Tag Archives: Victoria

Taltarni Cabernet Sauvignon 2007

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Balance is one of those elusive concepts in wine that’s difficult to defend because, to my mind, there’s a continuum in which a wine style can exist, and the point of imbalance on that continuum is pegged differently by different drinkers. 

This wine’s an interesting example of what I mean. I’m not averse to some green flavours in Cabernet. In fact, I’m probably one of the few people who have semi-fond memories of some green-ish Coonawarra Cabernets from the 1990s. But there’s a point at which the green stops being challenging and angular and stylish and becomes simply unpleasant. Does this wine cross that line? I’m not sure. It certainly did on initial opening, offering clearly unripe notes and raw, puckery tannins as proof. Curiously, it also showed the most seductive, plush fruit aromas that created an interesting push-pull aesthetic.
On day two, the wine is tiring a little, but also evolving to show more complex fruit and spice influences on the aroma, and deliciously tart orange-juice like notes on the palate. The green, curiously, has receded a little, dragging the wine back into the land of characterful balance. Tannins are better behaved, though ultimately still a bit aggressive, and it’s here the wine’s questionable astringency remains most present. Overall, though, there’s a sense of honest regionality with this wine that I am enjoying, despite the rough edges.
I also have a 2008 vintage in the pile and will taste it with interest.

Taltarni
Price: $A35
Closure: Cork
Source: Sample

Best's Great Western Bin 1 Shiraz 2009

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Shiraz is undoubtedly Great Western’s raison d’être. Bin 1 is the baby brother to the mighty Bin 0 and Thomson Family wines (of which the superb 2006 was previously reviewed) but in its more modest way still offers a nice view into this classic regional Shiraz style. In some ways, this makes it the most important wine in the portfolio, in that it’s an affordable entry point into something quite distinctive. A gateway drug, if you will, into the region’s wines.

I’m pleased to note the nose offers an immediate hit of typically Great Western plum and spice. It’s heady and rich within the parameters of the style, showing softness and a halo of vanilla oak that is quite attractive. There’s some good detail to the aroma profile too, perhaps unexpected in this level of wine, that keeps me sniffing.

The palate is styled for generosity and pleasure above all else. Its most outstanding feature, for me, is a rush of plum juice that kicks in soon after entry and whooshes right down through the after palate. Delicious. There’s also plenty of spice and the sort of soft nougat oak character that can clash with some wine styles but which here seems completely right. A nice lift of lighter fruit carries the after palate to a fresh finish that is tinged with softly sweet flavours.

My favourite of the new Best’s Great Western releases.

Best’s Wines
Price: $A25
Closure: Stelvin
Source: Sample

Best's Great Western Cabernet Sauvignon 2009

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I’ve tasted this wine twice now and both times have come away impressed with its drinkability. It’s not an especially sophisticated wine; in fact, there’s a rusticity to the flavour profile that suggests generosity and ease rather than intellect. But that’s not a bad thing in my book.

The aroma shows good varietal character, a nice hit of dusty leaf overlaying squashed dark berries and spiced oak. It’s all a bit blurry perhaps, and those looking for a chiselled expression of Cabernet may not find their ideal wine in this. For me, though, its value lies in savouriness and a meaty, chunky vibe.

The palate shows an interesting interplay between clean dark berry fruit and a range of brambly, dusty characters. Entry is savoury and bright, introducing a line of acid that is quite firm and supports the wine along its line. The middle palate is really flavoursome, again showing clean, vibrant dark fruits in an earthy, oak-influenced cage that really grounds the wine and gives it plenty of vitality. Fine, rather astringent tannins on the after palate introduce a long finish that treads into red fruit territory, along with just the right amount of oak.

This is a really genuine, regional wine that places enjoyment above perfection.

Best’s Wines
Price: $A25
Closure: Stelvin
Source: Sample

Best's Great Western Riesling 2010

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Riesling is one of those varieties we do especially well in Australia, and what’s exciting for me is that, in addition to the beautiful, unique Rieslings from the Clare and Eden Valleys, there are a range of other authentic styles that are either emerging (as in those from the Canberra District) or long term classics that fly under the radar. Rieslings from Western Victoria fall into the latter category for me, so it’s with some anticipation that I tasted this new release from Best’s. 

The 2009 was, from memory, a rather searing experience, but this wine is somewhat different. It’s more elaborately perfumed for starters, all florals and talc with hints of fuller, cumquat-like fruit. One could never describe the aroma as rich, but there’s a softness here that is nicely approachable. There’s a streak of minerality too that runs beneath the higher toned aromas. I can see some spritzig in the glass, which isn’t surprising for such a young wine. 
The palate shows a similar range of flavours as the nose but, given the slightly fuller notes, is surprisingly tight, and very much in the regional mode. Entry is driven by minerality before lime blossom and citrus rind thicken the middle palate. Acidity is full-on to say the least, aided by some light spritz and a flavour profile that remains angular along the line, but offset by a nicely rounded mouthfeel on the after palate. I don’t think the palate structure is hanging together quite yet and feel some time in the bottle will help things to cohere. The finish is delicate, mostly minerals and flowers. 
Nice wine. Give this a few months then tuck in! 

Best’s Wines
Price: $A22
Closure: Stelvin
Source: Sample

Mount Langi Ghiran Nowhere Creek Vineyard Shiraz 2005

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This producer seems to take a view of Grampians Shiraz that is, stylistically, larger in scale than most, much to the consternation of some of my wine writing colleagues (who shall remain nameless :)). I’ve tasted some delicious Langi wines that have aged a treat, and others that have fallen apart and lost their fruit after a relatively short time. Hard to generalise, then, about the effect of this stylistic intent. What’s certain is these wines can have great impact.

This wine is a good case in point. It’s a luscious, ripened style that is highly satisfying in its way. As I sip, though, I wonder whether there’s a suppression of regional character at play. I’m not familiar with this site’s wines, so it may well be a terroir thing as much as anything else. The nose is more cherry liqueur than fine plum, and there’s a hint of the alcoholic headiness that goes along with my liquerous descriptor. A hint of bottle age completes the dense, slightly blunt aroma profile.

The palate is where this wine’s compromises, as well as its strengths, play out most obviously. There’s no questioning the amount of flavour here; this is the sort of soft, generous red wine, full of chewy fruit and rich oak, that causes some drinkers to slump with pleasure. The middle palate is especially full, as the structure is relaxed enough to encourage spillage of the wine’s fruit across the tongue. There’s some bitterness on the after palate, though, and some heat intruding on the finish too. There’s also a stressed dimension to the minor spice notes in the flavour profile. It’s almost the flip side of all that richness, as if the fruit couldn’t quite be coaxed into such a full expression without rebelling in some way and losing the sense of elegance for which this region’s Shiraz is famed.

Not a bad wine by any means, but a polarising style for lovers of Western Victorian Shiraz.

Mount Langi Ghiran
Price: $A25
Closure: Stelvin
Source: Sample

Domaine Tournon (Chapoutier) Western Victoria Shiraz or Syrah 2008

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I bought this wine because:

  • it’s labelled “Shiraz or Syrah,” a conceit that one hopes was motivated by a heavy dose of French Theory but which, alas, is probably a lot more prosaic in intent;
  • its cork seal looks decidedly out of place on a wine at this price point; and 
  • the geographic indication is simply “Western Victoria.”

This last point intrigued me, and some lazy Googling leads me to suspect the fruit is sourced from the Pyrenees. If so, one wonders why it wasn’t labelled as such. Perhaps this rather ambitiously named Australian region might have caused confusion in the old country.

In any case, enough metavinosity. The wine itself is decent enough and is improving in the glass. On the nose, a pepper steak vibe mixes with dark, juicy plum fruit and some eucalypt. It’s very clean and fresh, though tending towards anonymity in character. There’s something boring about its cleanly defined, simple fruit flavours that may alienate those looking for more personality.

The palate is consistent with this impression, offering good volumes of plum juice in the context of an easygoing, fresh structure. Medium bodied, there’s plenty of flavour and a bit of detail around the edges. The after palate becomes more textured and complex, though the wine never sheds its core of simple fruit flavour. Some heat on the finish along with a lift of mint.

A pretty solid wine at this price, showing hints of regional character without ever threatening to become too interesting. Cork, though; seriously?

Domaine Tournon (Chapoutier)
Price: $A16.15
Closure: Cork
Source: Retail

Seppelt Chalambar Shiraz 2008

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As should be evident to regular readers of this blog, I tend to view wine not only in terms of what’s in the glass, but also as a function of human input, circumstance, intent, and a whole bunch of other problematic considerations that are hard to pin down but which are, for me, always part of the experience of tasting.

This makes Great Western-based Seppelt’s range, exemplified by the multi-regional Chalambar blend, especially challenging. There’s nothing like visiting a region or two to reinforce the value of clear regional character in wine. After recently spending some time in the Grampians — one of my favourite areas for Shiraz — I feel invigorated in my appreciation of the special qualities of this region, and hence somewhat dismayed by what this wine is. Carrying a Great Western heritage, but made from a blend of Grampians and Bendigo fruit, the Chalambar label is a litmus test of sorts in terms of one’s view of regional distinctiveness versus straight mainstream quality.

And there’s no doubt this is a quality wine. It’s decent value at its recommended retail price (mid-$20s), and a steal at the sub-$15 price point one often sees at the larger retailers. The nose is spicy and meaty in equal measure, with a nice aromatic lift characteristic of Western Victorian Shiraz, but a level of depth and ripeness more suggestive of the Bendigo component. It’s quite juicy in terms of the character of its fruit; all plums and dark berries and pulp, with a leafy edge too. Moderately complex, there’s a gentle oak vibe that frames and gives shape to all that luscious fruit.

The palate continues in this vein, with plenty of generosity and good movement through the mouth, though it took a few minutes to lose the sense of hardness with which it opened. The entry has a mouthfilling quality and is thick with dark fruit flavour, so much so that it teeters on the edge of being full bodied. Prominent, fine tannins emerge on the middle palate, chalky in character and almost too perfect in form. Indeed, there’s a composed glossiness to this wine that is alternately impressive and frustrating. Where is the rawness, the edge, here? There’s an attractively bright sour edge to the fruit, reminiscent of plum skins, which I particularly like. There’s also a good whack of deeply ripened, Bendigo-style fruit that I like less well. The after palate and finish are dark and satisfying, leaving an echo of black berries right at the back of the mouth.

A tasty wine, then, and one made with consummate skill. Whether it satisfies your soul in addition to your palate is more a matter of philosophy than taste.

Seppelt
Price: $A18.95
Closure: Stelvin
Source: Retail

Best's Thomson Family Shiraz 2006

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I’ve just returned from a very exciting, though quick, trip through the Grampians and Pyrenees regions of Victoria, and find myself with a backlog of thoughts and not enough time (or energy, for now) to put them into words. I do, however, have a bottle of current release Thomson Family Shiraz in front of me now, and am compelled to make a few notes.

This is on its third day after opening. My first tasting, at the winery, revealed a wine so backward in structure that I found it hard to tease much from the glass. What I did manage to extract — classy oak, dark plums, dense spice — seemed very promising at the time, and it’s only now that I have an opportunity to retaste.

What’s wonderful about it on day three is how elegant a wine it is, perhaps unexpectedly given its initially dense structure and reluctant expressiveness. Now, indeed, this wine is classic medium bodied Great Western goodness, an array of spice notes leading the olfactory way to complex plum fruit aromas and a background of slightly charry oak. It’s less high toned than some, preferring brown spice to sharper cracked pepper. Nonetheless, the wine is regional to its core, and that’s a great thing for lovers of Western Victorian Shiraz.

The palate shows a degree of restraint that is most impressive. There’s a light, almost casual, edge to the clean plum flavours running along the line that makes me smile in this context, because such confident simplicity goes against the grain of many self-consciously brutish “reserve” level wines. No such pretension here, though. The palate structure is easy and elegant, flowing cleanly through all stages with good continuity. Textured red and black fruits mingle with a range of spice flavours and relatively restrained oak, precisely layered and all sitting within a medium weight frame. There are all sorts of complexities to the flavour profile too — some interesting tobacco notes, for example — that help the wine evolve in the glass. An excitingly extended, spiced finish is impressive in quality terms but for me comes across simply as delicious.

One would be hard pressed to find a truer, more relaxed, expression of Great Western Shiraz than this. A great example of one of our great regional styles.

Best’s Wines
Price: $A150
Closure: Cork
Source: Sample

Clayfield Massif Shiraz 2008

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It’s been a few months since I last tasted this wine at cellar door. It wasn’t a rushed tasting as such, but it did take place in the height of summer, a couple of days before a catastrophic fire ban descended on Western Victoria, so you can imagine the conditions (42 degrees C from memory). I have been looking forward to tasting it again at leisure, which I did last night. Here are the results.

The nose shows thick, liqueur-like notes of plum flesh, cherry pips, chocolate dust and dark spices. This is such a deep pool of aroma one could easily, pleasurably, get lost smelling it; it’s just one of those wines. The oak is well-judged in character and volume, present yet never more than supportive. It lacks the detail and subtlety usually present in the Clayfield Black Label, but on its own terms is a lovely wine to smell, and probably easier to enjoy right away.

In the mouth, it is basically an explosion of concentrated Grampians Shiraz flavour. Perhaps not as spicy as some, it nevertheless possesses the beautiful plum flavours and general sense of elegance that are hallmarks of this region’s wines. Entry is full-flavoured and immediate, placing plum skins directly onto the tip of the tongue. Juicy plum flesh accelerates towards the middle palate, where a dense, expansive range of flavours spread generously from left to right. It’s rich for sure, and there may be some who prefer a leaner expression of this varietal from what is a cooler climate region. What astonishes me, though, is how the wine remains within the regional idiom and, at the same time, shows such scale and ripeness. Its generosity more than compensates for any tendency to stylistic brutality. Beautiful, flavoursome tannins creep over the tongue from back to front as the after palate progresses. The finish shows slightly sappy oak flavours and goes for some time.
This would be good value at $35; as it is, a dead set bargain.
Update: day two sees spice come to the fore, and the aroma now has a lovely rich fruit cake character to it. Delicious.

Clayfield Wines
Price: $A25
Closure: Stelvin
Source: Retail

Castagna Genesis Syrah 2005

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I sometimes wonder whether the adaptability of Shiraz to an apparently endless range of regional expressions is a disadvantage. Variety certainly isn’t the issue. But, for someone like me who looks for order and coherence in most things, it can all start to look a bit scattered. Perhaps it seems contradictory to suggest such richness is anything but positive. Certainly, for the wine lover with patience and a well-stuffed wallet, Australian Shiraz on its own offers a world of exploration. 

Victorian Shiraz is my current obsession. From the Grampians to Geelong to Heathcote to Beechworth, there’s an array of styles with little to hold them together. Indeed, the fact they are all Victorian seems purely incidental. So this wine, from Beechworth, is like a bolt from the blue, expressing the most clearly defined idea of Shiraz imaginable, and seeming to set the pace for an entire region. It’s the sort of confidently styled wine I believe we need more of. 
An explosion of complexity on the nose. Meat stock, sour cherries, nougat, smashed black peppercorns, blackberries and ripe canes. There’s a nice balance between the elements, and a nice topography to the aroma profile; unlike some wines that show seamlessness above all else, this wine isn’t afraid to allow its components to stand out. I like its vibe now; in time, perhaps it will show some different, more settled faces. It’s dense and savoury, expressive and perhaps a bit of a show-off, which would be bothersome if it didn’t have such wonderful things to say. 
In the mouth, initially quite tannic. I’ve let it sit in the glass for a couple of hours and, though it remains a structured, tight experience, it is starting to unfold. Give this time. On entry, a freely expressive, textural caress of sour cherry. The middle palate shows stunning complexity; there’s so much going on here and, as with the nose, it’s not seamless so much as intricate and full of tension. Often we value flow and harmony in wine, but this is a lesson in counterpoint, contradiction and angularity. The after palate and finish show a particular glow of fruit and oak that smooth some of the mid-palate’s edges and help the wine to achieve a gentle resolution. A very, very long finish, sour cherry reverberating through a framework of gentle oak and brambles. 
What a fantastic wine.

Castagna
Price: $A85
Closure: Diam
Source: Gift