This is serious Hunter Shiraz. Compared to the De Iuliis Steven Vineyard Shiraz tasted recently, this single vineyard wine has an altogether more intense vibe, and one might suggest this is appropriate given its price point.

Neatly, this is both ultra-premium and totally drinkable, a balancing act that surprisingly few wines manage. The key here is that, despite a decent dose of very classy oak, this remains quite fruit driven, a strikingly intense burst of red fruit at the core of its personality. The nose first, though, which at first was too bound up to be truly pleasurable, but which relaxes with about an hour in the glass. When it does, the most fabulous, liqueurous plum and cherry fruit emerges, along with a spice profile that’s part oak and, surprisingly, a peppery part that recalls cooler climate Shiraz. There’s also a distinctly meaty dimension. It’s cohesive and generous and really luxurious, just a delight.

The palate goes through a similar transformation, initially fruitless but quickly evolving into a model of intense shapeliness. If one thing stands out above all else with this wine, it’s the precision with which it articulates its flavours, never losing composure, always maintaining form and poise. Clean black and red fruits, cedar, spice, vanilla, not very much earth. The acid takes a primary structural role, sweet tannins backing up through the after palate and finish. It’s not so structured as to be forbidding, but certainly seems set for medium term ageing (three to five year) at least.

Such a different wine from the equally excellent De Iuliis and indeed many other 2009 Hunter Shirazes, this strikes me as an essential expression of the style.

Meerea Park
Price: $A75
Closure: Stelvin
Source: Sample

This has to be one of the best 2009 Hunter Valley Shirazes I’ve tasted so far.

It’s a charming vintage, incidentally, bringing to a close ten dramatic years in the Hunter. There have been several memorable vintages for reds – 2003 for its drought-driven concentration, 2005 and 2007 for their balanced power, and now 2009, which seems to exemplify the sort of medium bodied, supple elegance that I associate with the region’s Shiraz style in its most classical form.

The nose is complex and clean, hitting notes as varied as cranberries, grilled meat, sweet earth, and soft oak. While it’s absolutely typical of the region, what separates it from a merely correct wine is a sense of depth and detail, combined with a distinctiveness to the fruit character. It’s a nose to dive into and explore, providing new perspectives the longer one stays with it.

The palate really takes things up a notch, again absolutely striking and crystal clear. What’s quite sensational here is the articulation of flavours on the palate; each component lands cleanly on the tongue and transitions to the next without any jarring breaks or unseemly peaks and troughs. Dense red fruit with a crisp edge, a sort of green juiciness that’s hard to place but remarkably fresh, black pepper, subtle oak. Structure is firm, as one would expect of a young wine like this, sparkling acid adding freshness and abundant tannins providing plenty of textural interest.

Of all the fine qualities of this wine, what has stayed with me most since tasting it is the character of the fruit. It has the sort of subtle distinctiveness that some producers might be tempted to obscure in a blend but which, here, stands out for its beautiful imperfection. It’s clearly the product of a single site, for better or worse, and we should thank De Iuliis for letting it shine alone.

De Iuliis
Price: $A40
Closure: Stelvin
Source: Sample

One of the more unusual wine marketing campaigns of late is surely New Generation Hunter Valley. If its central image reminds one why mixing metaphors is generally a bad idea, I wholeheartedly agree with the sentiment behind the campaign. The Hunter Valley, though often a favourite of wine writers (myself included), seems to suffer an image problem, especially outside of its core Sydney market. So any attempt at reinvigoration is welcome, because I suspect history will show we are in a very exciting period for the region, several producers doing great work with its classic Shiraz and Semillon styles, driven by a desire to see more deeply into vineyard and site. Of course, being such a fan of the region, I completely missed the recent New Generation tasting here in Brisbane, much to my disappointment. Thankfully, I have been able to obtain some samples that, I hope, will provide a good snapshot of the more interesting current releases.

First up, the Thomas Wines Sweetwater Shiraz.Thomas Wines is a producer whose wines I have enjoyed on many occasions, though I’ve never before tasted this label. Diving right in, the nose is strongly influenced by fresh red dirt and textured oak, notes that combine to create an impression of sharp savouriness. This isn’t a nose that seduces through plushness or promises of rich fruit flavour. Rather, it’s a wiry, angular aroma profile, suggestive of a hard-earned, lean muscularity. Fruit notes, such as they are present, are firmly in the red spectrum.

The palate is a burst of savoury freshness, acid playing the dominant structural role. On entry, a real tingle of fresh red berries, sliding sharply to a middle palate that introduces the nose’s dominant notes – earth and oak. Though oak is quite prominent, its character is terribly well judged, seeming both old and slick at the same time. Though the wine is light to medium bodied, intensity is very impressive, helped along in terms of impact by all that acid. The finish settles to a surprisingly soft, almost plush, flavour, expressed within a still-nervy framework of textural acid and loose-knit, coarse tannin. This might be really challenging to someone with a taste for Barossa Shiraz, but that’s precisely what I love about it.

This is all Hunter, a no compromise style that confidently expresses the region’s charms. Take it (preferably with a bit of bottle age) or leave it.

Thomas Wines
Price: $A35
Closure: Stelvin
Source: Sample

I got my Tyrrell’s mailer the other day advertising the 2010 Private Bin reds. It reminded me that I hadn’t yet tasted the 09 Old Patch, so I made a point of pulling it out at the first opportunity. The 2007 Old Patch was a dense, somewhat forbidding wine on release, so I was pleased to see this present much more expressively, even after being open for only a short while. Two days on, it has flowered more completely, allowing this wine’s essential contradiction — a muscular flavour profile combined with a delicacy of structure and weight — to become clear.

The nose is perhaps best described as cubist, presenting both sharp graphite and iron filings with pungent florals and crisp cranberry fruit, clearly dimensioned and drawn with considerable detail. The oak is subtle and feels old, more nougat and peanuts than spice and coffee. Some regional dirt rounds out the aroma profile.

The palate is only medium bodied with a firm structure based on a line of driving, orange juice acid. There’s no much point dissecting flavour components as such; the wine tastes whole, seamless and well-textured,  with impeccable balance. What it’s not is sensational, and it would be easy to underestimate what this brings in terms of quality and longevity. But in its own way, this is as impressive, if not more so, than the 2007, trading outright power for a rare elegance and clarity.

How it will age is both a little curious and tremendously exciting; I’d love to see this in twenty years’ time. Perhaps I’ll make it my mission to do so.

Tyrrell’s
Price: $A45
Closure: Stelvin
Source: Retail