Bleasdale Malbec 2005

There aren’t too many straight Malbecs made in Australia, although the variety continues to appear in many blends, sometimes as a regional specialty (as with Cabernet Sauvignon in the Clare Valley, for example). Chris’s partner Dan is something of a Malbec enthusiast, so it is in his honour that I taste this wine tonight. 

Awfully grand intro for a $A15 wine, no? Yet this is full of interest and tasty to boot. The nose shows a nice array of aromas, including slightly jammy red and black fruits, dense brambles baking in hot Summer sun, mint lollies and what seems like rather raw oak, vanillan and sappy in equal measure. Somehow, it strikes the same pose as an Italian pastoral art movie from the 70s; rough around the edges yet vividly sensual, all in slightly porno-like soft focus. I’ve never compared wine to an adult movie before, so this must be doing something right. 
In the mouth, a big rush of Langhorne Creek goodness. It’s just as minty as the aroma, which is to say noticeably so without being offensive, and more importantly has the generous rush of flavour that seems to characterise this region’s red wines. Bang; immediately on entry there’s rich fruit flavour, a little baked perhaps, plus a lively mouthfeel that owes its character to a decent whack of acidity. This acidity isn’t that well integrated but, given the style of wine, its robustness works acceptably well. Intensity of flavour remains decent throughout, never peaking or troughing at any stage, nor scaling any particular heights. The acid-driven after palate brings a slightly medicinal edge to the flavour profile, before a nice long finish of red fruits and fine, dry tannins. 
Totally unsophisticated, totally enjoyable. Not a bad companion to the consolations of another Monday evening. 

Bleasdale
Price: $A15
Closure: Stelvin

Blue Poles Hopping Stone Tempranillo 2007

The second Blue Poles Vineyard wine to be tasted at Full Pour and, like the first, a thought-provoking little number. 

A complex nose that balances spice and sweet fruit with aplomb. There’s a nice vibe to the aroma, with cherry-like fruit and very well-balanced chocolate and nougat oak, plus a light blanket of brown spice and a shake of pepper. There’s a lot going on, but the overall impression is of juicy straightforwardness, in the same way a good steak seems to express a world of flavour while remaining a single ingredient.
In the mouth, a lovely mix of fruit, spice and quite assertive tannin. More cherries squish on the tongue with a dash of cinnamon and nutmeg, plus some slightly leafy notes.  Some cedar-like oak, though very much in the background, contributes a bit of spine to the flavour profile. I like the structure here; the tannins are abundant and almost chalky, quite delicious in fact, and the acid is lively and fine, providing a lovely blanket on which all the other elements can rest. Overall, the wine is medium bodied and shoots for elegance above density or sheer power. Very good length, which may grow more impressive as the wine ages and its structure allows the fruit to flow more freely.
This is an extremely convincing expression of Tempranillo that makes a great case for this combination of region and variety.

Blue Poles Vineyard
Price: $A22
Closure: Stelvin

Cavas de Weinert Gran Vino 2002

Gorgeous, rich pretty cherry black in the glass, you could almost mistake this for raspberry sauce gone missing from your cheesecake. However, trepidation sets in on the nose: there’s a slightly raspy note promising difficult acidity, a somewhat off-putting charred, smoky note, and just the briefest hint of a curious sweetness I generally associate with yeasts that may or may not be intentional. Very strange.Round and full at first if somewhat unstructured, it quickly resolves into a clunky, tannic finsh that leaves you with that tell-tale did I just accidentally lick a hamster? feeling. Again, the odd yeastiness is briefly here and there, just not consistently; I wish I could better describe what it is what I’m feeling here, but it’s (to my mind) very much a marker of New World winemaking. Over time and with additional air, however, the wine does open up a bit, turning into cherry coffee tincture with chewy tannins.Ultimately, I suspect that there’s a very, very low level of TCA contamination here, which would account for the odd, fleeting, yeasty-sweet off notes, I suspect. Sometimes this wine taste like a serious contender for well-judged, nicely ripe New World Bordeaux; sometimes, it tends more towards telltale wet cardboard. It’s a shame I don’t have another bottle to compare against this one; for now I’ll chalk this bottle up in the ‘might be good but I don’t think I can honestly judge it’ category.Bodega y Cavas de Weinert
Price: $20
Closure: Cork

Mountadam Barossa Shiraz 2007

A blend of Eden and Barossa Valley fruit, this wine makes a great case for itself through a combination of peppery, cooler climate characters and that luscious fruit for which Barossa Shiraz is renowned. 

You know you’re in good hands when you smell this little number, as assertive black pepper rides racily atop juicy blackberry and plum fruit. It’s delicious to smell, in the way a fruit-based dessert smells delicious as it approaches readiness in the oven. No great complexity as such, but it almost says “who cares?” as it caresses one’s nostrils with generous flavour. The palate is in no way a let-down after this tease, as it reveals a generous gush of ripe fruit early on entry. Medium bodied, there’s a spicy lilt to the middle palate that is a refreshing foil to the generous, eager blackberry fruit running underneath. Oak is a mere support act, and I appreciate the unforced, casual character here. This wine knows it is destined for barbeques and weekday evenings across the country, and never undersells these occasions. Delicious plum fruit rides the after palate through to a spicy, surprisingly long finish. 
I purchased this wine for under $A15 and, at the price, it is a bloody bargain. 

Mountadam
Price: $14.25
Closure: Stelvin

Cardinham Estate Cabernet Sauvignon 2006

The final of three Cardinham Estate reds recently tasted. I’ve been impressed with the honesty and straighforwardness of these wines, and feel they are well-priced for what are true regional styles (the Sangiovese excepted, if only because I’m not sure what Clare Sangiovese “should” taste like). Clare Cabernet can be quite rustic, with full-throttle warmer fruit flavours and powerful oak. This wine is very much in the mainstream of the style, with a sense of drinkability that is quite convincing.

An expressive nose of slightly stewed plums, spice, sweet oak and twiggy vegetal notes. The elements are well balanced between each other and, although it’s not an elegant aroma profile by any means, it’s clean, full and generous and, if you like the style, most appealing. The palate is true to the nose’s overall impression, being both full-flavoured and quite chunky. Gobs of fruit and oak flavour coat the tongue at first, and it’s only towards the after palate that a slinky, sophisticated mouthfeel asserts itself, a little unexpected, perhaps, and a pleasant surprise. Some tannins, loose-knit and sweet, add texture and grip. A good long finish of bubblegum oak and plum skins. 
I crave wines like this on certain nights after work when all I want is a flavoursome, robust red to accompany a steak meal. It’s a Cabernet to warm the heart rather than challenge the mind.

Cardinham Estate
Price: $A20
Closure: Stelvin

Karra Yerta Shiraz Cabernet 2006

This wine (and winery) defines boutique in many respects. A limited run production of 170 cases, made by James Linke from Eden Valley and Barossa fruit, then blended by Pete Schell to create this quite outstanding little number. When I asked the engaging Marie Linke the intent behind this wine, her answer was “a good home brew, for ourselves, but plans change.” And how.

I tasted this over two days, and recommend a good decant at the very least if drinking now. The nose is almost provocatively complex, with notes of gunpowder, barbecued meats, five-spice, lavender, mulberries and cocoa powder. It sounds cacophonous but it’s more like a plaid wool blankie: textured and comforting. The aroma profile softened overnight, not becoming less complex but simply settling into its groove, less puffed out, more sophisticated. If there’s a hint of volatility, it works well to lift into and penetrate the nostrils. 
The palate has shown an even greater transformation with time. At first, unexpectedly bright red fruit shoots down the mouth, accompanied by the same savouriness as in the aroma, falling away a bit on the after palate. A couple of hours later, it fills out significantly, gaining weight and elegance at the same time, and losing the slightly disjointed construction I saw at first. The next day, now, it has melted into a thing of beauty, a limpid pool of dark richness that seems to dissolve onto the tongue with an impossible sense of control. The fruit flavour has gone to dark cherries, with a range of other flavours (including sappy oak) that resist being teased apart from one another. The slinky mouthfeel is a highlight here; tannins are almost excessively fine and ripe. 
This is a “fall in love” sort of wine; distinctive, beautiful. I’m not going to resist.

Karra Yerta Wines
Price: $A25
Closure: Stelvin

BenMarco Malbec 2003

Still almost a caricature of juicy-ripe fruit a fairly long time after harvest, this wine’s held up amazingly well. Squid ink and raspberries, iodine and white pepper come together as if the seaside’s been transported to central Oregon: there’s also a touch of dusty leather and dried tobacco leaves there as well. Lovely and complex, it promises quite a bit that (thankfully!) it mostly doesn’t fail to deliver.Initially somewhat thinly acidic, the wine quickly spreads out somewhat into a tart, taut, elegant midpalate suggestive of rhubarb tarts before mellowing into a softly tannic finish with subtle spiciness. Give yourself plenty of time to enjoy the inky dark color of the wine while waiting for the finish to complete itself; it takes its time disappearing quietly.Quite good, although I’d personally prefer stronger oak influence here, this wine is surprisingly light for an Argentine malbec, tending towards elegance rather than brute force. Try this one with salmon in a heavy sauce.Dominio del Plata
Price: $18
Closure: Cork

Domaine Pierre Amiot et Fils Grand Cru Clos de la Roche 2006

It was perhaps indulgent of me to crack this over a casual weekday lunch, but I’m worth it. As Grand Cru Burgundy goes, this is definitely on the more affordable side; Burgundy, with its intersection of villages, classified vineyards and myriad producers is nothing if not a fascinating case study in free market economics and pricing.

This wine had been decanted for an hour or so prior to tasting. On the nose, bright notes of cherry, spice, char siu and what seems like aromatic stalkiness. Very expressive, definitely on the higher toned side, and really pretty. I wouldn’t say it knocked me out with complexity or thrust, but there’s a sense of correctness to the aroma that is alluring in its prim and proper poise.

Length is the most striking aspect of the palate; the wine really does go on and on. It’s light bodied, with more cherry fruit and what I can confidently describe as a bloody delicious flavour profile. It reminds me a bit of Yarra Valley Pinot in its beetrootey, rhubarbey vibe, but it is both more elegant and powerful than most. Truly an iron fist in a velvet glove, it disarms with its charming, casual air and proceeds to punch the mouth with detailed, ephemeral lightness. There’s a good deal of very well matched oak too, along with delicious sweet tannins. Again, not terribly complex at this stage, but it drips of good breeding.

One is no doubt to be chastised for opening these sorts of wines so soon after they are vintaged, but I reckon it’s drinking quite superbly now. A featherweight powerhouse.

Domaine Pierre Amiot et Fils
Price: $A120
Closure: Cork

Jimbour Station Shiraz 2008

I like the idea of this wine. Its fruit is sourced from a single estate vineyard in the (I believe undeclared) Darling Downs region of Queensland. The region was an important centre for winemaking at the turn of last century, so there’s some provenance at work here. 

I admit to having no experience of Shiraz from this or any other producer in the area, so I’ve no preconceived ideas as to flavour profile or style. Which can be a little anxiety-producing when it comes to tasting. I’m not sure if anyone else finds this, but having no immediate context in which to place a wine recalls, in a sense, Sartre’s nausée. It’s always more comforting to know what to expect. 
To the wine itself, the nose shows fresh juicy plums, some vegetal or stalky influences, and a high toned note that is not quite white pepper. There’s also a bit of vanilla oak. Not complex but very lively and quite distinctive. It’s also a bit angular, as if the Other Mother’s spindly hands from Coraline are reaching out of the glass to poke at your nostrils. 
The palate reflects many of these impressions in the way it is put together. There are, individually, some attractive elements. The fruit flavour in particular is really vibrant and fresh, with good depth and clarity. There’s also spice and some higher toned stalky notes (not sure if the winemaking included an element of whole bunches). I like this expression of Shiraz; it’s built for tasty quaffing. But I’m struggling with the structure here. It feels clunky and disjointed and really needs some time to settle down. Spiky acidity is the most prominent influence, contributing excitement but also fatigue after a few sips. Tannins are quite dry and even, though a tad raw too, ensuring good thrust and persistence through the finish. The alcohol is unbalanced, with perceptible heat on the palate and a roundness to the mouthfeel that doesn’t quite match the wine’s flavour density and profile. One longs for a less pumped up presence that enables great gulps of tasty Shiraz flavour.
A mixed experience, then, but full of promise too. There’s real merit to the fruit in this wine, and I’d love to see a more balanced expression of its flavours. 

Jimbour Wines
Price: $A13.30
Closure: Stelvin

Cardinham Estate Sangiovese 2007

Refreshingly, the back label doesn’t lie; it reads straightforwardly: “Everything about this wine seems to be built around dark chocolate and black cherries.” And so it is. Which may not sound very Sangiovese-like, but let’s proceed with an open mind to the wine itself.

On the nose, there’s… oo, chocolate, of the quality sort, edging towards cocoa powder. Some almonds perhaps, cherries too, and an impression of gustatory delight I usually get when selecting what to buy at the bakery. It’s funny; some wines remind me of eating, and this is one of them. There’s nothing especially complex about the aroma, it just smells good, in the way a freshly made chocolate muffin smells good. 
In the mouth, surprisingly light and nimble. The flavour profile continues to revolve around key notes of cocoa, red fruits and almonds. On first sip, I felt a bit let down as there’s a lack of thrust through the entry and middle palate. After adjusting to the style, though, I started to appreciate it more. It’s what I call a “watercolour” wine; one that can seem delicate to the point of transparency, but which nonetheless carries an entire picture within its frame. Mouthfeel is quite interesting, in that it’s very supple and finely textured too, especially towards the after palate, where ultra-fine tannins settle gently on the tongue. Surprising power and persistence on the finish, with sweet cherries and almonds riding a flavoursome wave. I wonder if the alcohol is slightly too high for the style; in absolute terms, 14.2% abv isn’t groundbreaking, but there does seem some heat on the palate, and I suspect aspects of the mouthfeel are similarly pumped up.
This isn’t at all what I expected, but I am enjoying it, and it seems to me a “real life” wine, made for drinking on a weeknight with one’s favourite pasta dish. Drink now for maximum pleasure.

Cardinham Estate
Price: $A20
Closure: Stelvin