Ross Hill Pinnacle Series Cabernet Sauvignon 2010

Quite an intense, attention grabbing nose full of fruit, leaf and spice. It’s recognisably Cabernet in terms of fruit but also in its angular muscularity; this is not a cuddly aroma profile. Its relative fullness and power reminds me of another recently tasted Orange Cabernet, the Swinging Bridge. If this is where the region’s Cabernets are heading then I am all in flavour. What this doesn’t have, though, is an especially elegant demeanor, nor does it possess that last ounce of definition. Still, I like the way it smells.

The palate is clean and lean, not in terms of lacking flavour (quite the opposite) but in its tight run down the tongue. This is not an expansive wine, at least not yet, and its expression remains focused and brisk. The fruit is dark and varietal, if lacking some detail. The one moment it allows itself to relax a little is towards the back of the mouth, where flavour fans out through the finish. There is a substantial oak influence, and its sappy character comes across as slightly raw. That, combined with a firm acid structure, make this a more challenging drink now than I suspect it will be in five or so years’ time. Some heat mars the finish by stripping the fruit flavours somewhat.

Very young, this needs to loosen up a bit before it will be truly enjoyable. I hope the oak steps back in time and allows the impressively intense, quite delicious fruit to shine.

Ross Hill Wines
Price: $A40
Closure: Stelvin
Source: Sample

Cumulus Chardonnay 2010

Although deeply problematic, one of the most positively provocative aspects of Jonathan Nossiter’s book, Liquid Memory, is its questioning of the manner in which we talk about wine. I’ve half-written a post expanding on these thoughts, and who knows if I’ll ever finish it; I have, though, been more mindful since reading Mr Nossiter’s book of the part, however small, I play in privileging a particular sort of wine conversation, one that centres on descriptors and a particularly banal narrative of wine, over a more aesthetically inclined view, in which one puts one’s self and one’s reaction to a given wine above a purely descriptive story of tasting.

This wine prompts me to think of such things because there’s a schism between what I taste and how I feel. What I smell, first, is an incredibly clean wine with a range of aromas that is textbook with regard to how a cooler climate Chardonnay ought to taste. There’s clean citrus fruit, a hint of white peach and the sort of tasteful, just-savoury-enough winemaking artifact to trigger an appreciative reaction. This wine is, in its way, perfectly formed, and I have no wish to deny the achievement associated with it (goodness knows I’m an expert in the art of fucking up winemaking). Yet I’m unmoved by it, in the same way I might pass yet another cleanly executed minimalist interior without so much as a “wow.” What is, I wonder, the point of such lithe shapeliness? What is there for me to grab hold of and caress?

The palate is, again, beautifully executed. The oatmeal flavours are a real feature of the wine, taking quite severe fruit flavours and granting them dimension and texture. Balance is exceptional, as is shape and line. This really is a good wine, well-judged and full of inherent quality. It’s just that I’m desperate for something human and sensual, a flaw or outsize dimension to give me an aesthetic hook on which to hang my own sense of beauty. It’s as if I’m not good enough for this wine, that it doesn’t care especially if I like it or not. But, in a profound sense, I need a wine to need me back, otherwise there’s no dialogue, no reason to stick around and keep talking.

This wine deserves the deepest admiration for provoking such a reaction. A second date, however, is out of the question.

Cumulus Wines
Price: $A30
Closure: Stelvin
Source: Sample

Windowrie The Mill Verdelho 2011

To the extent that one thinks at all about Verdelho, I’m willing to bet most people in Australia associate it with the Hunter Valley. I’m somewhat partial to a good Hunter Verdelho actually; their simplicity and robust flavour can be charming. So I was quite disappointed the other night to taste an almost undrinkable example of the genre. Luckily, I had a couple of other Verdelhos in the sample pile, though from regions other than the Hunter.

This one, for example, is classsified Central Ranges but, from a comment left on my review of the 2008, the fruit is sourced from Cowra. Re-reading my impressions of the earlier wine, I found it lacking compared to my favourite Hunters, but the current release suggests I may need to re-evaluate. Granted, it’s hot and slightly phenolic — two classic Verdelho traps — but its boisterous character and generous flavour more than compensate.

The aroma is bright but not sharp, expressing citrus and richer tropical fruit in equal measure. The palate has a particularly good acid structure, firm and a bit edgy but well balanced with respect to the weight and richness of the wine’s fruit. There’s a thickness to this wine’s flavour profile that reminds me of tinned things; not so much a lack of freshness as a slightly blunt opulence that, I must admit, I quite enjoy. The after palate and finish are unremarkable, but for that burst of alcohol at the tail end.

As an affordable quaffing wine, this succeeds well.

Windowrie
Price: $A16.99
Closure: Stelvin
Source: Sample

Angullong Bull's Roar Tempranillo 2010

Tempranillo is new enough to Australia that trying a new one is still a lottery; in terms of quality, in terms of style. I admit to never having tasted one from the Orange/Central Ranges areas, so was curious to see what Angullong, a maker of solid, cleanly commercial wines, might do with the variety.

At first, the nose presents a hit of the sort of confected, carbonic maceration derived fruit character that, I regret to say, is a big turnoff for me. While it calms with time, the essential character of this wine stays true to that first impression: this is Tempranillo made for mass appeal. For a varietal that can, at times, be quite meaty and challenging, the aroma profile here is remarkably accessible, a hint of cola the only suggestion of savouriness. There’s also some cuddly vanilla, signalling a friendly approach to oak treatment.

The palate is rather acid-driven in structure, bringing additional sunlight to what is an already bright fruit profile. Red boiled lollies and tart berry skins are first to appear, followed by a welcome dose of twiggy, vegetal sappiness and a smattering of prickly tannins. It’s not an especially distinctive or complex flavour profile, but it’s different enough from a typical Shiraz or Cabernet to provide some interest. It’s an open question for me whether Tempranillo is best served by this style; I’d like to see less bright fruit, less oak, and a bit more difference. However, someone looking for an easygoing yet “different” wine may find a lot to like here.

Angullong
Price: $A25
Closure: Stelvin
Source: Sample

Gardners Ground Merlot 2008

Onwards with my train wreck obsession with Australian Merlot. This one’s from the Cowra region (well, Canowindra actually) and is a pretty good rendition of a quaffing red. A bonus is that it’s organic.

The nose is robust and relatively complex, with juicy, jube-like blackberries, crushed ants, subtle oak and a bit of snapped twig for good measure. The straightforward fruit flavours are pleasing enough, but what I like most is the savoury notes are quite assertive, bringing interest and an edge to an otherwise plump aroma profile.

The palate shows similar characters and a pleasingly rough mouthfeel. Entry is quiet, the most significant influence being quite bright acid. Fruit weight builds towards the middle palate, and there’s a fun medicinal edge to the flavour profile. I like the rustic savouriness of the flavours; there’s a sappy, wood-like note that comes across as dirty, in a positive sense. The main issue I have with the palate is what appears to be an excess of residual sugar, which adds body but also prevents the wine from reaching an extreme of style that I’d be interested in experiencing. Still, it’s well judged for pleasurable, mid-week drinking. And I’m not going to argue too much with that.

Gardners Ground
Price: $A19.95
Closure: Stelvin
Source: Sample

Mulyan Cowra Shiraz 2007

It must be a Mulyan thing; the reaction I’m having to this wine is quite similar to that I experienced when tasting the 07 Block 9 Shiraz Viognier: fascination mixed with a sense of the wine sitting out on a limb in terms of correctness. I may be completely off the mark, but my first impression was “stuck ferment”, though I hasten to add the offending aromas have blown off to reveal a much cleaner wine. Certainly, if you try this wine, give it a chance to show the positive side of its character.

The nose is peppery and meaty, with ripe blackberries wedged into the spaces that remain. Pretty classic cool climate Shiraz aromas, in fact, though certainly on the wilder side, with less floral spice and more meat than some. There’s something masculine, almost brutal, about this aroma profile, but whatever one might think of the styling, my feeling is there’s an intent and sophistication here that sits well above the wine’s $20 price point.

The palate is nicely textured, with well integrated acidity and loose knit tannins that run most of the wine’s length. Entry is positive and fruit-driven, flavours becoming more complex towards the middle palate. This is a medium bodied wine, showing moderately intense flavours in the context of an edgy, slightly aggressive architecture. A bright after palate is full of blackberries and pepper steak. The finish is reasonable.

It’s impossible to dismiss this wine, despite that it comes across as over-eager and lacking the poise one might wish for. In some ways, it has me stumped. But I simply can’t discount it. Well worth trying, especially at the price.

Mulyan Wines
Price: $A20
Closure: Stelvin
Source: Sample

Windowrie The Mill Sauvignon Blanc Semillon 2009

Some bottles I look at and presume, for one reason or another, I won’t be writing up. This – being a blend of which I’m not terribly fond – was one of them. But drinking it now, nicely chilled, I’m finding it really well made, so thought I’d jot down a quick note.

These wines are made for immediate quaffing, so to my mind need a particular balance of fruit, structure and (let’s face it) residual sweetness to faciliate their function. The nose is promising, with a shock of cut grass atop quite rounded fruit. There are hints of lychee and paw paw, along with the sharper passionfruit-like aromas one might expect from Sauvignon Blanc. Just pungent enough, fresh-smelling, and well-balanced. So far so good.
The palate follows through admirably. These sorts of wines aren’t going to break any records for complexity, but there’s still a bit going on here, with generous-enough fruit flavours running all the way along the line, propped up by slightly vicious acidity and a dollop of puppy fat to smooth the edges. I think there’s a bit of residual sugar — I find it well-judged — adding weight to the fruit without turning the flavours candied. 
Nice quaffer. Well done.

Windowrie
Price: $A16.99
Closure: Stelvin
Source: Sample

Windowrie The Mill Verdelho 2008

A few years ago, I remember asking someone to whom I wanted to make a gift of some wine whether she had any favourites. Her answer was “Cowra Verdelho,” a singular response that sticks in my mind to this day. Needless to say, I didn’t hold high hopes of tracking any down. Halliday’s Wine Companion site lists just two Cowra-based producers with a Verdelho in their portfolio, of which this Windowrie is one. Further, the label lists this as a wine of the “Central Ranges,” the zone into which Cowra falls, so the fruit may not be entirely sourced from the Cowra region. No matter – this is the closest I’ve come to Cowra Verdelho since the memorable, unfulfilled request.

And hey, it’s a Verdelho alright, presenting straightforward, crisp fruit salad-like aromas. The particular fruit salad here isn’t anything fancy; it’s the salad I remember seeing (and not especially liking, though I was a fussy child) at numerous barbeques in the 80s; a bit heavy on the unpeeled red delicious apple, not much in the way of tropical fruits, and perhaps a squeeze of lemon to keep it all from browning. I quite like it.
The palate is lightly flavoured, with a rounded, hot presence that speaks to this wine’s 14.6% abv. Despite this unexpected scale, it’s curiously satisfying and certainly pleasant to drink. Verdelho is one of those wines one tends to approach without many expectations, save those relating to drinkability and simple pleasure; within that context, this delivers well and is squeaky clean. Entry and middle palate are both quite fruit-driven and mouthfilling in a decidedly hydraulic manner. The after palate shows a line of bitterness that offsets the fruit flavour particularly well. The acid seems a bit low to me, or at least overwhelmed by the mouthfeel. 
On the whole, if this is representative of Central Ranges Verdelho, I prefer the Hunter style, which seems more robust and fully flavoured. However; what’s here is tasty and very easy drinking.

Windowrie
Price: $A17.99
Closure: Stelvin
Source: Sample