A weekend of tasting events, the most physically challenging of which was a tour of the Rutherglen region on Saturday. Conveniently (or not, depending on one’s point of view), our visit coincided with the Tastes of Rutherglen festival. This had three implications:
All of which is great for the region’s producers, and there were certainly good crowds having a great time at each winery. Warrabilla in particular seemed to show a lively atmosphere, which is somehow fitting given the robustness of its wine styles. But I am getting ahead of myself. Here’s a brief summary of the highlights as I saw them.
Stanton and Killeen
Tasting selectively is a must, it seems, at Rutherglen cellar doors, simply because they more often than not have a startlingly large range. The region also seems to be the spiritual home of some unusual varieties in the local context, including Durif and Blue Imperial (Cinsault). Here, some solid, fully flavoured Durif and Shiraz Durif table wines gave way to the main event, which was a vertical of this producer’s VPs.
We tasted the 2004, 2002, 2000,1998, and 1983. The 2004, almost entirely made from the traditional Portuguese varieties, is an elegant, coherent style, with good fruit freshness and balance. The 2002 is similar, but with some distinct aged notes on the aroma in particular. The 2000 stands out a little for its volatility and larger scale, whereas the 1998 is back to a more elegant, shapely expression. The oldest wine is quite different, mostly Shiraz, and very much the Australian VP style, with a more sweetly fruited palate and quite a different tannin profile. A nice example of VP in this idiom.
Interestingly, the Muscat and Tokay are made in a lighter style than most, the classic Tokay especially. For my taste, these wines lack some intensity and definition, but might please someone whose preference runs to a less powerful expression of these regional specialties.
Campbells Winery
At Campbells, we indulged in the $10 premium tasting, which meant a lot of back vintage table wines and the grand and rare fortifieds.
I found the back vintage reds variable, at times lacking fruit presence to balance out what are quite fierce tannin structures. The Muscat and Tokay wines are another matter entirely, with plenty of everything. The classics are satisfyingly rich and varietal. The rare Tokay was a particular highlight for me, with incredible length and drive right down the line, and the most outrageously delicious aftertaste that reminded me of barbeque chips.
Warrabilla
After a nice burger with the lot in Rutherglen township, we hit Warrabilla for some more palate punishment. This house has a very idiosyncratic style, centred on “big red wines” that take scale and alcohol to their logical regional conclusion. Taste aside, one has to admire such clear intent, followed through so completely.
To my taste, Durif responds best to the style being sought, resulting in wines with a flavour profile that strikes me as quite achieved. The Cabernet Sauvignons are a surprise, recognisably varietal and almost elegant, within context. An oddity is the Zinfandel, made in a light red style with plenty of ease and fun. Overall, definitely worth a visit to see how one’s taste interacts with the style.
Chambers Rosewood
A time capsule. This utterly old school producer has a massive range of table wines, including what is surely the most unusual wine we encountered all day: a Blue Imperial rosé. Basically a large shed, the cellar door is mostly self-service and shows all the trappings of the Australian wine industry of yesteryear, including an alarmingly large number of wines available by the flagon.
As expected, the highlights here were again the Tokays and Muscats, made in a finer, more varietal and apparently drier style than in some other houses. The classic Muscat sings with pure, grapey Frontignac goodness, and would be great as a picnic wine, lightly chilled perhaps. The grand Tokay is magnificent, beautifully defined, unfolding in the mouth both gently and with precise articulation. No rares were on tasting, so I can only imagine what they are like.
I absolutely loved this visit.
Morris Wines
This producer showed the table wines I enjoyed the most all day. Solid across the board, though I felt the Blue Imperial to be a particularly interesting, food-friendly dry red, if slightly anonymous in flavour. The Shiraz Durif sparkling wine is also excellent and mercifully dry.
What’s striking about this producer’s fortifieds is the extreme opulence of the style at all levels, classic through rare. On the day, I liked the grand level wines the least, as they seemed to fall in a vague middle ground between classics that are light enough to show some youthful definition, and rares that are simply knock-your-socks-off wines of sensational drive and opulence. In any case, these are all benchmarks at the rich end of the stylistic scale, and I feel they are well priced for the quality.
I (Julian) am currently in the enormous Goulburn Valley region — Dookie to be exact — kicking off what I hope will be an interesting part-time course of study (wine-related, of course). Forgive me if posts are few and far between these couple of weeks. On the plus side, some interesting wines are being tasted, including a most unexpected Semillon, made from fruit grown at the Dookie campus vineyard, twenty three years old and still singing.
More soon.
Dinner with family in Melbourne on Friday evening was enhanced by the provision of this bottle. Thanks to my cousin Travis — who continues the Coldrey line as far as an obsession with wine is concerned — for his generosity in supplying all the evening’s drinks. My first Sorrenberg Chardonnay and I’m favourably impressed.
A powerful, worked style that, in the first instance, is most notable for the richness of its fruit flavours. Nectarine, fig and some grapefruit all intermingle within an aroma that also throws a range of caramel and oatmeal notes. There’s significant complexity and scale, but the confident, seductive aromas themselves are what draw me to this wine.
The palate follows through on all aspects of the nose, showing a forthright, complex range of flavours. Good presence and consistency along the entire line. A couple of points, then. Firstly, this isn’t a wine for those fixated on the current vogue for lean Chardonnay styles. The lushness and luxe inherent to the fruit and style are quite contrary to a more minerally, austere expression of Chardonnay. And that’s OK. Secondly, this is a wine to sip and savour, not necessarily to drink in large volumes. Certainly, I helped my dinner companions to finish our bottle with ease. But as I drank more, a cracked toffee note through the back palate became slightly dominant, pushing fruit and savoury characters out of the way to the detriment of the wine’s overall balance. Still, a minor quibble over what is an impressive wine of some beauty.Sorrenberg
Price: $NA
Closure: Cork
Source: Gift
