Category Archives: Red

Tesco Finest Châteauneuf-du-Pape 2011

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Marketed as part of Tesco’s Finest range, this sits at the upper end of what I’ve seen on the supermarket shelves here in the UK. The embossed bottle certainly looks the part, although for some (no doubt parochial on my part) reason it remains disconcerting to see supermarket own-brand wines. This was in fact produced by Les Vins Skalli.

The nose is quite pretty, showing clean red fruits, edging towards but not becoming confected in character, along with a bit of darker spice and even a hint of meatiness. It is very fresh smelling and well balanced, but lacks the sort of richness one might expect.

The palate highlights this wine’s lack of stuffing. There are more clean red fruits, a bit simple, surrounded by a framework of spice and vegetation. Palate weight is light to medium bodied, and the wine seems to lack texture, gliding across the tongue and not seeing fit to leave much of a trace either in mouthfeel or indeed persistence of flavour. What’s here is clean and correct, there’s just not enough of it.

Tesco Finest (but really Les Vins Skalli)
Price: £14.99
Closure: Cork
Source: Retail

Baron Amarillo Rioja Reserva 2006

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I was underwhelmed by two recently tasted, fairly pricey Costco-procured wines, so thought for my next adventure into supermarketland I’d try Aldi, another import into the UK. At £5.99, this Rioja Reserva was the most expensive wine on offer at the Chester-le-Street branch of this brutally efficient supermarket chain.

While not a £50 wine in disguise, this drinks very well and in most respects was more enjoyable than either Costco wine. The aroma is settled and integrated, with calm notes of spice, strawberry, vanilla oak, savoury fruits and some bacon fat. It is expressive and well balanced, showing enough complexity to satisfy without being overtly challenging.

More of the same on the palate, showing a very clean flavour profile and firm acid. The interplay of sweet and savoury is especially enjoyable here, with fruit pulling in both directions, playing out primarily on the middle palate. Despite the interest in its fruit, it’s not a fruit-forward wine, and there’s pleasing restraint in all respects here. The downside of this is an intensity of flavour that could be greater. Other flavours, including a nice snapped twig note, continue on to a finish that is lightly touched by fine tannins.

For the price, this is quite excellent and a wine I’d be happy to buy again.

Baron Amarillo
Price: £5.99
Closure: Cork
Source: Retail

Château Chauvin 2005

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Another Costco purchase. I have no prior familiarity with this estate.

The nose is quite heady, with pungent brambles, some dust, brown spice and oak resin. There’s a thickness to the aroma profile that, while communicating a sense of generosity, also masks detail and makes the wine smell a bit monolithic. There’s also a slight suggestion of meat and band-aid.

The palate validates all these impressions. It’s bold and liquerous, entry and mid palate full of juicy, dark berry fruit. Thankfully, it’s not an overly sweet flavour profile, and there are attractive hints of savouriness right along the line. The oak, while very prominent, also helps the wine stay on the right side of fruit sweet. Through the after palate, tannins begin to appear, adding texture and variation, but arguably going beyond where they ought in terms of dryness.

A very drinkable wine, perhaps more so with food, but not great.

Château Chauvin
Price: £27
Closure: Cork
Source: Retail

Poderi Colla Dardi de Rose Bussia Barolo 2007

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A very happy new year to all. To celebrate 2013, I’m in County Durham in the UK visiting a friend who happens to be an exceptionally talented cook. In between hearty English meals, I am tasting the occasional wine. I like to shop for wine in supermarkets while here, and this particular bottle was procured at Costco.

Young Barolo can be a bit forbidding, and this is certainly a very structured wine at present. However, after a couple of days’ tasting, I think I have the measure of it. Unfortunately, it doesn’t seem the most elegant example. The aroma was initially quite muted; a day’s air, though, sees it somewhat more expressive. There are some recognisable aromas, tea leaf and red fruits, though it’s far from coherent. More like a moderately crazy goldfish darting in and out of the strands of seaweed in its too-small tank.

The palate shows satisfyingly robust tannin and a set of flavours that provide more satisfaction than the nose. It’s bright and moderately intense, with a particularly clean middle palate. However, the elements never come close to expressing any sort of narrative, appearing to be placed randomly along the line. The tannins, too, while present, lack any sort of beauty of arrangement.

Will this come together? I’m not sure; for now, it offers only intermittent pleasures.

Poderi Colla
Price: £25
Closure: Cork
Source: Retail

Best’s Old Vine Pinot Meunier 2010

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I have a slight obsession with still Pinot Meunier. I try to taste every example I can, which isn’t hard as I’m only aware of a couple of producers in Australia who pursue this Pinot Noir mutation as a single varietal. Best’s has two in its range, one from young vines and this, from some of the oldest Pinot Meunier vines known to exist (planted in 1869). I think part of my fascination comes from the knowledge that many legendary Great Western table wines had a significant amount of Pinot Meunier in them, and yet today the variety has almost disappeared from the table.

To this bottling, then. The aroma is expressive and sweetly-fruited, with caramel-edged red berries sitting underneath mixed spice and a herbal twang. There’s a lot going on aromatically, though its profile tends towards ease and approachability rather than density or forbidding seriousness. Layers keep building in the glass, with a fresh sappiness adding vitality as well as a savoury edge.

The palate is similarly approachable and shows tension between sweet, cuddly fruit and a spiced, sappy edge. Structurally the wine is more driven by acid than tannin, neither of which, however, are especially strident. Consequently, the wine is allowed to swell on the mid-palate, and its fruit really shines at this point. The after palate and finish are more savoury and spiced, and what tannins there are descend on the finish, adding textural interest as well as a nice, dry end to the wine’s line.

This wine flips between ease and angularity, fun and seriousness. I can’t quite figure it out, yet at the same time am enjoying it tremendously.

Best’s Wines
Price: $A60
Closure: Stelvin
Source: Gift

Mitchell Harris Mataro Grenache Shiraz 2011

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There’s all sorts of chatter about 2011 in certain parts of Australia. There’s no doubt some good wines have emerged out of challenging conditions, but it’s equally true that some wines show the difficulties of the vintage. As a drinker, I’m sometimes interested in tasting the latter wines, because they are instructive and, at their best, can be differently enjoyable from those made in better years.

This wine, from boutique Victorian producer Mitchell Harris, shows a clean simplicity that, while ruling it out of contention as a wine worthy of extended contemplation, indicates a genuine and skilful attempt to make the most of the season’s challenges. On the nose, a meaty, peppery, nougat-like, red fruited aroma profile, which expresses as a series of loosely connected smells rather than something seamless and integrated. There’s a sharpness to the pepper note that I quite like, but the whole lacks definition and a coherent narrative.

In the mouth, a burst of red fruits, somewhat confected in character, along with more meat and leafy greens. It’s not especially intense, and it lacks a bit in texture. Its attractive flavours seem in search of a structure through which to express themselves, and this relative lack of form makes the wine drink as more of a quaffer than something especially demanding.

John Harris is a highly skilled winemaker, and expectations of this producer are high. In absolute terms, this wine may disappoint, but to craft something simple and attractive from a difficult year isn’t something to take for granted, and I look forward to subsequent vintages of this wine so I can better understand what Mitchell Harris is aiming for with this label.

Mitchell Harris
Price: $A26.95
Closure: Stelvin
Source: Sample

Dowie Doole Scarce Earth Shiraz 2010

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One of the more interesting recent wine initiatives is McLaren Vale’s Scarce Earth project, a region-wide effort to systematically highlight the character of specific plots within the region. It’s also a clever marketing idea, rebranding the Vale in a somewhat Burgundian mould; very much on trend.

This wine, from producer Dowie Doole, is drawn from the 74 Block of the California Road vineyard. Dowie Doole already releases a single vineyard California Road bottling, so this wine reprensents an even more specific look at a certain patch of McLaren Vale dirt. What’s immediately striking about the aroma is its savouriness. This smells of dirt roads, red fruits, vanilla and brown spice. It’s sinewy and adult and, in its refusal to yield to comfort, strikes me as somewhat Italianate. There’s oak here, and it plays an important part in the wine’s aroma, but it never smoothes over the fruit’s natural rusticity, so enhances rather than subverts its savouriness.

The palate is medium bodied and expressive, lobbing acid texture onto the tongue from entry onwards. Fruit swells a little on the middle palate, though the wine’s acid remains firm. There’s a lot of flavours here, from plum skins to spice by way of some leaf and snapped twig. The wine keeps coming back to a light, juicy berry note, which anchors the flavour profile and allows it to explore its earthier inclinations. Dusty tannins dry the finish. There’s something anti-fashion about the way this tastes; it eschews anything remotely slick-tasting and revels in its angles, textures and moderate weight.

An idiosyncratic wine, perhaps inevitably so given its conceptual origins. I think it will benefit from a bit of time in bottle, as it remains edgy, structurally. I love its character, though, and it’s wonderful to find an expression of McLaren Vale Shiraz that is so joyously old-fashioned. This is a fantasy version of your grandfather’s McLaren Vale dry red and, to one of our most historic wine regions, I can’t pay a higher compliment.

Dowie Doole
Price: $A45
Closure: Diam
Source: Sample

Silvano Bolmida Barolo Bussia 2003

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I often feel describing the textural experience of a wine is especially difficult. Whereas one can trot out a range of analogues when describing a wine’s flavour profile, capturing the nuances of a particular tannin profile, or the quality of a wine’s acid, strikes me as much harder. It’s especially frustrating when faced with a wine like this, whose tannins are very much a highlight and one of its chief pleasures.

Growing conditions leading up to the 2003 harvest in Piedmont were hot and dry, so I wasn’t sure what to expect from this wine. Happily, I found it excellent, showing no stressed flavours or unbalanced structure. In fact, it’s an elegant wine, with all the perfume one craves from this varietal.  The flavour profile is typical, with heady rose, citrus peel and red berries. There’s a wildness to the way this smells and tastes that recalls the sweetness of a field on a hot summer’s day.

Flavour aside, though, I just love the tannins here. From mid-palate onwards, texture starts creeping over the tongue, drying the mouth with a light but firm hand, becoming more noticeable as the line progresses. These are abundant tannins yet, somehow, they possess a lightness of touch, a delicacy, that allows them to remain in balance with the rest of the wine. I tasted this again and again, enjoying its rough hand caress my tongue.

What a sensual pleasure, this; as much about touch as taste.

Silvano Bolmida
Price: $A164 (wine list)
Closure: Cork
Source: Other

Yarra Yering Pinot Noir 2006

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Happily, I have found myself drinking well of late. The lead-up to Christmas affords many opportunities to open those special bottles, and I am availing myself of every opportunity to do so. Last night, I enjoyed a wonderful dinner with friends and we sampled a range of wines, all of which were excellent. This stood out as the wine that changed the most with air.

When it was first poured, it smelled musty and closed, and I worried a little for the condition of our bottle. That worry was entirely misplaced; this soon blossomed into a stunning wine. One thing good wine can do is constantly change in the glass, providing a great ride for the drinker. This seemed to shift a bit every time I smelled it, aromas sliding around as if constantly forming and reforming. First, blowing off the residue of its life in bottle and becoming sweeter, cleaner and less awkward. Then showing meaty notes alongside its relaxed red fruits, some minerality too, one element folding into another and producing something new before for my next smell.

In the mouth, outstanding coherence and line. Once settled, the palate was a seamless expression of dark berries, minerals, toast, meat and a myriad other notes. Bottle age is beginning to make a contribution too, easing the wine into a relaxed phase of its life and adding truffled leather notes. While the flavour profile is delicious, for me this wine’s most notable features are its detail and balance, traits that allow flavours to be heard without having to jostle for attention. I felt drawn into this wine and tasting it was an exercise in looking more closely.Very fine wine.

Yarra Yering
Price: $A148 (wine list)
Closure: Cork
Source: Other

Clos des Lambrays tasting

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I recently attended a tasting of Clos des Lambrays with a selection of vintages spanning 1990 to 2010. Thierry Brouin, longtime oenologist at Domaine des Lambrays, was a charming (though jetlagged) host and humbly provided a view of the domaine’s history and its evolution under his stewardship. This was my first time tasting Clos des Lambrays and I can’t think of a better crash course.

Clos des Lambrays 1990
Defiantly tertiary with a range of old red wine aromas: mushroom, leather, spice. Despite this development, it retains a vibrancy of aroma and is certainly not past it. In the mouth, light bodied with a seamless line, this tastes saucy in the brown sense. A light dusting of tannin arches over an elegant finish. There is still lively acid and freshness. Charming.

Clos des Lambrays 1993
Noticeably more full than the 1990, this wine’s stylings are more masculine and chunky. The flavour profile is quite developed but with an underlying fruit weight missing from the older wine and a sense of minerality that underlines the fruit. Structurally, a bigger, more prominent wine, with more tannins and less exposed acid. At first this dipped through the after palate but some swirling saw that right.

Clos des Lambrays 1995
A really distinctive aroma that shows a pine needle (Thierry suggested camphor) note missing from the other vintages tasted. Light, fresh, with bit more primary fruit, this also came across slightly closed. In the mouth, more masculine than expected with dark berries and a litheness of line, perhaps a bit simple but hugely drinkable and attractive.

Clos des Lambrays 1999
This has a heavy brow, much more inclined to brood than any of its older siblings in this tasting. Dark fruit notes dominate an aroma that is the first of the tasting to seem mostly primary in character. In the mouth, very structured, tannins still prominent and drying, great concentration of dark berry fruit. Oak is also a noticeable influence.

Clos des Lambrays 2006
Very primary, this shows a lighter shade of fruit, spiced oak, heaps of minerality and a slightly raw vibe. The aroma is heady, oak-influenced and quite intoxicating. Exciting. The palate unfolds with cherry essence, vanilla, luxurious richness and chewy density in a framework of powdery tannins. This is fresh, structured and was quite my favourite wine of the tasting.  I wish I had some in my cellar.

Clos des Lambrays 2008
There was quite a bit of burned rubber on opening that never quite blew off, though it did become less prominent after about fifteen minutes of swirling. Once past this, there’s a light, red fruited aroma profile that is pretty and delicate. On the palate, fleet of foot, fruit seeming sweeter here and red rather than black in character. Not sure if this is typical.

Clos des Lambrays 2009
This seemed a favourite amongst the group and I can understand why. Very dense and dark on the nose, but expressive too, and almost a little rustic in its lilt. In the mouth, prickly mineral acid, coffee spiced oak and dark fruit. Also a meaty, umami-esque edge. Quite tannic in a surprisingly loose-knit way, and with very juicy acid, this is screaming for more time, though it’s already reasonably generous. Thierry suggested this vintage clearly expresses the Clos des Lambrays terroir.

Clos des Lambrays 2010
Very tight for now. Even so, there’s great purity of fruit on the nose, along with nougat oak and a dose of adolescent brooding. In the mouth, structure is predictably raw, acid sizzling away and tannin equally firm, flavours tending as much towards coffee oak as dark fruit. Quite hard to assess but, despite its youth, seems of beautiful form and line to me, perhaps more refined, if less obviously characterful, than the 2009. I liked this very much.