Closure: Cork
Source: Sample

Pontotoc Vineyard Smoothing Iron Mountain 2011

All three wines in the Pontotoc range are named after landmarks visible from the winery. One is the vineyard itself, another the San Fernando Academy, the ruins of which stand right at the winery’s front door. This one has a grander parent, a gentle beast of a mountain in the Hill Country that rises gently above Pontotoc and that looks vaguely like a smoothing iron. Driving around Llano and Mason Counties, one can’t avoid seeing this rounded landform on the horizon, putting us all into some kind of perspective.

This particular blend is what I jokingly call a Super Texan: a cross between Tempranillo, a variety that seems to do really well in the Hill Country, and Cabernet, the prestige import. Of all the wines in Pontotoc Vineyard’s 2011 portfolio, this will probably taste the most familiar to those without any exposure to Texan wines. Whether this is a good or a bad thing depends entirely on one’s point of view.

To my palate, the Cabernet component has tamed some of the estate vineyard’s natural exhuberance; the aroma here is dusty, with hints of Cabernet leaf, showing dark fruit and lightly coconutty oak. Compared to the straight 2011 Tempranillo, this tastes a smidge darker and less angular, with perhaps less fruit and more savoury elements.

In the mouth, lots of coffee and milk chocolate, dusty Cabernet fruit with some flashes of brighter berries. It’s vibrant and fresh-tasting, though again a more adult, streamlined wine than the straight Tempranillo. Palate structure is a highlight, with fine tannins and enough acid to carry the finish but not constrict the mid-palate. There’s also a lovely biscuit-like flavour that I especially like.

Wines from this region aren’t naturally built up or full bodied; rather, their value lies in elegance, transparency and freshness. However, I imagine there’s a demand for more robust styles that can stand up to the equally robust foods of the region. This wine should meet that need well, as it’s a touch more structured and darker in flavour profile, despite its inevitably moderate body.

Note: For the 2013 vintage, I was an intern with Don Pullum, the maker of this wine.

Pontotoc Vineyard
Price: $US30
Closure: Cork
Source: Sample

Bouchard Père et Fils Beaune Grèves 1er Cru Vigne de l’Enfant Jésus 2010

I’m sitting down to a few exciting wines tonight, of which this is one. I was a little concerned about its youth but this is an immediately expressive, enticing wine.

Line and length; this has, above all else, tremendous palate structure and persistence. I often feel flavours are privileged in wine appreciation above other, arguably more important, aspects of wine like texture and architecture — those elements that give a wine its narrative. This has plenty of complexity within its savoury flavour profile: cherries, exotic spices, undergrowth, roasted meat. There’s also a decent whack of toasted oak to help things along, and I find the oak especially well matched to the fruit flavours here.

Yet the main events here are mouthfeel and line, one modulating through a series of textural moments as the other ushers each flavour and texture element onto the tongue. This is fascinating to taste because it’s so sinewy and light in the mouth, yet with such drive and length, and such variation too. It’s far from delicate — in fact, its flavours are quite masculine — but there’s real refinement and detail too.

An excellent Burgundy.

Bouchard Père et Fils
Price: $US100
Closure: Cork
Source: Retail

Pontotoc Vineyard Estate Tempranillo 2011

Although the Pontotoc Vineyard had been producing for many years, its fruit going to other wineries, this bottling is the first under the Pontotoc label, and the first of a planned line of estate Tempranillos. It’s the current release and there are a few cases left.

An impressive first release by any measure. This smells and tastes strikingly savoury, with aroma notes of hessian, dusty roads, sweet hay, underpinned by red fruits and sweet tobacco. It’s quite expressive and high toned, with a floral vibe that sets it apart from meatier expressions of Tempranillo.

The palate is again very savoury and only medium bodied. There’s an interesting mouthfeel at work, sort of slippery and rounded, though not without textural dimensions. More tobacco, savoury red fruits, hints of creamy oak (though not too much of an influence here), along with a delicious coffeed finish. A dusty, dirty impression on the palate strikes me as very Old World, and indeed this is quite restrained in terms of sweet fruit character. It all seems to me highly varietal. Tannins are chunky and sweet when they arrive.

This is a quiet, adult wine; anything but a showstopper, yet full of gentle charms nonetheless.

Note: I am currently an intern with Don Pullum, the maker of this wine.

Pontotoc Vineyard
Price: $US30
Closure: Cork
Source: Sample