Tag Archives: Merlot

Tricyclo Merlot 2006

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Plush, dark red in color, the nose at first suggests a heavily green Merlot, something along the lines of a Hawkes Bay merlot from ten years ago. This seems odd; aeration helps, changing the notes to heavy oak and camphor, almost a Victorian gentleman’s armoire sort of thing. Smoky bacon-wrapped cherries emerge at last, and you’ve got a fairly idiosyncratic rendition of Merlot that doesn’t seem quite to match any normal international style.Initially tannic, fairly aggressive acidity springs forth along with fairly simple red berry flavors, resolving into something like an Australian fortified Shiraz, albeit with less punch: this is thankfully a mere 13% by volume. Although not hugely complex, the oak turns out to be very well judged, offering up a soft baker’s chocolate cushion for all of that pretty cherry-berry fruit. The finish is noticeably long; a subtle hint of black olives and sweet spicy oak shows up just before the curtain falls.After two hours’ aeration, however, the wine does improve into a remarkably well put together drink; there’s enough shiny red fruit to make anyone happy, and the oak influence is subtle and interesting enough to make this really work for anyone else.All in all, this stuff is fairly delicious. Depending on its price, this is either a remarkable effort (if it’s $10) or a slight failure (if it’s $20). Funny how that works sometimes.Viñedos Errazuriz Ovalle S. A.
Price: $NA
Closure: Cork
Source: Gift

Angullong A Cabernet Merlot 2008

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There are many different interpretations of a “drink now” red wine, ranging from exuberantly fruity wines like Teusner’s Riebke through to this. I’d describe this as light, somewhat Italianate in style, except it lacks the requisite rusticity of mouthfeel to fully qualify. Nonetheless, it seems a valid enough answer to the stylistic question.

On the nose, quite expressive with a dash of caramel oak, some high toned fruit in dried peel mode and a general impression of levity. This isn’t a bruiser at all, nor is it especially refined or complex, but it’s quite a penetrative aroma profile nonetheless. The palate shows more liquidity than suggested on the nose, and I’m not entirely sure that’s a good thing. With the fruit sitting, as it does, in the upper registers, a more aggressively textural mouthfeel seems appropriate. The rough edges, though, are smoothed over here. Still, there’s ample intensity of flavour, and the fruit is clean. There’s a nice streak of acidity that runs the length of the wine too, which partly compensates for the lack of tannic fun. Pretty decent finish.
There’s some thought behind this wine, which I appreciate at the reasonable price point.

Angullong
Price: $A15
Closure: Stelvin
Source: Sample

Lapostolle Casa Merlot 2007

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This wine is all kinds of lovely. It smells of black olives, tapenade, oregano, lemon myrtle, smoke, and red fruits. It’s all rather complex, with a real sense of style. It tastes expensive: very bright acidity working in tandem with a sort of thick, almost yeasty body with smoky barrel notes and a fine sweetness finishing on a firmly tannic note. It’s almost as if there were such a thing as sugar-glazed black peppercorns: it’s all rich smoky sweetness, absolutely lovely. The finish really does coat your mouth with tannin, though, so if you’re drinking some of this, it would really, really help to have some steak handy.I drank a couple of New World wines last week – a $25 bottle from Napa and a $25 bottle from Mendoza – and although both of them had rich, round fruit and high alcohol, they weren’t anywhere near as pleasing as this wine is. I’m sensing not only restraint in the alcohol department but also a willingness to avoid industrial yeasts and simple, primary fruit flavors. This winery makes a wine this complex look easy. Lapostolle

Closure: Cork
Source: Gift

Spring Ridge Merlot 2007

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There’s something to be said for a well-executed commercial style. These are wines that I often tend to gloss over, but it’s wrong of me to do so, at least in terms of my own philosophy of enjoyment. As tempting as it is to indulge in singular, ultra high quality wines whenever possible, I’m not sure they are always an appropriate choice, especially when in mixed (wine freak and normal people) company. 

For example, I was having a very fun afternoon with some work colleagues during the week, and we ended up at a typical inner city eatery that surprised me with its thoughful, diverse wine list. Of course, I immediately geeked out and suggested a bottle of Seppelt’s 2008 Drumborg Riesling which, while full of interest, is a difficult wine to approach due to its austerity. Once we had made our way through that one, the group’s next selection was a much friendlier Pepperjack Shiraz, a plush Barossa style with plenty of oak and very low stylistic barriers to entry. And it was a much more enjoyable wine, with company, on the day.

Which brings me to this wine. I feel a train wreck attraction to Australian Merlot, which isn’t renowned for stylistic coherence nor, indeeed, for elevated quality. And, to be sure, this wine won’t change any of that. What it can do, though, is provide a well made burst of enjoyment. 
The hue is ruby-like, of moderate density, and in general looks slightly older than it ought. The nose immediately signals this wine’s intent: assertively cuddly, peanut brittle oak over fresh plum fruit. Digging slightly deeper, there are hints of olives in brine, but this isn’t a wine of overt complexity. The palate is fresh and flowing, with good clarity of fruit. On entry, flavour slowly accelerates towards the middle palate. Medium bodied, there’s better integration of oak and fruit in the mouth than on the nose, which creates an easygoing, smoothed out flavour profile. The addition of some lightly spiced notes add interest. Structurally, things are very much in line with the curvy flavour profile, with enough acid and pleasingly fine tannin to add shape and a drying, very slightly raspy mouthfeel towards the back palate. Decent enough finish.
If I scored wines (which, of course, I don’t), this would sit in the mid to high eighties, as a wine of straightforward, well-made charms. It has no pretensions other than to offer accessible, cost-effective pleasure to as many tired office workers as possible as they share a bowl of deep fried something-or-other after work. As one such office worker, I’m very cool with that.

Spring Ridge
Price: $A19
Closure: Stelvin
Source: Sample

Balnaves Cabernet Merlot 2007

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Mostly Cabernet Sauvignon with a dash (6.6%, or thereabouts) of Merlot. 

A cool, clean, currant-like nose of moderate expressiveness. Some varietal, leafy notes too, and a fair amount of spicy cedar oak. I can’t quite put my finger on it, but there’s also an undercooked aspect to the aroma profile – as if a banana cake hadn’t quite finished baking in the oven. Not unpleasant so much as curious.
The palate is notable for a good amount of grainy tannin. This isn’t a wine for those who seek “smooth, fruity” experiences. Being a tannin enthusiast, however, I’m just fine with that. Quite sweet, clean red and black fruits flow through the entry and middle palates, along with an assertive level of vanilla custard oak, all of which ends up tasting rather Christmassy, if astringent. This is a lean wine, verging on underdone in terms of fruit intensity, and I wonder at the level of oak present given the relatively subtle fruit contribution. I understand 2007 was quite a challenging vintage, so perhaps the fruit character is to be expected. For all that, a pretty impressive, long finish that is squeaky clean.
There’s no question this is a drinkable, generously oaked wine whose tannin structure in particular is quite daring given the lean fruit. 

Balnaves of Coonawarra
Price: $A24
Closure: Stelvin
Source: Sample

Cricova Soviet Red Sparkling Wine

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Much to my amazement, this wine is available in the USA. It’s been nearly eleven years since I first had a glass of this stuff; back then, my parents were Peace Corps volunteers in Moldova and welcomed us to their apartment for Christmas with some of this stuff, bread, and salt.If you can get past the packaging – it’s frankly pretty dire, which isn’t a big surprise considering how poor Moldova is, and the whole ‘Soviet’ thing seems designed to cater to Russians living in the USA – this isn’t at all bad for the price. The color is similar to an Australian sparkling red: this isn’t even remotely pink, but rather a rich, dark red with some browning at the rim. The bead is good and steady, the mousse a little anemic but really not too bad. The nose is somewhat simple, basically simple red fruits with a whiff of camphor and toast, there’s really just a bit too much sugar here (but again, consider the target market; Russians like their wines sweet), but the finish is satisfyingly complex, with full tannins, good acidity, and note of clove, cinnamon, and plums.Oddly enough, this stuff should be an absolute smash at Christmas parties: it’s sweet enough for everyone to enjoy, it looks fantastic and festive, and it’s cheap enough to serve with reckless abandon. Still, though, I’d argue that this is secretly better than it has any right to be. It was produced using the traditional method – I’ve visited the winery and yes, they still do things the old fashioned way there – and lurking behind the sugar is a wine of real character, interest, and complexity. Just don’t let the sugar put you off too much – it’s worth it!Cricova
Price: $9
Closure: Cork

Frei Brothers Reserve Merlot 2005

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These are the kinds of wine stores that there are here in San Diego:

  • Supermarkets
  • Liquor stores (bodegas)
  • Small wine shops competing on price (Wine Steals, Vintage Wines, SD Wine Co.)
  • Costco
  • Beverages and more!

I’d argue that there are no high end wine stores in San Diego – we don’t have anything like K&L here, so you’re stuck driving to Hollywood if you’re looking for the expensive stuff.Anyhow, I mention this here to discuss how and why this particular bottle of wine is in my house. Several months ago, friends of friends visiting from the Midwest generously invited me over to their vacation rental near La Jolla and shared their dinner with me. Completely unbidden, they even stopped at a corner liquor shop and bought a bottle of nice wine to share with me over dinner, but someone we didn’t get around to drinking it together, so here it is.This is a wine that you would presumably never, ever find in a “fine wine” kind of establishment. This is factory produce, courtesy of the Gallo family empire. Sure, they’re not mentioned on the label and everything’s been carefully designed that the wine’s produced by a family wine company (true, sort of) in Sonoma County, but between you and me? This is the Wal-Mart of the California wine world staring me in the face. (OK, not so much: Fred Franzia had nothing to do with this, but you get my drift.)So: Tonight’s question is simple: When your average American consumer heads down to the average corner liquor store and buys a nice bottle of wine (read: roughly double what the ordinary stuff costs), what does it taste like? Answer: It tastes like this:The color is very dark for a red wine, nearly black, dark all the way out to a thin, watery rim. Optically, it’s great: this looks exactly what you’d imagine expensive red wine to look at. The nose is decidedly sweet and straightforward, something like Christmas cookies; it’s a sort of low-key, friendly cherry spicebox effect with no real complexity and most assuredly neither funk nor greenness.There’s a noticeable lack of many of the things that make wine work for me as a beverage here. The line of this wine is very strange: it starts sweet, hangs there for a minute, shows a very small amount of tannin, and then finishes quickly and sweetly as well, with a simple berry flavor that isn’t even remotely compelling. I’m at a loss to describe the effect of drinking this, but on some level it seems like a fermented grape juice beverage product scientifically designed to appeal to people that don’t like wine. In fact, even the extremely mild, brief tannins that are here seem present only to announce that this is in fact a Very Nice, Expensive Wine because we’ve come to fear that particular sensation whenever we’re offered wine – if that makes sense. I guess I’m trying to say that there’s a homeopathic dose of nasty here (read: tannins) just to remind the drinker that they’ve moved on into Serious Wine Territory here.All in all, this is vaguely like Chinese barbecued pork in a bottle: slightly sweet, obviously red. Weirdly enough, though, it seems successful at what it seems to have set out to do: provide a wine drinking experience for an aspirational consumer who doesn’t actually like wine… and for that, I do have to respect the winemakers here.Frei Bros.
Price: $18
Closure: Cork

Unison Classic Blend 2007

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Though this is nice to drink, it’s in every way a lesser wine compared to its reserve-level sibling, the Selection (2005, 2006). I’d definitely spring for the mesmerising Selection for maximum satisfaction.

Having made that rather predictable point, it’s worth noting this wine shows some really attractive, regional characters that I enjoy very much. Principally, there’s a floral potpourri note on the nose that is a foil to noisy mocha oak, some (for me, questionable) vegetal notes, candied plums and brown spice. Though it’s quite piercing up top, and there’s dark fruit in the lower registers too, the aroma lacks a sense of continuity from top to bottom, and hence comes across as a little disjointed. No lack of volume, though.
The palate is equally robust. A similar array of flavours — plums, cough syrup, coffee grounds, spice — present quickly on entry, followed by a widening through the middle palate. The mouthfeel is notable, being roughly textural and quite bold. Despite the character of the flavours and texture, it’s not an overly intense wine, and there’s a slight sense of dilution to the softer fruit flavours. Grainy tannins emerge on the after palate, drying the tongue and giving the sweet fruit a nice edge. Those vegetal notes from the nose shoot through the finish as well.
Not sure I’m convinced by this on its own, though it improved markedly when taken with Bega tasty on crackers. Definitely drink this with assertive food to bring out the best of its flavour profile and soften its rather rustic mouthfeel. 
Update: markedly better on day two. Much rounder, more satisfying fruit (though quite sweet) and the rough mocha edge takes a step back. Perhaps I was feeling impatient last night.

Unison Vineyard
Price: $A30
Closure: Cork

Unison Selection 2006

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Some wines are charismatic without being pretty; they make an entrance with the panache of the truly confident, and it takes a moment before you realise they’re really not that attractive in a conventional sense. But their confidence draws you in regardless, generating a visceral response that, perhaps, speaks to a different sort of beauty.

For example, I could describe the aroma of this wine as outré, inelegant, overanxious; it’s indeed all these things. But it’s absolutely magnetic too, exerting an attraction that is really compelling. It’s a bit volatile — indeed, not a clinical style at all — with lifted aromas of stalk, black pepper, dried flowers, and deep plum fruit. Despite the eagerness of each note, there’s a fluidity to their collective expression that unifies the aroma profile and generates a sense of coherence.

There’s coherence, too, from nose to palate, starting with an entry that tingles with delicately sweet, red fruit. The flavour profile quickly darkens towards the middle palate, and a few threads begin to emerge. There’s rich, fresh plum juice, tart plum skins, sweet mocha tannins, astringent stalk and cracked black pepper. It’s quite complex, with a beguiling mouthfeel that seems to be both liquid-smooth and velvet-tannic at the same time. Spices and red fruit rise through the after palate before a long, aromatic finish draws the wine to a satisfying close.

There’s definitely an “X factor” at work here and, perhaps because of this, I suspect the style will be divisive. But even if this wine doesn’t speak to one’s personal preference, it’s hard to deny the strength with which its stylistic argument is made.

Unison Vineyard
Price: $A50
Closure: Diam

Château Rocher-Calon Montagne-Saint-Émilion 2006

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I’m in the teeming metropolis of Morgan Hill, California at the moment on another business trip. This is pretty countryside just a ways south of San José; the Besson vineyard that gave us the inestimable Clos de Gilroy grenache is nearby. Thinking I’d drink locally, I headed to the local Trader Joe’s – the Aldi-owned cheap-gourmet grocery store – and intended to buy a bottle of something local. However, what they had was mostly stuff from Napa and Sonoma, and the French wines were keenly priced by comparison – I didn’t want to put $25 worth of alcohol on an expense report – so I wound up with the second most expensive Bordeaux that they had. (Interestingly, the most expensive French still wine was a $20 Ch.-de-Pape.)How is it? Very good indeed. It looks young, all majestic purple and vibrancy. The nose, such as I can make it out given the, ahem, inadequate stemware at the Courtyard Inn, is very soft, with hints of red berries and spice. The entry of the wine onto the palate is all lightfooted elegance, but before you have a chance to notice it firm-footed tannins come sneaking in, which broadens the wine out into a fairly impressive heft. Rich, ripe primary fruit is offset by tannins and smoky, spicy notes presumably from barrels; this is (let’s be straight here) very impressive given its price, and a good introduction to what decent French claret tastes like.The finish lingers, tannins gradually overcoming the supple fruit, until all that’s left is a memory of a distant wildfire. All in all, probably the best wine I’ve drunk at this price point in some time, and probably what the Wayne Gretzsky meritage from the other night wants to be when it grows up.Château Rocher-Calon
Price: $13
Closure: Cork