Marquis Philips Shiraz 2006

On the nose, it’s hard to move beyond a sort of “21st century rich Australian wine made for an American market” kind of smell. There’s a bit of rich jammy road tar, lots of dark indifferent fruit, a certain sweetness, and finally a sort of menthol-eucalyptus smell. It’s all vaguely like those old-timey cherry flavored throat lozenges with the two bearded men on them – almost a 19th century home remedy effect. But I’m half joking here; it’s actually deeply inviting and all very comforting somehow.

In the mouth, the first thing that hits you is the humongousosity of the wine: it feels like you’ve just filled your mouth with the most Brobdingagian thing that’s ever sat around inside of a bottle. Rich and sweet, swallowing really doesn’t get you anything other than a sense of alcohol burning – I do occasionally drink bourbon, and this stuff holds its own, mouth-on-fire-wise, with many bourbons. Coming back to it again, other than a lovely, smooth, silken mouth feel, there just doesn’t seem to be a whole lot going on in terms of actual flavor – although there is just a tang of salty sourness there which adds an interesting note. With time, it starts to mimic a sort of dark raspberry liqueur – it’s so strong and so thick that it’s occasionally hard to believe that this is supposed to be a table wine.

So how do I feel about this sort of thing? Well… against my better instincts (and four months of wine school), I like it just fine. It’s huge, rich, jammy, alcoholic, and trashy in the best possible kind of way. It’s kind of like going to a kegger wearing a toga and then finding out that it’s Duvel on tap (and not Milwaukee’s Best). Sometimes the thing that hits the spot after a hard day at work is booze, plain and simple, and if you’re going to be drinking, you might as well be drinking something that feels good and tastes like it wasn’t cheap to produce. Save your intellectually satisfying Hermitage and your ethereal Côte Rôtie for another time – this wine is all about getting your freak on with a stylish bottle that probably got a bazillion points from The Bob.

Marquis Philips
Price: US $11.89
Closure: Stelvin
Date tasted: November 2007

I had to cheat and look, and yup, Bob likes this stuff, having given it 92 points. Apparently it’s barrel fermented and then raised in American oak, but I swear I can’t tell: all that alcohol (15.5%) tends to deaden my palate. For you obsessive types, it’s interesting to know that the Marquis in the name is no longer relevant: Sarah and Sparky Marquis, who used to make this wine with US importer Dan Philips of The Grateful Palate, have departed for Mollydooker – the few of their wines I’ve tried seem to follow the same template of huge alcohol, huge fruit, huge Bob scores, and good after work drinking satsifaction.

Hoddles Creek Pinot Noir 2006

Time to taste the companion wine to the Chardonnay tasted a few days prior. I started on this bottle last night but wasn’t really in the mood for analytical tasting. And, I must say, the wine didn’t much suit my mood. Tonight, however, the wine and I are more in sync. Fickle, fickle me.

This wine is a savoury expression of Pinot Noir fruit, with little in the way of easy padding or obvious fruit flavour. Instead, the nose greets one with tightly held dark fruits, beetroot type flavours, some sous-bois, perhaps the slightest hint of sweetness peeping out.

The wine’s entry reinforces a savoury flavour profile and, whilst flavoursome, is very focused and structured as it opens out to the middle palate. It is here the wine’s mouthfeel asserts itself. It’s all about texture, this wine, with the same flavours indicated on the nose riding atop the wine’s structure. Savoury tannins kick in quite early and carry the wine through the latter stages of the palate to a lengthy finish. The tannins are again quite remarkable in texture but I wonder if there’s a slightly unripe edge to them too.

This is not an easy drinking quaffer but rather a Pinot that will reward those who enjoy chiseled, savoury wines; a more “intellectual” wine, if you will. It might surprise those who are accustomed to Yarra Valley fruit bombs. At this price, this is excellent value. Don’t serve it too warm.


Hoddles Creek

Price: $A18
Closure: Stelvin
Tasted: November 2007

Saludas Red Wine 2006

Hrm… almost smells like nail polish remover, albeit with a whiff of black cherries; it’s not particularly appetizing. The color is noticeably light – almost like Beaujolais nouveau (hey, what a temporal coincidence!). There’s also a weird smell of dusty closet floor in their somehow – like something shredded up the cedar blocks you put there a few years ago to ward off moths. Yecch.

Taste-wise it’s no picnic. What little fruit there is is quickly overwhelmed by grating, drying tannins as well as a whack of unwelcome acidity. Hoo-boy. This is no fun at all – it’s probably best saved to serve to unsuspecting Midwestern tourists at a “tapas bar” in someplace like downtown Anaheim as part of an “authentic Spanish dining experience.” I can’t recommend this one at all – I’m not even sure it’s up to sangría.

Saludas [but really fresh&easy]
Price: US $2.99
Closure: Stelvin
Tasted: November 2007

Recoleta Malbec Bonarda 2007

For a moment I found myself transfixed by the nose of this wine… it smelled familiar, and yet not. But what was it? Ah, there we are: scented permanent markets, just like the ones we used to huff in elementary school. Childhood memories… Seriously, it smells like children’s fruit candy: plums and raspberries and nothing too complicated or unusual. There’s also a slight hint of camphor there as well; on the whole, a promising start.

In the mouth, it’s just this side of off-dry (as I’m coming to expect from fresh&easy’s own label wines), with a fleeting sourness and not much else in the way of flavor, save for something that’s reminiscent of raspberry flavored wax lips candy. There’s a bit of tannin on the finish, probably more from pressing the grapes too hard than any kind of barrel fermentation, and then it’s gone. It all works reasonably well and would be a fantastic accompaniment to spicy barbecue or good old fashioned meat loaf. Amazing value and recommended for your next braai.

Recoleta [but really fresh&easy]
Price: US $2.99
Closure: Short, low quality cork amusingly labeled “estate bottled”
Tasted: November 2007

I’d like to note that I won’t always be tasting bargain basement wines from Tesco’s new US chain stores; it’s just that they happened to open their doors here two weeks ago, which prompted me to buy a case of their least expensive wine just for the heck of it. So far, I’m impressed by the QPR [quality price ratio] but haven’t found anything I’d drink on a regular basis. Thankfully, I’m down to only a few bottles – the most expensive one almost breaking the ten dollar mark – and when they open one near my home in San Diego, I promise I’ll go back and try their high-end own-label wines [I think I remember seeing a $15.99 Napa merlot, for example].

Mike Press Wines Merlot 2005

It’s late on Saturday night, I’ve raided the cellar looking for something to keep me company as I settle down to relax and watch a DVD. Hmm, Merlot, that sounds good. I’ve been meaning to try the Mike Press version, relatively hyped as it has been in online discussion fora and wine press. So: how good can $A10 Merlot be?

The answer is: pretty bloody good. Lifted nose of black fruits and leafiness, along with supporting caramel/mocha oak. Not explosive, but balanced and elegant. The wine slides smoothly into the mouth, whereupon flavours of black fruit and olive build and spread over the tongue. This isn’t a fruit bomb, although the fruit is delicious and ripe. Rather, there’s a nice dialogue between fruit, savoury flavours, somewhat resiny oak and a firm acid/tannin structure, all within a medium bodied palate. The wine’s line is quite focused. Finish is puckeringly tannic, but not unapproachable, and of decent length.

In absolute terms, this is a good to excellent wine that shows varietal character and a sense of style. The oak is sticking out a bit much for me at the moment, but that’s a matter of taste as much as anything else. For the price, I just don’t see what else one could ask for. I’m off to pour myself another glass.

Mike Press Wines
Price: $A120/dozen
Closure: Stelvin
Tasted: November 2007

JK Carriere Willamette Valley Pinot Noir 2005

The nose is classic Burgundy by way of Oregon: little red fruits, dark earth, forest floor under California redwoods, smoke, camphor, and soft sweet peat. Young still, the color is a beautiful deep ruby, darker than ‘proper’ Burgundy and yet lighter than most New World pinot. Smelling it alone is enough to get you salivating; it smells inviting, like an old family friend you don’t see but once a year.

In the mouth, it exhibits a rich, inky sweetness of summer fruits, followed by an unexpected sourness, which resolves again into a smooth, rich, deep flavor that trails off into a range of unexpectedly delightful flavors, with just enough alcohol to support it all without becoming intrusive. There’s a bit of firm, supporting tannin there as well, which suggests wonderful things just a few years down the road; it might be a good idea to lay this one down until the next presidency at the very least.

With a bit more air, the wine began to develop ever more interesting flavors, with a touch of barnyard or wet earth at times, and occasionally fresh straw, hay, or even something approaching newly laid asphalt.

JK Carriere
Price: US $42
Closure: Cork
Date tasted: November 2007

This is easily one of the finest Oregon pinots I’ve had, easily the match of anything from the New World, and in the league of, say, Bass Phillip or Domaine Drouhin. Most importantly, it’s clear that they’ve opted to let the wine speak for itself; unlike many other Oregon pinots, it seems honest, pure, clean. Bravo.

Cameron Hughes Lot 48 Meritage 2005

Whoa. Clouds of rich, dark chocolate, bulldust, and black olive billow up in the glass, and there’s an almost perfumed character to the wine, with a slight sweetness – it’s not unlike vetiver or sage, albeit with a lovely, restrained edge. The color’s a lovely, dark purple with nearly visible particles towards the rim; it just looks expensive, somehow.

On the palate, the first thing that strikes me is the lovely texture: firm and round, followed shortly by flavor that I can honestly only describe as delicious. There are tastes of cassia, Kalamata olive, and cassis, and it all trails off into a clean finish with hints of tannin, acid, and a lovely sweetness, almost like violet pastilles mixed in with tahini. Best of all, the finish keeps going for a while, not resolving itself; it’s a fine drink.

Cameron Hughes
Price: US $9.99
Closure: Diam
Date tasted: November 2007

For you Aussies out there, Meritage is American for “Bordeaux blend,” more or less. This also marks the first time I’ve seen an American wine closed with a Diam technical cork, which is awesome. Finally, it may interest you to know that we don’t have cleanskins – but Cameron Hughes is pioneering what y’all would call cleanskins in the US market. If you’re in the USA, you can probably find one or two of them at your local Costco, and they also do mail order (their Lot 39 Shiraz Viognier from the Barossa is probably the most incredibly fun $10 wine I’ve had this year).

The Big Kahuna Cabernet Sauvignon Shiraz NV

On the nose, this wine is your basic generic bistro red, with a vague fruity flavor combined with an even vaguer wood-esque kind of smell (shavings? chips? powder? an unfortunate accident in a pallet manufacturing plant?), with a definite hint of sucrosité. The color’s a fresh, young purple; it looks rich, just like “real” wine.

In the mouth, the first thing that hits you is an overwhelmingly jammy-sweet, Smucker’s Grape Jelly flavor, with a strange, off-putting note of fake something there as well; on the run-out, acids take over for a second, and it all ends on a badly jumbled, utterly fake note that’s quite a disappointment.

On the other hand, compared to other wines in this price range, it isn’t really all that bad. Sure, it’s not particularly pleasant, and it doesn’t taste at all varietal, but if it were lightly chilled and served with a nice greasy pizza, it just might work.

The Big Kahuna [but really fresh&easy]
Price: US $1.99
Closure: Stelvin
Date tasted: November 2007

MonRedon Côtes du Rhône 2003

Generic Côtes du Rhône reds can often make a nice change to the usual mid-week wines. Here’s one from the problematic 2003 vintage, coming in at the $A20 mark.

A transparent garnet, bright, attractive, with some signs of bricking at the rim. The nose is extroverted and fruit driven, if a bit simple. Bright, somewhat confected red fruits and floral notes are the dominant theme, with some  gamey, meaty characters adding complexity.

The entry is a little weak and it’s only on the middle palate that flavours really expand and become generous. The wine is medium to light bodied, again with bright, sweet and slightly confected fruit flavours. Mouthfeel is soft and easy, with enough structure to keep the wine from lapsing into flabbiness, but only just. Alcohol heat pokes out a bit. The after palate thins out fairly quickly, and the wine’s finish is not truncated, but neither is it remarkable.

This wine’s a bit middling in most respects, but it’s also flavourful and very easy to drink. Value for money is always a bit hard when it comes to wine, as it can be difficult to put a price on variety and difference. If you’re bored of local quaffers and would like a change, this certainly fits the bill at a reasonable price. In absolute quality terms, though, there are any number of local wines that beat the pants of this wine at the same price point.

Château Mont-Redon
Price: $A20
Closure: Cork
Date tasted: November 2007

Ogio Primitivo 2006

At first smell, this wine offered up sour black cherries and shoe leather, with a very small amount of mousiness (or is that honeysuckle?). Dark, dark purplish red in color, the wine is surprisingly light in the mouth for a Zinfandel, with simple black cherry fruit complicated by that same slightly off-putting animalistic character reminiscent of Brettanomyces (but is it? I can’t really tell). It seems sweeter than most zinfandels I’ve had before and definitely tends towards flabbiness. The finish is surprisingly long, but not particularly complex, ending on a sweet, raspberry Lip Smacker note. There’s a potentially appetizing sourness about this wine that seems distinctly Italian, but on the whole the sameness of every sip quickly grows tiresome.

Ogio (but really fresh&easy)
Price: US $3.99
Closure: Stelvin
Date tasted: November 2007

I was originally going to allow my native Californian out to whinge at great length about the, ahem, chutzpah of importing Italian zinfandel to California of all places given our state’s long history of quality Zinfandel wine production – and then I double-checked my receipt for this wine and dropped the idea. $3.99? Never mind. The best California zinfandel I’ve had in this price range (Three Thieves) ran $10 per liter, so this is a steal. It’s perhaps not correct (in that it’s frankly too sweet), but it has definite potential as an easy drinking party wine. Caution: may result in unintended pregnancy.