Category Archives: Red

Chain of Ponds Novello Nero 2005

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A blend of Sangiovese, Barbera and Grenache from South Australia. 

The nose is relatively dumb at first, with sour cherries and raw meat seeming to sit in the glass even when violently encouraged to take flight (my wrist is sore – from swirling). There’s a coarse vegetal edge to the aroma that seems whole bunch-like. A bit of powdery vanilla oak rounds things off. It’s quite sniffable and mercifully free from industrial confectionary. It’s also blunt and rather unrefined.
On entry, a refreshingly rustic mouthfeel that immediately recalls the sort of cheap Chianti that I secretly adore for its rough authenticity. Also like cheap Chianti, there’s never any danger of this scaling the heights of fruit intensity. Rather, this provides “just enough” of a great many things: flavour, length, complexity, interest. But wine is about how the whole hangs together and, in this case, there’s a reasonable impression of coherence. More sour cherry pips, almonds, oak and a moderately unattractive caramel note wash over the tongue, straining to escape the impression of being watered down. Bright acid keeps things fresh and clean, washing away the last stains of flavour and encouraging food.
I wasn’t feeling all that positive about this wine when I sat down to compose this note, and I remain equivocal in some respects. On the other hand, it’s fresh and light in a manner that evades many local red styles, and for that at least should be noted.

Chain of Ponds
Price: $A14.25
Closure: Stelvin

Mount Langi Ghiran Langi Shiraz 1999

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I’ve been really impressed with the various Grampians Shirazes tasted of late – consistency of style, distinctiveness of character, at all price points. No wonder it is such a renowned region for this variety, though arguably lower in profile than it deserves. Swings and roundabouts, though; as attention shifts to cooler climate expressions of Shiraz, the role of regions like the Grampians may end up being disproportionately significant.

There’s more than a hint of Gimblett Gravels Syrah in this wine’s nose, though here the aroma is not so aggressively spiced/floral as some from Hawkes Bay. Still, there’s definitely a shake of potpourri within this complex aroma profile of pepper, blueberries and mushroom. Although it’s almost ten years old, it remains strikingly primary, with only some mushroom or leather notes to betray almost ten years of bottle age. I can only imagine it as a young wine. Overall, very aromatic, rich and exotic. 
In the mouth, an intense punch of fruit flavour. Again surprisingly primary, this wine is resolutely alive on the tongue, an impression to which all its elements contribute. The fruit is dark and concentrated, and frankly inseparable from the array of spice notes also present. The acid is quite firm, though certainly not dominant, ditto the tannins; there’s some of the clean flow of an older red wine, but it’s early days. What I like most here is an easygoing, almost casual, elegance. This isn’t some obsessive study in high style (though it’s extremely stylish). Rather, it drapes effortlessly and hence gives off a vibe of natural vitality. All of which adds up to a wine that is all quality but that is so easy to drink it’s almost quaffable. The finish is especially long and fine, laden with spice and hints of cedar oak. 
A delicious, benchmark Shiraz that is just starting to show some positive signs of age. Along with the 2004 Clayfield, this would be my favourite amongst recently tasted Grampians Shiraz wines.

Mount Langi Ghiran
Price: $A61.75
Closure: Cork

Ridge Buchignani Ranch Carignane 2004

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“What is the point of Carignane?”That’s how I was originally going to begin this review. However, I then remembered that I’d already written about this wine a few months ago – and frankly, why revisit it? I said it was naff, right? A historical curiosity, nothing special, purple and childish?I am however in the habit of listening to my elders, to people that know far, far better than I; last week, I was reading through Randall Grahm’s tweets and noticed that he had this to say about carignane:Carignane is the quintessential Ugly Duckling grape, maybe the best thing grown in CA. [link]With that in mind, I’ll try to approach this wine differently this time around. So what does this wine smell like? Mineral? “Rocks and raspberries?” To me, yes, I suppose, but paying closer attention yields smells of expensively tanned leather. Leaning in further, it’s more suggestive of very mild beef jerky with something like lavender-infused caramelized sugar, a strange mix of the meaty and the floral, dusty leather bindings in a gentleman’s library with delicate French confections.Drinking some at last allows me to experience the full complexity of what’s on offer; yes, it can be drunk as a “quaffing” or “bistro” wine (as the back label suggests) – it’s rich, full, grapey, alcoholic, all of those good things you want with your steak frites on a Friday night – but is there more? Well, yes. It’s just speaking a language that doesn’t come naturally to me. There’s a softness that suggests the wine’s peaking in terms of its development; tannins are fully resolved and it’s an ethereal kiss, a sly glance from someone attractive who’s just walking out of the ballroom. Is there real minerality? Well, it’s not as in your face as a Loire red, but yes, listen carefully and you’ll sense it, speaking quietly as the Sonoma hills in Indian summer do. Although there’s that suggestion of sweetness on the nose, there isn’t really any in the wine; the roundness is from ripe fruit, yes, but it’s not porty, not overwrought. More than anything else, though, there’s a sense that it’s too easy to ignore this as something ordinary, something simple, something unexceptional… and much like that quiet girl in the back of the class who you didn’t notice at first, time spent with her, oblivious to questioning looks from your classmate, might just turn into something beautiful.Buy this, drink it, repeat until you get it. That’s the point of carignane.Ridge
Price: $24
Closure: Cork

Best's Great Western Bin No 0 Shiraz 2004

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This is building really well in the glass. It started simple and lacking in depth, but a very few minutes’ swirling yields excellent development of the aroma. Juicy yellow plum flesh, vibrant spice and a note that is half way to turned earth; that’s quite a reductive description, though, because it smells very coherent with good complexity, not easily separable into individual notes. It is perhaps brighter than some of the other Grampians Shiraz wines I have been drinking lately. 

In the mouth, the fruit becomes deeper in profile, with a rich dark plum note the centre around which spice, earth, coffee and other goodies revolve. Good impact on entry, with a strong burst of texture hitting the tongue along with intense fruit flavour that builds nicely. Assertive tannins take over somewhat on the middle palate, and mask to an extent the fruit, which becomes increasingly savoury as the wine sits in the glass. They are the kind of tannins that start off luxuriously chocolatey and rich, before crossing the line to become aggressively dry. Very fine and flavoursome, though. Really good drive through the after palate to a finish that struggles a bit against all the tannins. The whole is medium bodied and, at times, I thought I could detect some alcohol heat, but this was a fleeting rather than consistent impression.
This is flavoursome and impressive, though in the mouth there isn’t elegance so much as the tangle of limbs associated with a fashion model in training. Should fill out, soften and gain ease in time but, as it is, not ready for its close up.

Best’s Wines
Price: $A55.09
Closure: Cork

Best's Great Western Cabernet Sauvignon 2000

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Wines that prompt me to respond on a level other than the blandly objective are what I hope for each time I open a bottle. This anticipation is always heightened when I taste an older wine. After all, we cellar wines in the hope they will improve and reach the point of maximum pleasure. When writing about such wines, and to paraphrase (or perhaps misuse) Edward Said, I think it’s appropriate to communicate a “sense of the pleasure taken in having tried at least to meet the [wine] on some other level than the ruthlessly evaluative or the flatteringly appreciative.”

What of this bottle, then? It’s an old wine in all the best ways, though it does remind me of why they are such an acquired taste. There are very few hooks here, nothing obvious on which to hang one’s discernment. Indeed, the nose is delicate and hushed, lightweight really, smelling as much like an abandoned hope chest as a Cabernet. Everything is hinted at; old cedar wood, a wisp of vanilla, watercolour red fruit and light spice. It’s an aroma that only makes sense when you step back and understand its subtle flirtatiousness. Incredibly elegant, if not massively complex.

The palate does not speak in quite such muted tones. At first, an impression of some youth, mostly due to drying tannins that fade a little as the wine gets some air. What they leave behind is a rather beguiling flavour profile whose delicacy reminds me of a good Pinot Noir. It’s quite seamless: red fruits and vanilla ice cream at first, turning slowly to a more savoury expression reminiscent of orange peel as much as berries, moving then to a cedar-centred finish with just a twinge of “old wine” sweetness right at the back of the mouth. A strange set of descriptors perhaps, but totally convincing to me. There’s still a bit of velvet texture on the after palate, so it’s not yet at the stage where it flows in the crystalline manner of fresh water, but it’s not far off.

There’s nothing outstanding about this wine in conventional terms. It’s not ultra intense, nor dense, nor complex. But it’s absolutely worthwhile as a balanced expression of aged Great Western Cabernet Sauvignon, no more nor less. I’m enjoying it a great deal.

Best’s Wines
Price: $A35.15
Closure: Cork

Lake's Folly Cabernets 2007

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This label continues to fascinate me. Tasted over two evenings.

At first, an austere nose comprising cedar, sap, vanilla, and concentrated dark berry fruit. Quite classical in profile and less immediately giving than some young Follies. Still, such complexity in youth is wonderful to see, and the overall impression is of restrained, coiled power. Later, an aroma with fruit more to the fore, greater complexity and some regional influence. It’s never quite plush, each note instead winding its way sinuously around the others in an elegant dance. I’m not done smelling this wine, but the bottle is almost empty.

The palate shows all the classic markers of quality: intensity, complexity, power and structure. This is a real “line and length” wine, though of course these terms don’t speak to personal preference. Luckily for me, it’s my kind of wine. An éclat of flavour on entry, dark berry fruit building towards an astonishingly dense, powerful middle palate. The wine tastes like a concentrate of sorts, which in the abstract might be awful but here works brilliantly, happening as it does within a decidedly medium bodied context; it’s all form and elegance, and the fruit is expressed on these terms, packed with detail and complexity. Despite the intensity, there’s no shred of overripe or raisined flavour. Just delicious berry fruit, mouthwatering sourness, pencil shavings and a hint of leafiness. The finish is especially long and fine, showcasing some quality oak. Although the acid and tannin are very approachable if given a few hours to breathe, the overall impression is of youthful potential. Clearly, there’s sufficient fruit and structure to carry this wine through what I hope will be a positive ageing process. 
Excuse me, but fuck this is good. Perhaps more austere than some I’ve tried, yet the style retains enormous integrity. 13% abv.

Lake’s Folly
Price: $A50
Closure: Cork

Navarro López Tierracalar Tempranillo 2006

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It seems to me the turf war at the lower end of the wine market is, in a lot of ways, more interesting than any perceived battle of the premiums. Burgundy is no substitute for Central Otago Pinot; I’ll take both, thanks very much. If I take a more functional view of wine, though, one wine becomes more or less interchangeable with others of a similar style and price. Hence the availability of large numbers of inexpensive red and white wines the variety and region of which is of less import than, say, price point or style. On this view, I might easily substitute a local flavoursome red for a similarly priced import, so long as it meets my broad requirements of a tasty red wine.

This Spanish Tempranillo has me questioning what it might take for local red wine drinkers to switch en masse to an imported product. Certainly, the horse has bolted when it comes to white wine, New Zealand Sauvignon Blanc having captured the palate (and wallet) of many an Australian consumer. This wine (and others like it) is in some ways a parallel case study — it’s just different enough, just cheap enough and just bland enough to represent an attractive alternative to a lot of local wines. 
None of which is meant as a compliment in particular. In fact, I wasn’t going to write this up as I am finding it quite uninspiring. But then, so are many wines at the $A15-20 mark, so it’s no failure of this wine in particular. The nose is moderately aromatic, showing woody spices alongside red dried fruits and a hint of cured meats. Quite easygoing, with just enough of a twist to raise an eyebrow and differentiate itself from the mainstream of mid-priced fruit bombs. The palate is very much more of the same, and to its credit is quite perfectly balanced for immediate consumption. Tasty sour red fruits and rough vanilla oak run the length of the tongue. And, well, not much else, really. A bit of meaty complexity, perhaps, and a pleasingly textured mouthfeel that is the highlight of the wine for me. Reasonable finish. Again, it’s only one step away from the generic mainstream of value-oriented industrial red wine, but that discernible step means a lot in this context.
Whether I’d personally choose this over a local wine of similar price is a moot point; the fact is, this is a real alternative and one I cannot fault as an everyday drinking wine. At $A12 or so, it would fly off the shelves.

Navarro López
Price: $A16.15
Closure: Cork

Vina Ginesa Reservas Granrojo Rojo Garnacha 2006

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I went from a Great Western Shiraz to this in the space of a few sips and, if nothing else, the exercise served to reinforce how instructive comparative tasting can be. I thought this wine quite horrid at first; Eurotrash to the Great Western’s laconic charm. Improved through the evening, though.

I should note the comically short cork keeping the wine inside, as I don’t believe I’ve seen one so small before. A robust aroma consisting of dried flowers, bright spices and aggressively sour-edged red fruit. There are also funkier smells that remind me of cured pork sausages. In the mouth, bright and brash with coarsely textured acid and brisk, raspy tannins. There are flashes of intensely sweet, confected fruit in amongst all the butchers’ shop smells. Pepper, spice and rusticity add interest. The whole is light to medium bodied and sufficiently cleansing, though I could never describe a wine like this as easy drinking (in the “brain off” sense) because it’s just so angular. 

I kept wanting chewy bread and tangy cheese while drinking this wine, and suspect it would go down a treat at a picnic or other casual dining circumstance. 

Vina Ginesa Reservas
Price: $A18.95
Closure: Cork

Best's Great Western Bin No 1 Shiraz 2006

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Jeremy over at Wine Will Eat Itself recently blogged about terroir and (amongst other things) its relationship to quality. I’m inclined to think that a sense of place contributes interest quite apart from objective notions of quality and that, indeed, the two can be quite separate. This wine is a real live example, albeit on a regional scale. 

Utterly regional on the nose, with exotic spices overlaying darkly-fruited aromas and some vanilla oak. It’s quite straightforward and lacks the complexity that might elevate it beyond simply being correct. However, if you like Great Western Shiraz, it will be like coming home.
Very much more of the same in the mouth. Lots of flavour from the word go, with ripe plums and blackberries the key fruit characters, along with tantalising spice and balanced oak. Medium bodied, the middle palate is especially luscious, showing the greatest level of flavour density and a velvet texture. The acid and tannin seem very well balanced and provide a nice framework within which flavours can move over the tongue. For all that, there’s a blocky or blurry character  that prevents it from feeling truly sophisticated. And, despite the rich flavour profile, it’s not the last word in intensity, which leaves me wanting more.
Impressive typicité, then, without rising to an exalted level of quality.

Best’s Wines
Price: $A22.80
Closure: Stelvin

Telmo Rodríguez Dehesa Gago 2007

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Tempranillo-based wine from a not-exactly-renowned vintage in the Toro region. The label totally rocks. This really stood out on the shelf. 

The nose is quite confronting, with black pepper, oak, spiced meats, strange floral notes and the smell of dark red fruits that have fallen from the tree and been trodden into the pavement (overripe, sour-edged). It smells both excessively and insufficiently ripe at the same time. Nothing if not expressive, its character is sufficiently outré that I’m sure it will test some peoples’ sense of appropriateness. Not a bad thing. 

Structurally, this wine is all over the place, mostly due to a lack of harmony in the placement of its constituent parts: sweet fruit, coarse tannins, rough acidity and a lift of oak flavour. Drinking this wine is like having a bunch of things thrown into your mouth in no particular order; it’s not an especially refined experience. Yet it’s also quite drinkable in an odd way, probably because it’s so forthright and unapologetic. Quite a short finish.
I would imagine a better vintage might yield greater class and balance, and will look out for the 2008, which is (from what I’ve read) a superior wine. Still, I’m having fun drinking this and imagine it will complement well the chorizo sausages frying away in my kitchen.

Telmo Rodríguez
Price: $A27.55
Closure: Cork