Offcuts: Flight 1

Whenever we see each other in person, Chris and I (like all good winos) like to bring a selection of bottles to share. Our recent travels in New Zealand were no different, and we were able to taste our way through an interesting and, at times, remarkable series of wines. Certainly, I tasted a couple of stunning North American wines that Chris was generous enough to share with me, along with a bottle of 2000 Louis Roederer Cristal (“left over” from his recent wedding) that kicked off our first tasting session.

I must admit, I’m not as well versed in the world of Champagne as I’d like to be, but even a relative novice like me can tell this wine is bloody good. “Burnt toast,” blurted both Dan and I at the same time. “Pain grillé,” corrected Chris. After all, it’s Champagne! A complex and remarkable array of notes that kept changing as we worked our way through the bottle. Brioche, pear cider, something medicinal and herbal too. What struck me about this wine is how nimble it is, especially considering its grand reputation. It’s long and powerful in the mouth, yet without heaviness, and displays a remarkably smooth, chalk-like mouthfeel.

Dinner wasn’t quite ready, so we needed (and I use that term loosely) another aperitif wine. Opening the fridge revealed a chilled bottle of Grosset’s Springvale Riesling from 2008. This is such an explosively aromatic wine, it was fun to observe everyone’s reactions around the room. It’s almost Sauvignon Blanc-like in intensity. If anything, I enjoyed this more than last time, due no doubt to the sparkling company.

Next up was another wine I’d never tasted and probably would never have heard of if not for Chris’s conspicuous talent for seeking out unusual wines: Osoyoos Larose Le Grand Vin 2003. It’s a Bordeaux blend from the Okanaga Valley in British Columbia. A smokey, vegetal, funky nose that also shows some lightly stewed fruit. Those who dislike green notes in their Cabernet probably won’t enjoy this aroma profile, but I don’t mind some vegetal complexity when it’s balanced with the other elements, and this wine strikes me as one that treads the right path here. On the palate, strong notes of smoked sausage and fruit ride an acid-driven structure. Medium bodied, this wine shows fabulous complexity (including the beginnings of some tasty bottle age), and is remarkably cohesive both in structure and flavour. For me, it was wine of the night and certainly one of the wines of the trip.

After this elegant wine, the Wendouree Malbec 2006 was a relative disappointment. Chris identified the fruit here as rather confected, which it is in a jammy, Malbec way. There are also notes of rose water, cough syrup and eucalyptus. A very tasty flavour profile, for sure. What’s missing right now is a sense of poise and coherence. The wine is, frankly, all over the place, with disjointed acidity, awkward tannins and no sense of progression on the palate. However, I think it’s just young. I’ll leave the rest of my stash alone for a few years before retasting.

Chard Farm Swiftburn Sauvignon Blanc 2008

There seems to be two types of Sauvignon Blanc made by Central Otago producers: those using local grapes and those made from Marlborough fruit. This wine is the only regional blend I’ve tasted. I must admit, I wasn’t especially taken with this at cellar door, but the other half requested we purchase a bottle, and I’m nothing if not obliging when it comes to purchasing wine. Much to my wallet’s chagrin.

Interesting nose that shows some Marlborough influence in a whiff of capsicum, but this is predominantly a round, fruity aroma profile that is reminiscent of straight Central Otago Sauvignon Blanc. There are some smokey, mineral complexities too. Very pleasant. On the palate, acidity is present but relatively soft, avoiding the harshness that can sometimes mar this variety. Fruit flavours are as per the nose, with some green notes adding an edge to rounder tropical fruit (paw paw, passionfruit, etc). There’s an interesting transition on the after palate to phenolic textures and a herbal tang that remind me a little of some dry Rieslings. Pretty good finish. One might want a bit more intensity of fruit, but what’s there is balanced and tasty.

I’m glad I listened to my better half, as this is actually really quaffable. The regional blend works well and serves to add some verve to a fruit-driven Central Otago flavour profile. Nice wine, nice price.

Chard Farm
Price: $NZ21
Closure: Stelvin
Date tasted: January 2009

Cloudy Bay Pelorus 2004

Looks like I’m a day late to the party here, but what the heck: today’s my last day on the South Island before heading for home via Auckland and Nadi tomorrow.

Even in a dingy motel glass (not even a wine glass!), the bead is persistent and the wine’s making quite a noble effort at building up some resemblance of mousse. The aroma’s hard to pick out, but it seems to be largely of zwieback and Granny Smith apples. Fine and foamy in the mouth, the lush, ripe fruit, surprisingly more pinot than anything else, with hints of roses and wild strawberries, gives way enticingly slowly to a finely toasted end, tapering out into a beautiful finish like the light crust on just-baked bread.

To be honest, this wine is one of my favorite sparkling wines in the world; it walks the line very carefully and deliberately between a garish New World fruitfest and an Old World exercise in severe, elegant restraint. For my money, this is the best wine you can get from Marlborough.

Bonus points: I don’t know who designed the foil for this bottle, but it’s exceptionally easy to remove and just oozes sophistication and needless expense. I love it.

Cloudy Bay
Price: NZ $40.40 (cellar door)
Closure: Cork
Date tasted: January 2009