Grosset Polish Hill Riesling 2002

A fascinating counterpoint to its Watervale sibling, this wine would be a great education for those drinkers who think of Australian wine as a terroir-free zone. I’m not sure it would turn any drinkers on to Riesling, though. That sounds like a put-down, but it’s reflective merely of style, not quality. For those converts among us, it’s pure pleasure.A delicate, wispy nose that presents a riot of high toned aromas. There are florals, minerality, slate, etc. The tiniest hint of toast also registers and it’s the only element that indicates the six years that have passed between vintage and this tasting. Compared to the Watervale, this is a much more restrained wine, no less complex, but different nonetheless. With some time in glass, rounder fruit notes also emerge, yet the overall profile remains lithe and chiselled. On entry, bright, ultra-fine acidity freshens the palate and ushers beautifully delineated flavours onto the mid-palate. There’s more slate and mineral, hints of powdery lime blossom, and some edges of honey too, all showing excellent intensity despite the ultra-light palate weight. It’s elusive in a way, both structured and ephemeral, like a puff of smoke that shows unexpected geometry before spiralling into the sky. Fruit gains weight on the after palate, and the finish sings with mineral and honey in equal measure. So, so elegant. It’s a wine that screams quality, but is considerably more intellectual an experience than the Watervale. Reading Chris’s earlier note, I concur with his description minus the petrol, which I’m not getting from this bottle. This is just starting to age, and I’m going to leave my next tasting for another two to three years.GrossetPrice: $A40Closure: StelvinDate tasted: July 2008

Grosset Watervale Riesling 2002

There are a lot of reasons why Riesling deserves a bit of love. It’s refreshing, tasty and is generally excellent value. I like it most, though, for its transparency. When made in the usual Australian dry style, there’s nowhere to hide, with vintage conditions shining through clearly. This makes Riesling the most tantalising of grapes; a great year, when it happens, promises so much. Tasting a Riesling from such a vintage is like tasting the potential of wine fully expressed. Such a Riesling with bottle age, then, simply multiplies the anticipation. Perhaps I should start this note with my conclusion: that this wine is extraordinary and beautiful. Now that I’ve set the scene, I can try to describe it adequately. On the nose, delicate aromas of white stonefruit, a hint of honey, flint, etc. As with the best wines, the aromas are in a sense indistinguishable from each other, because they fit together so elegantly. There are some influences from bottle age here, but I suggest they are limited to a sense of honey and softness that may not have been present in the youthful wine. It’s certainly not a full-blown aged style, which makes sense considering the vintage and closure (Stelvin). The palate is a wonderful mixture of freshness and rich flavour. Tingly, steely acid hits the tongue immediately on entry, and is somewhat deceptive in terms of the wine’s flavour development. Although the structure remains youthful, the mid palate reveals definite aged influences, as yet subtle, but indicative of a promising development path.  Honey, round stonefruit and lime juice are well balanced between each other, without the awkwardness of some Rieslings in the middle of their development period. I don’t know whether it’s a question of quality or simply fortunate timing, but some Rieslings just seem to taste awesome at each stage of their development, whereas others hit their straps at a certain point and, outside of this window, can seem gangly and unbalanced. This Grosset is definitely the former type; it’s a wine that seems to glide effortlessly into the moment, composed and confident. Beautifully structured acid that mellows somewhat with time in glass carries flavour through the after palate and onto a finish that clings to the tongue like a determined celebrity stalker. Just excellent. What more to say?GrossetPrice: $A35Closure: StelvinDate tasted: June 2008

Clonakilla Riesling 2002

Canberra churns out its share of good Rieslings, and is home to the International Riesling Challenge, amongst other vinous highlights. Ken Helm of Helm Wines has been a key advocate for this variety in the district, and I will be tasting his Premium Riesling soon. For now, though, another regional benchmark — the Clonakilla Riesling. On release, this was right up there (to my taste) with celebrated Clare and Eden wines from this vintage, so I’m interested to find out how it’s tracking.People talk about letting red wines breathe, but white wines can be equally lumpy on opening, and often benefit from a bit of swirling and loving care. Case in point: this wine was a bit all over the place at first. Spritzy, acidic, some aged characters but overwhelmingly dry and austere. Not a great mix of elements. An hour later, things are settling in well. An interesting nose of nuts and baked goods mixed with a distinctive, savoury fruit note. I’m not sure it’s quite coherent, but it’s certainly characterful and perhaps even slightly provocative. Even after settling a bit, entry is still pretty lively, with full-on acid that collides with dry lemon fruit flavour. There are also some aged characters, but they are not straightforward honey/toast. Rather, they are more savoury and perhaps buttery, very much in alignment with the nose and more than a bit of fun. The whole, though, feels underdeveloped to me, and the wine’s still-prominent primary character is very much dominant. That’s not bad, it’s merely indicative of a certain stage of development, and does not mask the intrinsic qualities present, such as complexity and elegance. You realise on the mid palate that flavour intensity is impressively high, and the acid has shown itself well architected, if a little coarse. The after palate becomes quite savoury, and suggests to me this wine would be a brilliant aperitif, perhaps served with strongly flavoured canapes. Decent, fresh finish.I’m not at all disappointed with this tasting, and believe this wine has its best days still ahead. It’s developing really interesting aged characters that are out of step with the Clare/Eden norm and are all the better for it. ClonakillaPrice: $A25Closure: CorkDate tasted: June 2008

Dr. Loosen Bernkasteler Lay Riesling Kabinett 2005

It has taken a while to get a German wine up at Full Pour, which is odd because I’m a bit of a fan, and Chris is a Germanophile and fluent speaker of the language (I’m sure he will forgive me for spilling a few of his secrets). I guess I don’t buy as many as I should; the story of all Riesling perhaps, not just the German variety. In any case, here we have a slightly older release from the 2005 vintage, by all accounts a rather good one in the Mosel-Saar-Ruwer (or simply Mosel, as the region is now known).
A colour that shows no signs of age as yet — still pale and fresh with a slightly greenish tint. The nose really is impressive at first sniff. Well defined aromas of slate, talc, citrus flowers and fuller, more tropical fruit all emerge from the glass. It’s an instant “wow” wine, not through an excess of impact, rather because of its intrinsic complexity and attractiveness. The nose faded a little through the evening.
On entry, initially a very tight, coiled experience, with chalky acidity serving to attenuate the wine’s line quite prematurely. This resolved itself quickly, though, and the wine struck its true balance within about half an hour. There is rich, primary fruit on the mid palate, rather honeysuckle-like but with a prominent slatey, mineral dimension too. Complexity isn’t quite at the same level as shown on the nose, but the fruit character is multi-dimensional and jumps between richness, slate and lighter, powdery florals. For its part, the acidity never quite integrates as seamlessly as one would like. It continues to jut out a bit, being both a little rough and a little isolated at the same time. Imagine someone singing a song by yelping once, loudly, as opposed to maintaining a melodic line through the whole piece. This acid character prevents the wine from achieving a truly sophisticated balance, and the fruit ends up cloying ever so slightly. Despite this, there’s an undeniably impressive, long finish to the wine.
Not entirely satisfying, then, but still a lot to enjoy. I wonder if the acidity will play off against the fruit better with a little more bottle age. I’ll leave one or two in the cellar to find out.
Dr LoosenPrice: $A35Closure: StelvinDate tasted: June 2008

Mesh Riesling 2002

Of all the Rieslings made from grapes of the celebrated 2002 vintage in the Clare and Eden Valleys, this wine holds a special place in my heart. For a start, it was one of the most impressive of these wines on release. Secondly, it provided considerable enjoyment to Chris and I while dining at a (long gone) Indonesian restaurant in Glebe. I’ve had a six pack sitting in the cellar since 2002, and have managed to avoid drinking any until now. Great expectations, indeed.
The colour shows signs of development, with richer golden hues intruding into a pale, straw-like tint. Nose is funky. It’s funky in a roast nuts and honey sort of way, perhaps with some vanilla-like notes, even a hint of petrol. It’s a generous, almost slightly fat aroma profile, and most attractive too, although hardly an “ultra clean” aged style. Think toasted muesli and yoghurt and you’ll get an idea of this wine as it stands right now.Entry is deceptively smooth, as it takes a moment for acid to register on the tongue. Once it does, we see an attractive fullness of body (for Riesling, anyway) with dry, slightly chalky acidity. The acid feels slightly harsh, as if it doesn’t quite belong alongside this wine’s nascent richness. There’s more honey, some toasted oats, a little vanilla and spice.  There’s also more than a hint of dry lime, a hangover from this wine’s fresher days. Flavour drives through the after palate with admirable definition, and the wine’s length is beyond reproach.As much as i’m enjoying this, it’s a striptease performance that never quite reveals what you’d like to see.  Unlike those Rieslings where aged and fresh notes intertwine in scintillating conversation, I suspect this wine needs a more complete expression of age to display satisfying coherence and true character. Having said that, all the ingredients are here — intensity, complexity, structure. It’s a wine of quality for sure. I’ll be eagerly cracking another bottle open in, say, two years’ time. MeshPrice: $A25Closure: StelvinDate tasted: June 2008

Leasingham Bin 7 Cellar Selection Riesling 2000

If Riesling is daggy enough, then aged Riesling would surely give our fortified Muscats and Tokays a run as most unfashionable wine style. How unfair (on all fronts). For starters, like the fortifieds, many of Australia’s Riesling styles are quite singular, and on this basis alone worthy of attention. Then there’s the question of kerosene aromas in aged Riesling. I admit to some partiality to these aromas, and personally don’t regard them as a fault if in balance. But this is far from settled. What should aged Riesling taste like? Perhaps some readers might weigh in with opinions here.

To the undoubted relief of some, petrol doesn’t enter into the picture at all with this wine. The integrity of screwcap closures, though, does. This would have to be one of the oldest Stelvin-sealed wines in my cellar, so it was particularly interesting to see a lot of crustiness, attributable I assume to leakage, on and around the screw cap after I had opened this bottle. Mind you, I had to use a pair of multigrips to actually get the cap off, as it was essentially glued to the bottle (we winos are a resourceful lot when it comes to opening wine). I feared the worst.

The colour shows development, but not overly so, with some golden-hay hues that are pretty but not especially dense or rich at this stage. So far, so good. Some definite aged characters on the nose: honey, toast, nuttiness, all those good things. As mentioned above, no kerosene on this one. There’s also little primary fruit, which is interesting because the aged characters, though evident, don’t seem to me to be in full flower. Entry is very lively and recalls a freshly bottled wine rather than one at eight years of age. Very lively, almost spritzy acidity dominates the mouthfeel and creates an odd counterpoint to the aged notes that begin to register on the tongue. As with the nose, there are notes of honey and toast and little primary fruit. Acid becomes more assertive towards the mid-palate and, for me, is quite intrusive given this wine’s stage of flavour development. On the after palate, the honey starts to fade and, as there’s precious little primary fruit, one is left with an impression of toast and sourness and not much else. To the acid’s credit, though, it does push the wine to an excellent, lengthy finish.

The first thing I will note is that I tried a bottle of this about a year ago and was blown away by how good it was. That bottle (looking back on my notes) showed more development and brilliant balance between primary and aged characters. It appears there was also quite a lot more fruit still in evidence. It had me singing the praises of our wonderful, cost effective Rieslings. So I’m led to suspect this bottle isn’t representative, although the fact that its structure is still so youthful is odd. Perhaps the fading primary fruit accentuates this impression. Having said all that, it’s not a bad wine, and if I had tasted this as my first bottle from the cellar, I would simply have said it needs more time for the structure to calm and aged notes to develop further. Perhaps, indeed, that’s all it wants.

Leasingham
Price: $A15ish
Closure: Stelvin
Date tasted: June 2008

Grosset Polish Hill Riesling 2004

Perhaps I’m just especially jaded this evening, but after cracking open the bottle and giving it a quick sniff, I thought yeah, it’s that grapefruit-lime rind-citron-whatever thing again. Of course, a second later I realized that that’s exactly the point: riesling generally doesn’t smell like this coming from anywhere else in the world. There’s beeswax and honey, fine talc and stoniness, and no aged characters in general at this point; the wine’s four years old, but it smells entirely fresh. OK, there could be a tiny bit of kero there, but that’s probably just residual dust from last autumn’s wildfires still hanging around the lounge. Finally, there’s just the barest hint of ripe peach there as well, fleeting and somehow atypical for Clare riesling, but distinctive all the same.Wow, this is acidic as hell when you finally get to have a taste, and there’s the suggestion of fruitiness there, but it’s here that you begin to realize that this sweet young thing ain’t sweet no more (with apologies to Mudhoney): it’s all veering away from youthful exuberant fruitiness and into something else more austere, restrained, different. It’s acidic enough to make me scrunch my face up a bit, but it works fine; there isn’t acidity on the exit, only on the entry; once the wine’s gone, you’re left with a lingering finish of lime salt caramels (somehow) and a sense of dry smoothness; it does go on for quite some time, which is remarkable.Like perhaps every great wine, the reason I broke out smiling after five minutes was simple: there’s an entire narrative shoehorned into a single liquid here. It doesn’t smell like it tastes. It doesn’t finish as it begins. As the wine begins, you think you’ve seen it all before, but then it begins shifting underneath your feet, taking you to a few unexpected places before gently fading into the end of the day.If you give yourself enough time, you could probably suss out a dozen different narrative threads here: the smoothness of French caramel, the crack of a fresh Bearss lime, the chalky comfort of talc, the hint of peach, the sea. Of course, what’s amazing here is that you can’t ever pin it down; this, after all, is what you’re paying so much for, and it’s entirely worth it.GrossetPrice: US $32Closure: StelvinDate tasted: April 2008

Skillogalee Riesling 2007

Another from the variable (for Riesling, at least) 2007 vintage in the Clare Valley. Skillogalee tends to sit a bit “out there on its own,” stylistically, and I happen to enjoy many of its wines a great deal. This wine may come as a surprise to those who are more accustomed to the style of neighbouring Mitchell, for example, or any number of other more austere Rieslings from the area. A relatively rich colour; hay with a bit of light green, excellent clarity. The nose is equal parts lemon juice and sweeter, tropical fruit (tinned pineapple springs to mind). You don’t need to work hard to get smells from the glass, and the aroma profile is indulgent rather than crisp and piercing. The entry shows sizzly, textured acidity and slightly fuller body than one might expect.  The mid-palate is as much textural as it is flavoursome, with more rustic acidity and some phenolics sitting alongside citrus and pineapple fruit, plus some bitter herbs. Acidity is  a tad unintegrated. Flavour isn’t the most intense I’ve ever experienced, nor is there significant complexity, but it’s present and tasty. The after palate brings a focus on the fruit, which drives a nice line through the middle of the tongue. The wine dies a bit on the finish.Not everyone will like this wine, I imagine, especially if your taste runs to the dryer, more austere Clare Rieslings. And it’s not the best Skillogalee Riesling I’ve had, being perhaps a tad obvious in fruit flavour and coarse in acidity. But it’s a tasty wine, fresh of mouthfeel and with easy fruit flavour. I’d pair this with Chinese food, as I’m about to on this Chinese New Year’s evening.SkillogaleePrice: $A22Closure: StelvinDate tasted: February 2008

Seifried Nelson Riesling Ice Wine 2006

Saw this on the supermarket shelf the other day and it piqued my interest, both because it’s a dessert wine made of Riesling and it’s (ostensibly) an ice wine too. The Seifried website says this wine is made “in the style” of an ice wine, and that the grapes are pressed frozen (whether on the vine or not – the site isn’t specific).
Although this wine is under screwcap, I swear there’s a slightly corky flavour on the nose that hasn’t blown off with swirling. It’s the same slightly musty note one sometimes observes in aged Rieslings and Semillons – quite attractive actually, but unexpected in this wine. It’s otherwise a lovely, if subtle, nose of intense, musky florals and sweet candied fruit. The palate is strikingly sweet from the very first moments of the entry onwards, and shows a flavour profile approaching delicate marmalade. Good complexity and, in spite of the level of sweetness, quite a linear structure, owing to well balanced acidity. So, it’s a sweet wine, to be sipped rather than gulped, but it’s not broad or sloppy in the least. The after palate tapers off gently, towards a delicate finish of good length.
I enjoyed this wine very much, and would probably choose to serve it with a dessert of equal intensity, perhaps with both in small quantities. A big experience in miniature, as it were.
Seifried EstatePrice: $NZ25 (375ml)Closure: StelvinDate tasted: December 2007

clos Clare Riesling 2002

First of all, this wine should definitely not be served straight from the refrigerator. Give it half an hour to warm up, and only then give it a try.

This is one of the most elusive wines I’ve ever tasted: the nose had all kinds of things to smell, and almost none of them are anything I could name off of the top of my head. At first I figured I’d just cheat and say it smelled of kerosene or petrol or diesel or whatever, but it really didn’t: it briefly smelled like a fresh peach, and then suddenly like dulce de membrillo, and then it smelled like some unidentifiable white flowers, and then it moved on to something vaguely like what mesquite smells like after the rain in the Sonoran desert… but by then it had skipped along to something else vaguely like stale oregano. Who knows? Let’s just say that there was a lot going on in there, and without a gas spectrometer or an afternoon with Le nez du vin, this is the best I can offer you.

I was hoping it would settle down some in the mouth to give my powers of association a rest, but alas, no such luck. First off: the mouthfeel is sublime. There’s a lovely fatness to it that isn’t built on sugar; there’s also striking acidity that nicely balances everything. Is there any residual sugar? If there is, there’s very little: this is a classic Australian style. Upon reflection, the usual hints of lime peel offered themselves up as well, and the finish was sleek and simultaneously angular as they come, all sophistication and elegance. This is definitely what you Aussies would call moreish: my partner and I found ourselves in a competition to see who could get more of the wine more quickly before the bottle was finished (never an easy task, that fine balance between enjoying it leisurely while also peering over to the other side of the couch just in case their glass starts emptying itself before you have a chance to refill your own).

Overall, wines like these just don’t come around very often. Nearly six years after harvest, it still seems relatively fresh and I’d venture to guess it’s got a few useful years left, although I’ll probably leave one bottle to try again in 2022 just for the hell of it.

clos Clare
Price: US $14 (current vintage is 2006 at US $18)
Closure: Stelvin
Date tasted: November 2007

I’ve never been to find reliable information about who makes these wines, but my best guess is Jeffrey Grosset may have prior to 2006, and now it’s someone by the name of O’Leary Walker.

One additional thing I’ve been thinking about this evening harks back to an interesting series of confrontations in wine school – the professor had been educated in Burgundy, although the school (and nearly all the students) was very much located in Washington state. I was docked a point or two on an examination for suggesting that one could enjoy a glass of sherry before dinner, and a few weeks prior to that I had been told that I was quite wrong to suggest that a Clare riesling could perhaps age successfully for five or maybe even eight years; her French education had apparently insisted that dry Riesling must inevitably be consumed within a year or two lest it fall apart, especially with the high acidity Clare rieslings tend to display. Both times I wanted simply to say “well, you know, I’ve had a few dinners in Spain and very much enjoyed a copita before my meal, and I’ve had a few bottles of aged Clare riesling (a fairly old Taylors St Andrews came to mind immediately) and loved it – so why are you privileging your French university education over my personal experience and other nations’ traditions?” Of course I didn’t, which is how I probably escaped without failing the course. It’s still frustrating, though.