Kingston Estate Cabernet Sauvignon 2009

It’s time for one of my periodic forays into ultra-value territory. It’s just as well I don’t score wines, because I freely admit my expectations of inexpensive wines are quite different from those I apply to costlier labels, and those expectations probably influence my drinking pleasure as much, if not more, than any objective notions of quality.

Take varietal character. I expect most wines at the $A20+ price point to embody their varietal (and, for that matter, their regional) origins. However, I’m often happy to drink a cheap wine that simply tastes good without worrying too much about transparency of expression. So it was a pleasant surprise to immediately recognise in this wine the dusty cassis aromas for which Cabernet is so well known. It’s so correct, in fact, that it took me a moment to recognise what I think is a hint of DMS, which, in small quantities, can sometimes enhance the fruit character of Cabernet-based wines. It does so here, creating a very pure and straightforward aroma profile, fruit-focused but with just a little nougat oak to add sex appeal.

The palate doesn’t quite live up to the nose’s promise for two reasons. Firstly, it lacks drive and intensity, being quite laid back in its flow and flavour. Secondly, it shows a slight confectionary edge to the fruit flavour that isn’t really evident on the nose. I suppose it’s testament, though, to this wine’s appeal that I’m even tempted to engage it on this level. Tannins are slightly fake-tasting but technically solid and evenly spread. They’re also quite prominent for a wine that is ostensibly about quaffing. A nice dry finish ends with a lilt of oak flavour to round things off.

An excellent wine for the money.

Kingston Estate
Price: $A13.99
Closure: Stelvin
Source: Sample

Mitchell Harris Cabernet Sauvignon 2009

Am I wrong to have firmer expectations of Cabernet’s flavour profile compared to, say, Shiraz? Where one tends to celebrate the regional differences between many wines, I find myself occasionally knocking a Cabernet for tasting un-Cabernetish. Perhaps one of my resolutions this year should be to keep an open mind when it comes to this particular variety. Who knows, I might even start enjoying the Barossa version.

But let’s not get ahead of ourselves. First up, this wine from the Pyrenees in Victoria. It’s regional, moderate of body, cleanly made, and offers a clear alternative to Coonawarra and Margaret River styles. So far so good.

Except of course if you have an aversion to those typically Pyrenean gum tree influences. Personally, I’ve never had an issue with a balanced intrusion of these aromas, so for me the nose is attractively supple, with crisp black berries and slightly raw oak forming the balance of notes. The aroma is prickly and young; elegant is perhaps the wrong descriptor. Light oughtn’t automatically be equated with elegance, and here the impression is more one of youthful enthusiasm, of an underdeveloped frame showing some muscularity but lacking the bulk one might expect of a fully grown specimen.

This carries through to the palate, though I am very much enjoying what seems to me an adolescent work in progress. Very clean and correct in its progress down the line, this wine starts with savoury red and black berries, progresses through some leaf and cedar to end up with a slightly aggressive astringency that should calm with time and air. Perhaps it’s a little dilute in absolute terms, but its style is such that this seems an asset rather than a fault. It’s terribly easy to drink, goes well with food (in my case a robust pasta bake) and isn’t so expensive that one would feel guilty for polishing off a bottle rather too quickly. There’s something to be said for such a lack of pretension.

Mitchell Harris
Price: $A24.95
Closure: Stelvin
Source: Sample

Flaxman Shhh Cabernet 2008

I was home late this evening, a consequence of having too much to do and not enough time in which to do it. Being generally indecisive when faced with too much choice, I was amused to observe an instinctive lunge towards a box of Flaxman samples as I was pondering what to drink. My experience of this producer’s red wines is one of generous deliciousness, perhaps going the extra mile in ripeness and oak to achieve more giving wines. Just the ticket.

Interestingly, although this shows no shortage of flavour, there’s an essential elegance to this wine that remains true to its variety. The nose is a nice blend of Eden earthiness and Cabernet purity, the former adding edge and texture to red fruit character that would otherwise tend towards confectionary. Hints of twig, crushed leaf and tart skins add complexity. There’s some oak in there for sure, and it tends to sit in the background, contributing some subtle spice and nougat aromas.

The palate is medium bodied and acid driven, surprisingly so in a way, and what I am enjoying most about this wine is the clean way it moves through the mouth, leaving trails of intense fruit flavour behind, but never cloying or appearing heavy. Entry is lively and immediate, building quickly to a middle palate that is both textural (mostly acid) and powerfully flavoured. If you can accept the fruit flavour profile on its own terms (and it’s very different from cooler climate Cabernets), this will be a pleasure. If not, you may wish for a less exuberant, more subtle wine. It’s all a matter of taste and occasion, I suppose; this is a wine that gives plenty without asking for much in return. And, as attractive as a bit of mystery can be, there’s a place for easy charms, even when it comes to Cabernet. A bit dippy through the after palate and finish, with a light dusting of charmingly coarse tannins.

Flaxman Wines
Price: $A35
Closure: Stelvin
Source: Sample

La Linda Cabernet Sauvignon 2008

Tell you what: This is the new deal. If you send me a sample of your wine, I will do my very best to provide you a piece of writing which may or may not have anything to do what’s in the glass. Think of it as something for nothing (other than a small ding in your PR budget): you send me wine, and you get (hopefully interesting, probably rambling) free association about the semiotics of your wine, random commentary, and maybe even an actual tasting note.

On to this sample, then, courtesy of an East Coast public relations agency who offered it up unbidden. (I replied thanking them and asking them for information on Australian availability, given that many of our readers don’t live in the eastern USA. They didn’t reply to that question, but they did send a bottle, which is lovely.) I initially agreed because I’d heard of Luigi Bosca; I have vague good memories of them from a weekend in Mendoza that was preceded by an incredibly long bus trip thanks to a general strike at the nation’s airports.

I’ll start by saying this: Screw Flash. Really. It’s just annoying. I went to load their Web site (linked below) and had to wait for a lame-ass animation of YAY A CORKSCREW uncorking white space in my browser. You know what, guys? Save the money and put it in your product. All I want from a winery’s Web site is technical sheets about their products (with tasting notes, perhaps), information on where to buy some, and maybe even a list of upcoming events at the winery. That’s it. And you know what else I really don’t want? One of those annoying “Please enter your birthdate!!!” pages. Hint: It’s the Internet. I’m sure that 20-year-olds will see that pages and say “You know what, never mind. I’m not old enough to drink, so I had better leave this Argentine wine site and go back to talking about Justin Bieber on Facebook with my little sister.” Please. It’s just irritating, ESPECIALLY when you have to enter your birthday using a Flash UI. STOP IT. (For the record, I was born on 1 January 1910.)

On to the wine, but before I begin, I’ll note that Luigi Bosca seems to have erupted in a mad bout of branding, PR dollars, and marketing a go go. This is cool; I loved their Gala wines, but if they want to sell twenty different wines at multiple price points with different branding entirely, that’s just fine. This wine, La Linda, or “the beautiful,” is their cheap stuff, selling for well under ten bucks in the USA. With that in mind, I’ll start by looking at the packaging: the foil is a little cheap looking, the cork has some kind of laser-printed inventory or other number on it, but once that’s gone, you have a fairly splendid looking bottle that exudes class. The label is well printed and looks like a twenty dollar wine; there’s exactly enough information on the back label to help your average supermarket consumer decide if this is the wine they’re looking for (geographical information, a straightforward, honest tasting note, and food pairings (red meats!)). In short, everything is perfect here; it looks like it was destined for Oddbins or any decent supermarket.

So what have we got in the glass, then? A bruiser of purplish-black, inky wine, blackberry sweet on the nose, but with an attractive seam of rich, toasty, vanilla oak (chips?). The real surprise is on the palate, where the wine pivots into something much more interesting (and useful to restaurateurs): a higher-toned, nicely acidic, brightly lifted red wine that seems purpose built for the wine list at an all-you-can-eat churrasceria joint in Dallas or Washington. The palate is classy, friendly, and slowly gives way to a firm but friendly tannic finish that should do incredibly well with charcuterie or, well, huge frickin’ steaks. Oh, and I almost forgot the best part: it’s only 13.5% alcohol, which means you can share a bottle with your partner and not have to call a cab home afterwards.The only competition I can really see for a wine like this – at least locally – would be something like a Columbia Crest Grand Estates Merlot from Washington, which offers an approximately similar drinking experience at a similar price point. Where this wine shines by comparison, though, is the classier packaging, the more complex taste, and perceived value (hey, it’s an import!).

If you run a restaurant, this would be perfect for a steakhouse, upscale Mexican restaurant, or themed Brazilian dining. There’s no reason you couldn’t charge $30 for this and profit handsomely; if I were the importer, I’d concentrate on hospitality sales and avoid retail, where it might not fit in to the standard retail mix (two wines from Argentina, one Torrontés, one Malbec).

Luigi Bosca
Price: $8.99
Closure: Cork
Source: Sample

Second Nature Cabernet Shiraz Merlot 2009

I hope you have all been enjoying Chris’s recent pieces as much as I have. They have resoundingly made up for the fact that wine has been an infrequent visitor to my household of late, owing to a confluence of circumstances including a pile of study and a lot of travel for work. Tonight, though, I’m home and selected this bottle from the sample pile. Considering it’s a straightforward commercial style, I’ve begun to look forward to this wine each vintage the way one anticipates a favourite local take-away on a Friday evening. You know it’s not going to be haute cuisine, but that doesn’t in any way detract from the generous enjoyment you know you’ll experience.

There’s a big hit of spicy plum and raspberry on the nose, both engorged and nicely detailed, that immediately sets the tone. It’s expressive and heady and not even close to the sort of industrial anonymity that can plague wines at this price point. Indeed, within the confines of the style this is full of character and the smell of vintage conditions, some caramel and slightly overripe fruit contributing personality to the clean, correct aroma profile.

Very well judged on the palate, this wine starts and ends with mouthfilling fruit. In between, there is a range of spice and twig notes and an undercurrent of nougat oak that is set to the right volume. Structure, such as it is, encourages gulps rather than sips. There’s some bright acid and relaxed tannins, sure, but the fruit is so dominant here that one never questions the intent behind the style. This wine is just all about the mid-palate; fleshy, fresh, delicious. It’s not a remarkable wine in any particular way, but it succeeds so well in what it sets out to do that one can’t but praise it wholeheartedly.

Dowie Doole
Price: $A19
Closure: Stelvin
Source: Sample

Mollydooker Enchanted Path Shiraz | Cabernet 2007

Yet another Mollydooker wine, yet another custom domain name. Before I begin this time, I’d like to quickly discuss the 2007 Carnival of Love Shiraz, which I finished drinking last night and which led me down a rabbit hole of snide one-liner reviews: Good, but not $85 good. Penfolds St. Henri, but with a shot of grain alcohol. Lovely Shiraz with well-judged oak, but at triple the cost of its competitors. In short, it was a good wine, not great: rich Shiraz fruit without any of the annoying complications of terroir, subliminal oak that helped rather than hindered, once again too much alcohol, and on the whole a perfectly enjoyable wine unless you earn less than six figures and/or prefer moderate alcohol levels, in which case, well, you’re SOL.

Now: on to this wine. Once again, my heartfelt thanks to the good folks at Mollydooker for sending press samples my way; I’m sure they were hoping (as was I) for happy drinking, and I’m pleased to say that I’m finally as near my happy place as I’m going to get. Once again, though, I’ll point out that the cost is well into ridiculous range (you can buy Clonakilla shiraz viognier or Ridge Monte Bello for less money than this), and the alcohol is stratospheric (although thankfully not as noticeable on this wine). And with that, I’m done whingeing. On to the good stuff.

Many, many years ago, shortly before I decided to enroll in the Central Washington University World Wine Program, I attended a tasting in Seattle that was led by the CWU professor responsible for founding their wine program. One of the gentlemen in that afternoon’s tasting – I suspect he was a doctor, lawyer, or someone else with an awful lot of money – expressed concern about a pinot noir’s color – surely something that pale couldn’t possibly taste good? Well, sir, if it’s rich, satisfying, tooth-staining color you like, I’m happy to report that this wine has an awful lot of it, period. Once again we’re dealing with a squid ink black, opaque, monster of a wine, but the color is slightly different than the other Mollydookers: not quite older, but it’s optically slightly less transparent at the rim and with a more usual color to it.

The nose is wonderfully complex; at first, I was reminded of an off-season seaside hotel on the coast of Spain: iodine notes, plus fading fruit, battered wood, fruity esters, the remaining spice from summer guests’ colognes, and all kinds of other interesting things. The one thing I’m reminded of the most is (strangely enough) Comme des Garçons Odeur 53, an avant-garde anti-perfume that is said to contain notes along the lines of ‘dust on a lightbulb’ and ‘pure air of the high mountains’ – in short, lots of highly improbably, artificial things that really shouldn’t be in a perfume. Similarly, not a lot of what I smell in this wine reminds me of traditional wine smells: no obvious Bordeaux toast, raspberry motor oil fruit, etc. Instead, you get a hundred variations on dislocation. There’s a lot here which tends towards the plastic, the cosmetic, the confected, the surreal, but it works just fine in context, strangely enough: at times, it does settle back down into nearly recognizable shiraz-cabernet territory with a whisper of spicy oak, but only briefly.

With alcohol levels this high, the wine does turn hot towards the middle of the palate, which is moderately unpleasant; however, the rich, unctuous, mouth-filling sensuality of the wine is undeniably powerful; even if you’re intellectually opposed to it on grounds of, say, perverting terroir, you’ll still enjoy it, honest. Tannins are forcefully present again, softening slightly, with a slight suggestion of (somehow) harder, unripe tannin that works nicely against the lushness of the fruit. Finally, there’s something almost marine about the very finish… or it could be umami, in which I’m making a very weak connection to seaweed here. It’s definitely porty, with a certain sweetness that goes on for quite a while after swallowing, which might just work with fatty dishes like foie gras.

Taking a tip from their marketing materials, I also tried some of this wine with a handful of Marconi almonds… and they’re dead on correct. Strangely enough, the combination manages to arrive at butter pecan ice cream: rich, creamy fruit with hard, salty nuttiness – absolutely delicious. The salt and fat help cut the alcohol and fruitiness of the wine; I imagine this would be absolutely fantastic with steak.

In short, pretty damn good wine. However, I’ll once again state that there’s too much alcohol, it doesn’t taste like any particular place, and (most importantly) I expect a fully transcendent experience for this kind of money… and it falls short of that. Still, I would gladly drink this … if it were half the price.As an aside: in terms of reviews, I see that this is a Wine Advocate 95 and a Wine Spectator 91. The Spectator is correct: this is a good wine. But the Advocate is just wrong: this is not otherworldly.

Mollydooker
Price: $85
Closure: Cork
Source: Sample

Mollydooker Gigglepot Cabernet Sauvignon 2009

Mollydooker were kind to send me an entire case of press samples earlier this year; I finally got around to sharing and discussing them with a bunch of mates last Saturday night. Sadly, though, I don’t have anything particularly good to say about them other than that I’m grateful that they sent press samples. I’m sure that even Alder Yarrow would agree that they did it right: they sent the wines, offered literature, and tactfully didn’t offer up any more than that.

As a result of last Saturday night, I’ll go about all of this entirely wrong and discuss one of the two wines that I purchased with my own money last Saturday afternoon, shortly before the tasting. I went to two shops in San Diego hoping to find a bottle of the Mollydooker ‘The Scooter’ merlot, a wine that I’d bought in the past and enjoyed well enough. Instead, I bought two bottles from their 2009 vintage: a ‘Two Left Feet’ shiraz-cabernet-merlot (which meant we could do a 2007-2008-2009 vertical of that wine) and this bottle, a 2009 cabernet sauvignon. This is the second time I’d purchased wines in their 2nd tier; I’d bought a bottle of Blue-Eyed Boy shiraz a couple of years back for a friend’s 39th birthday party and thought that bottle was pretty fab at $50. In the meantime, though, the Australian dollar has strengthened – and oddly enough the Mollydooker wines in this range have become ever so slightly less expensive at $45 or so a bottle. (For comparison, a cleanskin Napa cabernet from one of the more prestigious AVAs in the district comes in at about $20, Bordeaux is about $25 for something very good indeed, high end Washington state cabernet is perhaps $50 (what I paid for Cayuse Camaspelo last year), and the Ridge Monte Bello is $80 on futures.) In short, this wine is priced fairly highly, at least in terms of my wallet and other wines. Of course, though, I’m hardly the target market for this wine (or winery).

At the wine shop last Saturday, I overheard a typical conversation between a clerk and two customers (who had arrived shortly before I had; they were driving a Porsche Cayenne SUV). They’d apparently stopped in to buy a case of Rombauer chardonnay, which is a $30 wine from Carneros, a relatively cool California winegrowing area just down from Napa. The clerk gently offered assistance with perhaps trying something new; he mentioned that they had some terrific white Burgundy in stock at clearance prices (and he wasn’t kidding; they had some gorgeous Pouilly-Fuissé, Meursault, and even Puligny-Montrachet at prices equal to or much lower than the Rombauer). The woman gave him a slight smile, and chirped “Well, we do like our points!”Our points. In short, very American. But I digress.

Before I get on to the wine itself, let’s just have a quick discussion of the marketing. There was exactly one single bottle available of this wine at the wine shop in San Diego. The sign above it said something along the lines of “Hurry up and buy this before the point scores are released!” (They were released last month – a somewhat anemic 90 from the Wine Spectator, I believe.)

The winery have taken it upon themselves to register more domain names than I thought could ever be necessary for a single winery; apparently, there’s a  single domain name for each individual wine they produce. In this case, we have gigglepotcabernet.com; its primary feature is a YouTube video. I won’t transcribe it for you, but I’ll give you the talking points; it features the winery owners themselves discussing this wine. Here’s the gist of what they have to say:

  • This wine is named after their daughter Holly
  • This wine is “amazing” and they’d probably have to say that it’s their favorite wine this year
  • This is a “step up” with “Marquis Fruit Weight™” of “80%”
  • Complex, long, beautiful example of what they can do with cabernet
  • The fruit from this comes from two of their friends’ vineyards in Langhorne Creek and McLaren Vale
  • They didn’t make any of this in 2008, and only 127 cases in 2007, so the supply has been very low and there’s gonna be a lot of demand when they release it

In short, this is for me a dramatic departure from the kind of things I’d like to know about wine before buying it: there’s no discussion of how it was grown, where exactly it came from, no real mention of taste descriptors (other than that it has “lift and character”), no talk of how it was made (oak, yeast, organic, nothing technical). Instead, you get two lovely Australians telling you about their family, mention of a trademarked marketing term that is – how to put this gently – is essentially bullshit, more marketing about how you should “step up” to a more expensive wine, a reference to their winemaking skills as being the relevant thing here (much along the lines of how any wine that, say, Heidi Barrett has touched must be a good wine, placing the locus of wine quality in a person and not in the landscape), and finally a lot of talk about how, well, there isn’t a lot of this, the supply’s really low, and there’s gonna be a lot of demand, so… well, you know, you should probably buy some.

It’s no coincidence either that the word “Buy” features so prominently on their Web page.

So: how’s the wine? First off, I’ll give you raw tasting notes from last Saturday night:

Mark: Grape Kool-Aid with cranberry sauce, but it’s really tasty in an odd way.

Henry: This isn’t as piquant as the Blue-Eyed Boy shiraz. Bitter, flat pomegranate juice… not the sweetened stuff, but the plain pomegranate juice they sell at Whole Foods.

JP: Yeah, pomegranate. Not sure what else.

Rex: This is completely uninteresting.

Yada: This tastes like burning.

OK, so not exactly the most enthusiastic bunch there. Right now, I’ve got a glass of it in front of me – when a dozen red-blooded American males don’t finish a bottle of free wine, you know there’s something wrong. It’s been open for nearly forty-eight hours now. Let’s see how it’s faring:

Color: Super dark, inky black. You could probably fool someone into thinking they were eating squid ink pasta just by passing some of the pasta through a glass of this wine. Obvious legs and clear rim indicate huge amounts of alcohol, but this is actually the least alcoholic of any of the wines we tasted at ‘only’ 15% abv.

Nose: Curious Asian spices of indeterminate origin, and very odd. Smells like cosmetics? More than anything, just smells like generic red wine, almost like an inexpensive fortified dessert wine. There’s kind of a curiously high, plastic, cherry-red note that doesn’t sit well; it’s like it’s been flown in from Beaujolais. I don’t really discern anything by way of cocoa, toasty barrel char, or other oak-derived interest here; instead, all I get is alcohol, that odd star anise-like note, fake-y red fruits… I really have to wonder: this is Cabernet? All of the things that make a good Cabernet interesting to me are MIA here: no tobacco or cigar box, no interesting green flavors, no spicy oak, no rich mulberry fruit… this just seems perverse.

Taste: Huge mouth feel (hello alcohol) on the entry followed by a surprise intrusion of acidity and again no particular varietal flavor that I can taste. Instead, there’s a mildly unpleasant tannic puckerfest towards the finish, which is admittedly quite long and mouth-filling (this is I suppose the quality that the winemakers are attempting to describe as Fruit Weight). I think the burning that Yada described here is simply overly enthusiastic alcohol levels (and in some part the surprising acidity, which doesn’t really make this feel fresh, just a little out of joint); it really doesn’t benefit from those, aside from a certain sweetness and fatness that I suppose are hugely appealing to its target audience.

More than anything, though, the most disappointing thing about this wine to me is this: it doesn’t really taste like anything in particular. It reminds me most of Jonesy port, a cheap and cheerful $8 fortified wine from South Australia (I think): it’s red, it’s deeply colored, it’s alcoholic, and it tastes of sweet, simple red fruit with a hint of spices. I can’t for the life of me imagine who would find this a good value at $44 – it’s not dramatically different than the Pillar Box Red wine sold for $7 at warehouse stores – unless I think back to the Porsche SUV driving soccer mom in the wine shop last weekend who did like her points. I imagine that Mollydooker have coasted a long, long way on that initial 99 point score for their Carnival of Love wine from their initial vintage; that and the huge score for The Boxer shiraz seemed to cement their reputation as makers of world class wine with huge point scores at low prices… even if that doesn’t seem to be the case four years on. Heck, even I bought a bottle of the Carnival of Points when it first came out; it was $55, I think, and I felt like it was worth it. But something seems to have changed in the interim: this wine isn’t particularly good (and by that I mean that it isn’t making me feel something other than pleasantly flush with alcohol), or at least not particularly unique, and charging this much money for it seems to be the height of chutzpah, especially given the easy availability of, say, Yalumba ‘The Menzies’ cabernet, which doesn’t cost any more than the Mollydooker but speaks (again, to me, at least) of a real sense of place, has a long, proven historical track record of high quality, ages well, etc. etc. etc.

With all due respect, I’m not giggling.

Mollydooker
Price: $44
Closure: Cork
Source: Retail

Taltarni Cabernet Sauvignon 2008

I struggled a bit with the 2007 version of this wine, even as I ended up enjoying its down home company and forgiving its less polished edges.

This wine seems to me an improvement, although I qualify this impression by saying if you are averse to tannins, then skip this completely and take the next train to flabby Merlot; you’ll probably hate this wine. Personally, I’m kind of a tannin addict, and enjoy being roughed up occasionally by a brute of a red like this.

I’m mindful this is a pre-release, though, so one would expect some calming of the tannin profile by the time it’s widely available. In a way, it’s fun to taste now, with those rip-snorting, black tea, fuzzy-tongue, rough wood tannins overwhelming what is very clean, high quality Cabernet fruit expressed in a regional-eucalypt idiom. The fruit takes a while to resolve in the glass, so let it breathe a bit and you will be rewarded by increasingly focused, clean fruit that isn’t outrageously varietal in terms of flavour profile but is definitely Cabernet in terms of its weight, structure and sense of clarity.

One to watch.

Taltarni
Price: $A35
Closure: Cork
Source: Sample

Yalumba The Menzies Coonawarra Cabernet Sauvignon 1998

After accidentally reorganizing the JK Carriere and Cayuse racks in my wine cellar, I finally found what I’d gone in there to look for earlier this evening: a bottle of wine that would hopefully be so good that I could forget about the corked Penfolds I ran into before. This is why I’m looking at this bottle now: it seemed like the best thing I could find to remind myself that not all cork-finished wines are bad. Thankfully, this one isn’t.Like India ink cut with cherry juice, the wine’s beautiful in the glass with virtually no signs of aging. It’s only when you peer carefully at the rim that you notice that aha! yes, this wine is getting on in years, with very fine particulate matter silhouetted against a slightly darker brown, now tending towards watery rim.The nose is absolutely massive, monolithic: it brings to mind fresh pumpernickel, dark brown sugar, good Cuban cigars, and ripe blackberries trod into freshly tilled soil. In short, it’s ravishing. Drinking it’s quite another matter; it quickly asserts a rather more European personality, savory yet with tell-tale Coonawarra sweetness, eucalyptus, and (most of all) mint. Most surprising of all is the nervy acid perched atop a thickly tannic spine, deftly holding it in balance – or, rather, tension – between the simple pleasures of the overly ripe New World and the more challenging, introspective beauty of the Old. The more you drink, the less focused and resolved it all becomes, with plum tart, dusty cocoa, bramble, and sweet malt pastilles all jostling for attention. In fact, my only criticism at all would be that I have absolutely no idea what this wine wants to be – but honestly? That’s just fine by me. It is what it is, it tastes delicious, and it could easily go another five or ten years before fading.My only real complaint is that I don’t have any more of this wine. Delicious.Yalumba
Price: $33
Closure: Cork
Source: Retail

Taltarni Cabernet Sauvignon 2007

Balance is one of those elusive concepts in wine that’s difficult to defend because, to my mind, there’s a continuum in which a wine style can exist, and the point of imbalance on that continuum is pegged differently by different drinkers. 

This wine’s an interesting example of what I mean. I’m not averse to some green flavours in Cabernet. In fact, I’m probably one of the few people who have semi-fond memories of some green-ish Coonawarra Cabernets from the 1990s. But there’s a point at which the green stops being challenging and angular and stylish and becomes simply unpleasant. Does this wine cross that line? I’m not sure. It certainly did on initial opening, offering clearly unripe notes and raw, puckery tannins as proof. Curiously, it also showed the most seductive, plush fruit aromas that created an interesting push-pull aesthetic.
On day two, the wine is tiring a little, but also evolving to show more complex fruit and spice influences on the aroma, and deliciously tart orange-juice like notes on the palate. The green, curiously, has receded a little, dragging the wine back into the land of characterful balance. Tannins are better behaved, though ultimately still a bit aggressive, and it’s here the wine’s questionable astringency remains most present. Overall, though, there’s a sense of honest regionality with this wine that I am enjoying, despite the rough edges.
I also have a 2008 vintage in the pile and will taste it with interest.

Taltarni
Price: $A35
Closure: Cork
Source: Sample