Tag Archives: Merlot

Second Nature Cabernet Shiraz Merlot 2010

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This, Dowie Doole’s second label red, has been a reliable visitor to my house over the last few years. It’s invariably drinkable and full of flavour, showing the best face of a quaffer with surprisingly few compromises. It’s not a rarified wine in provenance or intent, but it’s usually tasty, which is quite enough to please me, most days.

The 2010 red is an especially good release. It’s so easy, so juicy, so luxurious. The nose is warm and fully fruited, showing red and black fruits embedded in a comfortingly spiced lattice. The vibe is plush and generous, as it always is with this wine, but what lifts this vintage above most is its quiet balance. This is, despite the style, a gentle wine, almost delicate in its placement. Totally unforced, this wine doesn’t so much prompt extended sniffing as it does a taste, and quick.

My lack of patience is repaid with a mouthful of easy flavour. Entry prickles a bit with acid, ushering bright red fruit onto the middle palate, where it is joined by some extra layers of fruit flavour as well as spice and soft oak. Intensity is impressive for a wine at this price point, as is the flavour profile’s avoidance of easy sweetness. There’s sweet fruit, for sure, but overall the profile tilts towards savouriness, without sacrificing drinkability. The after palate is slightly muted, while the finish rises strongly with spice, some edgy oak and more dark fruit.

I have long admired Dowie Doole wines for their ease and lack of pretension. As lovely as the higher priced labels can be, I think this producer’s particular stylistic biases mean its everyday quaffer, this wine, stands above the crowd.

Dowie Doole
Price: $A19
Closure: Stelvin
Source: Sample

Stefano Lubiana Merlot 2007

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Now and again, I’ll resume my search for Great Australian Merlot. Granted, I could probably be putting my time and effort to better use; weeding my herb garden perhaps, or learning how to make my bed neatly enough so that it actually looks inviting instead of slightly sad. But the ragged way this varietal is often treated at the hands of many Australian vignerons keeps me coming back to the question: who amongst us is doing the grape justice?

Tasmania is an unlikely place to look for answers, perhaps, though the Wine Companion site lists several producers across the state making wines from Bordeaux varieties. This particular wine is a cellar door only offering from high profile producer Stefano Lubiana. Its price of $35 suggests it aspires to be more than just a fast moving quaffer. The nose immediately establishes a seriousness of intent. This is an introspective wine, studiously layering gentle aromas of red fruit, twig and black olive on a base of calm caramel. Ripeness seems ideally achieved here, fruit character showing the fullness one might expect without ever hinting at overripe excess. There’s a bit of funk too, a whiff of undergrowth and rotting leaves, that may be a function of age as much as inherent character.

The palate is medium bodied and structurally centred on acid. A gentle, clean entry shows sweet fruit and some leaf. The middle palate is tightly focused and cleanly articulated, never generous, impressively intense. There’s a ease here that feels breezy and light, and I’d be tempted to characterise this as a bistro wine were it not for a level of complexity and detail that could never sit well in a carafe. There’s no doubt this aims to be the real deal, a Merlot of elegance and complexity that never gives up the grape’s natural, easygoing advantages. Wines like this are apt to be underrated and will certainly never capture the attention of drinkers the way more extroverted styles can. But it’s a lovely drink, put together with care and a respect for the grape.

I’d be happy to drink this while I keep searching for the Great One.

Stefano Lubiana Wines
Price: $A35
Closure: Stelvin
Source: Sample

Château de Sours Bordeaux Rosé 2010

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I’m trying to do my bit for the rosé cause, but a string of disappointing wines last week left me with little of interest to write up. Thank goodness for this, then.

Made from Merlot and Cabernet Franc, this wine’s aroma is all about freshness, which is a satisfying (if conventional) way to approach the style. The leafy side of these varieties dominates, along with a crisper, edgier dose of red capsicum (from the Franc, perhaps). I think I smell some black pepper too, speaking more to the sharpness of the aroma profile than any pungency or spice. There’s a lack of depth and layering, but it’s so bright and fresh, it’s easy to forgive such simplicity.

At first I thought there too much sugar on the palate; after a few tastes, I’m now finding it quite well balanced. Certainly I’ve tasted much sweeter rosés, and the residual sugar here is more than balanced by firm acid and a flavour profile that, like the aroma, emphasises fresh vegetation more than deep fruit. Sizzling capsicum, unfolding ferns, a hint of tomato bush; underneath it all, just enough light red berries to make me smile. The palate seems more complex than the nose, with an added layer or two, all well integrated and lively.

A delicious, drinkable style of some character. Fully priced, though.

Château de Sours
Price: $A28
Closure: Stelvin
Source: Sample

Château de Sours Réserve de Sours Sparkling Rosé NV

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I’m not sure how active the market is for French sparklers at this price point; certainly, I don’t remember ever setting out to purchase a sparking wine from Bordeaux made from Cabernet Sauvignon and Merlot. And yet here we are.

What’s really nice about this wine is that it’s defiantly different in aroma and flavour profile from Champagne and its many imitators. There’s no mistaking the Cabernet at its heart; the aroma shows characteristic leafy overtones and a cool, red fruited core. It’s savoury at heart, though lacking the sorts of complexities that are par for the course in even moderately good Champagne. This is quite a different beast, simpler and fresher-smelling. The defining characteristic of the palate is its relatively soft acidity, something that one can’t take for granted in local sparklers at this price point.

Entry is immediate and fresh, again with leafy Cabernet notes dominating the flavour profile at first. Light, crisp berry juice glides over the middle palate with ease, if not intensity. It’s fairly light on the spritz as these things go; what there is contributes to a lively mouthfeel that is only one or two steps removed from a bright Riesling. A nice, fresh, leafy finish.

One of the more different sparkling wines I’ve had of late; certainly, I prefer this to some of the aromatic white sparkling wines that are becoming more common. There’s something jarring about a recognisably Cabernet rosé sparkling – I like it.

Château de Sours
Price: $A28
Closure: Cork
Source: Sample

Mount Avoca Merlot 2009

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And so I return from university sans a few layers of tooth enamel after tasting my way through a week’s worth of wines with solidly pedagogical intent; not entirely a pleasure, but I do feel in the zone. I may write up some of those tastings later on but, for now, I’m eager to try this new Mount Avoca release and see how it fits into the confusing, incoherent, yet lovable landscape that is Australian Merlot.

Thankfully, it doesn’t occupy the little stagnant pond where overripe Merlot goes to ferment and die. No, this is satisfyingly savoury on first sniff, with nary a hint of crassly pumped up fruit, an impression reinforced by tasting. Quite dark in character, the aroma presents black fruits and sour cherries, twigs and brown spice. It’s quite a generous nose and, at the same time, one that communicates restraint, as if the fullness of the fruit is somehow kept in check. Oak handling is especially good here, adding complexity and framing the fruit sympathetically.

The palate is quite friendly, and it’s here the wine becomes more like what some drinkers may expect from New World Merlot. There’s a softness to the black berry fruit that registers early on the palate and expands through the middle, at which point vanilla and spice oak pick up the line. Acid is certainly present but not firm enough to bring things out of relaxed territory. Tannins do a bit more in this regard as they settle on the tongue through the after palate and lightly dry the finish. What really makes this wine for me is the decided savouriness of the fruit; it turns what might have been a caricatured style into something adult and interesting.

Mount Avoca
Price: $A27
Closure: Stelvin
Source: Sample

Irvine Grand Merlot 1996

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This smells nothing like a fifteen year old Eden Valley Merlot. The absurdity of that statement will, of course, be evident to those with a knowledge of this wine’s place in the Australian wine canon – it’s probably the only Eden Valley Merlot you’d think about cellaring for anywhere near this long, so it in fact tastes exactly like what it is – an exceptionally good fifteen year old Eden Valley Merlot. And, on the basis of this tasting, it’s a shame there are so few such wines.

When there’s a level of quality present, as there is with this wine, one’s experience of drinking it is as much a matter of timing as anything else. So the question becomes: are the elements ideally balanced right now? There’s a gorgeous smack of sweet primary fruit of a red berry character, a firm overlay of tertiary aromas and a dark framework of firm, coffee-tinged oak. So far, so good.

The palate makes my own answer to the question clear; this is surely drinking at its peak. As fascinating and beautiful as fully resolved old red wines can be, I usually prefer them in a state of maximum complexity, displaying a mixture of old and young wine characters. This retains an abundance of primary fruit, sweet and luscious, alongside the old leather and mushroom notes that accumulate only through an extended afternoon nap in bottle. Though, structurally, this has enough grunt to go even further, I like that its tannins remain slightly aggressive and primary, because they provide a link to its origins, allowing me to experience several moments in time all at once. The wine is simultaneously young, middle aged and old, jumping between all of its dimensions with elegance and poise, accumulating pleasures with each leap.

Ultimately, what is most astonishing about this wine is its freshness, and how that freshness is utterly transportive. I see in this wine its formative moments — vigorous green vines collecting energy to fill the beautiful berries that in turn filled this bottle — and through it my own life and the sense of discovery that characterises adolescence but which fades into rarity as one grows older. Thank goodness for those things that help me to remember.

Irvine
Price: $NA
Closure: Cork
Source: Retail

Blue Poles Allouran 2006

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I’m enthusiastic about this producer’s wines. They are invariably informed by a seriousness of intent that makes them difficult to dismiss, even if the wines themselves are not always perfect. So it was with this wine when I first tasted it some time ago. 2006 was a notoriously difficult vintage in Margaret River, red grapes often proving difficult to ripen sufficiently to make an acceptable wine. I chose not to write this up initially, as I found it challenging to the point of significantly reduced enjoyment. Too green, too aggressive, too hard. But I pulled out a bottle tonight and thought it might be time to see how it has moved along.

As it turns out, it’s significantly more drinkable at this stage of its life. It will never be a charming beauty like the 2007, but the astringent aggressiveness I remember has faded significantly. The nose shows typically Cabernet Franc aromas – fresh red capsicum mostly – floating over the top of richer, more plush Merlot fruit and a pile of pencil shavings. It’s completely varietal, though certainly on the lean, mean side. I can still see the green edges that I found difficult, but they’ve softened into the wine, becoming part of its aroma profile rather than pulling it apart.

The palate tells a similar story, though the transformation is perhaps more dramatic here. Again, I doubt this will ever shed its fundamentally lean vibe, but the elements are now well balanced for drinking enjoyment. In particular, the acid works really well to create impact on entry and power through the middle palate. It’s the sort of orange juicy red wine acid that is mouthwatering and a bit edgy. Fruit flavours are bright and firmly in a red berry spectrum, though edges of oak drag the flavour profile in a somewhat darker direction at times. Light to medium bodied, there’s a slight lack of drive through the after palate and finish, and the wine threatens to expose its slightly green core at times. It manages to complete the journey, though, thumbing its nose at a bad vintage even as it works hard to deny the scars it bears.

A very pleasant surprise.

Blue Poles Vineyard
Price: $A25
Closure: Stelvin
Source: Retail

Lowe Merlot 2006

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An organic wine from Mudgee, this comes complete with a few years’ bottle age and a cork seal (!). It forms the latest chapter in my search for great Australian Merlot, a search that has provided flashes of aesthetic satisfaction in amongst large swathes of disappointing mediocrity. This wine is promising in terms of the manner of its creation: fruit from a single block, hand picked and passed through a largely “non-interventionist” (don’t get me started) winemaking regime. So far so good.

There was an odd sediment in the neck of the bottle that I had to dislodge before pouring. I was momentarily fearful of spoilage, but the bottle is sound. Aromas of clean red fruit, not plums so much as raspberries and brandied cherries, with a distinctive edge of undergrowth mixed with damp earth This isn’t the red earthiness of Hunter wines, but rather something more decaying, autumnal. There’s a twiggy sharpness at the back of the nose, perhaps related to oak. Good depth of aroma profile.

The palate possesses a thick, textured mouthfeel that, oddly, feels related to the earthy aromas on the nose. Immediate flavour and texture on entry, with quite bright acidity ushering complex red and black fruit flavours onto the middle palate, where they are joined by black olives and brown earth. The wine is full and rich-feeling, not plush so much as charismatic. I wish for slightly greater definition to the flavours; I enjoy Merlot that embodies the paradox of soft fruit flavours, cleanly articulated. But there’s no lack of flavour, and this continues well through the after palate, where oak and brandied fruit take over. The tannins are full and velvety, very much present even at this stage of the wine’s life. A dry, raspy finish that shoots up into higher toned fruit flavours and which persists well.

There’s a lot to like here, though the overall impression is of rough-hewn wood rather than polished sculpture. Potential plus, and a label to watch.

Lowe Wines
Price: $A30
Closure: Cork
Source: Sample

Tinja Preservative Free Merlot 2010

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It strikes me as difficult to write about this wine without making its preservative free, organic status central to the discussion, purely because such wines are relatively uncommon. This wine understands the value of rarity; its back label acknowledges it has been made to meet an “overwhelming demand” for such styles. I don’t know enough about the market to know if this is accurate or anticipatory. In any case, it appears this isn’t a one-trick pony. For starters, the fruit originates from low-yielding, unirrigated vines and was handpicked; hardly the most cost-effective way of supplying a niche market that (and perhaps I’m being unkind) may not be driven primarily by a passion for beautiful wine.

So I approach it assuming an integrity of intent, and am pleased to note it is, at the very least, soundly made. It’s also extremely young; there’s even some spritz in the glass that seems to have wandered in from a bottle of Hunter Semillon. Given its age and style, the flavour profile is inevitably bright and redolent of fermentation esters as much as fruit notes. I’m a little torn; on the one hand, my instinct is to suggest leaving it for a few months to settle, but I’ve no experience with this type of wine so wouldn’t have a clue how it will evolve.

The palate is light and quite savoury, with crunchy (perhaps overly assertive) acid cutting through moderately intense fruit flavours that tend towards the red fruit spectrum. What tannins there are come across as chalky, loose and pleasantly textural. There’s basically no complexity, and nor would one expect there to be. What’s important here is a flavour profile that avoids obvious, sweet fruit, and which I suspect is very food friendly.

I’m not sure this wine has a place in my life, but it’s nice to know there’s a worthwhile example available to those who value the style.

Lowe Wines
Price: $A20
Closure: Stelvin
Source: Sample

Second Nature Cabernet Shiraz Merlot 2009

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I hope you have all been enjoying Chris’s recent pieces as much as I have. They have resoundingly made up for the fact that wine has been an infrequent visitor to my household of late, owing to a confluence of circumstances including a pile of study and a lot of travel for work. Tonight, though, I’m home and selected this bottle from the sample pile. Considering it’s a straightforward commercial style, I’ve begun to look forward to this wine each vintage the way one anticipates a favourite local take-away on a Friday evening. You know it’s not going to be haute cuisine, but that doesn’t in any way detract from the generous enjoyment you know you’ll experience.

There’s a big hit of spicy plum and raspberry on the nose, both engorged and nicely detailed, that immediately sets the tone. It’s expressive and heady and not even close to the sort of industrial anonymity that can plague wines at this price point. Indeed, within the confines of the style this is full of character and the smell of vintage conditions, some caramel and slightly overripe fruit contributing personality to the clean, correct aroma profile.

Very well judged on the palate, this wine starts and ends with mouthfilling fruit. In between, there is a range of spice and twig notes and an undercurrent of nougat oak that is set to the right volume. Structure, such as it is, encourages gulps rather than sips. There’s some bright acid and relaxed tannins, sure, but the fruit is so dominant here that one never questions the intent behind the style. This wine is just all about the mid-palate; fleshy, fresh, delicious. It’s not a remarkable wine in any particular way, but it succeeds so well in what it sets out to do that one can’t but praise it wholeheartedly.

Dowie Doole
Price: $A19
Closure: Stelvin
Source: Sample