Mount Pleasant Rosehill Shiraz 2000

I’ve so quickly become accustomed to the relative reliability of screwcapped wines that, when faced with an older, cork-sealed bottle, I probably feel more nervous than I ought. The last few months have seen a fair few dodgy bottles, mind, but cork does have its good moments, too. This bottle, in excellent condition, was one of them.

I last tasted this in 2008 and for the most part my earlier note stands. This is definitely a rich expression of Hunter Shiraz, a bit clumsy perhaps, but so generous and surely pleasing to lovers of the style. The aroma is very expressive, showing violets, oak, earth, leather and brown spice. Good impact and power in the mouth.

The flavour profile has evolved, showing a bit more leather and bit less brightness of fruit. It’s still fairly primary, though, and appears to be ageing slowly, so I suspect good bottles have a decent life ahead of them. Weight is only medium, despite the richness of flavour and quantity of oak.

My earlier note mentioned elegance, and I saw less of that here, but its deliciousness is only increasing with time.

Mount Pleasant
Price: $A28
Closure: Cork
Source: Retail

Mudgee Gold 2009

Some wines are awarded seven gold medals if they’re lucky. This wine, on the other hand, is comprised of seven gold medal winning wines. From the PR, I take it this wine is a blend of seven wines, at the time unfinished and only one year old, that were awarded gold medals at the Mudgee Wine Show. Contributing producers are Andrew Harris Vineyards, Broombee Organic Wines, Burnbrae Winery, Frog Rock Wines, Queens Pinch Vineyard, Robert Oatley Vineyards and Robert Stein Winery.

There’s a good deal of richness on the nose, with quite dense aromas of black fruit emerging alongside an impression of moist earth and brown spice. Dark, manly and quite brooding, this also has a raw, sappy edge. There are some additional complexities too — a bit of mushroom, some blueberries. Quite a bit going on, then, even if it’s not the sort of wine one could describe as detailed, owing to its extroverted blanket of aromas.

The palate is a precise echo of the nose, with a range of dark, thick fruit notes running alongside earthiness and a sharp acid line. The acid feels quite disconnected from the fruit weight at the moment; perhaps this will integrate with some more time. There’s no shortage of impact and intensity at all; this is a forthright wine that sits at the fuller end of the stylistic spectrum. I’m impressed that such weight comes with only 13.5% ABV, and that there is good freshness of fruit evident. I wish for a bit more light and shade, but I think that’s more a stylistic preference on my part. I admit, this isn’t my preferred style of wine.

Nonetheless, some high quality material in this wine for sure. It’s more than simply a curio.

Seven contributing wineries
Price: $A60
Closure: Stelvin
Source: Sample

Oakvale Limited Release Reserve Chardonnay 2011

Consider this note an alert to lovers of old school Hunter Chardonnay, for what we have here is a proudly rich wine of the sort that has become quite outmoded but for which, I suspect, many have affection. I include myself in that group.

Immediately the aroma signals this wine’s stylistic bent. The two main influences here are ripe nectarine and oak. There’s a range of flavours positioned alongside these core notes, but the wine keeps coming back to luscious, sweet, undeniably oak-rich aromas. Interestingly, the edges are most alluring; there are hints of herb, mandarin peel, spice and more.

The palate is predictably lush and mouthfilling. In particular, the wine’s slippery, almost gooey texture stands out for its total lack of edges. This is a wine that places no barriers between itself and your stomach. Flavours are again centered on ripe stonefruit and oak, with a collection of subdued complexities crowding around the edges. The overall effect is quite sweet. Despite its silicone mouthfeel, there’s plenty of acid to prop up the palate, though I wish it exerted more influence on the wine’s texture to give it a sense of light and shade. As it is, a fairly single minded experience.

No great finesse or detail here, but it carries an undeniable hit of Chardonnay flavour.

Oakvale
Price: $A40
Closure: Diam
Source: Sample

Oakvale Single Vineyard Shiraz 2011

Stylish packaging, this one. I’ve never visited, but going by its website this producer looks to benefit from an exceptionally pretty cellar door, one that befits the history of the winery and the quality of its vineyard holdings (Stevens Vineyard, anyone?).

I first tasted this yesterday but felt it quite swamped with oak. Nice oak, mind, but it crept over deliciously regional Hunter fruit and assaulted every corner of the flavour profile with vanilla and cedar. A day has seen it subside, even as the fruit has itself undergone some changes. The nose is now pretty and soft-focus, edges of earthy prickle smoothed over by a more luscious collection of aromas, including better balanced but still noticeable oak. For my taste, it lacks definition and incisiveness, though it is undoubtedly correct and regional.

The palate, so oak dominant yesterday, has changed much the same as the aroma, now a more relaxed version of itself. It is medium bodied and quite fresh, with deceptively bright acid holding the wine together, structurally. I like the intensity of the fruit and the way it hits the tongue without heaviness. Berry flavours are relatively simple, a touch confected and end up tasting a bit flat. Loose knit, blocky tannins are a chewy influence through the lengthy finish.

There are certainly elements to admire in this wine; I just wish it were more detailed and a tad more sophisticated in flavour profile.

Oakvale
Price: $A45
Closure: Stelvin
Source: Sample

Lowe Tinja Preservative Free White 2012

One becomes so jaded. As soon as I saw this wine’s label, I immediately assumed its preservative free status was some kind of spin, a claim at natural wine status perhaps, or a cynical attempt at niche marketing. Shame on me — it turns out the winemaker is himself sensitive to sulfur dioxide and makes this wine for those similarly afflicted. As someone who erupts into fits of coughing when faced with too much sulfur, that’s an intent I can relate to.

The wine itself is a blend of Chardonnay and Verdelho. It’s quite low in alcohol (10% ABV) and shows considerable spritz when poured. Although ostensibly a still table wine, the dissolved carbon dioxide exerts a significant influence over the experience of this wine, its nose prickling with savouriness and its palate enlivening the tongue even if it doesn’t exactly flood the tastebuds with flavour. The overall impression is one of neutral freshness and crisp acid. Crucially with a wine such as this, there are no faults, but nor is there much personality.

It seems the purpose of this wine is simply to provide fresh, easy drinking to those with an aversion to sulfur dioxide. In this it succeeds admirably.

Lowe Wines
Price: $A20
Closure: Stelvin
Source: Sample

Topper’s Mountain Red Earth Child 2009

Despite a seemingly never ending quest to communicate a “sense of place,” it’s remarkable how few vignerons in Australia put site ahead of variety. The privileging of varietal wines comes at the expense of the idea that site is best expressed through a mix of varieties. This is not a new idea, nor is it completely absent from Australian wine, but it remains rare.

This, then, stands out like the proverbial dog’s balls. Let me count the ways in which it differs from the mainstream: it’s a wine of New England, with nary a grape variety listed on the (front) label and, when one discovers what varieties are in it, there’s an unlikely mix of Petit Verdot, Barbera, Nebbiolo and Tannat. Sui generis.

This is as close to blind tasting as I’ve come without, you know, actually tasting blind. I had no idea what to expect, but the aroma’s absence of expressive fruit still came as something of a surprise. This is a dark, muscular, somewhat closed nose at present. There are hints of black berry fruit, spice, snapped twig and baked goods. I find it somewhat inscrutable, in fact, which is no bad thing. There’s certainly enough density, complexity and coherence to hint at significant potential.

The palate is similarly intriguing and fiercely structured. Both acid and tannin are prominent, which isn’t surprising given the presence of Barbera and Tannat in the mix. The same dark, savoury fruit flavour profile seen on the nose is very much present here, but it runs underneath the wine’s structural framework for now, like a bubbling underground stream. Again, density is a feature and, without any experience of this label, I suggest a bit of age will be kind to it. The after palate is the most generous moment in the wine’s line, where fruit is allowed to bulge slightly before tightening again in a highly structured finish.

A brave, and in many ways successful, wine.

Update: day 2 and the wine is opening up in the most interesting ways. It has become quite floral, with rose petal and Turkish Delight distinct notes on the nose. Fascinating.

Topper’s Mountain
Price: $A38
Closure: Stelvin
Source: Sample

Tyrrell's Vat 9 Shiraz 2006

The last few days have been spent blowing my nose, coughing and generally moping about. One of the boring things about being sick is that one can’t really enjoy much of anything, so all the spare time that results tends to go to waste. I still feel under the weather, but I thought I’d open a familiar wine, one that I’ve tasted twice before, to see if it might lift my spirits. Just one small glass, you understand.

I’d forgotten the richness these drought-era Hunters possess, and this wine is a potent reminder of how vintage conditions allowed a concentrated, almost liquerous expression of Shiraz to come forth. On opening, I was a little overwhelmed and thought the wine too much, too dense and too monolithic. That has changed fairly quickly, though, and the region’s typicité is very much in evidence here. This is simply a bigger version of the style. With a bit of air and swirling, the wall of liqueur breaks down into a variety of flavour components, some speaking of the heat of the year, others showing delicious freshness and vivacity. Tertiary flavours are starting to creep in, but these are very much in the background, and the wine retains large volumes of primary fruit. It’s interesting that the latest Tyrrell’s mailer suggests this is now a “mature style, drinking well.” I agree with the latter, but am not so sure of the former.

The palate’s luxe meshes well with the relatively rich flavour profile that flows coherently from the nose. Structurally, this is quite relaxed, though possessing abundant tannins, fine and velvet-like. Acid, often a hallmark of Hunter Shiraz, seems muted at first, but is very present; the wine’s density masks it at first. Flavours are of red fruits and leather, earth and gentle spice. So typical, so correct. Also quite nuanced, though it can be hard, at times, to see past the wine’s power. A lovely, even line leads through to a finish that sings with soft fruit.

This is a gorgeous wine in all sorts of ways – its sensuality, its transparency, its truth. I raise a glass to those of us with some in our cellars.

Tyrrell’s
Price: $A32
Closure: Cork
Source: Retail

Ross Hill Pinnacle Series Sauvignon Blanc 2011

It’s turning summery all of a sudden here in Brisbane, which has reminded me with a slight pang of guilt that I have not yet trimmed my passionfruit vines. Not a metaphor. It has also reminded me that I’ve had this wine for a little while, waiting to be tasted. There aren’t too many $30 Sauvignon Blancs from Orange, let alone ones that have experienced some fancier treatment in the winery like whole bunch pressing and wild fermentation. I’m curious.

Yet again, the whites from Orange impress. This is a long way from the pungency of Marlborough Sauvignon Blanc, and an equally long way from tropical fruit basket that some of our regions tend to express. It’s lean and tight, as much suggestion as flesh, edging on green without being offensively unripe. It’s marginal in the positive sense, communicating the effort with which it was brought into being.

The palate is equally taut, a nice line of citrus fruit and heady vegetation riding fine, bright acid. There’s definitely some funk here, perhaps a result of the wild fermentation, that pushes this wine’s flavour profile into distinctive territory. There aren’t any magic tricks; the wine still lacks presence through the after palate, but that goes with the territory with this varietal. What’s here is clever and interesting.

It’s so nice to come across a Sauvignon Blanc that tries to be something new.

Ross Hill Wines
Price: $A30
Closure: Stelvin
Source: Sample

Pig in the House Shiraz 2011

When I last reviewed this wine (2008 vintage), I noted the producer was certified organic. Things have moved on to the next plane of cosmic vineyard management, as Pig in the House is now a certified biodynamic winery. No mean feat, mind you – I appreciate the rigour that goes into running an operation in this manner.

It’s what’s in the bottle that counts, though, and I’m pleased to say that this strikes me as a better wine than the 2008, more subtle and complex, but retaining the appealing freshness of the earlier wine. The aroma shows very crunchy red fruits, snapped succulent, copious black pepper and other signs of cooler climate Shiraz. It’s quite lean and may strike some drinkers as lacking in generosity, lacking in ripeness, even. For me, its freshness outweighs any sense of thinness, and makes it immediately appealing as a sort of bistro style.

The palate shows decent intensity and a good dose of fresh acid. It’s not the most articulate wine in the mouth, delivering its flavour in a rather haphazard way. No matter — there’s plenty of it to go around, and the fact that it zips by a bit too quickly just means another sip is in order; easy to do with a wine this fresh-tasting. Plenty of dark fruits and spice, some lightly powdery tannins overlaying the finish. Again, some may consider its flavour profile indicative of marginal fruit ripeness. The fruit flavour edges on the obvious and confected at times, but in the context of the style it’s forgivable.

Mixed experience here, but I rather like its edgy vibe.

Pig in the House
Price: $A22
Closure: Stelvin
Source: Sample

Louee Nullo Mountain Riesling 2011

As good as they are, I often find myself seeking out expressions of Riesling that are different from our classic Clare and Eden Valley wines. Canberra and Henty are two regions that show distinctive styles in their own right, and I’m excited to think that yet more regions may have some surprises in store for us. While not to the same extent as with Chardonnay, local producers seem to be playing with Riesling style too, and it’s more common than it was a few years ago to see some wines with a bit of residual sugar, or more complex handling in the winery. I’m not sure I’ve found any such wines that I’d place above our long established benchmarks, but one ought to keep an open mind in such matters.

This wine comes from a site in Mudgee that sits 1100 metres above sea level. If Riesling likes cooler weather, then that sort of elevation is not a bad place to start. The nose suggests a good deal of austerity, with aromas that are fruity but with a good layer of chalk dust sprinkled on top. There’s an interesting contrast at work, as the fruit is quite full (think citrus flesh rather than pith) and the dryer notes quite prominent.

The palate allows this tension to play out. An apparent touch of residual sweetness plumps up fruit flavours, suggesting some tropicals alongside citrus juice. Running alongside are dashing streaks of acidity and equally prominent minerality. The structure of this wine is quite breathtaking in its severity, which would be fine except that it never quite reaches out to the lusciousness of the fruit, leaving the wine to flip-flop between fruit and acid then back again. This impression of a disconnect between two halves persists for most of the line, until the finish almost, but not quite, unifies the components in a sherbet flourish. I don’t think this is a fully achieved wine, but its angularity and genuine difference keep me coming back for another taste.

I’ve no idea how this will age, but it might be worth chucking a couple in the cellar for interests’ sake.

Lowe Wines
Price: $A25
Closure: Stelvin
Source: Sample