Petaluma Piccadilly Valley Chardonnay 2005

Q: What do you do in the event of an earthquake?A: Well, if you’re me, you quickly check to make sure none of the wine fell over and broke (it didn’t) and then grab the first bottle you can find to calm your nerves.Thanks to the vagaries of the international wine trade, the local bottle shop had a dozen of these for a meager $14 a couple of months back. Sadly, the first two bottles were corked and nonrefundable, but this one appears intact.Not visibly old at all – it still looks bright and clean – the nose tells quite another story, with hazelnuts, burnt matchsticks, and pineapple clotted cream cake coming together to suggest a wine that’s been around for a few years. Rich, unctuous, and ever so slightly overwhelming (think California style) in the mouth, there’s a thick seam of rich, buttery pear and roasted nuts to be found here. The finish is plenty long, with just enough acidity to make it easy-going enough to please most anyone, I reckon. In short, this would be the ideal wine to serve in Qantas business class: rich, stuffed with enough flavor to register at even thirty thousand feet, and fat enough to please folks who don’t enjoy their wine unless it’s got a certain sense of luxurious, hedonistic plushness to it.The only thing I am is surprised: I love Petaluma’s riesling and viognier, both of which are wonderfully expressive and full of character – and yet this wine seems a bit vague (in the international style, at least). It doesn’t compare well, I think. to the Grosset chardonnay (which is presumably made from fruit from the same general area)… but it is at least a surefire crowd pleaser. Shame about the dead tree stopper, though. Petaluma
Price: $14
Closure: Cork
Source: Retail

Sorrenberg Chardonnay 2008

Dinner with family in Melbourne on Friday evening was enhanced by the provision of this bottle. Thanks to my cousin Travis — who continues the Coldrey line as far as an obsession with wine is concerned — for his generosity in supplying all the evening’s drinks. My first Sorrenberg Chardonnay and I’m favourably impressed.
A powerful, worked style that, in the first instance, is most notable for the richness of its fruit flavours. Nectarine, fig and some grapefruit all intermingle within an aroma that also throws a range of caramel and oatmeal notes. There’s significant complexity and scale, but the confident, seductive aromas themselves are what draw me to this wine.
The palate follows through on all aspects of the nose, showing a forthright, complex range of flavours. Good presence and consistency along the entire line. A couple of points, then. Firstly, this isn’t a wine for those fixated on the current vogue for lean Chardonnay styles. The lushness and luxe inherent to the fruit and style are quite contrary to a more minerally, austere expression of Chardonnay. And that’s OK. Secondly, this is a wine to sip and savour, not necessarily to drink in large volumes. Certainly, I helped my dinner companions to finish our bottle with ease. But as I drank more, a cracked toffee note through the back palate became slightly dominant, pushing fruit and savoury characters out of the way to the detriment of the wine’s overall balance. Still, a minor quibble over what is an impressive wine of some beauty.Sorrenberg
Price: $NA
Closure: Cork
Source: Gift

Bloodwood Chardonnay 2009

Not a lot of tasting (as opposed to drinking) these last few days. Tonight, while dinner is cooking, I thought I’d give this wine a go. It arrived during the week from the indefatigable David Cumming, who does PR for many Central Ranges wineries. My experience of recent wines from this zone has been variable, but this bottle is getting more and more interesting as I swirl.

A strong element of minerality, aided perhaps by some sulfur, dominates the nose, followed closely by flowers and quite complex fruit notes. The fruit edges towards stonefruit, with some pithy grapefruit too. It’s quite a savoury aroma profile, challenging even, and evolves to show a hint of baked goods. The elements show a discordant relationship, never resolving cleanly, but constantly exchanging meaningful glances. 
The palate, initially, seemed simple and slippery, with straightforward white peach fruit. It has quickly become complex and savoury, though, and to me a lot more interesting. The entry is quite flavoursome yet gentle too; fruit flavours seem to glide towards the middle palate on satin sheets. And if that sounds a bit tacky, it is, or at least threatens to be, until one realises on the middle palate there is a range of quite adult flavours on offer, and the mouthfeel has become more textured too. Rocks get thrown together as the wine edges towards the back palate, where a floral lift takes flavours towards a subtle, glowing finish of good length. Oak seems subliminal, winemaking equally simple. I feel like I’m tasting the fruit, and I like it.

Bloodwood Wines
Price: $A25
Closure: Stelvin
Source: Sample

Mike Press Chardonnay 2009

Or: the art of the perfect quaffing wine.

At $8.33 per bottle, this wine positions itself squarely at the “everyday drinking” end of the market. This can be scary vinous territory, swinging unpredictably from surprisingly good to revoltingly cynical in the twist of a corkscrew. And it’s fair to ask: what ought a wine to be at this price? I don’t pretend to have an answer, but I know a good attempt when I taste one, and this certainly is a good attempt at the ideal quaffing white.
The nose shows alcohol and sweet basil, but mostly juicy white nectarine (including the skins). It’s all quite simple and fresh, with little in the way of confectionary overtones, nor worked characters that might suggest a sense of obesity. The palate adds to these simple, attractive flavours by delivering a slippery, borderline syrupy mouthfeel that speaks of cost-effective luxury.  Intensity is quite decent, and there’s a surprisingly sophisticated streak of minerality running underneath all that peachy goodness. Indeed, this is the Hyundai Sonata of quaffing wines; aiming above its station and, for the time it takes to smell and swallow, more or less delivering. That it evaporates from one’s memory almost as quickly as the dramatic impact of Avatar is quite beside the point. It’s awfully fun while it lasts.
And isn’t that what quaffing wines are all about?

Mike Press Wines
Price: $A8.33
Closure: Stelvin
Source: Gift

Casa Lapostolle Sémillon Sauvignon Blanc Chardonnay 2007

Yesterday, I met up with an old friend in Viña del Mar, and much to my surprise he delivered a stunningly beautiful wedding present: Chilean wine, palm syrup, peaches, and chocolates. Wonderful stuff – and now my task is to drink at least four bottles of the wine over the next 48 hours because if I don’t I’ll have so much luggage that I can’t board the flight to Calama on Wednesday. Yikes! Thankfully, this is going to be a very easy task.There appears to be a very, very light carbonation to the wine; at the bottom of the glass are tiny bubbles (if you’re a Don Ho fan, feel free to sing along about now) and there’s a very light spritziness on the tongue. The color is bright and clean; it’s only on the nose where it gets interesting. It’s a very savory wine, reminding me more of good Burgundy than white Bordeaux somehow, with a very slight sulfury note mixed in with yeasty bread and an appealing lemony note. My favorite thing about this wine is the slippery, rich, full palate that is wonderfully textural and mouthfilling; there’s a slight spiciness to the finish with sprightly acidity as well.  It may have smelled like Burgundy, but it’s definitely more like a white Graves, wet stones and pastry cooked with lemon rind and cream, but also that spiciness that really makes it special.All in all this is good stuff (and to me personally, it’s also a reminder to stop drinking single varietal wines all of the time; blends like this seem much more complex and interesting, don’t they?). Thanks, Felipe, for the bottle – I’m looking forward to the next ones! Lapostolle
Price: $NA
Closure: Cork
Source: Gift

Kalari Chardonnay 2008

My second Cowra Chardonnay for this evening; always fun to do some comparative tasting. Against to the just-tasted Cowra Estate, the balance of this Kalari is notably different, tending more towards a generous, peachier style, though still far from the sort of peaches and cream buxomness of old school, now-maligned Chardonnays. 

The nose shows some vanilla ice cream oak along with a tiny bit of sulphur and not a lot of fruit. This doesn’t sound great, but in fact it’s attractive to smell, and the fruit is there, it’s just bound up in the oak character at present. The palate is quite a different story. Here, the fruit flows more freely, an even mixture of white and yellow peach. On entry, sizzlier acidity than the Cowra Estate and a bigger presence in the mouth; this seems to present a bit more of everything across the board. The middle palate smoothes out with ripe peaches and cheap ice cream (you know, the ones that are more ice than cream), all underlined by lively, somewhat rough acidity that contributes level of sourness to the profile. The after palate thins out compared to what has come before, but the finish more than makes up for it with good continuity of fruit flavour and surprising length.
Another solid, straightforward Cowra Chardonnay, and one I might give a few months’ further in bottle before drinking. These don’t scale great heights but nor do I believe they set out (or need) to, as they present attractive fruit in a food-friendly package. Good value drinking.

Kalari
Price: $A17
Closure: Stelvin
Source: Sample

Cowra Estate Chardonnay 2008

Australia’s oldest Chardonnay vineyard – so proclaims the label, even though an establishment date of 1973 reveals the relative youth of this variety’s presence on the local wine scene. I’ve got a couple of Cowra Chardonnays on the table this evening, both reasonably priced (as a lot of Cowra wines appear to be).

On the nose, some smokey, burnt match overlays tight, white stonefruit notes and a bit of minerality. It was a bit yeasty at first but those funky notes blew off fairly quickly, leaving behind this lean, quite stylish aroma profile. No overt complexity, just balance and a bit of tension between notes that don’t quite go together — I mean this in a good way.
The palate follows a similarly lean route, emphasising the nose’s attractive minerality and elaborating a little on the fruit character. A cool, clean entry that shows firm, fine acidity. Things don’t get terribly flavoursome until the middle palate, where a mostly-savoury character relaxes a little on the tongue. Fruit begins to leak: grapefruit, white nectarine, very much a cooler climate flavour profile. This expands through the after palate, whose acidity shows some hardness but which nonetheless is well-shaped and straightforward. There appears a minimum of winemaking here and the consequently simple style comes as something of a relief; also, it seems well-matched to the fruit character. The clean finish is quite mineral and very refreshing.
Good value, utterly unpretentious Chardonnay.

Cowra Estate
Price: $A18
Closure: Stelvin
Source: Sample

Undurraga Reserva Chardonnay 2006

This wine starts with an over-the-top slap of vanillan, spicy, smokey, sexy, fuck-me-that-smells-expensive oak that it never entirely sheds. But it works, and here’s a lesson in ostensible imbalance tasting delicious and right. 

Not to suggest it’s all oak; far from it. There are lovely Chardonnay fruit flavours in the lean yellow peach spectrum, ripe but very well controlled. The aroma treads a nice line between full-on, quality oak and quite assertive fruit, neither of which is rich or fat. Rather, there’s a nervy freshness to the nose that belies its constituent components; when was the last time you tasted a heavily oaked Chardonnay with peachy fruit that was shapely and taut? 
The palate shows more spicy oak, delicious really, plus fruit that shifts between white and yellow stonefruit, and a bit of cantaloupe for good measure. The flavours are well-integrated and the wine is not massively worked, which shows good winemaking judgement; there’s quite enough going here as it is. The middle palate is intense and hints at opulence before fine, integrated acidity whisks away any hint of flab or excess. There’s an appealing freshness through the after palate and lingering finish, which is impressive considering the gold wristwatch oak continues to assert itself here as throughout this wine’s line.
I had this wine with a robust, Vietnamese-ish salad and it stood up well to pungent flavours, including a very salty, acidic dressing. Excellent, if oak-dependent, winemaking, and a very tasty wine indeed. Good value too. Imported by Southern Cross Wine Merchants.

Undurraga
Price: $A23
Closure: Cork
Source: Sample

Balnaves Chardonnay 2008

It’s interesting to note this wine’s up-market position in a range, indeed region, known almost exclusively for its red wines. At $A28 retail, it’s hardly bargain basement territory, and the label goes to some effort to impress the drinker with the care (hand picked!) taken here. 

The style is opulent, with fruit flavour in the yellow nectarine spectrum and no shortage of winemaker input. On the nose, rich aromas of ripe stonefruit and cream, soft cashew nuts and lightly smoked vanilla. Wannabe Chablis this is not, and for that I’m grateful, because it offers, instead of second-hand style, a balanced interpretation of heavyweight Chardonnay that seems to suit the character of the fruit. 
The palate is as expected, combining a similarly rich flavour profile with a slippery-slide mouthfeel and what appears to be a bit of alcohol heat too (label says 13% abv).  Nicely flavoursome entry, with subtle acid and a hint of minerality underlining nectarines that aren’t quite as squishy as on the nose. The middle palate is where it’s at, though, presenting a wash of quite complex flavour, including a decent contribution from spicy oak. There’s a bit of crème caramel too, cushioning the assertive fruit and oak elements. Things start to fall apart a bit through the after palate, as all that rich, bold flavour becomes too much for the wine’s architecture to contain. But it’s a pleasant sort of disintegration, leading to a long, quite powerful finish of peach tarte tatin
I’m wishing for a tad more minerality, structure and thrust through to the finish, which would make this wine’s voluminous flavour profile nimbler and more elegant. Still, it’s a solid wine and will be pleasing to those of you (like me) who enjoy bustier Chardonnay styles.

Balnaves
Price: $A28
Closure: Stelvin
Source: Sample

Curly Flat Chardonnay 2005

There’s a lot of chatter about how out of favour Chardonnay has become, and I’m reminded in all this of the difference between fashion and style. Good wines will always find an audience, even if the size of that audience fluctuates based on what’s hot at any given time. The focus must remain on wines that draw out the best of their underlying fruit, and which retain an authenticity of style that transcends the fashionable buzz of the day. I can only speak for myself, of course, but the truth underlying each wine is what I crave most each time I open a bottle, and what disappoints me the most when it is absent.

I mention all this because the wine in front of me defies a few trends. As a fairly worked Chardonnay, it goes contrary to the trend towards “Chablis style” Chardonnay wines that, marketing material would have one believe, are the true antidote to a decade of flabby, butterscotch monsters. To the wine itself: the nose is pleasingly complex, with curious crushed leaf notes alongside white and yellow stonefruit, almond meal, Weet-Bix and vanilla. It all comes together really well, and seems to smell of itself rather than as a collection of components.
The palate is powerful and shapely, with especially notable intensity of flavour. On entry, immediate peaches and cream flavour, along with slightly rough acidity and a savoury almond note that runs the length of the palate. The middle plate evolves some further fruit sweetness and a bit of caramel delight, too. Mouthfeel is rounded and generous. It’s here that things threaten to become slightly simple, because of the dominance of the fruit character (verging on pineapple) and the influence of some winemaking choices. The after palate, though, draws in a whole bunch of baked goods to add to the flavour profile, and this tempers the still-sweet fruit to a satisfactory extent. The finish is beautifully nutty and long.
Exceptional Chardonnay drinking well right now. You can keep your faux Chablis. 

Curly Flat
Price: $NA
Closure: Stelvin
Source: Gift