Swinging Bridge Reserve Shiraz 2010

I’m a bit conflicted about this wine. I previously enjoyed this producer’s Sauvignon Blanc and felt it could have been pushed harder into less compromising stylistic territory. I feel very much the same about this wine, which pitches at quite a different level but which is similarly torn between distinctiveness and a desire to be crowd pleasing.

The nose shows a mix of peppery spice, slick oak and ripe, sweet red fruit. The spice is wonderfully adult and the oak sharp, which makes the character of the fruit stand out a little, as if an everyday quaffer had wandered into something altogether more elevated by mistake. It’s not that the fruit is of poor quality; indeed, I feel the reverse is true. But the expression that has been coaxed of it is bouncy and sweet, a little too much so, such that the aroma profile never quite coheres.

The palate tells a similar story, though its structure provides some added delights. Acid, in particular, is fine and sharp, adding real zing to the fruit’s bright flavour profile and helping it to stay within more adult parameters. I like the way this flows over the tongue, and the clean, firm articulation of its flavours is truly delicious. I just wish, though, the fruit weren’t quite so eager to please. A more savoury expression would allow the brown and black spice to shine, and the delicious oak to be a more integrated part of the wine’s overall flavour profile.

As with the Sauvignon Blanc, this shows genuine potential and is in many ways a delicious and interesting wine. Some finessing of the fruit’s character would bring out the potential I see here.

Swinging Bridge
Price: $A45
Closure: Stelvin
Source: Sample

Dowie Doole Cali Road Shiraz 2010

When a wine is identified as coming from a single vineyard, it creates an expectation of distinctiveness, of an identifiable character that goes beyond simple varietal or regional correctness. In a way, the question of what a single vineyard bottling brings (if anything) over and above a well executed blend goes to the heart of what we value in wine. It’s a big topic that I won’t try to do justice to with this note, but I will say that the last bottling of this wine, the 2008, was by far my favourite Dowie Doole Shiraz from that vintage precisely because it tasted different, perhaps less glossy than the Reserve, but to me more attractive for its kinks.

I’ve not yet tasted the 2010 Reserve, but the single vineyard bottling, rechristened Cali Road, recalls the most pleasing aspects of the previous release. Immediately, the aroma is unvarnished, showing lovely regional earth and cocoa alongside typically plump McLaren Vale plum fruit. Oak plays a prominent role too, and I might object to its volume if it weren’t so typical of old school red wine from this region, and hence almost an expected element of the style. Its character is also well matched to the fruit aromas.

The palate is superbly drinkable. It enters with grace and subtlety, building to a middle palate that maxes out at medium bodied and is awash with down home red and black fruits, regional earth and salty texture. Structure begins with firm, well integrated acid and transitions to grainy, loose knit tannins through the after palate; its almost 15% alcohol is nowhere to be seen. Oak is, again, a feature of the wine, albeit one that is integrated and quite delicious. What I like most about this wine is its understatement. It’s just so unforced and, at the same time, shows real personality. This is the quiet guest at a dinner party who, half way through the evening, becomes the centre of attention without once calling attention to himself.

I feel like this is McLaren Vale Shiraz stripped of modernity, where the winemaking is traditional and the resulting wine intimate and real. Absolutely my sort of wine, and very much worth the price premium over the standard Shiraz in the range.

Dowie Doole
Price: $A35
Closure: Diam
Source: Sample

Cumulus Shiraz 2009

Lovely aroma, quite composed and balanced. The fruit is mostly red and shows an attractively lithe profile, quite unlike the denser aromas our warmer climate Shiraz wines can show. There’s some brown spice too, which blends well with oak that is somewhat nougat-like in character. I’m not sure I like the oak; its level is well judged but its character is just a bit too sweet and obvious for my liking. A matter of taste, though.

The palate is medium bodied and strikingly intense; there’s some great fruit in here. On entry, slick red fruit and prickly spice ride atop an immensely slick mouthfeel. The middle palate sees this silicon texture expand over the tongue, and some may love the sense of luxe here. Personally, I feel the texture is one-dimensional and somewhat at odds with the angular flavour profile. The flavours become sweeter as the line progresses, due in part to oak I think. The finish is rather delicious, echoing the wine’s flavours softly and for some time.

Sometimes I wish a wine were less perfect, and this is one of those times. There’s some seriously characterful fruit underneath the gloss, and I kept wishing I could get a less intermediated view of it, something rougher hewn, less intrusively sweet and slick. Still, a wine of quality and interest.

Cumulus Wines
Price: $A30
Closure: Stelvin
Source: Sample

Eloquesta by Stuart Olsen Shiraz Petit Verdot 2009

Wine labels tend to look somewhat samey after a while, so it’s always a nice surprise to open a box and find something distinctive staring back at you. The label is really quite pretty in an almost handmade way, and the chosen bottle has a nice, subtle curve to its side. All in all, lovely packaging. I’m particularly interested (even before tasting) in how this wine is being marketed. This is, in all apparent respects, a labour of love. Complex, quasi-natural wine techniques are used throughout; there’s carbonic maceration, whole bunch fermentation, minimal sufur, and so on. That’s a lot of quirk to pack into a $28 bottle of wine, and it all very much taps into the zeitgeist as far as wine appreciation is concerned.

To the wine itself. An immediate fruit lift signals the carbonic maceration. It’s a technique that can yield cheap-smelling wines, but I like the playfulness of the sprightly fruit in the aroma profile here. This otherwise smells as one might expect: characterful, dark fruited, anything but slick. The oak character stands out as too nougat-like. I would have preferred less of it, and something spicier.

The palate’s structure is appropriately rustic. There’s some raspy acid and the tannins are loose and drying; it all fits well with the artisanal vibe. Flavours are bright and fruit-driven, and for someone reared on dense Australian red wines, this may come across as too acidic as well as too thinly flavoured, and certainly there’s a hint of alcohol on the palate that I find intrusive. That’s a matter of taste; what interests me more is an impression that this wine is risky, walking a tightrope between characterful and home made. It’s certainly clean, and in all respects feels attentively crafted on a very small scale. Heaven to some, no doubt, even as it perhaps mystifies others.

Eloquesta by Stuart Olsen
Price: $A28
Closure: Stelvin
Source: Sample

Chapel Hill Shiraz 2009

Seems it’s McLaren Vale Shiraz time lately at Full Pour, which is just fine by me. Like the recently reviewed Dowie Doole, this shows fruit character that is deliciously true to the region.

The nose is dark and quite serious, throwing dense aromas that alternate between dark plums, earth and chocolate. I like the suggestion of liqueur here, which avoids any sense of over concentration and instead seems to mesh well with the earthy, almost mineral notes that sit alongside. I’d call it rustic but that would paint a misleadingly coarse picture of what is quite a resolved aroma profile. The palate is full and flavoursome. Entry is clean and driven by straightforward plum fruit. Some detail and texture creeps in through the middle palate, and I like the way the edges of my tongue pick up raspy tannin while the middle remains focused on fruit. Acid seems laid back, although the after palate shows some brightness and zing. Intensity is moderate. Overall, it lacks a degree of refinement in its articulation of flavours, but what’s here is clean and tastefully balanced. Oak is, in particular, subtly handled, even as it remains an important component.

A solid wine indeed, and one I’d be happy to drink with a nice lamb casserole.

Chapel Hill
Price: $A30
Closure: Stelvin
Source: Sample

Dowie Doole Shiraz 2010

Though the Merlot occupies a special place in my heart, there’s no doubt the core of Dowie Doole’s red wine portfolio centres on Shiraz. This wine is the standard label.

The nose is liqueurous, dark and seamless. There’s a big hit of coconut oak, which is regionally typical, and the whole vibe is very much old school McLaren Vale Shiraz in the best possible way. What I like about this region’s wines above those of the nearby Barossa is a less spiced, more fluid flavour profile, which for me ramps up drinkability. Plus, that hint of earth and dark chocolate that so characterises this region’s Shiraz, and which are very much present in this wine, are like catnip to me. Indeed, I’m a fan of the McLaren Vale. This stuff is dangerously drinkable.

On entry, charmingly self-effacing, moving through to the middle palate with a decent blast of fruit and a correspondingly firm dose of oak. Acid seems subdued, creating a relaxed, thick vibe on the middle palate. Plenty of berries, dusty cocoa, oak and earth. A clean after palate and finish follow, showing as much oak as fruit. It’s difficult to use American oak and get a subtle result and, for some tastes, the level and character of the oak here might be overwhelming, especially considering the appeal of the fruit’s flavour profile.

This is the kind of wine that will slay guests at a barbeque, being the kind of robust and drinkable red that can cut through the haze of casual drinking. I’m very much looking forward to tasting the California Road and Reserve wines.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Tyrrell's Vat 5 NVC Shiraz 2003

Having last tasted this wine in 2008, I felt it was high time to crack another bottle and see how it’s tracking. The short answer is: very well indeed.

The nose is a little muted, though some encouragement via swirling releases dense, liquerous fruit aromas that suggest dark plums and black berries. What’s especially gratifying, though, is a sense of definite bottle age that runs through every aroma, adding complexity and decaying elegance. Tobacco, leather, earth; this is just so regional.

The nose’s casual whisperings give way to a full-throttle expression of Hunter Shiraz on the palate, packed with density, impact and, happily, freshness. This is absolutely in the zone for my taste: it doesn’t want for primary fruit and structure, yet the tertiary notes are in full flower too. Flavours span a wide range: minerals, dark berries, earth leather, spice, tobacco. Structure remains firm and highly textural, slightly rough acid giving the line flow and sparkle, silty tannins contributing volume and texture.

As per my previous note, this is in some respects an atypical Hunter Shiraz, lacking the measured body and fleet flavours of some. But it’s a compelling view into the region in its own right and shows how great this style can be at the seasonal extremes. I’m thoroughly enjoying this.

Tyrrell’s
Price: $A30
Closure: Cork
Source: Retail

Yelland & Papps Divine Shiraz 2009

I pondered the stylistic choices made in last year’s model, and on pouring it’s immediately obvious the same path has been pursued here. This is a wine that leaves one in no doubt of its position at the top of the range.

The nose is dominated by the most seductive, expensive oak. Coffee, brown spice, Muscovado sugar; it’s quite overwhelming and, it has to be said, impressive. Slowly but surely, a rich vein of Barossa fruit starts to emerge, forcing its way through the planks. It’s distinctively regional in the blockbuster sense, redolent of plum liqueur and fruit cake. I’ve only been sitting with this for an hour or so, and have no doubt the fruit’s emergence will continue for some time.

The palate is more immediately fruited, which may come as a relief after the hyper masculine, somewhat forbidding aroma. On entry, spurts of fruit outrun enthusiastic oak and land on a middle palate that is highly spiced and less brutish than one might expect. Indeed, there’s a pleasing levity to this wine that is at odds with its confrontational flavour profile and which grants it welcome light and shade. Structure is ever-present, as much driven by slightly hot acid as by chalky tannin. The after palate is driven by coffee and spice, the finish long.

It’s hard to assess such styles when young. I do know it’s a dense wine, full of impact and designed to wow. What I’m interested to see is how this ages; whether the fruilt and oak will achieve balance, how the flavours will evolve.

Day 2: the wine has markedly lost its roughest edges and fruit is flowing more cleanly now. Still a massively dense wine, but much more drinkable and balanced. The fruit itself is most attractive. Give it ten years.

Yelland & Papps
Price: $A75
Closure: Stelvin
Source: Sample

Thomas Kiss Shiraz 2009

This is the second of Andrew Thomas’s 2009 Shirazes that I’ve tasted. The first impressed me a good deal with its uncompromisingly regional style. This beast is a little different.

A deep, earthy, spiky nose. The words “clean” and “Hunter” haven’t always gone together, but they find compatibility in this wine’s aroma profile. Regional dirt and rustic red berries expressed clearly in a nose that’s both typical and glossily modern. What I like about this expression of Hunter shiraz is that it does not forsake regionally for style; this is a true interpretation of modern Hunter, looking for new ways to say the same old things. It is, however, clearly different from more traditional styles, and may lose as many fans as it gains because of this.

The palate is quite structured, driving a firm line right through to the finish. Lots of bubblegum oak tannins, evenly spread and, for now, contributing an astringent, bouncily sweet influence to the flavour profile. Is the character of the oak here an ideal match to the fruit flavours?  I’m not sure — at times, it feels too sweet — but most of the time it just tastes good, so I’m happy to go with its stylistic flow. Riding atop is a dense whack of regional red fruit squished into the dustiest of dirt roads. There’s an ease to this wine which belies the amount of oak that’s present. The way the palate unfolds is powerful and confident.

Ultimately, the fruit is just so gorgeous here I could drown myself in it with or without the level of oak. I don’t feel there’s a lack of balance; rather, the winemaking choices frame the fruit differently from how it often is and, personal preferences aside, there’s no doubting the coherence of the style.

Thomas Wines
Price: $A60
Closure: Stelvin
Source: Gift

Clonakilla O'Riada Shiraz 2010

You’ve got to love a Shiraz that looks like a Pinot.

And that’s the first impression of this wine; shockingly light in colour, lacking the density that regular drinkers of Australian Shiraz might easily take for granted. The fact that I could see light pass right through it in my glass had a profound effect on me. That a well-known producer might release a wine so flagrantly at odds with conventional expectations of this varietal made me feel all of a sudden that Australian Shiraz has come of age, that there’s legitimacy to the wide range of classic styles we produce, that we are, indeed, the true home of this chameleon-like grape. That’s a lot to pile on a single wine, let alone one that is effectively a second label. But as the shining, ruby-like liquid poured into my glass, I felt lucky to be able to enjoy such confidently different expressions of our great grape.

There’s no disappointment here. A cursory sniff immediately establishes this wine’s cool climate credentials. Red fruits abound, but what strikes first is a cascade of pepper and spice, dried flowers and etched detail. I can understand why cool climate Shiraz challenges some drinkers, but there’s such pleasure in these perfumed aromatics, which seem closer to fine fragrance than to anything agricultural. Especially beguiling is a shake of dried herbs that darts in and out of what is a complex, constantly shifting aroma profile.

The palate is light to medium bodied, as the wine’s appearance and aroma suggest. A spiced attack leads to more expansive flavours on the middle palate, always focused but with greater range and more fully fruited. There’s a nice meatiness to the flavour profile too, and I would love to try this wine with some top quality snags or a juicy rack of lamb. Smoked herbs dominate the after palate before a detailed, savoury finish lingers on. Acid is bright and fine, tannins sandpaperish.

An utterly satisfying wine and one that banishes all thought of cool climate Shiraz sitting anywhere near the stylistic sidelines in Australia.

Clonakilla
Price: $A35
Closure: Stelvin
Source: Retail