Category Archives: Red

Ishtar Grenache Shiraz Mourvèdre 2008

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Really curious flavour profile here. Looking back over my notes, I found the 2006‘s fruit character quite sweet, though tempered by spice and meatiness. This wine, all other things being equal, presents a rebalanced set of flavours, tilting further towards savouriness, though retaining hints of the fun, playful Grenache fruit of its predecessor. I like it.

The nose takes some time to blossom. When it does, it shows quite complex aromas of malt, cough syrup, red fruit and twigs. I found it a little confronting at first. I suppose it’s not the kind of aroma profile one expects in a sub-$20 wine, possessing considerable character and feeling somehow risky. Does it all come together? I’m not sure. It’s certainly fun to smell. It will probably polarise drinkers too, perhaps alienating those who prefer a straighter set of aromas. 
The palate retains the moderate intensity of the 2006, while reflecting the complexity of the aroma. Entry is subtle, ushering in little bombs of sweet fruit on the mid-palate, framed by sappy, meaty flavours and underpinned by a softly viscous mouthfeel. This is a light to medium bodied wine, brightly flavoured, unapologetically funky. The after palate is savoury, with medicinal flavours over the top of pepper steak. Finish is sappy and astringent.
A cubist rendition of Barossa GSM. 
Update: another unexpected trait for a wine of this modest price — it tastes even better on day two. Markedly better balance and integration of flavours. A really pleasant surprise!

Balthazar of the Barossa
Price: $A19.50
Closure: Other
Source: Sample

Mud House Pinot Noir 2008

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It wasn’t too long ago that Central Otago Pinot invariably came with an elevated price tag. One of the surprises, then, of our visit to the region a year or so ago was the range of reasonably priced wines on offer. Indeed, from an accessibility perspective the region seemed to have come of age, with plenty of wines available at all price points.

The sensation, then, this wine might have caused at $28 three or four years ago is considerably harder fought today. Its aroma is exceptionally promising, a smothery blanket of thoroughly regional smells, with sweet and sour plums, cinnamon, a light sappiness and some toasty caramel. If it’s slightly blurry around the edges, and lacks a bit of depth, its volume and exuberance provide adequate compensation. 
The palate is more troublesome to me, as it pushes the boundaries of fruit sweetness. I’ve heard a criticism in the past that Central Otago Pinots have suffered from coarse acidification, a fault from which this wine doesn’t suffer. Indeed, its mouthfeel is voluptuous and slippery, lacking a bit of texture for my taste, though it does present some grainy tannins through the finish. Intensity is moderate, and I’d like to see greater substance to fill out what is a substantial physical presence in the mouth. Flavour-wise, the impression is of pumped up, silicone-breast-implant fruit, along with a fresh sappiness and caramel chews. It’s certainly not confected as a fruit profile; it’s just, well, so pretty. Too pretty, like an overly airbrushed teen model who looks slightly unreal and, hence, rather unsatisfying (not to mention illegal; but I digress). Interesting, quite savoury finish that surges back up after a dip through the after palate.
It’s a good wine, certainly, with plenty of flavour and real regionality. And I admit, it’s no doubt very well judged for broad appeal. For me, though, a bit more savoury complexity would really lift it to the next level. 

Mud House
Price: $A28
Closure: Stelvin
Source: Sample

Undurraga Altazor 2005

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Altazor.jpgI’m jealous that Chris was able to visit this winery on his recent trip to Chile. Fortunately for me, the local distributor is a colleague of mine, and it was this connection that led to being able to taste Undurraga’s premium wine, the Altazor. 

Being half Asian, I appreciate the spectacle of ostentatious vulgarity as its own form of style. Hence, I am attracted to the packaging here. The bottle itself is weighty, with an obscenely deep punt, but what makes it for me is the unapologetically gold labelling, medallion-like in its glittering assertiveness. How can one fail to enjoy a wine so presented?
I thought it was corked at first, but the slightly corky smell faded and turned into raw oak and a curious tobacco note that reminded me of Carménère. No surprise, then, to know this wine, while predominantly Cabernet Sauvignon, has a percentage of that characterful lost grape of Bordeaux. On the nose, crushed leaves, complex berry fruit — purple and red in character — and perhaps slightly jammy. I found the aroma to change throughout my experience of this wine, constantly shifting and evolving in an attractive way.
The palate is strikingly intense, yet only medium bodied, the combination of which establishes its intent as decidedly European. The fruit is pure, driven and attractive, varietal yet at the same time characterful, with an earthy, distinctively leafy edge. The attack is substantial and full, tapering slightly to medium and after palates of more elegant proportions. The finish powers through, extending to considerable length, with fruit and sweet, slightly uneven tannins carrying the can. There’s a particularly intriguing note of minerality on the finish, really striking and beautiful. Everything about this wine speaks of quality.
If you’re going to do a premium label, this isn’t a bad approach. It’s powerful and balanced, made in a classic mould, but with its own identity too. 

Undurraga
Price: $A80
Closure: Cork
Source: Sample

Red Lion Cabernet Sauvignon 2006

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If there were ever a shining example of a vin d’effort, this wine is likely it.

Unfathomably black in the glass, this wine smells damn good in exactly the same way that breast implants look good: you can’t help but like it, even if you recognize that those tell-tale half-grapefruits aren’t even remotely, you know, human. The color of this wine is straight up sci-fi, the color reminiscent of an inky black, otherworldly, viscous ooze that looks like it’s about to do something nasty to Tasha Yar. The nose is moderately complex, with suggestions of Asian spices in a forgotten cedar box that someone’s stashed in amongst strawberries mixed with rising dough; yes, it’s very Cabernet after a fashion, but entirely without the green, leafy notes that so often add interest. At times, though, it reminds me of a shoeshine stand in a dusty Delta town not too far away from Napa; at other times, it tends towards stewed prunes and pencil shavings. You have to admit, though, that this wine is incredible value for what it is: with all of this going on, I’d expect the price tag to be twice as much.The progression of the wine is simultaneously surprising and trite. Wonderfully balanced the initial impression (fleeting, mind you!) is of a vapid California cabernet, quickly resolving into something much more interesting, with sneaky acidity firming up against a billowing cloud of smoky red fruit, which suddenly vaporizes into an entirely delicious, savory, dark expression of Cabernet that – although it doesn’t really seem particularly Californian, or particularly anywhere in particular at all – is admittedly entirely fabulous. It smooths out on the finish even further, transmogrifying into something that damn near approaches pure pleasure, going on for an age, suggesting nothing more than raspberry liqueur, baker’s chocolate, and perhaps star anise. Tannins make themselves known, yes – who snuck in and put socks on all my teeth? – but they’re fully ripe and in their right place here.

To sum up, this is for my money a home run, no questions asked. Sure, there’s no real sense of place or any strange, haunting beauty here, but honestly: do we always, always have to care? Surely it’s sometimes enough to just sit back, relax, and enjoy the contents of a shrink-wrapped magazine or bottle of well-crafted wine? Isn’t it?

R Wines
Price: $13
Closure: Stelvin
Source: Retail

Clonakilla Hilltops Shiraz 2008

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Seems I had a similar reaction to last year’s model. I thought it terribly spicy, perhaps more so than usual, yet here I am with the 2008, inhaling a veritable pepper grinder of aroma. Perhaps it’s a function of youth; I confess to having drunk more of this wine with a few years’ age on it than at release. Whatever, it’s nice to be surprised year after year. 

The aroma is quite wild, with pepper and spice and a herbal character akin to fragrant aniseed; think Thai basil. It’s also a bit meaty, and I can imagine some people reacting really negatively towards this wine for its forthright, savoury character. I’ve always enjoyed the Hilltops label, though, and this is certainly feeding that enjoyment. As it gets some air, the purple berry fruit aromas are peeking out a bit more, though it remains a spice-dominant aroma profile.
The palate is really well-weighted. On entry, more black pepper and herbs, before some berries start to bubble up through the middle palate. I like the Hilltops Shiraz character; I always think of purple fruit when I taste it, though I’m not sure that’s terribly helpful to anyone but my nagging inner voice. There’s a simplicity to the fruit character, though, that — when combined with moderate intensity of flavour — is a little disappointing. Structurally the wine comes across as almost easygoing, at least until ripe, abundant tannins start to caress the tongue through the after palate. A clean, acceptably long finish.
Delicious wine if you like the style. I just wish it sustained its complexity better through the entire line.

Clonakilla
Price: $A25
Closure: Stelvin
Source: Retail

Balthazar of the Barossa Shiraz 2006

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Without wanting to suggest this wine is all about its 15.4% abv, smelling it reminded me of something a very clever fellow said to me the other day. And I paraphrase: alcohol can have its own smell, and it may, perhaps, be legitimate to enjoy a sweet tingle of ethanol as much as any other aroma. Food for thought, and a challenge to the reflexive position often taken that perceptible alcohol is a fault. 

And yes, this wine does show a whiff of alcohol on the nose, as well as that characteristically swollen, slinky mouthfeel. It’s also a complex and seductive wine that I am enjoying very much. The alcohol lends an air of louche decadence and seems appropriate within the context of the style. Hence, it bothers me not in the slightest. 
On the nose, hospital floors, rich earth, dark berries, cedar and tobacco. It’s quite approachable and well integrated, yet also shows quite serious levels of density and concentration, befitting its position as the premium label in Balthazar’s portfolio. It seems more approachable in some respects than its older sibling, with perhaps a slightly different oak flavour (going by my previous note, anyway). 
The palate is very impressive. On entry, quite a fruit driven flavour profile, showing sweet blackberries and some astringent plum skins alongside attractive, supportive oak. The suppleness of the mouthfeel becomes apparent as we hit mid-palate; it glides and winds its way over and around the tongue, scattering complex flavours of cigar box, blackberry, salami, spice and dirt roads. The fruit is sweet, but the overall impression is savoury. Really satisfying intensity of flavour, and the density isn’t so great as to be forbidding. Indeed, this is quite approachable right off the bat. Very good, flavoursome finish.
As with all of Anita Bowen’s wines (that I’ve tasted), this wine shows serious intent and possesses an ability to jump around under one’s nose, delivering a series of shifts and changes through what I’d suggest should be a lengthy drinking experience. Sip slowly, deliberately, sensually. 

Balthazar of the Barossa
Price: $A49.95
Closure: Stelvin
Source: Sample

Flaxman Shiraz 2007

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This one’s certainly got me thinking. I was quite partial to Flaxman’s 2007 Stranger, largely because of its luxurious flavour profile and mouthfeel. This, by contrast, is an entirely different beast. For starters, it is made from estate grapes hailing from a dry grown vineyard at the top of the Barossa Ranges (so says the back label). Very Wuthering Heights (Kate Bush, not Emily Brontë). More meaningfully, it is quite distinct, stylistically, from its cheaper sibling. 

Quite savoury on the nose, some twiggy, brambly notes sitting alongside dark berries that present in a restrained yet liquorous manner. There’s an element of sous-bois and dirt to the aroma profile, a little unexpected perhaps but also quite interesting. The oak influence, such as it is, consists of a mocha-like note that remains subservient to the fruit aromas. I found it slightly hard going at first, its charms subtle, but its seduction has proved surefooted; an hour in and I’m enjoying the aroma very much.
The palate is equally coy, initially hiding its plush fruit behind a veil of savouriness. On the minus side, there’s a hardness to this wine’s flavour profile that, through an evening’s tasting, never quite disappears. But wow, what impressive length and structure. In a top year, I’m sure this wine would be quite remarkable; as it is, it’s still all quality, and transparent in a way many wine lovers will value and be fascinated by. Fabulously intense berries and coffee on the mid palate, with tannins that are both abundant and velvet smooth as the after palate gathers steam. And again, a satisfyingly extended finish, full of rich fruit flavour and textured tannins. There’s a lot to enjoy here.
A really worthwhile wine. 

Flaxman Wines
Price: $A45
Closure: Stelvin
Source: Sample

Justin Cabernet Sauvignon 2006

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Lovely inky black in the glass, this wine promises to be a good one, if only by the winery’s reputation and the fact that nearly half of their entire production is this wine. Pouring it into the glass, I was a little bit surprised that it seemed a bit watery, but the label tells me that this is only 13.5% abv, which seems odd given the place it came from – I’ve had a lot of Paso Robles zinfandel that contains a guaranteed hangover in every bottle – but then again the Agent for Change cab I had from Paso was also held to these relatively low alcohol levels.Anyhow! There’s a very fresh, simple smell to this wine, tinged with an edge of coconut-fruity-banana that seems to promise a good time. (I ordered this through the mail, but I almost imagine this being packaged in a plain brown wrapper at a liquor store – there’s just something risqué about it.) The oak on the nose seems a bit raw; it’s more reminiscent of bourbon than Bordeaux.Somewhat voluptuously overwrought at first, my initial impression is of a blowsy, gone-to-seed wine – it’s all very louche in a Plato’s Retreat kind of way. Yes, there’s enough acidity here to stop the wine from being completely flabby, but it strikes me as a little bit harsh and not particularly well integrated. Flavors, such as they are, seem to be stuck in a high-pitched giggle more appropriately found in strawberry fruit leather; that being said, the wine does display some complexity after aeration, but it’s all a lot like listening to the Bee Gees: yes, the singing is good, but it’s all disconcertingly way high up there. I’d ordinarily prefer some bass to counterbalance all the treble, but I’m not getting it much here. Tannins are present, but they seem clunky and somehow flown in from another wine entirely; there’s almost a hard Loire edge to them, but only just.All in all, drinking this wine is rather like Cubist art: all very well and good if you’re in the mood for it, but sometimes you just want to look at something pretty. This is not a bad wine; there is quality here, but I’ll be damned if I can puzzle it all back together right now. Ultimately, this is probably best drunk with steak: it’s got a sort of sweetness that is initially pleasing, but on its own it just doesn’t work.Justin
Price: $25
Closure: Cork
Source: Retail

Dowie Doole California Road Shiraz 2008

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This single vineyard wine is, in some respects, the ideal Dowie Doole red. Incidentally, Dowie Doole must surely be amongst the more satisfyingly alliterative names in the wine world. It’s the name of a card game, or perhaps a bubble gum and, whether deliberately or not, its wines often reflect a sense of relaxed playfulness.

What I like about this wine is the depth and richness of its fruit. Forget reflexively fashionable words of the moment like “elegant” and “restrained” and instead revel in old school McLaren Vale Shiraz, complete with bold oak flavour and lusciously abundant fruit. A slightly lifted nose shows cedar and toasted coconut, dutch cocoa and very squishy mulberries. There’s a raw, sappy edge to the aroma (and indeed palate) that speaks of youth more than anything else, and which should calm down with a few months’ rest. 
In the mouth, quite strikingly full and fruit-driven. The entry is slippery and dark, plum fruit mixing it with vanilla oak and hints of licorice. Flavours open out through the middle palate, with a wide range of fruit notes — ranging from raspberry to plum to much darker berries– combining in a liqueur-like expression of notable sucrosité. Underlying this sweet fruit is a savoury note that reminds me of tarragon. It’s quite distinctive, in fact, and satisfyingly regional too. Oak is supportive and acid surprisingly firm. Tannins are of the ultra-fine, soft variety, making the wine approachable despite its young flavour profile. Time will be of benefit, though, as its constituent parts operate somewhat independently at present. A really long, delicious finish follows an after palate that sings with fresh fruit juice.
A bit less showy than its Reserve sibling, this wine possesses the easy flow I look for from this maker combined with the characterful fruit one expects from a single vineyard wine. I like.

Dowie Doole
Price: $A35
Closure: Diam
Source: Sample

Penfolds Bin 128 Coonawarra Shiraz

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Dried and/or stewed prunes compete with pencil lead and cedar shavings on the nose; this is obviously getting to be a fully mature wine, and still there’s life yet in it. However, this wine isn’t quite the best it could be – although it’s certainly better than it should be given the price; there’s a hint of rubbing alcohol on the nose that isn’t exactly welcome, and the palate really doesn’t speak up to say anything other than “yes, I’m old, I hope you don’t mind”. The body of the wine is still good, and the texture is pleasing; the finish is medium-short but pleasant as well.To sum up, this wine is neither flawed nor exceptional; if you have some of this in your cellar, at least you can take pleasure in knowing that it’s still drinkable. Other than that, though…Penfolds
Price: $14
Closure: Cork
Source: Retail