Tag Archives: South Australia

Dowie Doole Cane Cut Viognier 2010

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For some reason, I don’t often reach for a sticky, even though I have thoroughly enjoyed many bottles over the years. I suppose it’s the, perhaps unfair, anticipation of flabby, sweet vulgarity that keeps me away; to my palate, there are few things as undrinkable as a low acid, high sugar, sweet white dessert wine. So, despite almost tasting this on several occasions, I’ve restricted myself to admiring its spectacularly pretty packaging and thinking about the various ways in which a cane cut Viognier might go off the rails. Not known for its subtlety, my greatest fear was too overt an expression of Viognier varietal character; I imagined great gobs of apricot flopping over yet more gobs of apricot, cloying its way along my palate, making me wish I’d stuck to admiring how well-judged the slightly blingy label is against the lovely hue of the wine.

The reality of this wine is diametrically opposed to my fears for it, and in fact shows an exceptionally well-judged sense of style in its making. It’s a light sticky, fleet in the mouth, with just enough fruit flavour to fill out its delicate vibe. In fact, the nose could be that of a rich dry table wine, showing apricot kernels, firm stonefruit flesh, light vanilla and heady florals. There’s an almost savoury tone to it that is a lovely counterpoint to the relative richness of the fruit character; certainly, everything seems in balance. Mostly, this aroma speaks simply of fresh fruit, picked and eaten at the point of early ripeness.

The palate shows great continuity of style, echoing the nose’s nimble aroma profile with a palate structure that is gentle but shapely, well matched to the wine’s moderate weight and body. It’s here the wine’s sugar content has an impact, creating good intensity of fruit flavour from entry onwards, and rounding out the mouthfeel. There could probably be a touch more acid, as the fruit just starts to cloy through the after palate. The whole is so light, though, that this isn’t a serious flaw.

Mostly, this is fun, delicious, and just sophisticated enough.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Kurtz Family Boundary Row Grenache Shiraz Mataro 2006

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This is the kind of wine I’d usually consume soon after release, in expectation of the sort of plush fruit that can carry 15% ABV; it’s interesting to try this now, after a little time in bottle. That a sub-$20 wine can age few years shouldn’t be taken for granted, so I’m pleased to note this is, at the very least, still very drinkable.

Whether it’s preferable now compared to as a youngster is less sure. There are definite signs of decay here, starting with an aroma that is somewhat liquerous, overlaid with autumn leaves and leather. It’s relaxed, speaking of middle age rather than boisterous youth, perhaps having lost the naive enthusiasm that can make Barossa reds so attractive on release. My only complaint is a thinness to the aroma profile, as if it has lost a tad too much stuffing.

The palate confirms these mixed impressions, from fruit character to leanness of profile. Overall, it’s a dark, brooding wine, treading on the right side of portiness while flowing over the mouth in a surprisingly elegant, quite seamless way. Acid and tannin are both fairly relaxed, creating plenty of space for a clean expression of gently ageing fruit to flow down the line. I wish there were a bit more roundness to the palate structure, more fullness of fruit, because its tendency towards leanness exposes the alcohol, which circles back around to further compress the fruit. It’s also pleasantly warm, though, and a hint of mixed herbs adds to the impression of rustic comfort.

Kurtz Family Vineyards
Price: $NA
Closure: Cork
Source: Gift

Mike Press Shiraz 2010

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The story of Mike Press Wines is atypical in many respects. After bursting onto the scene a few years ago with some great show results and a price point totally at odds with the quality of its wines, Mike Press has done what few wines lovers, in our collective cynicism, probably didn’t expect: he improved things even further. In my view, the last five years has seen a consistent refinement of the reds in particular, honing oak character while retaining excellent expression of fruit. Denoting a wine as “single vineyard” may seem pretentious at this price point, but it’s entirely justified, and one approaches these wines best by being thankful for their affordability and then forgetting cost altogether.

This wine has a balance of fruit and oak that wasn’t quite achieved a few years ago, but which now prompts a dense, concentrated aroma of brambles, brown spice, subtle vegetal notes and squished berries to waft from the glass. Inevitably in such a young wine, a couple of the elements aren’t fully integrated, but it’s impressively coherent nonetheless, especially in terms of the way the oak’s influence weaves into the fabric of the fruit, supporting and spicing it well.

The palate comes across as rich and full, quite fruit driven, but with a decent structural framework and a consequent sense of orderliness underlying the whole. Quite plush on entry, a tumble of very ripe plums and blackberries moves through to the middle palate. I like how clean the fruit is here, without being simple or in any way confected. On the after palate, well balanced acid and velvety tannins start to take over, adding texture to the mouthfeel and some welcome nerviness to the vibe. A decent finish, full of sweet tannins and vanilla oak flavours.

A really nice release of this wine, showing a fullness of fruit in particular that should be utterly crowd pleasing.

Mike Press
Price: $13-14
Closure: Stelvin
Source: Sample

Wynns Black Label Cabernet Sauvignon 2003

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Trawling back through the Full Pour archives, I see I never wrote this up on release, which was rather remiss of me. This wine brought me back to Wynns Black Label, and I remember enjoying its generosity and correctness at the time. Tasting it again now, the impression remains one of correctness and regional character.

The nose is immediately varietal, showing oodles of the (to me) deliciously leafy side of Coonawarra Cabernet, if also a tad too much oak to be considered totally balanced at this point. Beyond this, a surge of clean cassis emerges through the aroma profile along with an edge of blackberries, edging past fully ripe into jammy territory. Not distractingly so, though; just enough to suggest a fairly generous interpretation of this regional style.

The palate resists outsize scale, instead remaining fairly linear. Flavour registers early on entry, dark fruits cascading over the tongue towards a mellifluous middle palate that sings briefly before fine, chalky tannins assert themselves. This isn’t even close to being a fully resolved wine, which befits the style but also means tannin freaks, like me, will still find plenty to enjoy here, even after several years of bottle age. The after palate continues in this structured vein, fruit compressed somewhat as a result, before a lengthy, oak-driven finish rounds off the line. Clean, sinewy, restrained; this is Cabernet very much in the classic mould, a hint of extra-ripe fruit the only question mark over its form.

Very, very good.

Wynns
Price: $A30
Closure: Cork
Source: Retail

Irvine Grand Merlot 1996

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This smells nothing like a fifteen year old Eden Valley Merlot. The absurdity of that statement will, of course, be evident to those with a knowledge of this wine’s place in the Australian wine canon – it’s probably the only Eden Valley Merlot you’d think about cellaring for anywhere near this long, so it in fact tastes exactly like what it is – an exceptionally good fifteen year old Eden Valley Merlot. And, on the basis of this tasting, it’s a shame there are so few such wines.

When there’s a level of quality present, as there is with this wine, one’s experience of drinking it is as much a matter of timing as anything else. So the question becomes: are the elements ideally balanced right now? There’s a gorgeous smack of sweet primary fruit of a red berry character, a firm overlay of tertiary aromas and a dark framework of firm, coffee-tinged oak. So far, so good.

The palate makes my own answer to the question clear; this is surely drinking at its peak. As fascinating and beautiful as fully resolved old red wines can be, I usually prefer them in a state of maximum complexity, displaying a mixture of old and young wine characters. This retains an abundance of primary fruit, sweet and luscious, alongside the old leather and mushroom notes that accumulate only through an extended afternoon nap in bottle. Though, structurally, this has enough grunt to go even further, I like that its tannins remain slightly aggressive and primary, because they provide a link to its origins, allowing me to experience several moments in time all at once. The wine is simultaneously young, middle aged and old, jumping between all of its dimensions with elegance and poise, accumulating pleasures with each leap.

Ultimately, what is most astonishing about this wine is its freshness, and how that freshness is utterly transportive. I see in this wine its formative moments — vigorous green vines collecting energy to fill the beautiful berries that in turn filled this bottle — and through it my own life and the sense of discovery that characterises adolescence but which fades into rarity as one grows older. Thank goodness for those things that help me to remember.

Irvine
Price: $NA
Closure: Cork
Source: Retail

Yelland & Papps Devote Greenock Shiraz 2009

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This has been open a good couple of days and is just starting to sing. There was something fuzzy about it on opening, the clarity of its fruit obscured by structural static. Much better now, though.

On the nose, a spiced, clove-laced aroma of crushed blood plums and cedar, pine needles and marzipan. Opulent is going too far; mellifluous a better description for what is an easy, conversational aroma profile. I like the oak character in particular; it’s a mixture of nougat and nuts with hints of dark spice. Despite being more accessible after a couple of days, this remains a rustic nose, roughed up with dark notes and graced with a character of fruit that’s more tart-baked than freshly picked.

The palate is generous and solidly structured, with a level of density that remains high right down the line. That said, it’s not the most highly defined wine, flavours blurring into one another with pleasant casualness. So the overall impression is one of large scale ease, which is tremendously appealing if you set aside the sort of hard-edged detail that some wines pursue in the name of quality. No, this is old school Barossa, full of plum and fruit cake spice, well-balanced acid and soft tannins. The fruit may lack an ounce of freshness, but it’s barely a mark on the drinkability here.

A very good wine in its style.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Chapel Hill The Chosen Home Block Shiraz 2009

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Three 2009 Shirazes in one sitting – this, the same producer’s Road Block and the Tyrrell’s Old Block. Each wine completely different from the next, though with both Chapel Hill wines showing a distinct regional relationship, as one would hope.

Increasingly, I’m enjoying what I see as the nascent influence of Burgundy on Australian Shiraz, not of technique, but of philosophy. There are such marked differences between regional Shiraz styles, and indeed within regions and sub-regions, yet to my mind this remains territory that is barely mapped, and wines like this are a step along the path towards a deeper, finer, Burgundian understanding of how Australia does Shiraz. None of which would matter if the wines weren’t much good, so I’m pleased to note this is an excellent McLaren Vale Shiraz, in my opinion superior to the Road Block, though very different from it too. The vines here are a lot older, and without wanting to dive into that conversation, I will innocently note that this wine seems more resolved and complex, less brutal in flavour profile than the Road Block.

The nose is quite settled and full of adult savouriness; dusted cocoa powder, cherries, raspberries, complexity, medicine, comfort, dusty beauty. Who doesn’t love a farmer? This smells so genuine it completely bypasses a conversation about what it is and just exists in its vibrant, deeply understood way.

The palate is of medium weight and seamless complexity. There are coffee grounds and red fruits, expressed with significant intensity of flavour. What’s really nice here is the wine’s sense of quiet vitality; it just sings in the mouth with calm and a sense of reserve, never jumping around, nor sticking at any stage, nor cloying the palate. Modern McLaren Vale Shiraz can be bruising in style, but this wine’s weight and balance highlight what I love about an old school expression of the style: sheer drinkability.

These are wines that, in a sense, teach us all over again what wine is — a conduit for one of the most intense yet least scrutable forms of aesthetic delight.

Chapel Hill
Price: $A55
Closure: Stelvin
Source: Gift

Chapel Hill The Chosen Road Block Shiraz 2009

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One for the tannin freaks. Interestingly, I had this with a robust lamb and rosemary pie and, after initially thinking it would be a good companion because of all that fabulous structure, it ended up being the least interesting food match of the three wines I had before me at the time (one of the others being the Tyrrell’s Old Patch just reviewed).

The aroma has quite strong fermentation esters that take a while to blow off. I like fermentation esters, so this made me smile, but give it some time to discover its true character. The purple sweetness of youth never quite goes away, which is an interesting foil to the dark, dense, somewhat savoury, relatively oak-heavy profile that settles with some time and air. It’s one of those wines that seems to have oodles of power and bulk in reserve, not fully expressing itself, but looming over you, so you’re always aware it’s there. The oak character is well matched to the fruit, contributing coffee grinds and dark spice to the fruit’s ripe, rich, dark character.

The palate is only medium bodied, which again provides an interesting framework in which the dense fruit can sit. Tannins are simply gorgeous in a modern way – majorly prominent, ultra fine, blankety, sweet, delicious. They really do dominate the experience of this wine right now, which is no bad thing – it’s a fun wine to drink, and though it initially begs for food, it ends up being way richer, deeper and more of a mouthful than any “food wine” needs to be. A streak of red berry soars above it all, giving the after palate light and nuance. Ultimately, some nuance, a bit more light and shade, would complete this wine, but in its style it is a lovely drink.

Chapel Hill
Price: $A55
Closure: Stelvin
Source: Gift

Yelland & Papps Devote Old Vine Grenache 2009

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This is the third vintage of this wine I’ve tasted, and I do believe it’s getting better with each iteration. Looking back over my notes, the 2008 was a significant advance over the 2007. The current vintage is again a really good expression of Barossa Grenache, notable for the way it balances typically sweet fruit with a range of sappy, savoury notes.

The nose is clean and highly expressive, showing sharp snapped succulent and fresh red fruit, coffee, brown spice and charry oak. The fruit and oak influences are very well balanced, fruit presenting first then relaxing into complex, subtle, pleasingly rustic barrel-derived notes. It’s both warm and fresh at the same time, sort of like wearing the warmest, wooliest jumper you own on a crisp, early Spring day.

The palate is true to the nose in both flavour profile and balance, starting early and sustaining fruit presence along most of its line. There’s a core of clean, medicinal fruit around which a range of other flavours gather, some fruit and some from oak. Reasonable intensity (Yelland & Papps wines never seem to want to be powerhouses, even the upper labels), medium weight, nice drive. A bit of heat, but I expect that from this style of wine. The only disappointment here is a simplistic texture that is just a bit too pumped up and slippery for its own good. I’d like to see more tannin texture and dimensionality. It’s a small niggle, though.

Very nice, strongly regional Grenache.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Leasingham Bin 61 Shiraz 2008

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I have fond memories of this label and its stablemate, the Bin 56 Cabernet Malbec. For years, they exemplified the sort of great value, regional, age-worthy red that drinkers on a budget tend to gravitate towards. Hence, I have enjoyed many vintages of this, both as a new release and as an aged wine. It’s been a while since I tasted it regularly, though, so was pleased to see it arrive in the mail and curious to understand what today’s Bin 61 is like.

I certainly don’t remember it being quite as approachable as this. One of the things I like about Clare reds is their ruggedness, usually expressed through a heap of oak and the sort of genuine, yet coarse, fruit flavour profile that suggests a slightly embarrassing, but lovable, relation. This wine retains a significant oak influence, expressing mostly chocolate notes and some dark spice, as well as hints of the vegetal, dark fruit character that seems typical of this region. There’s a sheen, though, a sense of polish that rubs out the splinters and smooths the fruit’s edgier side, making the whole thing very drinkable as a young wine.

The palate continues in this vein, with a dense burst of sweet fruit on the middle palate the dominant element. According to the press release that accompanied this sample, the Schobers vineyard, from which some of the fruit for this wine was sourced, contributes to this fuller, sweeter fruit aspect. I’ll have to take Constellation’s word for it, not being intimately familiar with the character of individual Clare vineyards; what’s undeniable is the sweet, clean fruit that flows with each sip. Some might wish for more restraint, a greater tannin influence, an edgier profile. Certainly, I remember the Bin 61 being a more structured style than this. However, on its own terms, this is a very well-made wine with plenty of commercial appeal. At a decent discount off retail, you could do a lot worse.

Leasingham
Price: $A26
Closure: Stelvin
Source: Sample