Tag Archives: Piedmont

Olek Bondonio Barbaresco 2010

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An astonishingly tight cork. Not a euphemism.

I’ve enjoyed several Olek Bondonio wines over the past few months, and have found them unified by a sense of simplicity and deliciousness that transcends their, at times, rustic demeanour. When one starts to get up towards $100, though, it’s interesting to contemplate how far this aesthetic extends, warped as one’s expectations might be by the idea of what a $100 wine should taste like.

None of which is especially rational or aesthetically coherent – a $100 wine has no more a “taste” than does one with a blue instead of yellow label. It seems pretty inescapable that received ideas of quality start to creep in as prices creep up. Yet how boring to believe that price accords linearly to some pre-defined increase in quality factors, like every dollar you spend should buy you a dollar’s more intensity, or complexity. I’m not so romantically inclined to believe that a “story” behind a wine is worth paying money for in and of itself (not that people don’t try), but at the same time wine pricing is so deeply non-sensical that I’m forced to concede there are other factors at play.

All of which is a long-winded way of saying that this, and the deeply charming Olek Bondonio’s other wines, don’t stand up especially well in terms of value for money. In most cases, better wines can be had for less. Yet I’ve enjoyed all of them very much and am happy to have purchased them, this Barbaresco included.

It’s a light wine even in the context of Nebbiolo’s tendency to deceive in terms of colour and body. Fragrance is immediately complex. There are all sorts of entirely savoury notes in the mix, including some sappy twig-like aromas, lamington, brown spice and tight red fruit. It wants a bit in expressiveness perhaps, and is very much a young wine in terms of how much one needs to coax it to the fore. I love how much is going on aromatically, though.

The palate is feather-weight and it’s here that one might start to frown. I’d never expect a fleshy wine, but I’ve had many Barbarescos with more impact, intensity and substance. This, by contrast, is a persistently light wine, its flavours existing in a high toned register that takes several leaps to its satisfyingly tannic structure. It’s not so much that there are gaps in its palate structure, but more that it’s a wine which remains resolutely at a certain level, rather than ranging wide across high, mid and bass notes. I’m not sure this lessens my enjoyment at all. For one thing, the flavours are so satisfying — vivid, complex, pretty. Very much what one wants from this variety. And the wine has plenty of structure that gives it, if not heft, then at least shape. I love how it licks my tongue through the after palate and places bright fruit flavours all the way along. Decent length, too.

I can imagine a bunch of folks ordering this wine at a restaurant, not knowing what to expect, and being quite disappointed given its price. However, as seems to be a pattern with this producer’s wines, I’m completely disarmed by how charming, flavoursome and delicious this is, even if it’s arguably an incomplete wine.

Olek Bondonio
Price: $90
Closure: Cork
Source: Retail

Sobrero Langhe Nebbiolo 2011

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Inexpensive Nebbiolo can be a difficult thing to locate, so it’s appealing to come across an affordable example such as this humble Langhe from Sobrero. Good Barolos and Barbarescos are so satisfying and complete, I fear a little tasting this wine and being comprehensively dissatisfied.

While this lacks some stuffing, there’s plenty of interest here and it seems quite its own wine. The nose gives up little on opening, slowly releasing iron and blood aromas mixed with prettier florals. These contradictions are the essence of the variety for me, so it’s nice to see them here, and the style doesn’t pander for a moment the way some cheaper Australian wines do, for example. Quite the opposite: this is a fairly uncompromising wine, and it takes a while for any semblance of flesh to build through the mid-palate. When it does, there’s some red fruit mixed in amongst the iron filings, though it’s kept in check not only by more savoury notes but by satisfyingly firm Nebbiolo tannin. One drinks these wines for their structure, and this has a nice lick of drying texture through the after palate.

With a day or so of being open, this does soften a little, structurally, and its reticence reveals itself as partly a function of intensity, or lack thereof. But it becomes more attractive as its fruits dare to sweeten, and there’s a definite lift in expressiveness both aromatically and in the mouth. It ends up a transparent wine and in many ways benefits from a lack of density. The word pretty keeps popping up in my mind.

To be sure, this is a fairly humble wine and I wish it had a bit more of everything. At the same time, I like what’s here very much.

Sobrero
Price: $A39.99
Closure: Cork
Source: Retail

Olek Bondonio Rosso Giulietta 2012

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Humility’s in short supply when it comes to wine. Let’s face it, baked into the very idea of wine quality is the assumption that more is better – length, intensity, complexity, power. If a wine were to be described as humble, as I’d charactertise this, it’s at best a backhanded compliment, suggestive of a wine that succeeds despite itself, of something that should be condescendingly admired for its lack of pretension.

Here’s the case, then, for humble wine:

  • Firstly, a decidedly un-noble variety: Pelaverga piccolo, from a mere four rows owned by the producer.
  • Secondly, a style that’s best described as functional. Indeed, this wine presents so straightforwardly as to be completely disarming. There’s some fruit flavour, some acid, and some tannin; another sip, thank-you-very-much.
  • Thirdly, flavours that recall nothing short of fresh, rather sweet, fruit, rattling about in a cage of tannin that allows plenty of elbow-room. How wonderful to taste a wine that doesn’t demand every ounce of one’s attention, but which still tickles the drinker’s sense of deliciousness and avoids even the slightest hint of pandering. Have you ever looked past someone for an age and then realised, all of a sudden, they are intensely attractive? It’s as much to do with their indifference as your perception, and this wine just doesn’t care if you notice its curves. It knows they’re there.
  • Lastly, crucially, it fairly jumps down your throat. Low-ish (13.5% ABV) alcohol helps with this, and reminds me that I regret higher alcohol styles not because of any necessary sensory imbalance but simply because one can’t drink terribly much of them.

I’m not inclined to make statements like “this is what wine is,” simply because wine can be many things. To me, though, this represents one of the drink’s most intensely pleasurable forms.

Olek Bondonio
Price: $46
Closure: Cork
Source: Retail

Olek Bondonio Langhe Nebbiolo 2011

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Wandering around Roostock earlier this year, a rather dashing fellow caught my eye. Placed next to the irrepressible Brad Hickey, his stall was poorly attended, so I took the opportunity to taste through the range.

The man turned out to be Olek Bondonio, Piedmontese producer of a small range of reds, some made of the usual suspects (Nebbiolo, Barbera) others showcasing less common varieties (for example, Grignolino). On tasting, what they shared was an honest deliciousness that instantly won me over. I wasted no time in placing an order.

I decanted this the first evening and tasted it over two nights. It has benefited from as much time as I’ve been able to give it. Initially bound up with tannin and the sort of flavour profile that makes one wonder whether there was any fruit used in the making of the wine at all, this has opened up to become a classically proportioned wine, albeit one that exists almost entirely in a savoury dimension. The nose smells more like essential oils than fruit, perfumed in a decorative rather than nutritive way. So much the better as far as I’m concerned; it’s a very pretty aroma, redolent of flowers and spice and undergrowth.

The palate is certainly more yielding than it was when I first opened the bottle, but remains a satisfyingly tannic experience. It’s only light to medium bodied but shows good power and intensity of flavour. There are pure savoury fruits at its core, brown and red in character, while a range of less straightforward notes play at the edges. It’s quite rustic, really, and I don’t use that term as a euphemism for anything faulty, rather as an indication of the transparency and straightforwardness of the wine. A very clean, lingering finish practically begs for another taste.

This isn’t the last word in complexity or sophistication, but what’s here is honest. A delicious wine.

Olek Bondonio
Price: $50
Closure: Cork
Source: Retail

Poderi Colla Dardi de Rose Bussia Barolo 2007

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A very happy new year to all. To celebrate 2013, I’m in County Durham in the UK visiting a friend who happens to be an exceptionally talented cook. In between hearty English meals, I am tasting the occasional wine. I like to shop for wine in supermarkets while here, and this particular bottle was procured at Costco.

Young Barolo can be a bit forbidding, and this is certainly a very structured wine at present. However, after a couple of days’ tasting, I think I have the measure of it. Unfortunately, it doesn’t seem the most elegant example. The aroma was initially quite muted; a day’s air, though, sees it somewhat more expressive. There are some recognisable aromas, tea leaf and red fruits, though it’s far from coherent. More like a moderately crazy goldfish darting in and out of the strands of seaweed in its too-small tank.

The palate shows satisfyingly robust tannin and a set of flavours that provide more satisfaction than the nose. It’s bright and moderately intense, with a particularly clean middle palate. However, the elements never come close to expressing any sort of narrative, appearing to be placed randomly along the line. The tannins, too, while present, lack any sort of beauty of arrangement.

Will this come together? I’m not sure; for now, it offers only intermittent pleasures.

Poderi Colla
Price: £25
Closure: Cork
Source: Retail

Silvano Bolmida Barolo Bussia 2003

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I often feel describing the textural experience of a wine is especially difficult. Whereas one can trot out a range of analogues when describing a wine’s flavour profile, capturing the nuances of a particular tannin profile, or the quality of a wine’s acid, strikes me as much harder. It’s especially frustrating when faced with a wine like this, whose tannins are very much a highlight and one of its chief pleasures.

Growing conditions leading up to the 2003 harvest in Piedmont were hot and dry, so I wasn’t sure what to expect from this wine. Happily, I found it excellent, showing no stressed flavours or unbalanced structure. In fact, it’s an elegant wine, with all the perfume one craves from this varietal.  The flavour profile is typical, with heady rose, citrus peel and red berries. There’s a wildness to the way this smells and tastes that recalls the sweetness of a field on a hot summer’s day.

Flavour aside, though, I just love the tannins here. From mid-palate onwards, texture starts creeping over the tongue, drying the mouth with a light but firm hand, becoming more noticeable as the line progresses. These are abundant tannins yet, somehow, they possess a lightness of touch, a delicacy, that allows them to remain in balance with the rest of the wine. I tasted this again and again, enjoying its rough hand caress my tongue.

What a sensual pleasure, this; as much about touch as taste.

Silvano Bolmida
Price: $A164 (wine list)
Closure: Cork
Source: Other

Prunotto Barbaresco DOCG 2004

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More and more, I’m interested in wine that expresses a tense, contradictory aesthetic. Aside from challenging the idea that wine ought to be harmonious and coherent, there can be something beautiful about pieces that don’t add up, or that seem to cancel each other out. It’s the beauty of death, of horror, or simply of a puzzle that defies resolution.

I like this wine because it smells of things that ought not to go together. Instantly, the smell of vinous decay and death; oxidisation, the leather and dried flowers of old red wine. Alongside, the smell of twenty different kinds of oak; nougat, vanilla, caramel, spice. Then there’s a big hit of tar and, paradoxically, a burst of fresh flowers. It’s like watching a life in fast motion, from birth to final days, moving so quickly the pieces blur and overlap. I could smell this for hours.

The palate is all about sensationally prominent tannins and deceptively light fruit flavour. Entry is fresh and full of savouriness: flowers, dried peel, almonds, and so on. There’s a sense of the sweet decay of autumn leaves that adds nuance to what is a powerful expression of Nebbiolo fruit. Impatient tannins creep in, fine and abundant, seeming to create a network of texture that rips across the tongue and shoots right to the back of the mouth. Overall, this wine has serious impact without sacrificing its essentially medium bodied, high toned character.

Not a wine of great refinement, then, but a true expression of this style at what I assume should be a reasonable retail price. Went very well with steak and chips.

Prunotto
Price: $A110 (restaurant wine list price)
Closure: Cork
Source: Retail

Prunotto Barbera D'Alba 2005

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A New World style from the Old World.

A truly inviting nose of dark berry fruits, bramble/undergrowth, some sweet spices and noticeable vanillin oak. Smooth, quite seamless, not overly complex. The entry and middle palate are again smooth, showing the same mix of flavours within a body of medium weight. There’s no angularity here; no prominent acidity, no premature raspy tannins. Nothing, in fact, to dominate the round, pleasant fruit and oak flavours. Flavours are perhaps a little light on in the intensity stakes, which in a sense is appropriate for the wine’s easy going structure. Finish is soft and of reasonable length. Despite being a bit light on, the wine does have a nice sense of balance.

I had this with pasta and goat ragu and, whilst the wine was generally a good match (the fruit sweetness in particular enhanced the sweet sauce), I would have preferred something with more structure.

Prunotto
Price: $A25
Closure: Cork
Date tasted: November 2007