Lake’s Folly Cabernet 1992

I was lucky enough to depart from my time at Lake’s Folly with a wonderful selection of older wines of the estate. This is my first dip into that stash, and what an excellent start to the exploration.

At first, this gives a shockingly young impression; primary fruit ringing clearly, pure red berries at the core of a seductive aroma profile that has become quite elaborate with bottle age. Turned earth, second hand books, mushroom, spice. It’s seamless and savoury and changeable with air, shifting its emphasis this way and that, never becoming a comprehensively old wine to smell, though its tertiary life looms heavily.

In the mouth, bright with purple flowers, red fruits and acid, light to medium bodied, savouriness creeping in from all sides. Although this remains structured, it has the mellowness of an older red wine, with a silky smooth mouthfeel and an easy flow down the line. Sweet tannins are still abundant and fine, blanketing the after palate and adding persistence to the wine’s line. As old wines will sometimes do, this started to slowly fall apart after a couple of hours, acid poking out a bit more, fruit weight diminishing.

Wines like this are why I don’t score.

Lake’s Folly
Price: $NA
Closure: Cork
Source: Gift

Woodlands Margaret 2011

A blend of 70% Cabernet Sauvignon, 16% Merlot and 14% Malbec.

This, like the 2011 Cullen Kevin John I wrote about yesterday, changed a lot over the course of my time with it. Unlike the Chardonnay, however, its evolution was entirely positive.

At first, I thought I might have wasted the $45 this cost me, as the wine I poured bore little resemblance to the deliciousness I had tasted at cellar door and on which basis I made my purchase. Masses of bright, sweet fruit — varietal enough but completely overwhelming — shot off in one direction while oak and structure scurried away separately, like friends who have just fallen out over who might be the prettiest of all. Hanging over the whole, like a toxic cloud, that unpleasant, faintly doughy malolactic fermentation smell, hammering one last nail into the coffin of a wine I was ready to write off as an unfortunate product of its warm vintage.

But what a dramatic difference on day two. After a bit of time and air, savouriness returns to this wine with a smack, and with it vastly improved integration of its elements. No doughy smells, either; indeed, this is squeaky clean. With a diminution of fruit volume, the wine’s elegance steps forward, a dusty note overlaying fresh mulberry fruit and snapped twig on the nose, brown spices and oak making a contribution, perhaps not quite as connected as they might be with more time, but nonetheless still very much part of the wine. The palate is medium bodied and, despite generous fruit, elegant, with abundant, fine tannins setting over the after palate and firm acid throughout. I was dissatisfied with the 2007 vintage due to its, for my taste, perversely light weight; the 2011 seems a more balanced wine in this regard.

I do feel this has been released very early and, hopefully, with a bit more time in bottle it will present better on opening. As it is now, be sure to give it plenty of air before any serious contemplation.

Woodlands
Price: $A45
Closure: Stelvin
Source: Retail

Geddes Wines Reserve Cabernet Sauvignon Petit Verdot 2008

Petit Verdot seems to come and go in Australia. If it has a home, it’s McLaren Vale, with some makers (notably Pirramimma) highlighting it momentarily as a varietal wine before it disappears again, declared or not, into blends. I’m not aware of it being consistently associated with another Australian wine region. Tim Geddes plays with Petit Verdot quite a bit, as did Wayne Thomas before him, and it appears as part of his eponymous label’s range with regularity.

Although he produces a varietal Petit Verdot, which I may review later, Tim has here combined it with its traditional partner, Cabernet Sauvignon. What’s really successful about this wine is its combination of intense flavour, generosity, detail and refinement. These aren’t traits that always go together, but the push-pull of this wine’s density and its fine structure makes for an ultimately elegant wine. The nose shows Cabernet notes, thicker and juicier as they sometimes can be in McLaren Vale, combined with an assortment of dried herbs and higher toned, floral notes. Berry flavours are dark and oak is assertive, positioning this wine firmly at the fuller end of the Bordeaux blend spectrum.

The palate is incredibly juicy, with masses of black fruits and herbs, underlined by black tea tannins. Weight and line are both impressive, as is a flavour profile that alternates between fresh fruit and more complex dried herb characters, with an edge of dried fruit adding further interest. Tannins develop firmly through the after palate, with good presence in the mouth and confident dryness. An extended finish.

This is an excellent wine with a complex, attractive flavour profile and a bold, well-formed structure. Although Cabernet is an evident component, I can only assume Petit Verdot accounts for its extra dimensions of floral aroma and juiciness. Certainly a wine worth some serious contemplation.

Geddes Wines
Price: $A35
Closure: Stelvin
Source: Gift

Château Musar 2000

Quite a wine. I wasn’t sure what to expect as I approached this, my first Musar, and the overriding impression I’m left with is of a lovely Bordeaux crossed with something completely foreign. It’s a vibrant, rough wine, hewn of distressed leather and sweat, revelling in its imperfections. The aroma shows cigar box, snapped twig and leather, very expressive and dusty in the Cabernet manner, but lacking the poise one might expect of a fine Bordeaux. That, though, is very much part of the wine’s charm, and its wildness contributes to its presence.

The palate delivers dense flavour onto the tongue and its persistence makes sense of a chaotic flavour profile. This fairly attacks the palate with flavour, fruit stubbornly adhering to the tongue. While drinking this wine, I was reminded of old leather goods, noisy markets and desert heat, images that suggest the disorientation of travel. Tannin structure is fine and reminds one that this is, in fact, a really good wine. Generous, messy and quite delicious.

This was tasted alongside a 2000 Lake’s Folly Cabernet whose refinement of form really showed up the Musar. No matter; I kept coming back to this so that it might let me linger in its heady world a bit longer.

Château Musar
Price: $N/A
Closure: Cork
Source: Gift

Domäne Wachau Grüner Veltliner Federspiel Terrassen 2011

I picked this up at my local Dan Murphy while shopping for cheap stemware. Of course, I wasn’t going to buy any wine, so I choose to see the two table wines and two fortifieds I inevitably ended up purchasing as a nice and well-deserved gift to me.

This Grüner is varietal if nothing else. Masses of white pepper is the first impression on the nose, backed up by slightly dull citrus flesh and some decaying florals. I wouldn’t call it the sharpest aroma profile, and I am left wanting a bit more freshness, but it’s rich and characterful nonetheless. The nicest thing about the aroma is its dimensionality – the aromas seem to traverse a full spectrum of frequencies from low to high.

The palate shows good weight and richness while carrying the aroma’s suggested flavours through without skipping a beat. I especially like a touch of phenolic grip on the after palate and a lightly sandpaper-like texture. Structurally, this is reasonably well supported without being too edgy. A bit of extra acid wouldn’t go astray, really, and might add freshness to a flavour profile that, like the aroma, tends towards the dull. It improves in the glass, gaining layers of subtlety with air. The finish is clean and dry.

I suppose this delivers a decent hit of Grüner but, in some ways, it only hints at what’s possible.

Domäne Wachau
Price: $A22
Closure: Stelvin
Source: Retail

Mudgee Gold 2009

Some wines are awarded seven gold medals if they’re lucky. This wine, on the other hand, is comprised of seven gold medal winning wines. From the PR, I take it this wine is a blend of seven wines, at the time unfinished and only one year old, that were awarded gold medals at the Mudgee Wine Show. Contributing producers are Andrew Harris Vineyards, Broombee Organic Wines, Burnbrae Winery, Frog Rock Wines, Queens Pinch Vineyard, Robert Oatley Vineyards and Robert Stein Winery.

There’s a good deal of richness on the nose, with quite dense aromas of black fruit emerging alongside an impression of moist earth and brown spice. Dark, manly and quite brooding, this also has a raw, sappy edge. There are some additional complexities too — a bit of mushroom, some blueberries. Quite a bit going on, then, even if it’s not the sort of wine one could describe as detailed, owing to its extroverted blanket of aromas.

The palate is a precise echo of the nose, with a range of dark, thick fruit notes running alongside earthiness and a sharp acid line. The acid feels quite disconnected from the fruit weight at the moment; perhaps this will integrate with some more time. There’s no shortage of impact and intensity at all; this is a forthright wine that sits at the fuller end of the stylistic spectrum. I’m impressed that such weight comes with only 13.5% ABV, and that there is good freshness of fruit evident. I wish for a bit more light and shade, but I think that’s more a stylistic preference on my part. I admit, this isn’t my preferred style of wine.

Nonetheless, some high quality material in this wine for sure. It’s more than simply a curio.

Seven contributing wineries
Price: $A60
Closure: Stelvin
Source: Sample

Dowie Doole Cabernet Sauvignon 2010

I have it in my mind that I’m not very fond of Cabernet Sauvignon from places like the Barossa Valley and the McLaren Vale, a notion that seems of late to be in regular friction with the truth. Indeed, I keep coming across rather tasty examples of these styles.

It’s rather a pleasant task to change one’s mind when faced with a wine like this. I’ve been loving many 2010 McLaren Vale reds that have crossed my path, and this is no exception. Yet this is more surprising than most, because it sits at a price point that is one step above an inexpensive quaffer, a position that can yield disappointingly populist styles.

There’s a striking degree of elegance to the aroma: bright fruit, angular red capsicum, varietal dust. Not at all the simple drinker I thought it might be, but never losing the ease that is a hallmark of this maker’s wines. There’s not a lick of industrial winemaking in the way this smells. I feel a direct connection to the vineyard that’s rare at any price point, let alone in a red costing $25.

The palate is beautifully weighted – not too heavy, not insubstantial, acid-driven yet with a smattering of drying tannins. The flavour profile is clear and fresh, vibrant red fruit winding around more savoury varietal notes and light touch oak. Intensity is moderate, as is density of fruit. It’s not often Cabernet tastes casual, but this does. Its trick, though, is in being all these things — drinkable, approachable, inviting — without ever being dumb. Everything in moderation seems here to add up to a most attractive wine, and I sense straightforwardness and honesty in every drop.

This isn’t a $60 wine masquerading as something cheaper, but it never uses its affordability as an excuse either. Very much a Dowie Doole wine.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Clonakilla Ballinderry 2004

There are some nice bottles of wine scattered about my house. Not nice in the sense of outrageously expensive, but nice in the sense that I hesitate, for whatever reason, to drink them. On the whole, I enjoy living by myself, but choosing wine to drink is a definite downside. There are no excuses, no-one else to share the burden of having opened the last bottle of this, or an old bottle of that. I was bemoaning my reluctance to drink a lot of the wine I have at home to a good friend the other day, and he said “Just open them.” So tonight, I have.

It’s not an unaffordable wine, this one. I think it was about $35. The reason why it’s an important wine to me is that I bought it with Chris and his partner Dan at Clonakilla’s cellar door after what I presume (because I don’t think we’ve ever visited Clonakilla without this happening) was a wonderful conversation and barrel sampling session with Tim Kirk. Such occasions happen so infrequently when friends live at opposite ends of the earth, and this wine, sitting on my cheap IKEA wine rack, has served as a reminder of Summer weather, a drive from Sydney to Canberra, precious conversation and the feeling of being amongst your own kind. No wonder I’ve not found a worthy enough occasion to open it.

Looking back over my notes, I’m reminded of a slight hesitation over this wine because, at the time, its aroma was almost entirely locked down and its structure formidable. Perhaps it’s an overrated pastime, allowing a wine time to reveal itself. There’s something masochistic about being made to wait for an anticipated pleasure that may never, in fact, happen. And yet this wine’s gradual maturation into complete, liquid elegance communicates intense reward and a sense of happy shock, the same shock one gets when an old acquaintance turns up after many years’ absence, suddenly handsome and magnetic in a way that only makes sense in retrospect. This wine’s features are just beginning to work their magic now. The nose remains quiet, now more sotto voce than mute, too dignified to lunge for the dark berry notes and pencil shavings that seep out from nowhere and fill in the bottom layer of the aroma profile. A whisper of aged leather sits in the middle, gradually building what should be, with even more time, a complete profile of notes.

The palate is getting ready for this completion; it has paved the way by paring back its structure, adding the most striking thickness of mouthfeel and transforming from a somewhat raw beast into something altogether more civilised. The range of notes is textbook: red and black berries, cigar box, tobacco, a hint of gravel. This is seriously good Cabernet in medium bodied, elegant mode. Why aren’t there more Cabernets from Canberra? This seems ideal to me, effortless and flavoursome.

Tell me again, why did I ever hesitate to open this?

Clonakilla
Price: $A35
Closure: Cork
Source: Retail

Chapel Hill Cabernet Sauvignon 2010

I’m loving the 2010 McLaren Vale reds that have passed through the tasting room of late. Tonight I have a Cabernet in front of me from noted producer Chapel Hill.

Cabernet is an interesting beast, and I feel the degree to which it changes by region is underplayed compared to, say, Shiraz. This varietal has a range of expressions in Australia, and this wine is a case in point. Stylistically, it is a long way from something like Coonawarra Cabernet. It lacks the edge, the muscularity and the intense dusty leaf that are beloved by many Cabernet enthusiasts but which may, indeed, be offputting to others. Here, the McLaren Vale has turned out a soft, almost cuddly version of Cabernet that owes as much to its region as its variety.

The aroma is rich and expressive, showing a good deal of dark berry fruit, hints of crushed leaf and lashings of oak. It is well integrated and retains just enough of Cabernet’s stand-offishness to set itself apart from the region’s other red varietals. As it gains air and time, oak steps forward and contributes even more vanilla and custard to the aroma. The palate shows good density right down the line, with nary a dip at any stage. In many ways, this is a straightforward, honest wine, putting what it has out there for our enjoyment, not playing games nor hiding its character. Its structure is a little raw at this stage, tannins in particular feeling quite astringent and aggressive. There’s plenty of fruit, though, to keep things drinkable, and some overtones of red berry flash in and out of a primarily dark flavour profile. As with the aroma, oak is a significant influence in the mouth. The finish is notable for its length and elegance.

Nice wine.

Chapel Hill
Price: $A30
Closure: Stelvin
Source: Sample

Shaw Cabernet Sauvignon 2009

Canberra isn’t a region known for its Cabernet, although I admit I’ve always felt warmly about the few that I’ve tasted, most notably Clonakilla’s Ballinderry. This one from Shaw Estate Vineyard is an expressive, varietal Cabernet that has a lot going for it, I think.

The nose is typically dark fruited and leafy, with some surprising and welcome gravel notes too. There’s an elegance without being excessively lean or green that marks this as, for me, a stylish wine, even if angular too. No, this is what Cabernet should smell like: masculine, a bit challenging, putting aside plushness for well defined form.

The palate is more of the same, except the fruit is much more prominent here than on the nose. There’s a mellifluous streak of bright fruit that runs right down the line, perhaps simple and DMS-like but still attractive. Around this gather more leaf and gravel notes, as well as tannins that will delight texture freaks, though which may prove forbidding to less adventurous drinkers. I like their chewy confidence. Oak is present but feels subservient to the fruit’s contribution. A nice, linear finish ends the wine well. I thought this wine was a little hard at the back palate when I first tasted it but this is softening with each sip, so just be sure to give it a good swirl in the glass.

Good Cabernet and good value at $25.

Shaw Vineyard Estate
Price: $A25
Closure: Stelvin
Source: Sample