Tag Archives: 2011

Louee Nullo Mountain Chardonnay 2011

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I’ve tasted a couple of Louee wines in the past (a 2010 Riesling and a Pinot Grigio from the same year) and neither floated my boat, as interesting as are some aspects of the Nullo Mountain vineyard. I gather I’m in the minority in not clicking with these wines, so it’s all no doubt a matter of taste. At the very least, the vineyard’s extremely high altitude should present a singular view of the Mudgee region, in which it is located.

On first sniff, I was a bit disappointed, as the wine initially communicates a worked character of the sort that, to my mind, better suits warmer climate fruit. It’s an altogether more interesting wine than this first impression suggests, though. What I at first thought was simply a whack of oak is in fact, I think, a mixture of some oak combined with fairly extensive handling, certainly some lees stirring and perhaps malolactic fermentation too. Which is to say, there’s a range of non-fruit aromas in addition to a core of white peach and melon. Some good complexity, then, even if the whole comes together with a hazy sense of definition, never snapping into focus or offering its aromas in an especially structured manner.

The palate shows some decent acid that helps to give the wine’s pastel flavours some zing and freshness. The entry, in particular, is a very exciting mix of sizzle, rounded fruit flavours and slightly challenging savouriness. The middle palate is more harmonious and becomes more defined, clean citrus fruit taking centre stage and pushing the oak and caramel flavours to one side. They creep back in though the after palate, especially the caramel, which is enlivened by a sense of saltiness that is very adult. The finish is decent and slightly herbal.

Overall, the effect is a bit cacophonous, flavours darting this way and that, lacking the ultimate poise that might elevate this wine further. But I like its character and structure, and the fact that it offers something really different in a local context. Good price too.

Lowe Wines
Price: $A25
Closure: Stelvin
Source: Sample

Grosset Polish Hill Riesling 2011

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A lot passes through my mind as I sit down to this wine tonight. My palate — indeed my whole being — is in need of significant refreshment, and Riesling is the grape I most often reach for at these times. It may seem flippant to open what is arguably Australia’s most prominent example of the varietal on such a weeknight, but quality refreshes as much as character, and I’m hoping this has plenty of both.

The nose is firmly pretty, completely untouched by marks of age, either premature or well-earned. It brings to mind nothing so much as the fragrance of early spring, flowers not yet fully ripened, mixing their adult fragrance with the vegetal crispness of unfolding leaves. Which is to say, this still tastes shocking young, illicitly so, though its profile already hints at the chiselled physique of adulthood. There’s little flesh here; notes exist in a powdery, minerally spectrum.

The palate is most striking for its intense cut and thrust. It sizzles on entry and a strong acid line really dominates the experience of this wine right now. Falling off this acidic freight train are a range of detailed, etched flavours, encompassing lemon juice and slate via an almost musk-like note. I can tell there’s great order and rigour to the arrangement of each component, but it’s hard to tear one’s self away from that thrilling, firm structure. Flavour, right now, is simply a well constructed accompaniment, worthy of admiration but playing the role of textural harmonic to the acid’s melodic line. When it settles a bit, whether that’s in five, ten, or more years, I’m confident this will sing with complex, adult flavours.

I’m feeling better already.

Grosset
Price: $A42
Closure: Stelvin
Source: Retail

Grosset Springvale Riesling 2011

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It was remiss of me not to review the 2010 Grossets, though I did purchase some as usual. I’ll remedy that soon. For now, I’m tasting the newer wines, starting with this Watervale-sourced number.

In some years, this wine can be explosively aromatic (see, for example, the 2008). 2011 isn’t such a year, though it’s far from reticent. No, this remains an expressive aroma, but its apparent restraint comes from the particular notes to which it tends. Rather than gobs of citrus juice and flowers, this presents citrus rind, talc and herbs. Still relatively full in profile, it shows good presence and immediacy, without perhaps the etched detail one sometimes sees in this style. Very much a chiselled profile, though, and somewhat more intellectual than usual for this label.

The palate totally reinforces these impressions through alignment of flavour and sympathy of structure. The citrus element comes across more strongly here, and there’s a strong run of lemon juice on the middle palate. The dominant notes are, though, more minerally; talc and flint are the best analogues I can muster. The structure is lovely and contributes to the powerdery impression given by the flavours. Acid is firm and textured, drying the after palate in particular. It’s very moreish and pleasingly angular.

Given the peculiar vintage conditions, this is something of a surprise and is certainly a very fine wine.

Grosset Wines
Price: $A35
Closure: Stelvin
Source: Retail

Dowie Doole Chenin Blanc 2011

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Given it is one of the few producers in Australia serious about Chenin Blanc, Dowie Doole’s Chenins always get me extra excited when they arrive in the mail. Straight into the fridge for this and a tasting at the first opportunity.

Riesling is often championed as the most transparent of grapes, clearly showing variations in site and vintage. I’d argue that Chenin shares a good amount of this transparency, and certainly Dowie Doole’s regular label shows interesting variation year-on-year. Having said that, this shares a degree of stylistic DNA with its immediate predecessor, particularly with regard to a sense of tautness and a thread of minerality that runs through the whole.

The nose is cool and steely at first, a nice edge of flint leading to suggestions of fuller, almost tropical fruit. There’s a wild streak of overgrown weeds in the aroma profile, somewhat heady though not nearly as obvious as the grassiness one sometimes sees in Sauvignon Blanc, for example. The palate hasn’t quite come together yet, but it’s on its way. True to the varietal, acid is present in abundant quantities, lending a sandpaper texture as well as a sherbet edge to the lemon and stonefruit characters. There’s good impact and reasonable intensity, the wine’s weight counterbalancing its edgy structure.

I think a few months in bottle will help the individual elements to settle a bit, though for lovers of a more extreme style, the wine in its present state may be preferable. Either way, the flavours are extremely unusual in the Australian context, and I’m quite blown away by how daring this label has become for a mainstream $16 white. A curio for sure, but so much more too. This is one of the better alternative summer whites on the market.

Dowie Doole
Price: $A16
Closure: Stelvin
Source: Sample

Swinging Bridge Sauvignon Blanc 2011

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Rightly or wrongly, I approach Australian Sauvignon Blanc with a degree of nervousness. Few would argue we do this varietal consistently well and I’ve struggled to identify regions with the sort of notable character achieved in other areas famous for the grape. Orange may yet surprise us. As with Pinot Gris, I’ve been impressed with the region’s ability to produce some Sauvignon Blancs with zing and freshness, hinting at a distinctiveness that makes a region/varietal combination truly shine. This is a great example of what I mean.

The aroma is pungent and forthright, showing a range of notes from tropical fruit to nettles via a good old backyard lemon tree. It’s utterly varietal and, if it doesn’t quite reach the distinctive heights of a Marlborough example, neatly avoids the insultingly confected vibe one still encounters way too often amongst local wines. I’d like to see this taken a step or two towards the edge; I feel there’s an angularity here that is being held back by conservative winemaking but which might make this something truly special.

Perhaps the level of residual sugar is the culprit, a component that is clearer on the palate thank on the nose. Entry is bright and vivid thanks to a decent whack of acid, backed up by a gush of sweetish citrus flavour. Things threaten to become disappointingly conventional until the middle palate injects all sorts of mineral, savoury complexity. All of a sudden, this looks like it’s punching well above its weight, a continuation of sizzly mouthfeel propping up an increasingly adult flavour profile. The after palate and finish die somewhat, as is typical for this varietal, though there’s a half-strength dose of sweet fruit that persists stubbornly well beyond the point at which this wine ought to have departed.

I think there’s real potential here; I’d love to see the style making fewer concessions to perceived popular tastes.

Swinging Bridge
Price: $A18.95
Closure: Stelvin
Source: Sample

Mitchell Harris Rosé 2011

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I’m not aware of any other Pinot Noir Sangiovese Rosés made of grapes sourced from the Pyrenees and Macedon Ranges – so this immediately scores points as a curio. It’s much more than a novelty though; this is a seriously tasty wine.

The nose immediately sets the tone with a nice hit of savoury, slightly funky musk and red berry fruit. One of the things I enjoy about dryer rosé styles is the wildness their aroma profiles can display. This isn’t a truly loose one, but there’s enough angularity to keep me happy, underpinned by plenty of clean, characterful fruit. This is a million miles from blandness.

The palate shows lively spritz and a nice level of flavour intensity. Entry is clean and cool, allowing flavours to crescendo towards the middle palate. It’s not a smack down sort of wine, but it’s very well balanced and is structured firmly enough to create some sizzle and impact. A little roundness from the after palate onwards suggests residual sugar, but it’s subtle and does not detract from the delicious savouriness that characterises the wine as a whole. A gentle, fruit-driven finish.

Really nice rosé with heaps of personality.

Mitchell Harris
Price: $A21.95
Closure: Stelvin
Source: Sample

Yelland & Papps Delight Vermentino 2011

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It’s always disappointing to me when a particular style of wine becomes fashionable and, therefore, ubiquitous. To me, it misses one of the key joys of wine, which is its infinite variety. I’ll never tell anyone what they ought to like, but when people talk of drinking only a particular style of wine, it smacks of posturing or willful ignorance, or perhaps both. I truly believe to get the most out of wine, one needs to explore a wide range of styles and learn to appreciate what they have to offer, even if some end up being preferred over others.

Given that little rant, it may seem contradictory of me to suggest that I’m no huge fan of the fairly recent vogue for alternate varietals in Australia. Maybe it’s unhelpfully conservative of me, but I believe we have well-established regional styles that, collectively, show great variety and distinction. And, were I given the choice, I’d prefer for those styles to be mined and elevated even further, rather than see our efforts spread far and wide in the search for the next great varietal sensation.

I therefore approach this wine with both curiosity and dread, hoping to find an unusual style and, at the same time, wondering if I wouldn’t be better off tucking into a great dry Riesling. After tasting it, I’m still not sure on either front; it’s nice try to a Barossa Vermentino for completeness’ sake at least, as I don’t believe I’ve ever had one before. It’s a clean-smelling wine, the aroma profile somewhat neutral but showing hints of honeysuckle, bubble gum and something much more interesting, akin to overripe fruit that has begun to spoil in its opulent fleshiness.

The palate carries this rather challenging note through, but what stands out most here is structure. This wine is all about zingy acid and the sort of lively mouthfeel that will go down well during summer. Palate weight is fuller than many aromatic whites, feeling closer to Semillon than Riesling. Flavour is quite generous on the middle palate, with good intensity and impact. The after palate and finish taper away elegantly, never losing their acid backbone and sense of freshness. An unusual wine, then, with some flavour components that I enjoyed for their angularity.

Yelland & Papps
Price: $A19.95
Closure: Stelvin
Source: Sample

Angullong Fossil Hill Pinot Gris 2011

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Although I’ve only tasted a few, I’m going to go out on a limb and suggest that Pinot Gris from Orange has a lot of potential, and might be one of the most pleasing white varietals to come from this very cool region. This isn’t to be underestimated; I think in general we’ve struggled in Australia to produce interesting expressions of this grape.

This wine is no exception to the Orange rule. The nose starts by suggesting the neutrality that can plague this varietal, but quickly evolves to release quite rich fruit notes of candied peel, ripe pear flesh and some surprising savoury minerality. Sure, it’s not a complex aroma, but its character is fresh and appealing, quite juicily delicious in fact.

The palate is where this wine really shines, thanks to a tingly acid structure and impressive generosity of flavour. Entry is fresh and quite textural, leading to green pear flavours that carry through to a middle palate that is both expansive and lively; this wine proves that a lot of acid doesn’t necessarily translate to a tight, linear experience in the mouth, partly because there’s a nice viscosity on the middle palate that balances the wine’s acid structure and creates a really interesting tension between the two. More of that savouriness creeps in as the wine moves along, becoming more prominent through the after palate. A decent finish tapers gently away, leaving a residue of savouriness and an impression of fresh fruit.

Angullong
Price: $A22
Closure: Stelvin
Source: Sample