Yelland & Papps Devote Old Vine Grenache 2010

This grapes for this wine are sourced from a site near Greenock that bears vines planted in the 1960s. As I taste this, I am imagining what the vineyard was like as it was being planted those 50 or so years ago; who was doing the planting, what they were wearing (essential detail), and the thought that what I’m doing right now — blogging about a wine they, in a sense, gave birth to — must have been unimaginable.

Whoever dreamed of great things for the vineyard would surely be pleased by how sympathetically its grapes have been treated here. This is a surprising wine in many respects, although I’ve long thought Yelland & Papps do Grenache especially well, so that this wine is a refined, savoury, delicate example of the varietal should not come as such a shock. But given its tendency to blow out into excess, I’m still grateful this wine has such attractive dimensions.

The nose is refreshingly savoury, even as it expresses some luscious dark berry fruit. There’s a depth and sense of layering to the aroma that encourages repeated sniffs – first some berry, then turned earth, then pointed oak. It’s neither ingratiatingly expressive nor muted; rather, the aroma expresses steadily and with confidence. The palate seems underdone at first. I thought intensity was mismatched to its other elements, but a few sips sees my sense of this wine readjusting to its dimensions. It’s actually really well proportioned, and the palate unfolds in a precise series of steps. Entry is relatively high toned, showing some florals alongside red fruit. The middle palate becomes more expansive, though never sloppy, thanks in part to a firm structure that keeps the wine focused as it moves through to an oak-driven after palate. The finish becomes quite pretty and it’s here that the wine comes together in a final flourish of notes, high to low, singing beautifully.

This is elegant and controlled, and its 14% ABV remains contained within the wine’s other elements. Excellent, adult Grenache.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Dowie Doole Garnacha & Tempranillo 2011

This has become one of my favourite smart quaffers over the past little while. As with all Dowie Doole wines, it’s made with an emphasis on drinkability, though this more than most. It has taken an increasingly savoury path since its initial release in 2009, and I’m happy to see this vintage continue the trend.

The nose is rich and dark, almost liqueurous in character, with dried dark berries oozing past spice and some woody, pleasantly vegetal notes. Without being especially serious or forbidding, the aroma profile seems deep to me, with a sense of plushness without simplicity that is very attractive. The palate is supple and just structured enough. The fruit is quite intense in an easygoing way, perhaps because its character is full and generous. Although there’s a decent amount of savouriness to the flavour profile, this wine has an almost total lack of angles, and that makes it outrageously easy to drink. Yes, drink. Tasting this wine as I am doing now entirely misses its point, as it practically begs a generous pour in a large glass with a hearty lamb pie.

Which is exactly what I’m about to do with it.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Dowie Doole Reserve Shiraz 2010

And now for the big guns. I’ve deliberately tasted the 2010 Dowie Doole Shirazes in ascending order of price, as I find it endlessly fascinating how producers differentiate wines at various price points within their range. If the standard wine is all about drinkability, and the Cali Road character, the Reserve is concerned with packing as much in as possible.

Without wanting to suggest its proportions are ridiculous (far from it), this wine is by far the most dense, firmly flavoured of the three. Oak is present, but I’m pleased the nose throws primarily fruit-driven aromas, really liquerous and rich, very much in the plum spectrum. These flavours aren’t challenging; in fact, the aroma seems simply a much bigger, denser version of the entry level wine, more of everything in every way but never losing the rich ease of the region’s Shiraz, which I adore.

The palate, while fully flavoured, is most striking for its ease and flow. This is such a mellifluous wine, moving gently through the entry and middle palate, pushing intense plum fruit out from its brisk line to cover the tongue with flavour. There are prickles of acid at the edges, nicely fresh but mostly undisturbed by the thickness of the wine’s flavour and its generous body. It’s probably full bodied, but comes across more medium, because it’s fundamentally a relaxed wine, keen to be drunk rather than dissected.  I like the bright red swell through the after palate, and the silty tannins that settle on the finish are delicious.

I’ve felt that some previous Reserve wines have been a bit oak-dominant and showy, but this is all high class deliciousness; sexy, sensuous and worth the money.

Dowie Doole
Price: $A60
Closure: Diam
Source: Sample

Chapel Hill Chardonnay 2011

To be cruel for a moment, this is most unpromising on paper. Mixing Chardonnay, affordability and more than one region doesn’t usually get the wine lover’s heart racing, with some justification, at least historically. And before you get excited, this isn’t Giaconda Chardonnay hiding out in the McLaren Vale. However, it’s a good example of the sensitivity with which this sort of mainstream wine ought to be made, and makes a case for the relevance of cheap Australian Chardonnay in a world where such wines are the very definition of undesirable.

Its trick is to combine relative restraint with a certain flow and softness. This is a watercolour wine, one whose definition is hazy but whose colours are quite charming in a lazy, easy way. On the nose, some fresh citrus alongside soft peach and rockmelon. There’s a bit of nougat oak too, and perhaps some caramel. Complexity isn’t a word that springs to mind; there are several flavours but to see the wine on these terms is to miss its point.

The palate has such a relaxed flow over the tongue. It’s quite voluptuous and mouthfilling in a breast implant sort of way: fleshy but also a tad hollow. The fruit lacks sufficient intensity to fill out the wine’s ambitious dimensions, and one is left tasting flavour at the edges and a slight absence of such in the middle. The flavours that are here, though, are balanced and easy, with more white peach and nougat, and just a hint of butterscotch. It’s far from the perfect wine and undoubtedly made to a price point. There’s a sophistication of approach underlying this wine, though, which is easy to miss. How many cheap Chardonnays show vulgar dimensions, a lack of freshness, easy oak, or a reliance on malolactic fermentation? This wine avoids all these pitfalls and, in so doing, manages to be a very pleasant, pretty wine.

Not bad at all.

Chapel Hill
Price: $A16
Closure: Stelvin
Source: Sample

Dowie Doole Cali Road Shiraz 2010

When a wine is identified as coming from a single vineyard, it creates an expectation of distinctiveness, of an identifiable character that goes beyond simple varietal or regional correctness. In a way, the question of what a single vineyard bottling brings (if anything) over and above a well executed blend goes to the heart of what we value in wine. It’s a big topic that I won’t try to do justice to with this note, but I will say that the last bottling of this wine, the 2008, was by far my favourite Dowie Doole Shiraz from that vintage precisely because it tasted different, perhaps less glossy than the Reserve, but to me more attractive for its kinks.

I’ve not yet tasted the 2010 Reserve, but the single vineyard bottling, rechristened Cali Road, recalls the most pleasing aspects of the previous release. Immediately, the aroma is unvarnished, showing lovely regional earth and cocoa alongside typically plump McLaren Vale plum fruit. Oak plays a prominent role too, and I might object to its volume if it weren’t so typical of old school red wine from this region, and hence almost an expected element of the style. Its character is also well matched to the fruit aromas.

The palate is superbly drinkable. It enters with grace and subtlety, building to a middle palate that maxes out at medium bodied and is awash with down home red and black fruits, regional earth and salty texture. Structure begins with firm, well integrated acid and transitions to grainy, loose knit tannins through the after palate; its almost 15% alcohol is nowhere to be seen. Oak is, again, a feature of the wine, albeit one that is integrated and quite delicious. What I like most about this wine is its understatement. It’s just so unforced and, at the same time, shows real personality. This is the quiet guest at a dinner party who, half way through the evening, becomes the centre of attention without once calling attention to himself.

I feel like this is McLaren Vale Shiraz stripped of modernity, where the winemaking is traditional and the resulting wine intimate and real. Absolutely my sort of wine, and very much worth the price premium over the standard Shiraz in the range.

Dowie Doole
Price: $A35
Closure: Diam
Source: Sample

Chapel Hill Shiraz 2009

Seems it’s McLaren Vale Shiraz time lately at Full Pour, which is just fine by me. Like the recently reviewed Dowie Doole, this shows fruit character that is deliciously true to the region.

The nose is dark and quite serious, throwing dense aromas that alternate between dark plums, earth and chocolate. I like the suggestion of liqueur here, which avoids any sense of over concentration and instead seems to mesh well with the earthy, almost mineral notes that sit alongside. I’d call it rustic but that would paint a misleadingly coarse picture of what is quite a resolved aroma profile. The palate is full and flavoursome. Entry is clean and driven by straightforward plum fruit. Some detail and texture creeps in through the middle palate, and I like the way the edges of my tongue pick up raspy tannin while the middle remains focused on fruit. Acid seems laid back, although the after palate shows some brightness and zing. Intensity is moderate. Overall, it lacks a degree of refinement in its articulation of flavours, but what’s here is clean and tastefully balanced. Oak is, in particular, subtly handled, even as it remains an important component.

A solid wine indeed, and one I’d be happy to drink with a nice lamb casserole.

Chapel Hill
Price: $A30
Closure: Stelvin
Source: Sample

Dowie Doole Shiraz 2010

Though the Merlot occupies a special place in my heart, there’s no doubt the core of Dowie Doole’s red wine portfolio centres on Shiraz. This wine is the standard label.

The nose is liqueurous, dark and seamless. There’s a big hit of coconut oak, which is regionally typical, and the whole vibe is very much old school McLaren Vale Shiraz in the best possible way. What I like about this region’s wines above those of the nearby Barossa is a less spiced, more fluid flavour profile, which for me ramps up drinkability. Plus, that hint of earth and dark chocolate that so characterises this region’s Shiraz, and which are very much present in this wine, are like catnip to me. Indeed, I’m a fan of the McLaren Vale. This stuff is dangerously drinkable.

On entry, charmingly self-effacing, moving through to the middle palate with a decent blast of fruit and a correspondingly firm dose of oak. Acid seems subdued, creating a relaxed, thick vibe on the middle palate. Plenty of berries, dusty cocoa, oak and earth. A clean after palate and finish follow, showing as much oak as fruit. It’s difficult to use American oak and get a subtle result and, for some tastes, the level and character of the oak here might be overwhelming, especially considering the appeal of the fruit’s flavour profile.

This is the kind of wine that will slay guests at a barbeque, being the kind of robust and drinkable red that can cut through the haze of casual drinking. I’m very much looking forward to tasting the California Road and Reserve wines.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Dowie Doole Merlot 2010

It was an exciting day recently when Dowie Doole’s new releases arrived at my door. As the producer of utterly unpretentious, highly drinkable McLaren Vale reds (in addition to be being somewhat of a Chenin Blanc specialist), I feel Dowie Doole’s wines engage the most appealing sides of the region’s character. The PR material that came with these samples informs me that a new winemaker, Chris Thomas, has been appointed, so I’m curious to see if any stylistic changes are the result.

I’ve a soft spot in particular for the regular Merlot, not because it’s a $60 wine in disguise, but for its extreme deliciousness of the pure plum variety. This 2010 version certainly has plenty of tasty fruit, but also shows an extra dimension of varietal character that I’ve not noticed before. Where previous releases have been all about luscious berries, this wine’s aroma has a distinctly herbal, green olive side that certainly adds complexity. It grants the wine an altogether more serious vibe, not angular or difficult so much as savoury and adult.

In the mouth, an elegant experience that, again, takes things up a notch from previous releases. It’s still utterly fruit-driven, to be sure, but with its moderate weight and cleanly articulated flavours, there’s a sophistication here that is most pleasing. A nice gravel note sits alongside poised red fruit and subtle oak, all supported by plentiful acid and raspy tannins. The line has a nice rise and fall, trailing off through the after palate and surprisingly long finish.

I’m really impressed with this wine. It shows a slightly different direction from earlier years, and part of me misses the simple fruitiness of those wines. There’s no denying, however, the appeal of what’s in my glass now.

Dowie Doole
Price: $A22
Closure: Stelvin
Source: Sample

Grosset Polish Hill Riesling 2011

A lot passes through my mind as I sit down to this wine tonight. My palate — indeed my whole being — is in need of significant refreshment, and Riesling is the grape I most often reach for at these times. It may seem flippant to open what is arguably Australia’s most prominent example of the varietal on such a weeknight, but quality refreshes as much as character, and I’m hoping this has plenty of both.

The nose is firmly pretty, completely untouched by marks of age, either premature or well-earned. It brings to mind nothing so much as the fragrance of early spring, flowers not yet fully ripened, mixing their adult fragrance with the vegetal crispness of unfolding leaves. Which is to say, this still tastes shocking young, illicitly so, though its profile already hints at the chiselled physique of adulthood. There’s little flesh here; notes exist in a powdery, minerally spectrum.

The palate is most striking for its intense cut and thrust. It sizzles on entry and a strong acid line really dominates the experience of this wine right now. Falling off this acidic freight train are a range of detailed, etched flavours, encompassing lemon juice and slate via an almost musk-like note. I can tell there’s great order and rigour to the arrangement of each component, but it’s hard to tear one’s self away from that thrilling, firm structure. Flavour, right now, is simply a well constructed accompaniment, worthy of admiration but playing the role of textural harmonic to the acid’s melodic line. When it settles a bit, whether that’s in five, ten, or more years, I’m confident this will sing with complex, adult flavours.

I’m feeling better already.

Grosset
Price: $A42
Closure: Stelvin
Source: Retail

Yelland & Papps Divine Grenache 2009

I think of Yelland & Papps as something of a Grenache specialist, something that isn’t necessarily reflected in its portfolio of wines. Indeed, all the usual red suspects are equally represented; the reason why I associate this variety with this producer is that I feel there is a special synergy between the two. This reserve-level wine is a great case in point. As significant as is the companion Shiraz, this is quite a different wine in the glass, more fruit-focused and hedonistic.

The oak intrudes at first, throwing coffee grounds into your face as you smell the wine, but (unlike with the Shiraz) these notes develop quickly and fold back into an aroma profile that is lusciously typical: red fruits, a medicinal note, some confection. The curse of cheap Grenache can be an overly sweet fruit character, akin to boiled lollies and, for me, quite unattractive. While this wine hints at that character, it escapes completely its destructive side, expressing an altogether denser, though still bright, set of flavours.

The palate’s structure and mouthfeel are notable. There’s a sense of freshness here, thanks in part to an acid line that is firm and textural (though somewhat disconnected at this stage). Tannins are soft and quite plush, seeming to disappear into the density of the wine’s mouthfeel at some points. That’s not a bad thing; this is a big wine in the mouth, rounded and smooth, and I like how the tannins simply add stuffing rather than create contrast. Flavours are again utterly typical and gorgeously delicious. I guess when you have 130 year old vines to play with, it makes sense to highlight what they bring by way of fruit and structure, rather than to smother the fruit with winemaking artifice. Not minimal intervention so much as a sensitivity to what makes this particular wine special.

Stylistically, this probably represents what Australia is often criticised for making, but there’s a legitimacy to these fruit-driven Barossa wines, especially when the fruit is clearly this good. I liked it a lot.

Yelland & Papps
Price: $A75
Closure: Stelvin
Source: Sample