Tag Archives: Chardonnay

Green Point Chardonnay 2005

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A lovely, pale yellow color, bright and clean, this wine looks like your garden variety cheap chardonnay. However, one sniff and you realize you’re dealing with something a lot nicer than what the price would lead you to expect. It’s got a lovely burnt matchstick, slightly sulfurous nose that makes you think Burgundy, not cheap Aussie imports. There are also hints of sea salt and butterscotch, spun sugar and lemon zest. Pretty awesome, to be honest.On the palate, there’s lively acidity leading the charge here, tempering itself quickly into a fairly weighty mid-palate with hints of marzipan and fresh-baked bread, again changing into lemon curd and shortbread on the finish. It’s all extremely delicious, very much more-ish (as they say), and honestly one of the better chardonnays I’ve had in a while. In terms of the obligatory French comparison, this is more a Chablis than anything else, with nervy, lemony acidity dominating over any of the yeasty, oaky characteristics.Entirely delicious and a ridiculous deal at just under $8 Australian, this is probably the best white wine deal I know of at the moment. They had a truckload or so at the San Diego Wine Company when I was there two weeks ago: if they still have some, now’s the time to stock up. This could easily last another two to three years, so if you’ve got space, don’t hold back.Domaine Chandon
Price: $7
Closure: Stelvin

Lake's Folly Chardonnay 2008

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The first Lake’s Folly Chardonnay under screwcap. 

Characteristically Folly on the nose, with complexity aligned to a sense of balance and subtlety. It seems lighter and less opulent than the 2007, which was quite a powerhouse in relative terms. This, on the other hand, is veiled and delicate, with a similar aroma profile expressing itself on different terms. It also smells very young, with some overly bright edges that should fall back into the wine with a few more months in bottle. 
The palate confirms a svelte silhouette; a taut balancing act between youthful structure and a flavour profile that aches to break free of its acidic confines. A sophisticated entry, tingling with fine acidity and a thread of classy minerality. Moderately intense peach, lychee and citrus fruit begins to emerge towards the middle palate, along with some subtle cream and caramel inputs. The mouthfeel follows a notable line, beginning with a textured burst of acid then transforming seamlessly to a glossy platform for the flavour components. It’s fascinating. The after palate shows greater oak influence and a curiously leafy flavour, before the finish takes one on a peachy keen ride to deep satisfaction.
It’s young and probably needs some time to show at its best, but I do love it. A light, bright expression of the Lake’s Folly vineyard.

Lake’s Folly
Price: $A55
Closure: Stelvin

Morandé Reserva Chardonnay 2006

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Sometimes, a string of busy days leaves you with few reserves towards the end of the week. I’m in that space right now, and wasn’t sure what to open tonight. There’s lamb on the stove, but somehow I don’t feel like the robust Shiraz that, in most cases, would be an obvious choice. No, tonight I need some space, and am taking a chance on this Chilean Chardonnay. Another Southern Cross Wines import. 

There’s no lamer descriptor than “grapey” (ok, “smooth” comes close), but sometimes you just need to call it how it is. And this smells instantly, unashamedly like fresh grape juice. That’s not all there is, but the point is it’s fresh and sunny in ways one might ordinarily associate with Australian wine. There are certainly complexities to the aroma profile; a hint of wheat, a little nougat oak, and some more tropical fruit like papaya. But this wine’s value seems to lie in the straightforward expression of its attractive fruit. So far so good.
The palate is unexpectedly acidic; in fact, it seems a little unbalanced to me and, as a result, quite nervy. On the plus side, it has good impact on entry, with a sizzling mouthfeel and bright, clean fruit. The line widens progressively until it reaches a mid-palate of quite gushy fruit, underlined by that chalky acidity. There’s no shortage of flavour, including some oak and winemaking influence that is caramel-like in nature. The flavour profile itself is straightforward and attractive, tending to leanness in terms of its character. A lightfooted after palate leads to more reverberant flavour through the finish. The finish itself is a highlight, and goes on for much longer than it has any right to. 
A lighter style, then. Structurally, I’m not convinced that it hangs together, due mostly to the character and volume of the acidity. The clean fruit flavours, though, keep me coming back. A good Summer white, and keenly priced.

Morandé
Price: $A20
Closure: Cork

Simply Sunshine White 2009

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From my perspective, this is a curio: an inexpensive white wine made for the German market. I was sent samples by the apparently indefatigable Leigh Gilligan, whose various ventures enjoy strong distribution, and seem to resonate strongly, in Germany. The interest for me, apart from the wine itself, is the marketing approach, which draws explicitly on Australia’s reputation for “sunshine in a bottle” wine styles. While this approach is now hotly contested in the local industry, there’s no doubt Australian wine is known in export markets largely for this type of wine, so if nothing else I’m eager to taste wines with a claim to representing the style and, hence, a certain face of the industry.

The interest in terms of what’s in the bottle relates to a particular concept of wine at this price point, something Chris recently touched on. He described a certain kind of wine as “fermented grape juice beverage product;” drinks that are technically wine but stylistically about as far as you can get from the generally accepted definition. Of course, I’m applying a massive, snobby value judgement to this description, even though I have no desire or ability to argue with the enjoyment many gain from imbibing [yellow tail]. Then again, what I do have is a desire for authenticity at all price points, and I believe well-priced wine does not need to taste like an industrial, wine-flavoured beverage.
I’m vindicated in this belief by this wine, at least. It’s not a secret Grange by any means, but it looks, smells and taste like real wine. It’s easygoing, with bubblegum florals, a bit of sharp citrus and sweeter, rounder fruit that oddly reminds me of Lipton’s peach iced tea.  There are no varieties listed on the bottle, and from the aroma profile I thought there was some Rhone action in there, but no, it’s mostly Chardonnay with a splash of Sauvignon Blanc and Chenin Blanc. The palate is soft and cuddly. More peach tea, a hint of crisper florals and, well, not a lot else. So complexity isn’t a high point, nor is it the aim I should imagine. Rather, this wine delivers generosity, a round mouthfeel of satisfying viscosity and perhaps just a hint of residual sugar to help it go down. It’s a bit low in acid, which translates to a somewhat clumsy progression through the mouth, if not outright flab. But it’s hard to argue with the tasty flavour profile here. 
Great barbeque wine. Nicely done.

Simply Sunshine
Price: €5.45
Closure: Stelvin

Domaine Alain Chavy Puligny-Montrachet 1er Cru Les Clavoillons 2006

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With Burgundy, it’s a truism that producers make all the difference. So, the same premier cru may vary wildly in reputation based on who has grown the grapes and made the wine. All of which seems sensible, until one places it on the context of terroir and the defining place Burgundy seems to hold in terms of this idea of wine. In the immortal words of Michael Veitch, there’s a lesson in that for all of us.

Perhaps because I cleaned my bathroom today, I’m detecting a hint of Domestos Regular (the blue bottle) in the aroma of this wine, along with what I initially thought was some cork taint.  Not a great way to start a tasting; it’s just not one of those wines that emerges, fully formed, when it’s first poured. Rather, it needs time to collect its thoughts. After an hour or so of air, funky cashew nuts, oatmeal, piercing fruit flavours that are both blossom and juice, and some toasty oak. Alain Chavy’s wines tend towards restraint and delicacy, and that’s very much the case with this wine too, which makes it quite elusive. Despite the complexity, what shines most on the nose is sharp, slightly sour fruit for which I’m struggling to find an appropriate descriptor. A cross between lemons and white stonefruit is probably the best I can do. No matter — with enough time, there’s a beguiling sense of harmony that is attractively sensual, beseiged by discordant minerality that never allows things to become too easy.
The palate is characterised by fresh acidity and good thrust. A really attractive entry that’s surprisingly soft, with cashews and furry white peach flowing to a middle palate that shifts up a gear. Bang, there’s an orange juice-like mouthfeel, delicious fruit that shows good intensity, and an overall sense of brisk efficiency. Funky oatmeal remains an underlying flavour component until the after palate, where fruit begins to take a back seat to this and a range of other nutty and mineral notes. A surge of these flavours carries through to the finish, which vibrates for some time. 
This isn’t a wine to lust after, as it asks you to work a bit and live with its idiosyncrasies. I wonder if falls between stools, stylistically; part of me wishes it were more expressive and softer. But then I take another sip and this tension between luscious fruit and nervy minerality seems very much of the essence. I’m almost convinced, in the moment, its vision of Burgundy is right. I’m very happy to debate it.

Domaine Alain Chavy
Price: $A81.40
Closure: Cork

Seppelt Grampians Chardonnay 2008

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Moyston, in the Grampians GI, is renowned as the birthplace of Aussie Rules, so it seems fitting on this Grand Final evening, as Cats supporters all over the country (including my family in Melbourne – hi Trav!) celebrate a hard fought win, that I open something with a connection — albeit a ridiculously tenuous one — to the game. 

Interesting wine this one – there’s no great intensity on the nose or palate, but it’s made within a style that seems pitched above its station, and that makes it worthy of closer attention. It’s tight and controlled, with delicate white stonefruit and a funky, cottage-cheese astringency on the nose. Some prickly minerality too; indeed, there’s no shortage of things to note in the aroma profile, even if the whole feels like it’s underachieving. This reminds me a little of Seppelt’s Jaluka Chardonnay without the same level of fruit impact and certainly with less oak (not a bad thing). 
The palate shows more prickly minerality, and I wonder whether there isn’t a bit of sulphur in there too, contributing a savoury note and some pleasant funkiness. The fruit itself seems delicate, floral, a bit dilute perhaps. The after palate has the greatest presence, with a peak of fruit flavour and an appealing roundness of mouthfeel. A soft, gently fading finish that is deceptively long.
If the style is a bit aspirational with respect to the fruit, at least it makes for a thought-provoking experience. It’s not a great wine in any respect, yet it has held my attention through the evening and continues to deliver interest with each sip. An artist in the making, perhaps. Good value.

Seppelt
Price: $A18
Closure: Stelvin

Yalumba FDW[7c] Chardonnay 2007

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I wonder what sort of feedback Yalumba gets regarding the nomenclature? It’s all satisfyingly boutique in effect, though word of mouth marketing may result in some hilarity. But hey, it worked for me. Purely for the name, I remember tasting the 2005 vintage at cellar door with Chris, and being seriously impressed; for some reason I’ve not sought out another bottle since then. So much wine, so little time (and money). 

Classy nose; some sulphur, some lees-derived aromas, some watercolour stonefruit and honeydew melon, and some other things that are too fleeting to capture in words. It’s quite funky overall, and seems reasonably manipulated within the context of its style, which is fine and tight. For me, it’s treading a fine line regarding the struck match aromas; one sniff seems balanced, the next just that bit too astringent. Very much a matter of taste.
In the mouth, a complex, savoury experience. The mouthfeel is really interesting, seeming to alternate between luscious and sharp, like cutting into a ripe peach with a cleaver. Mostly savoury on entry, it really kicks up a gear on the middle palate, which shows decent complexity and hints of the cushioned generosity that is the point of some Chardonnay styles; not here, though. Before the word “flab” can even begin to form in one’s mind, we’re whisked away to a lean after palate that introduces an interesting hint of vegetal, almost stalky flavour. A very long finish rounds things off well.
An intellectual wine, and an expression of Chardonnay that I find somewhat lacking in easy sensual pleasure. That’s not a criticism per se; in fact, it marks this wine as one of the more important essays in contemporary Australian Chardonnay style. 

Yalumba
Price: $A23.75
Closure: Stelvin

Champbrulé Brut NV

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I flew to Mexico City yesterday for the first time in 25 years: I’m spending a week here on vacation with friends and family. Walking around after the afternoon thundershowers, I thought I’d see if I could buy some Mexican wine. Thankfully, the locals were incredibly friendly and pointed me towards a small wines and spirits only shop two blocks from my apartment that was filled to the roof (literally) with the kind of international wine selection you’d expect in any world class city: Champagne, Chablis, Rioja, Brunello, all of the world’s greatest hits. I was hoping to find some of Freixenet’s Mexican wines, but all they had was their Spanish wines. I asked in terrible Spanish if they had any Mexican sparkling wines… and yes, they found two wines in stock. They fetched it from the top shelf, dusted it off, sold it to me, and here’s what I remember about it from last night:

This appears to be traditionally vinified with second fermentation in the bottle. Beautifully packaged, with all of things you’d expect (perforated foil, custom printed cage, etc.), it appears to have been produced by something called Wine Products of Tijuana, which to my American ears isn’t appetizing. However, the wine itself is most definitely appetizing, with a fine, persistent bead and appealing yellow color. There’s not too much by way of smells, here, alas, but that’s no problem as the wine is eminently drinkable, full in the mouth, and (thankfully) no more residual sugar than any other wine in this class. This is a well crafted wine and can definitely hold its own with any American wine in this price range; to me, this is even slightly preferable to Korbel thanks to its restraint with regard to sweetness levels. I’d buy it again.

Devil's Lair Chardonnay 2007

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There’s a pork roast in the oven, to be accompanied by a variety of roasted vegetables (including parsnip, which I adore) and this wine. A few sips before the food is ready, though.

The nose is misleading me at first, because it seems full of oatmeal, cream, hints of caramel and other signs of manipulation, suggesting a wine dominated by winemaking artifact. Give it a a few swirls, then, to bring clean, grapefruity aromas to the fore. There’s actually a lot going on here, including a rather sharp note that I’m having trouble describing but for which I shall use the word “herbal” (in a thyme-like manner), via sea water. It’s darned expressive, helped by what is an altogether piercing aroma profile.
The palate is similarly complex, and what I like most is how its overt caramel and oat flavours don’t in any way equal flab or a lack of shape. In fact, this is a taut, tightly controlled wine from start to finish. A really elegant entry into the mouth, with flavour that builds smoothly to a middle palate of decent intensity. The fruit flavour is firmly in the grapefruit spectrum, with a bit of white nectarine poking its head in. I like the slippery mouthfeel here, which is an interesting foil to the firm acid structure. As the wine relaxes into its after palate, the more worked flavour profile begins to dominate, with really delicious sharp caramel and mealy elements, along with a harder thread that seems part oak, part acid-derived to me (its character is almost metallic or briney with a sappy quality too). Quite a long, soft finish.
This is a heap of wine for the money. For mine, I’d prefer a slightly less aggressive, hard profile, but perhaps time will take care of that. Really nice Chardonnay.

Devil’s Lair
Price: $A28.95
Closure: Stelvin

Neudorf Nelson Chardonnay 2007

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The second time I flew home from New Zealand this year, I was fortunate in that I was on a nonstop flight back home to California – no stops in Fiji this time! – which meant I was able to grab a few bottles at the airport. The Auckland wine shop isn’t half bad, but the prices are nothing special and they tend not to have particularly interesting wines, but of course compared to Los Angeles it’s a godsend; last time I flew out of LAX, I think I remember seeing Robert Mondavi Coastal Chardonnay for a whopping $25 a bottle. Ouch!As mentioned previously, I was fortunate enough to stop by Neudorf winery last January, where an overwhelmed tasting staff dealing with too many customers towards the end of a day on a holiday weekend graciously put up with my wanting to taste but not buy (due to lack of luggage space on the way back home from vacation). Looking at Neudorf’s Web site I now see that there’s a fancy version of this wine that Bob Campbell and Jancis Robinson really really liked – and of course what I have is “the cheap one,” the less-fancy one relegated to airport wine shops (but apparently not exported to the USA). Operating on the principle that only the very best wineries put out less expensive wines that are worthy of the same name the fancier ones have, let’s see what this wine is like…An absolutely beautifully soft goldish-green in the glass, I’m grateful that they’ve bottled under screwcap so that it made it home safely without turning that awful oxidized golden color. The nose is very, very Burgundian, with a sort of reduced burnt-match smell that’s reminiscent of just a small amount of sulfur. Frankly, it’s mouth-watering. The overall effect is of roasted nuts and straw, with no particular buttered-popcorn notes that would ordinarily mess with California wines at this price point.The entry of the wine is smooth, lush, and full at first, before being briefly – very briefly – overwhelmed by racy acidity that screams New Zealand to me. Quickly, though, it quiets back down into an resolved dance back and forth between the ripe fruit and the supporting acidity, finishing on a lengthy descent through well-grounded notes of roast hazelnuts and fresh stone fruits. It’s all perfect for a summer’s day, somewhat less oppressive than a Meursault with a real sense of lightness and finesse. Finally, I should say that if there’s any wine this reminds me of, it would almost be a riesling from Burgundy (if such a thing existed, of course): the light delicacy of the aromatics is a wonderful match for the acidity and heft of the wine.Really delicious, great value, and beautifully packaged, it’s a bummer this wine doesn’t seem to be easily available locally. If the less fancy wine is this good, I’d love to know what the “really good” one tastes like.Neudorf
Price: NZ $30
Closure: Stelvin