Dowie Doole Cali Road Shiraz 2010

When a wine is identified as coming from a single vineyard, it creates an expectation of distinctiveness, of an identifiable character that goes beyond simple varietal or regional correctness. In a way, the question of what a single vineyard bottling brings (if anything) over and above a well executed blend goes to the heart of what we value in wine. It’s a big topic that I won’t try to do justice to with this note, but I will say that the last bottling of this wine, the 2008, was by far my favourite Dowie Doole Shiraz from that vintage precisely because it tasted different, perhaps less glossy than the Reserve, but to me more attractive for its kinks.

I’ve not yet tasted the 2010 Reserve, but the single vineyard bottling, rechristened Cali Road, recalls the most pleasing aspects of the previous release. Immediately, the aroma is unvarnished, showing lovely regional earth and cocoa alongside typically plump McLaren Vale plum fruit. Oak plays a prominent role too, and I might object to its volume if it weren’t so typical of old school red wine from this region, and hence almost an expected element of the style. Its character is also well matched to the fruit aromas.

The palate is superbly drinkable. It enters with grace and subtlety, building to a middle palate that maxes out at medium bodied and is awash with down home red and black fruits, regional earth and salty texture. Structure begins with firm, well integrated acid and transitions to grainy, loose knit tannins through the after palate; its almost 15% alcohol is nowhere to be seen. Oak is, again, a feature of the wine, albeit one that is integrated and quite delicious. What I like most about this wine is its understatement. It’s just so unforced and, at the same time, shows real personality. This is the quiet guest at a dinner party who, half way through the evening, becomes the centre of attention without once calling attention to himself.

I feel like this is McLaren Vale Shiraz stripped of modernity, where the winemaking is traditional and the resulting wine intimate and real. Absolutely my sort of wine, and very much worth the price premium over the standard Shiraz in the range.

Dowie Doole
Price: $A35
Closure: Diam
Source: Sample

Cumulus Shiraz 2009

Lovely aroma, quite composed and balanced. The fruit is mostly red and shows an attractively lithe profile, quite unlike the denser aromas our warmer climate Shiraz wines can show. There’s some brown spice too, which blends well with oak that is somewhat nougat-like in character. I’m not sure I like the oak; its level is well judged but its character is just a bit too sweet and obvious for my liking. A matter of taste, though.

The palate is medium bodied and strikingly intense; there’s some great fruit in here. On entry, slick red fruit and prickly spice ride atop an immensely slick mouthfeel. The middle palate sees this silicon texture expand over the tongue, and some may love the sense of luxe here. Personally, I feel the texture is one-dimensional and somewhat at odds with the angular flavour profile. The flavours become sweeter as the line progresses, due in part to oak I think. The finish is rather delicious, echoing the wine’s flavours softly and for some time.

Sometimes I wish a wine were less perfect, and this is one of those times. There’s some seriously characterful fruit underneath the gloss, and I kept wishing I could get a less intermediated view of it, something rougher hewn, less intrusively sweet and slick. Still, a wine of quality and interest.

Cumulus Wines
Price: $A30
Closure: Stelvin
Source: Sample

Eloquesta by Stuart Olsen Shiraz Petit Verdot 2009

Wine labels tend to look somewhat samey after a while, so it’s always a nice surprise to open a box and find something distinctive staring back at you. The label is really quite pretty in an almost handmade way, and the chosen bottle has a nice, subtle curve to its side. All in all, lovely packaging. I’m particularly interested (even before tasting) in how this wine is being marketed. This is, in all apparent respects, a labour of love. Complex, quasi-natural wine techniques are used throughout; there’s carbonic maceration, whole bunch fermentation, minimal sufur, and so on. That’s a lot of quirk to pack into a $28 bottle of wine, and it all very much taps into the zeitgeist as far as wine appreciation is concerned.

To the wine itself. An immediate fruit lift signals the carbonic maceration. It’s a technique that can yield cheap-smelling wines, but I like the playfulness of the sprightly fruit in the aroma profile here. This otherwise smells as one might expect: characterful, dark fruited, anything but slick. The oak character stands out as too nougat-like. I would have preferred less of it, and something spicier.

The palate’s structure is appropriately rustic. There’s some raspy acid and the tannins are loose and drying; it all fits well with the artisanal vibe. Flavours are bright and fruit-driven, and for someone reared on dense Australian red wines, this may come across as too acidic as well as too thinly flavoured, and certainly there’s a hint of alcohol on the palate that I find intrusive. That’s a matter of taste; what interests me more is an impression that this wine is risky, walking a tightrope between characterful and home made. It’s certainly clean, and in all respects feels attentively crafted on a very small scale. Heaven to some, no doubt, even as it perhaps mystifies others.

Eloquesta by Stuart Olsen
Price: $A28
Closure: Stelvin
Source: Sample

Cullen Kevin John Chardonnay 2007

Somewhat of a showstopper. To be sure, this is in some respects a no holds barred wine, with what appears to be plenty of winemaking contributing to its flavour profile. The nose shows an enthusiastic cascade of aromas, ranging from popcorn and butter through stonefruit, more tropical fruit notes, lemon, minerals, and plenty of toasty oak. I list this number of descriptors to give a feel for the amount of stuff going on here; there’s genuine complexity in both fruit and winemaking inputs, and as I smell this I’m reminded of why Chardonnay is often considered the greatest of all white grapes. Few varietals could take this treatment and come out looking good.

The palate is an absolute powerhouse, but what I like most here is that all its flavours are so cleanly, precisely expressed within an frame that is as contained as it is impactful. There’s something beautiful about power so tightly focused, and the way this wine unfolds in the mouth is its primary pleasure. As much sophistication as there is by way of individual flavours, there’s also a surprisingly louche side to the fruit here, pushing against a tropical, pineapple note that I found amusing in this context.

This will surely polarise drinkers, and that’s okay, because there’s great value in an unapologetic style made with skill and integrity.

Cullen
Price: $A110 (restaurant wine list)
Closure: Stelvin
Source: Retail

Chapel Hill Shiraz 2009

Seems it’s McLaren Vale Shiraz time lately at Full Pour, which is just fine by me. Like the recently reviewed Dowie Doole, this shows fruit character that is deliciously true to the region.

The nose is dark and quite serious, throwing dense aromas that alternate between dark plums, earth and chocolate. I like the suggestion of liqueur here, which avoids any sense of over concentration and instead seems to mesh well with the earthy, almost mineral notes that sit alongside. I’d call it rustic but that would paint a misleadingly coarse picture of what is quite a resolved aroma profile. The palate is full and flavoursome. Entry is clean and driven by straightforward plum fruit. Some detail and texture creeps in through the middle palate, and I like the way the edges of my tongue pick up raspy tannin while the middle remains focused on fruit. Acid seems laid back, although the after palate shows some brightness and zing. Intensity is moderate. Overall, it lacks a degree of refinement in its articulation of flavours, but what’s here is clean and tastefully balanced. Oak is, in particular, subtly handled, even as it remains an important component.

A solid wine indeed, and one I’d be happy to drink with a nice lamb casserole.

Chapel Hill
Price: $A30
Closure: Stelvin
Source: Sample

Dowie Doole Shiraz 2010

Though the Merlot occupies a special place in my heart, there’s no doubt the core of Dowie Doole’s red wine portfolio centres on Shiraz. This wine is the standard label.

The nose is liqueurous, dark and seamless. There’s a big hit of coconut oak, which is regionally typical, and the whole vibe is very much old school McLaren Vale Shiraz in the best possible way. What I like about this region’s wines above those of the nearby Barossa is a less spiced, more fluid flavour profile, which for me ramps up drinkability. Plus, that hint of earth and dark chocolate that so characterises this region’s Shiraz, and which are very much present in this wine, are like catnip to me. Indeed, I’m a fan of the McLaren Vale. This stuff is dangerously drinkable.

On entry, charmingly self-effacing, moving through to the middle palate with a decent blast of fruit and a correspondingly firm dose of oak. Acid seems subdued, creating a relaxed, thick vibe on the middle palate. Plenty of berries, dusty cocoa, oak and earth. A clean after palate and finish follow, showing as much oak as fruit. It’s difficult to use American oak and get a subtle result and, for some tastes, the level and character of the oak here might be overwhelming, especially considering the appeal of the fruit’s flavour profile.

This is the kind of wine that will slay guests at a barbeque, being the kind of robust and drinkable red that can cut through the haze of casual drinking. I’m very much looking forward to tasting the California Road and Reserve wines.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Dowie Doole Merlot 2010

It was an exciting day recently when Dowie Doole’s new releases arrived at my door. As the producer of utterly unpretentious, highly drinkable McLaren Vale reds (in addition to be being somewhat of a Chenin Blanc specialist), I feel Dowie Doole’s wines engage the most appealing sides of the region’s character. The PR material that came with these samples informs me that a new winemaker, Chris Thomas, has been appointed, so I’m curious to see if any stylistic changes are the result.

I’ve a soft spot in particular for the regular Merlot, not because it’s a $60 wine in disguise, but for its extreme deliciousness of the pure plum variety. This 2010 version certainly has plenty of tasty fruit, but also shows an extra dimension of varietal character that I’ve not noticed before. Where previous releases have been all about luscious berries, this wine’s aroma has a distinctly herbal, green olive side that certainly adds complexity. It grants the wine an altogether more serious vibe, not angular or difficult so much as savoury and adult.

In the mouth, an elegant experience that, again, takes things up a notch from previous releases. It’s still utterly fruit-driven, to be sure, but with its moderate weight and cleanly articulated flavours, there’s a sophistication here that is most pleasing. A nice gravel note sits alongside poised red fruit and subtle oak, all supported by plentiful acid and raspy tannins. The line has a nice rise and fall, trailing off through the after palate and surprisingly long finish.

I’m really impressed with this wine. It shows a slightly different direction from earlier years, and part of me misses the simple fruitiness of those wines. There’s no denying, however, the appeal of what’s in my glass now.

Dowie Doole
Price: $A22
Closure: Stelvin
Source: Sample

Windowrie The Mill Verdelho 2011

To the extent that one thinks at all about Verdelho, I’m willing to bet most people in Australia associate it with the Hunter Valley. I’m somewhat partial to a good Hunter Verdelho actually; their simplicity and robust flavour can be charming. So I was quite disappointed the other night to taste an almost undrinkable example of the genre. Luckily, I had a couple of other Verdelhos in the sample pile, though from regions other than the Hunter.

This one, for example, is classsified Central Ranges but, from a comment left on my review of the 2008, the fruit is sourced from Cowra. Re-reading my impressions of the earlier wine, I found it lacking compared to my favourite Hunters, but the current release suggests I may need to re-evaluate. Granted, it’s hot and slightly phenolic — two classic Verdelho traps — but its boisterous character and generous flavour more than compensate.

The aroma is bright but not sharp, expressing citrus and richer tropical fruit in equal measure. The palate has a particularly good acid structure, firm and a bit edgy but well balanced with respect to the weight and richness of the wine’s fruit. There’s a thickness to this wine’s flavour profile that reminds me of tinned things; not so much a lack of freshness as a slightly blunt opulence that, I must admit, I quite enjoy. The after palate and finish are unremarkable, but for that burst of alcohol at the tail end.

As an affordable quaffing wine, this succeeds well.

Windowrie
Price: $A16.99
Closure: Stelvin
Source: Sample

Domaine de Roally Mâcon-Village 2004

A humble Village Burgundy from the also-ran Mâconnais region of Burgundy. What makes this a bit interesting is its link to vigneron Jean Thévenet, who tends to employ unconventional techniques in the growing and vinification of his wines, including the occasional oddball inclusion of a portion of botrytised fruit.

This is the very opposite of a showstopper. It’s tendency towards self-effacement almost had me writing it off when I first smelled it. It’s not a matter of blandness, or lack of presence, but rather that its aroma and flavour profiles sink immediately into the kind of deeply comfortable place I associate with home cooking. For a cheap Burgundy from 2004, this still has plenty of fruit swirling around in its aroma, alongside some prickly honey and other evidence of the time it has spent in bottle. It’s round and gently inviting, possessing just enough freshness to present an edge alongside its plushness.

The palate is, as with the nose, surprisingly youthful. The entry is fruit-sweet and almost prickly in mouthfeel, playful if a bit simple. Intensity builds towards the middle palate, where complexity becomes greater and overall presence is more impressive. This really is a good wine given its age and price point. There’s a full spectrum of flavours, from intensely sweet to oddly savoury, all expressed with a relaxation that gently ushers the palate along. There’s too little light and shade as the line moves through the after palate and finish, although the flavour profile tilts more towards savouriness the further it moves along. Structure remains firm and drags satisfying texture across the tongue.

This wine could be plenty more — more intense, more complex, more varied — but its confident relaxation is very appealing and belies its lowly provenance.

Domaine de Roally
Price: $A28.05
Closure: Cork
Source: Retail

Louee Nullo Mountain Chardonnay 2011

I’ve tasted a couple of Louee wines in the past (a 2010 Riesling and a Pinot Grigio from the same year) and neither floated my boat, as interesting as are some aspects of the Nullo Mountain vineyard. I gather I’m in the minority in not clicking with these wines, so it’s all no doubt a matter of taste. At the very least, the vineyard’s extremely high altitude should present a singular view of the Mudgee region, in which it is located.

On first sniff, I was a bit disappointed, as the wine initially communicates a worked character of the sort that, to my mind, better suits warmer climate fruit. It’s an altogether more interesting wine than this first impression suggests, though. What I at first thought was simply a whack of oak is in fact, I think, a mixture of some oak combined with fairly extensive handling, certainly some lees stirring and perhaps malolactic fermentation too. Which is to say, there’s a range of non-fruit aromas in addition to a core of white peach and melon. Some good complexity, then, even if the whole comes together with a hazy sense of definition, never snapping into focus or offering its aromas in an especially structured manner.

The palate shows some decent acid that helps to give the wine’s pastel flavours some zing and freshness. The entry, in particular, is a very exciting mix of sizzle, rounded fruit flavours and slightly challenging savouriness. The middle palate is more harmonious and becomes more defined, clean citrus fruit taking centre stage and pushing the oak and caramel flavours to one side. They creep back in though the after palate, especially the caramel, which is enlivened by a sense of saltiness that is very adult. The finish is decent and slightly herbal.

Overall, the effect is a bit cacophonous, flavours darting this way and that, lacking the ultimate poise that might elevate this wine further. But I like its character and structure, and the fact that it offers something really different in a local context. Good price too.

Lowe Wines
Price: $A25
Closure: Stelvin
Source: Sample