J.K. Carriere Provocateur 2008

Because I’m a lazy man, I’m tempted to simply say this: This is the most Burgundian pinot noir I’ve ever drunk from Oregon.

To elaborate:

One, you’ll want to chill this wine down to 60 degrees or so. It’s not good at room temperature.

Two, you’ll want to give this a lot of air before even thinking about drinking some. Straight out of the bottle, it’s clumsy, chunky, and disappointing.

Three, the tannins are gentle, assertive, slight, dominant, stalky, ripe: in short, all over the map. They’re in wonderful balance with the fruit and oak.

Four, the wine smells wonderful. Soft cedar shavings, forest floor, wild strawberries, allspice, plums, and barbecue: they’re all here. This would be amazing with cedar plank salmon.

Five, the mouthfeel is similarly all over the map. Rich and mouthfilling? Sure, the vibrancy of the fruit suggests that, but it’s secretly leaner, trimmer, acidic, racy, daring. This is not a wine for the timid, not a wine for the lazy, not a wine you can drink without thinking about it. Every mouthful is wondrously complex; a thousand experiences unfurl before you. Drinking this is like opening an atlas: suddenly, you’re faced with – and overjoyed by – all of the possibilities open to you. The chalk cliffs of Dover, the quiet of the California redwood forest, the stark beauty of the Namib desert? It’s all there if you want to go; it’s all here if you want to taste.

J.K. Carriere
Price: $24
Closure: Cork
Source: Retail

J. Rickards Muscat Blanc 2009

After what’s turning out to be a nearly endlessly delayed introduction to summertime – here it is, June already, and it’s still cloudy, cool, and altogether disappointing – I suppose it’s time to drink myself into summer, even if it’s technically not quite here yet.Richly spiced, with a shimmering overlay of nutmeg over pineapple, this pretty much does the trick, reminding me of an imaginary barbecue out back of the US embassy in Saigon shortly before the fall, or, rather, liberation of the city: there’s a smoky haze in the air, with suggestion of tropical fruits, spices, and something damn near approaching decadence.The taste of the wine makes a beautiful counterpart to what the nose suggests: instead of a fat, flabby, sugary wine, you’re instead treated to an unctuous, mouth-filling wine with keenly balanced acidity, Yes, there is a hint of sugar – or is it alcohol? – which is entirely appropriate for the style, but it’s miles away from simple, mindless muscat. The overall effect is not unlike doing something you shouldn’t with someone you shouldn’t be doing it with: you, serious wine drinker, are well aware of the societal repercussions of drinking muscat, but as soon as you taste this you really, really won’t care. All you’ll care about is making sure you get more out of the bottle than anyone else you’re sharing it with.J. Rickards
Price: $20
Closure: Cork
Source: Retail

Bonny Doon Vinho Grinho 2009

How a Whitman we were always wanting, a hoping, an America,
that America ever an America to be,
never an America to sing about
or to, but ever an
America to sing hopefully for All we had was
past America, and ourselves, the now America,
and O how we regarded
that past
!

– Gregory Corso, Elegiac Feelings American

To smell this wine, to pause, to reflectSummer softness, spearmint gum softeningPavement and boardwalk, salt water and taffyWintergreen neighbors and smokeless tobaccoSkål, then, faded circles in back pocketsUnder the bleachers, awakening to summerDandelions abloom, horizons unfoldIn this America I drive all night longReaching towards lovers, ribbons unfurlSmoke in the distance, welcoming homeIt’s alright, alright, all of it’s right

– Me, indulging my inner Beat (with my apologies)

In all seriousness, this is an enchanting wine. Ever so slightly green, the nose reminds me of a wintergreen-tinged relation to muscat, with a lovely, fresh, sweet, spearmint smell. There’s also a very soft, gentle, warm effect that reminds me of summer evenings at home, sweet hay smells drifting in from the fields; together, it’s an especially tranquil wine. Pleasantly tart, this is a fairly full-bodied wine, but with a fascinating penchant for rotating through widths as you drink, ranging from California to Galicia and back again, somehow. Dry, and yet with the suggestion of sweetness due to its size, it returns ever again to the same acidic backbone and finishes long, long, long with a wonderful hint of pears, green apples, and woodruff.I bet this would be amazing with green papaya salad. For now, though, I’m happy to drink it on its own.  Bonny Doon Vineyard
Price: $20
Closure: Stelvin
Source: Retail

Palumbo Family Vineyards Tre Fratelli 2005

Somehow, a conversation over barbecue and Michelob last Saturday night turned to Temecula. Temecula (or, more properly, the Temecula Valley) is a wine region just up the road from my house here in San Diego – it’s about halfway between Los Angeles and San Diego. It’s known for two things: casinos and wineries. Every time I drive past, I see at least one mini-coach filled with a good half-dozen party types doing the circuit of the local wineries, drinking, not tasting, and obviously enjoying themselves. Me, though, I’ve never been. I’m a native Northern Californian, which means I tend to be suspicious of any wine from the Southland (i.e. Southern California) – and no, Sideways country doesn’t count as it’s north of Los Angeles, you know – and the one time it was mentioned in wine school (in Washington state), Temecula was briefly noted as a success story, but only in terms of the hospitality industry (i.e. not as an actual wine producing area, just as a pleasant place with fake Tuscan villas making a living selling crap to daytrippers in mini-coaches).

However, there are most definitely locals who absolutely swear by the quality of the local wines. One of them (an ex-coworker) was nice enough to give me a bottle of wine from Palumbo Family Vineyards a couple of years back, and here it is in front of me. The packaging is lovely and the cork extra long: it looks exactly what a moderately expensive wine should look like. But what’s the wine like?

First of all, it’s inky black with a very slightly watery rim. The smell, well, it quite frankly reminds me of vanilla ice cream with a trace of dill pickle. There are definite notes of dusty cocoa, baker’s chocolate, roasted coffee, and espresso: it smells like someone went a little bit overboard with the char here, but then again heavily oaked wines are of course usually highly palatable to Americans. Even so, I find it disappointing because I don’t smell fruit, minerals, earth, or for that matter anything other than wood here. Hrm.

The wine, once drunk, is deeply unpleasant. Imagine if you will a new brand of Lipton Cup-a-Soup called “Consommé du Parker” – this consists of nothing other than tannin extracts with a peel-off sticker that says “90+” on the package. Now, dump that in a bottle of uneventful grape juice. Shake slightly – not enough to truly distribute the tannin – et voilá, you’ve got a bottle of Tre Fratelli. A mouthful of this is as unpleasant as drinking a bottle of Yoo-Hoo you forgot to shake: the initial sweet fruit attack is quickly displaced by a sensory nightmare of tiny bits of particulate matter that quickly turn into harsh, grating tannins that cover your teeth like a cheap rug. The fruit flavor, such as it is – it’s a simple, boring red-fruit aquarelle – is quickly overshadowed by the mouthfeel, and there’s no finish, no line, absolutely nothing to recommend this wine at all.

In short, this is strictly amateur hour. I’m sure the people that make it are lovely people, and I’m sure that their tasting room is a lovely place to visit, but this isn’t as good as even the cheapest Jacobs Creek wine I’ve tasted. Avoid, avoid, avoid.

Palumbo Family Vineyards
Price: $35
Closure: Cork
Source: Gift

JK Carriere Anderson Family Pinot Noir 2006

After a drink of this and a long, slow exhale I turned to my partner and said “yeah, this has it all.” A distinctly groovy blackish red, straight out of a 1960s steakhouse, the color itself is appealing enough to make me want to overfill my glass. Beautiful, really, and enough to telegraph the intentions of this pinot: rich enough and ripe enough to be New World, yet distinctly holding back before going off the Californian deep end, it suggests you’re in for a best-of-both-worlds kind of experience – and you are.Wonderfully complex on the nose, I’m having trouble keeping track of it all. Rich, ripe red fruit is seamlessly counterbalanced by politely serious French oak, but only just enough to support the fruit; this is not one of those oaked-to-death, overripe pinots that are all too easy to find here. The wine also smells incredibly youthful: at this point, I don’t see any secondary aged characteristics, but I get the sense there’s enough stuffing here to last at least a decade.At first sip, the wine is shy, hesitant, refusing to offer much of anything up save for a brief, surprising wallop of acidity. That’s quickly replaced by a wonderfully lush, silken, voluptuously textured ribbon of sensible red fruit with hints of roasted coffee, caramel, and violets. Not as dirty as Burgundy, the overarching effect is of a very smooth customer: however, what really sets this wine apart is the balance and elegance of an incredibly well crafted, peculiarly Oregonian experience. The finish does go on for quite some time, again subtly meandering between refreshing acidity, soft earth, and that wonderful, spicy red fruit peculiar to Oregon.Look, I’ll be honest here: if you wanted to try the best the USA has to offer, this is probably as good a pinot as you’re going to find, full stop. Less tannic and earthy than Burgundy, fuller and richer than Otago, and perhaps most resembling Bass Philip pinot noir, this is for my money one of the best wines made in North America. Best of all, it’s the kind of wine that doesn’t take a lot of explanation to enjoy: pace Parker, this really is a hedonistic experience in the best sense of the word. My only complaint is that I only had the one bottle and that I won’t get to try it again ten years from now. J.K. Carriere
Price: $65
Closure: Cork
Source: Retail

Ridge Dusi Ranch Zinfandel 2006

I’m an unabashed fan of Ridge wines, rarely having experienced a disappointing example. Ridge introduced me to the joys of Zinfandel with its Geyserville label, and continues to provide beautiful Californian wine experiences each time I am lucky enough to taste its wines. Sometimes, one connects with a particular producer’s approach beyond all reason; if I overpraise Ridge wines, understand this is as much an emotional response to context and company as to the wines themselves. 

Be that as it may, I defy anyone not to respond positively to the exuberance of this wine’s aroma. It’s powerfully fruity in a way utterly unfamiliar to me, raised as I have been on Australian red wines. There’s rich fruit cake, spice, and an overwhelming sense of completeness that makes this an envelopingly sensual experience. Forget angularity and enjoy the luxe of this wine’s blanket of aromas. 
The palate is surprisingly elegant considering the range of flavours and 15.8% abv. Yes, I consider this wine an elegant, balanced wine, despite its scale and technical measurements, which makes its achievement simply more remarkable. Masses of flavour immediately on entry, slinking to a middle palate awash with fruit cake flavours. Clearly, this isn’t a chiselled wine style, but nor is it formless. In fact, there’s plenty of structure, and my only criticism is that these elements don’t cohere as well as they might. The acidity in particular stands out a bit from the rest of the wine. This isn’t nearly enough to derail my enjoyment, however, so I prefer to focus on the immense generosity here, as well as the unexpected freshness of the flavour profile. Alcohol becomes most evident on the finish, which is noticeable hot.
An astonishing wine in many ways. Wines like this will never be considered great, but in their own way they exemplify the purity of a certain regional style. 

Ridge
Price: $NA
Closure: Cork
Source: Gift

Bonny Doon DEWN Thoma/Chequera Syrah 2006

One of the many pleasures of a visit from my excellent co-author and his partner is I invariably end up with a wine or twelve from the USA. It seems most locally available wines from the States are very expensive, especially compared to their price back home, so I don’t often indulge. Hence, most opportunities I’ve had to drink good American wine have been courtesy of Chris and Dan.

Here’s one such wine. It’s notable for being from Bonny Doon, cult Californian producer whose driving force, Randall Grahm, caused hearts to beat faster on Twitter and in the blogosphere a few months ago when he published some less than flattering observations about Australian wine. I’ll reserve my own thoughts around that incident and simply remark this wine is a fascinating counterpoint to some Australian Shiraz styles.
A few notes. The alcohol level is 12.8% abv. The fruit comes from two vineyards in quite different areas of California: Thoma Vineyard (El Dorado County) and Chequera Vineyard (San Luis Obispo County). The label is typically awesome Bonny Doon, neo-constructivist in style. As an aside, Mr Grahm seems to have a talent for simultaneously awful and awesome wine names. Bouteille Call, The Heart has its Rieslings. Need I go on?
Forgive my digression. To the wine itself, its aroma expresses in softly cool climate Syrah mode. It’s nowhere near as aggressively floral as something from the Gimblett Gravels, for example, nor is it as deeply spiced as Grampians Shiraz. To start, the aroma profile is quite meaty, with a bacon fat vibe that dovetails elegantly with spice and fruit. It’s light and detailed, ephemeral perhaps, lacking some power and depth but showing good nuance and sophisticated balance. 
The palate is true to form, being fleet of foot and moderately intense. The flavours are delicious; red and purple berries, spice, a bit of funk. Again, it’s not a wine of overt power, and could do with some stuffing, but as an expression of restrained Syrah it strikes me as successful, not least because it’s absolutely delicious. Shared between three of us, the bottle simply disappeared in an instant. From a functional standpoint, there’s something to be said for low alcohol, subtly flavoured wines, because they are just so easy to drink, and won’t punish you for indulging in an extra glass. 
After we polished off this bottle, I opened a 2008 Dowie Doole Reserve Shiraz which, it should be said, is drinking superbly right now. The contrast couldn’t be greater. The McLaren Vale wine was powerful and rich and deep and all the things one looks for in a robust Australian Shiraz. And yes, it totally overwhelmed the Bonny Doon wine. But, a day on, I’ve retained an impression of the Californian that is firmly positive. Very worthwhile. 

Bonny Doon
Price: $NA
Closure: Stelvin
Source: Gift

Red Lion Cabernet Sauvignon 2006

If there were ever a shining example of a vin d’effort, this wine is likely it.

Unfathomably black in the glass, this wine smells damn good in exactly the same way that breast implants look good: you can’t help but like it, even if you recognize that those tell-tale half-grapefruits aren’t even remotely, you know, human. The color of this wine is straight up sci-fi, the color reminiscent of an inky black, otherworldly, viscous ooze that looks like it’s about to do something nasty to Tasha Yar. The nose is moderately complex, with suggestions of Asian spices in a forgotten cedar box that someone’s stashed in amongst strawberries mixed with rising dough; yes, it’s very Cabernet after a fashion, but entirely without the green, leafy notes that so often add interest. At times, though, it reminds me of a shoeshine stand in a dusty Delta town not too far away from Napa; at other times, it tends towards stewed prunes and pencil shavings. You have to admit, though, that this wine is incredible value for what it is: with all of this going on, I’d expect the price tag to be twice as much.The progression of the wine is simultaneously surprising and trite. Wonderfully balanced the initial impression (fleeting, mind you!) is of a vapid California cabernet, quickly resolving into something much more interesting, with sneaky acidity firming up against a billowing cloud of smoky red fruit, which suddenly vaporizes into an entirely delicious, savory, dark expression of Cabernet that – although it doesn’t really seem particularly Californian, or particularly anywhere in particular at all – is admittedly entirely fabulous. It smooths out on the finish even further, transmogrifying into something that damn near approaches pure pleasure, going on for an age, suggesting nothing more than raspberry liqueur, baker’s chocolate, and perhaps star anise. Tannins make themselves known, yes – who snuck in and put socks on all my teeth? – but they’re fully ripe and in their right place here.

To sum up, this is for my money a home run, no questions asked. Sure, there’s no real sense of place or any strange, haunting beauty here, but honestly: do we always, always have to care? Surely it’s sometimes enough to just sit back, relax, and enjoy the contents of a shrink-wrapped magazine or bottle of well-crafted wine? Isn’t it?

R Wines
Price: $13
Closure: Stelvin
Source: Retail

Justin Cabernet Sauvignon 2006

Lovely inky black in the glass, this wine promises to be a good one, if only by the winery’s reputation and the fact that nearly half of their entire production is this wine. Pouring it into the glass, I was a little bit surprised that it seemed a bit watery, but the label tells me that this is only 13.5% abv, which seems odd given the place it came from – I’ve had a lot of Paso Robles zinfandel that contains a guaranteed hangover in every bottle – but then again the Agent for Change cab I had from Paso was also held to these relatively low alcohol levels.Anyhow! There’s a very fresh, simple smell to this wine, tinged with an edge of coconut-fruity-banana that seems to promise a good time. (I ordered this through the mail, but I almost imagine this being packaged in a plain brown wrapper at a liquor store – there’s just something risqué about it.) The oak on the nose seems a bit raw; it’s more reminiscent of bourbon than Bordeaux.Somewhat voluptuously overwrought at first, my initial impression is of a blowsy, gone-to-seed wine – it’s all very louche in a Plato’s Retreat kind of way. Yes, there’s enough acidity here to stop the wine from being completely flabby, but it strikes me as a little bit harsh and not particularly well integrated. Flavors, such as they are, seem to be stuck in a high-pitched giggle more appropriately found in strawberry fruit leather; that being said, the wine does display some complexity after aeration, but it’s all a lot like listening to the Bee Gees: yes, the singing is good, but it’s all disconcertingly way high up there. I’d ordinarily prefer some bass to counterbalance all the treble, but I’m not getting it much here. Tannins are present, but they seem clunky and somehow flown in from another wine entirely; there’s almost a hard Loire edge to them, but only just.All in all, drinking this wine is rather like Cubist art: all very well and good if you’re in the mood for it, but sometimes you just want to look at something pretty. This is not a bad wine; there is quality here, but I’ll be damned if I can puzzle it all back together right now. Ultimately, this is probably best drunk with steak: it’s got a sort of sweetness that is initially pleasing, but on its own it just doesn’t work.Justin
Price: $25
Closure: Cork
Source: Retail

Qupé Marsanne 2007

It looks like I have Jancis Robinson to thank for one more thing: the third edition of the Oxford Companion to Wine has turned out to be not only an invaluable reference but also heavy enough to serve as a flat surface to park my wine while lounging on the sofa, MacBook at hand, to blog.My first, fleeting impression was of dried sugared pineapple, but that quickly dissipated in favor of something not unlike popcorn flavored jellybeans. In short, it smells strangely buttery, salty, mineral, sweet, tropical, nutty, and flowery all at the same time – overwhelming, almost, but of course charming as well.The palate is much more restrained than the aromatics; it tastes much more French than Californian, with firm structure and a mouthfeel reminiscent of beeswax. The finish is lovely, with hints of wildflower and length to spare; acidity is present, not unsettling; color is elegantly pale (think Tilda Swinton, perhaps).If this wine were French, it’d cost a hundred bucks; this wine isn’t, and I’m thinking I should lay some down for a good, long time. Just as Tahbilk marsanne lasts decades, I suspect this one would as well.Qupé
Price: $14
Closure: Cork
Source: Retail