Craggy Range Sophia 2005

Craggy Range has by far the most glamorous tasting facility of all the wineries I visited in Hawkes Bay late last year. Its natural setting is glorious, but the spacious room itself is all glass and shiny surfaces — very upscale indeed. Worth a visit, for sure. There’s also a large range of wines available for tasting, including this, one of Craggy Range’s premium cuvées. It is a blend of Merlot and Cabernet Franc and, on tasting at cellar door, was almost impenetrable. I took this as a personal challenge, of course, and purchased a bottle for later tasting.

Dark and dense, with flashes of purple. The nose is initially compact and savoury, with a good dose of iron filings and minerality and not much else. With time and some energetic swirling, a range of other notes emerge to add complexity. There’s a sense of purple flowers, dark berry fruit, perhaps a slight saltiness too. The nature of the wine’s oak gains some clarity too, and it’s quite present, though totally integrated. A hint of volatility rounds things out. The pitch never rises above a bass register, and there’s an ongoing sense of depth and power to this wine’s aroma.
The palate is very much in line with the nose in that it’s both dense and reserved. Flow over the tongue is very tightly controlled, and from entry to mid-palate a slither of iron, complex berry fruit and sappy oak slides confidently along. It’s medium to full bodied and certainly substantial, yet measured and never clumsy. The after palate is marginally more relaxed and slightly sweeter in profile. Flavour is most complex at this point, and the wine’s lift helps each strand of flavour to fully define itself as it lands on the rear of the tongue. Just as it reaches its peak, it starts to fall away to a very long, satisfying finish. Tannins are remarkably fine and approachable, though their abundance suggests the capacity to age well.

Grosset Gaia 2002

Style is, I think, of the essence when it comes to wine appreciation. Formal qualities such as complexity and structure are all well and good, but it all comes to nought if you don’t like the wine’s character and personality. I remember tasting Pinots in Central Otago a couple of years back, and being struck by how boring some (though certainly not all) the wines were, despite being quite correct and certainly well made.  There was nothing extra, no idea or beauty beyond what was in the glass.
 
Dark, somewhat impenetrable colour with flashes of crystalline ruby.  The nose is heady with cedary spice, brambles, clean fruit and higher toned powdery florals. There are also some light touches of sweet bottle age. In its delicacy, it’s closer to fine fragrance than wine, but none the worse for it. The aroma profile became more integrated and assertive through the evening.
 
The palate disappointed me initially, and here I return to the question of style. For the first hour or so, I found the wine correct, full of quality, but somehow underwhelming and perhaps a little boring. A very clean entry, with cool fruit and savoury leaf winding their way towards a medium bodied mid-palate. Additional notes of vanilla, dust and a bit of eucalyptus add themselves to the mix with time. Excellent delineation of flavour components. Bottle age becomes more evident on the after palate, with a lovely, lingering sweetness sitting alongside loose-knit yet still quite dry tannins. A nice lift through the after palate shows higher toned leafiness plus hints of plush ripe fruit too. The finish is excellent, clean and long, and leads naturally to the next sip.
 
It all sounds quite good. What changed after an hour is critical to the wine’s success but sits outside of a tasting note. The flavours clicked, merged and became utterly persuasive. It’s as if I was able to step back and see the wine as a whole rather than as individual components of flavour and structure. Its style, in other words, transcended the mechanics of its delivery and became the wine’s dominant face. And, happily, I think I got it.
 
GrossetPrice: $A50Closure: StelvinDate tasted: July 2008

Lindemans Pyrus 1998

On release, I liked this wine more than its siblings, the St George and Limestone Ridge. I can’t remember why, exactly, so this tasting is a good opportunity to find out whether it’s as special as I remember. The colour is garnet with some bricking at the edges. The nose is a classic mixture of tobacco, vanilla oak, dark fruit and a bloom of aged influences expressed as sweet leather and mushroom. Assertive, seductive and lush, despite the abundance of savoury notes. The palate shows some surprises. Youthful red and black fruits register first on entry, followed by a series of more savoury elements, such as leaf and leathery notes. These add complexity to the core of sweet fruit, though never quite dominate it. A remarkably persistent intensity of flavour kicks in towards the mid-palate and dominates one’s sense of the wine from that point onwards. This is a very assertive wine; fruit and delicately sweet aged characters attach themselves to the tongue aided by a blanket of fine tannins. These flavours stay attached through the after palate, and it’s only towards the finish that other influences, such as sappy oak, start to displace them. Length is very impressive.Interesting wine, this one. Initially, I was super impressed with its intensity and impact, but realised after a while that these qualities mask a certain one-dimensionality to the flavour profile. It’s still a good wine, just not the most elegant style, or perhaps it’s not at an ideal stage of development. I wonder, too, whether the fruit character hints at DMS. If you have some, wait a little longer. I suspect if the fruit recedes a further notch or two, it will be more rewarding to drink.LindemansPrice: $A50Closure: CorkDate tasted: July 2008 

Domaine de la Chanteleuserie Bourgeuil Cuvée Beauvais 2006

All signs point to vin de terroir: little bits of unidentified crud on the cork, cheap glass, a label that looks like it was generated with Broderbund Print Shop circa 1992, and a Kermit Lynch importer’s sticker on the back.

Sure enough, the wine is noticeably light in color in the glass, and it doesn’t smell like a New World wine at all. There’s sort of a sweet, smoky, summer sausage smell (sorry for the alliteration, it just came out that way) here, balanced out with dusty closet and violets. In terms of feel, the wine is light in the mouth, fairly tannic, and leaves behind a noticeable whack of unresolved tannins; it’s presumably best eaten with something meaty to balance out the tannin. It’s not unpleasant, though; I remember the very first wines I ever tried as being somewhat similar.

Being a Californian, is it just possible that I’ve grown up with wines designed for American consumers? That is, wines that are designed to be as innocuous as possible? The surprise tannin onslaught is kind of enjoyable; it leaves a pleasant tobacco leaf taste behind, and it’s a nice change from the usual fruit bomb effect that leaves you with nothing but a hangover the next morning.

Over time, I came to the conclusion that this doesn’t taste like any wine I know of, and that’s a wonderful thing. I have no idea if this is typical for Bourgeuil; I’ve never had it before (only Chinon). Plus, at this price, c’mon, there are a million boring Californian wines for fifteen bucks out there – why not try something radically different for a change?

Domaine de la Chanteleuserie
Price: US $14.99
Closure: Cork
Date tasted: June 2008

Clonakilla Ballinderry 2005

Canberra’s not known for its Cabernet-based wines, but I’ve enjoyed several vintages of this, Clonakilla’s version of a Bordeaux blend. It underwent a name change a couple of years ago but otherwise remains the same. A blend of Cabernet Sauvignon, Cabernet Franc and Merlot, more or less in equal measures.Savoury aromas that show dried blackcurrant, flowers, meatiness and cedary oak. This is certainly not a berry-driven, straightforward aroma profile. Instead, it’s a bit funky and austere, and is about definition, not generosity. The palate shows more of the same, with the oak translating to a pencil shaving note that is prominent without becoming unbalanced. Flavour through the entry and mid palate sits in the higher registers, in that the dark berry fruit is edgy and taut, intense and complex, and doesn’t relax enough to generate a sense of richness or plushness. Partly, this is due to very fine tannins that dry the mouth from a relatively early point in the wine’s line, but I suspect it’s also a matter of style. Certainly not a criticism, but rather indicative of where the wine is “at” right now. Fruit sings linearly through the after palate, and continues on to a good finish. This is a pretty serious wine of high quality that really needs some time to relax, fatten out and become more drinkable. That said, give it a good decant or some vigorous swirling, and you’ll be drinking an elegant wine that will give you something to think about if your mood tends to more analytical tasting. After an hour or so in the glass, it’s already gaining some weight and depth, which seems to indicate a promising future.ClonakillaPrice: $A35Closure: StelvinDate tasted: May 2008

Skillogalee Basket Pressed Cabernet Sauvignon Cabernet Franc Malbec 2004

With a name this long, it had better be good. I don’t know about you but, in my experience, a wine’s label can bear little resemblance to the liquid in bottle. Mercifully, here’s one that shows a bit of truth in advertising. The label says: “soft and full with sweet, leafy fruit flavours, rich vanillin oak and fine tannins…” Basically, yeah.An acceptably expressive nose that shows rich, full fruit of the red and black type, with an edge of “dried fruit” character. There’s a good dose of dusty leaf that is pleasingly varietal. The palate is where this wine truly shines, though. Bright, rich fruit flavour strikes the tongue  quite early and builds as it moves to the mid-palate. The fruit is not monumental in scale, but it is tasty and really quite ripe. Mulberry leaf and well balanced oak also contribute. This is a wine of generosity and soft, full fruit flavour, counterbalanced by a firm acid framework. It is not a simple or industrial wine, and remains characterful despite its easygoing style. Good consistency through to the after palate, with sweet, ripe tannins that sing through the decent finish.Sometimes, you just want a nice, giving red wine that gushes with personality and flavour. Give this one a go if you’re in such a mood. It’s not overly structured, but is full of good fruit and will be killer with juicy rump steak.SkillogaleePrice: $A25.50Closure: StelvinDate tasted: March 2008

Château Saint-Georges 2002

This is a Merlot-dominant (60%) blend that also includes some Cabernet Sauvignon (20%) and Cabernet Franc (20%). 2002 isn’t considered an especially stellar vintage for Merlot in Bordeaux, although some consider the vintage generally underrated, producing less fruit forward but classically styled wines. This wine is from the

Chateau Puynormond 2004

This wine is from the Montagne Saint-Emilion appellation in Bordeaux, and consists of 90% Merlot and 10% Cabernet Franc. And it’s cheap. Here goes.


The first thing that strikes one on the nose is what appears to be mild brett, but whether this is an issue depends very much on your tolerance for this particular wine fault. Personally, I don’t mind a bit of brett in the right dose (and the right wine). Here, it comes across as a metallic note that actually blends ok with the earthy, gravelly notes of the wine itself. It’s a subtle wine on the nose, dark in profile, but with some sweet black berry fruits peeping out around all the earth and gravel.

The entry is subtle and slips through to a middle palate where flavours start to register with more intensity. It’s predominantly a savoury wine in flavour profile, with earthy notes dominating a subtle but attractive layer of ripe blackberry fruit. Oak is pretty subliminal (I couldn’t detect much, if any, oak influence at all). Gentle acid is well integrated within the medium bodied palate and keeps the wine moving along nicely. The after palate is quite linear and progresses to a finish of fine, ripe tannins. No great length to speak of, but not short either. The overall impression of this wine is one of structure and elegance rather than ripe or juicy flavour.

If you’re a bit tolerant of brett, like I am, you will find this wine to be a reasonably priced Bordeaux that will accompany your mid-week dinner of beef or pork quite nicely.

Update: I left half the bottle overnight and retasted the next day. Marked improvement. The fruit has gained weight and fragrance, especially on the after palate, marginalising the brett influence to almost zero. Nice drop indeed. Might be best in a couple of years’ time.

Price: $A24
Closure: Cork
Date tasted: January 2008

Clearview Enigma 2004

The second wine to be served with lunch at Clearview. This time, a Merlot-dominant Bordeaux blend.Quite vegetal aromas: stalk, brambles, etc. With some time, super blackcurrent fruit leapt from the glass along with some vanilla oak. Still, a flavour profile suggesting perhaps marginal ripeness and/or a strong expression Merlot’s more “green” varietal character.The wine’s entry establishes a much more fruit-driven flavour profile than suggested on the nose, with ripe dark fruit, pepper and spice, plus edges of leafiness. Still, it’s a more elegant, savoury wine as opposed to a fruit-driven one. The middle palate fills the mouth well, showing good intensity of flavour. Very fine tannins help the flavour to adhere to the tongue and linger impressively. The wine improved with food, with the fruit flavours moving further forward in the wine’s balance. Definitely one to have with dinner as opposed to alone, where its angularity might become tiring after a few glasses.Clearview EstatePrice: $NZ40Closure: CorkDate tasted: December 2007

Craggy Range Gimblett Gravels Vineyard Merlot 2005

As the name indicates, a single vineyard wine from the Gimblett Gravels sub-region of Hawkes Bay. Mostly Merlot, with some Cabernet Franc too.Intense, slightly jammy but interesting red fruit flavours on the nose, supported by powdery vanilla oak and a distinctive clean salt water note (odd but attractive). Not hugely complex, and quite oaky, but nice nonetheless. The wine’s middle palate is disappointing in that it shows a good deal of fruit flavour, but also a prominence of oak that, for me, is detrimental to the wine’s balance. The oak continues to dominate the wine’s flavour profile as it progresses through the after palate and finish. Tannins are fine and puckeringly prominent.At the moment, this wine is way too oak-driven for my taste, and I’m not sure there’s the depth of fruit flavour to outlast the development of the oak-derived flavours in the bottle. It’s a shame because the fruit itself appears to be of good (if not outstanding) quality and interest. I’d like to see wine from this area done in a more restrained, fruit-driven style.Craggy RangePrice: $NZ29Closure: CorkDate tasted: December 2007