Mitchell Harris Sauvignon Blanc Fumé 2010

It seems fashionable to play with Sauvignon Blanc, and the results have often divided critics. Manipulating a grape like Chardonnay is a no-brainer; straightforwardly made wines of this variety can be boring (with notable exceptions, of course). Sauvignon Blanc, on the other hand, is a variety with intense character right from the starting line, some might say too much. So the choice of winemaking inputs may be less obvious here.

Mitchell Harris has chosen two techniques — wild yeast fermentation and barrel maturation — in the making of this wine. Of these, the oak is most immediately apparent on the nose, with a distinct smokey note sitting alongside gentle fruit aromas that remind me of red papaya. The smoky note brings in hints of bacon fat, but I’m not sure if that’s just me dragging in inappropriate associations; no matter, it’s a distinctive aroma profile, though I’d prefer the oak influence to be more tightly woven into the whole. The fact that it’s not speaks of fruit character that tends towards reticence.

The palate is marked by the same sharp smokey note that floats over the entire line. Underneath, a slippery, cool wine that slides along the tongue with a rather beguiling texture. I’ve learned to expect a degree of acidic bite from Sauvignon Blanc wines, and this has a decent spine of acid to be sure, but it’s the wine’s satiny voluptuousness that stands out for me most. As with the nose, fruit flavour could be more forward; as it is, there’s a slightly hollow impression to the profile, as if it needs to step forward a bit. Yet it manages decent impact and drive down the line, and the more time I spend with the wine the more I am appreciating its subtle complexities. The caramel finish is especially enjoyable.

An odd wine in some ways, and one I suspect will challenge peoples’ idea of the varietal. Nonetheless, I am enjoying its distinctiveness and hand-made vibe. Great value for the style.

Mitchell Harris
Price: $A19.95
Closure: Stelvin
Source: Sample

Waipara Hills Marlborough Cuvée NV

Dedicated readers of Full Pour (and I thank you both) may have noticed a relative paucity of posts from me these last few weeks. I’ve been busy finishing off semester two of my winemaking studies, and am happy to report the year’s last exam was taken yesterday. So, for now, I am free of the little nagging voice that has been urging me to study rather than taste wine or, generally, have a life.

I thought I’d drink something special to celebrate this milestone. Instead, I’ve opened a bottle of sparkling Marlborough Sauvignon Blanc.

Okay, so that’s a cheap shot. Indeed, this is better than my recollection of the only other wine in this style I have tasted, the Mount Riley Savée 2007, and demonstrates how the style may need to evolve to be taken (relatively) seriously. Unlike the Mount Riley wine, this shows only hints of the overt varietal character that is so apparent on still wines of this grape and region. Personally, I believe that’s a mature stylistic approach – after all, one doesn’t drink Champagne to experience sparkling white Burgundy. A sparkling ought, in my opinion, to be a reinterpretation of the variety, reframing its character on quite different terms from any still wine that shares its parent grape. The mousse here is pretty aggressive and short-lived, leading to a surprisingly fine bead. There’s still some grassiness and a bit of passionfruit, but it’s muted and accompanied by a general savoury vibe that contributes complexity and grown up-ness.

This is less lively in the mouth than some sparklings, which was signalled by the bead and may be attributable to this bottle as much as anything else. No matter, there’s plenty of acidity and an astringency of flavour profile that together generate a lot of impact. The primary fruit flavour is again cut grass and some passionfruit, with a whole bunch of savoury detail around the edges. Sophisticated? Not especially. But not a bad attempt at balance given the raw materials and class of wine. A nice twist of honey through the after palate, and a lightly citrus-driven finish.

Marlborough Sauvignon Blanc polarises drinkers and this wine can’t escape the legacy of its heritage. However, for those with an open mind, it’s an interesting exercise in what might be for not a lot of money.

Waipara Hills
Price: $A22
Closure: Cork
Source: Sample

Angullong Sauvignon Blanc 2010

If you’re going to drink cheap Sauvignon Blanc, it had better, at the very least, be a fresh release. It had also better be characterful, a bit of a coquette perhaps, not sweet so much as fruitful, bursting with the sort of guileless enthusiasm that’s embarrassing in company but awesome when it’s just you.

Except that, when you realise that you’re kind of digging it, you begin to want to share it with friends, because something this fun seems a shame to keep to yourself. And while you’re contemplating that contradiction, the smell of it yanks you back into the land of simple enjoyment, and makes you forget thoughts of wine as a mark of sophistication, or even as something that should attract your attention for more than a brief moment. And you just sniff it for fun.

But then you notice some subtle cut grass on the nose, and a refreshingly bitter phenolic twist through the after palate. And you start to think this wine’s kind of punching above its weight, that there might be something more to it than you first thought. Come on, though, it’s a $17 Sauvignon Blanc, and it’s not even from New Zealand! Surely it can’t hope to present a coherent alternative to the instantly recognisable Marlborough style without resorting to residual sugar, hideously vulgar fruit character, or both.

You keep sniffing, and tasting, and it all goes down terribly well, especially with some mid-week fish and chips. You begin to realise this is, in some ways, the perfect quaffing wine, the success of which isn’t about avoiding angularity so much as having just enough sharpness to challenge your palate and prime your senses for enjoyment of the fruit-driven flavour profile. If you’re a complete wine tragic, you might even blog about the experience of drinking it. Then, fish and chips eaten, wine consumed, the memory of it disappears in a puff of smoke, and your overriding impression is simply of an evening enjoyed, relaxation, pleasure.

Angullong
Price: $A17
Closure: Stelvin
Source: Sample

Quarry Hill Sauvignon Blanc 2009

Sauvignon Blanc isn’t a variety that immediately springs to mind when I think of the Canberra District, but this is a quirky rendition at a reasonable price. 

The nose is brightly faceted and stony with hints of brine; there’s little of the overt fruit character one sees in many other expressions of this grape (Marlborough, Adelaide Hills, etc). Because of this, the wine comes across as quite austere on initial sniff, an impression warmth and a bit of swirling changes only slightly. I like the fact this is focused away from obvious fruit flavours — its style sets it apart even as it makes it harder to embrace. 
Entry is full of zest and attack, leading to a middle palate that broadens with some interesting flavours. There’s an orange juice-like character to the mouthfeel and acidity that beefs up the body and creates the impression of thicker fruit flavours. I’m not sure the level of residual sugar, but suspect there’s a bit in here. The fruit flavours themselves are blurry, and one instead looks to savoury characters (crushed shells, that sort of thing) for definition. It’s certainly full of interest, and I note the winemaking involved some skin contact, which would have led to a higher level of phenolic extraction and I presume some of the grip I’m seeing on the middle and after palates. The after palate and finish are typically thin per the variety, though there’s a lingering lemon note through the finish that is stubbornly persistent.
The palate’s generosity is, one might argue, a slight cop-out after the lean aroma. I’m speaking to my own preferences, of course, and am mindful of not having tasted this wine when newly released. In any case, and as with the 2008 Shiraz, this wine shows stylistic interest beyond its price point. I’d be interested to taste a fresh one.

Quarry Hill
Price: $A16
Closure: Stelvin
Source: Sample

Windowrie The Mill Sauvignon Blanc Semillon 2009

Some bottles I look at and presume, for one reason or another, I won’t be writing up. This – being a blend of which I’m not terribly fond – was one of them. But drinking it now, nicely chilled, I’m finding it really well made, so thought I’d jot down a quick note.

These wines are made for immediate quaffing, so to my mind need a particular balance of fruit, structure and (let’s face it) residual sweetness to faciliate their function. The nose is promising, with a shock of cut grass atop quite rounded fruit. There are hints of lychee and paw paw, along with the sharper passionfruit-like aromas one might expect from Sauvignon Blanc. Just pungent enough, fresh-smelling, and well-balanced. So far so good.
The palate follows through admirably. These sorts of wines aren’t going to break any records for complexity, but there’s still a bit going on here, with generous-enough fruit flavours running all the way along the line, propped up by slightly vicious acidity and a dollop of puppy fat to smooth the edges. I think there’s a bit of residual sugar — I find it well-judged — adding weight to the fruit without turning the flavours candied. 
Nice quaffer. Well done.

Windowrie
Price: $A16.99
Closure: Stelvin
Source: Sample

Braided River Wairau Valley Sauvignon Blanc 2009

I’ve had some interesting conversations over the last couple of weeks on the merits (or otherwise) of writing up straightforward, commercial wines. There’s no arguing the relevance; this wine is available pretty much everywhere, and as a consumer I’m just as interested as the next snob in reading a bit about what I might buy. But as a writer, my issue is that, more often than not, they provoke no reaction. They are exactly what I think they will be, and where’s the fun in that?

Absolutely regional aroma, showing typical passionfruit and light cut grass. Say what you will about Marlborough Sauvignon Blanc; there’s no denying it stands out like dog’s balls in a line up, and I’d argue this demonstrates inherent merit in the style, taste notwithstanding. This one is quite soft, though, some Vaseline on the lens obscuring the harsh angularity that can be an issue in some examples.
The palate is correct, but is marred for my taste by an excess of apparent sweetness. No doubt I’m in the minority here; this is exceptionally well-judged in its attempt to alienate no-one, and on one view there are few higher compliments one could pay a commercial style. In the mouth, soft and almost cuddly, with accessible citrus and passionfruit flavours expressed with watercolour imprecision. No great length, no great surprises.
What you see is what you get.

Braided River
Price: $A18.99
Closure: Stelvin
Source: Sample

Climbing Sauvignon Blanc 2009

Curious wine, this one. Without quite knowing why, I was anticipating a boring, commercial style and, insofar as this wine avoids insulting levels of residual sugar, I was pleasantly surprised.  But I’m still scratching my head in terms of what this wine is

What’s here is indeed dry — almost austere — in its flinty restraint. The nose shows wispy varietal character, far from the scream of Marlborough sauvignon blanc, just hinting at some grass and passionfruit. There’s a nice basil note too. Volume is turned way down, though. The palate is more textural than flavoursome, with a chiselled form that is two parts acidity and one part flavour profile. The latter shows similar restraint to the nose, with more grass and light passionfruit, plus a streak of flint that reminds me of some dry rieslings. It lacks outré impact, though there’s a nice intensity of flavour through the after palate, and the acid certainly creates an impression in the mouth. Unremarkable finish.
Neither here nor there, perhaps, but ironically may appeal to those who dislike Sauvignon Blanc. For me, I’m looking for something more to latch on to here, and I would be curious to see how far this style could move in a minerally direction. The flavour profile also suggests a bit of lees or barrel work might yield interesting results. Again, curious wine.

Cumulus Wines
Price: $A21.99
Closure: Stelvin
Source: Sample

Angullong A Sauvignon Blanc 2009

I gather the previous vintage was well rewarded at wine shows. Presuming the 09 is made in a similar style, I can see why. This is a generously flavoured wine, quite different in style from, say, Marlborough Sauvignon Blanc, despite a similarly vivid outlook. 

The nose is as cuddly as Sauvignon Blanc gets, with pungent yet soft aromas of unripe passionfruit, crushed leaf and gin. Somehow, it puts in me in mind of Smith’s Salt and Vinegar Chips, undoubtedly the best salt and vinegar crisp on the market. It’s not a seawater thing; rather it suggests the morish deliciousness of salt combined with the raw astringency of vinegar and the addictive sweetness of potato. 
The palate is quite gentle in the context of the style, though it takes until the middle palate for this to register. The attack is actually quite tight and crisp, acidity creating the greatest impression. Things broaden as the wine progresses, mouthfeel becoming thicker and flavour becoming sweeter. I wouldn’t be surprised if there’s a hint of well-judged residual sugar, though it could just be the fruit. The acid rises again through the after palate, bringing back some zing and whisking the wine away to a clean finish. No great length, but that’s not a surprise considering the variety. 
A really crowd-pleasing style at a good price. Not my style, mind, but that’s neither here nor there.

Angullong
Price: $A15
Closure: Stelvin
Source: Sample

Casa Lapostolle Sémillon Sauvignon Blanc Chardonnay 2007

Yesterday, I met up with an old friend in Viña del Mar, and much to my surprise he delivered a stunningly beautiful wedding present: Chilean wine, palm syrup, peaches, and chocolates. Wonderful stuff – and now my task is to drink at least four bottles of the wine over the next 48 hours because if I don’t I’ll have so much luggage that I can’t board the flight to Calama on Wednesday. Yikes! Thankfully, this is going to be a very easy task.There appears to be a very, very light carbonation to the wine; at the bottom of the glass are tiny bubbles (if you’re a Don Ho fan, feel free to sing along about now) and there’s a very light spritziness on the tongue. The color is bright and clean; it’s only on the nose where it gets interesting. It’s a very savory wine, reminding me more of good Burgundy than white Bordeaux somehow, with a very slight sulfury note mixed in with yeasty bread and an appealing lemony note. My favorite thing about this wine is the slippery, rich, full palate that is wonderfully textural and mouthfilling; there’s a slight spiciness to the finish with sprightly acidity as well.  It may have smelled like Burgundy, but it’s definitely more like a white Graves, wet stones and pastry cooked with lemon rind and cream, but also that spiciness that really makes it special.All in all this is good stuff (and to me personally, it’s also a reminder to stop drinking single varietal wines all of the time; blends like this seem much more complex and interesting, don’t they?). Thanks, Felipe, for the bottle – I’m looking forward to the next ones! Lapostolle
Price: $NA
Closure: Cork
Source: Gift

Mud House Sauvignon Blanc 2009

Marlborough Sauvignon Blanc can, on the surface, seem quite uniform in style, notwithstanding some notable exceptions. That it’s one of the most recognisable wines has much to do, I’m sure, with its success. It also causes me to wonder: if I were going to make such a wine, what would I be aiming for? Would I seek to out-Marlborough other wines, with even more up-front regional character? Or would I seek to tone down the style, maximising inoffensiveness and, presumably, appeal?

This wine’s answer is to combine the obviousness of the style with a few tricks to enhance drinkability. It certainly doesn’t hide its origins; on the nose, there’s enough pricky herbaceousness and gooseberry tartness to declare immediately what it is. But it pulls back from engaging a truly vulgar expression of the style. Whether you warm to this will depend very much on your affection for Marlborough Sauvignon Blanc; what’s evident, though, is the smart line drawn here; it’s not too much of any one thing and, given the style, that’s impressive.
The palate confirms the approach suggested by the nose, and in particular shows a sense of weight, if not overt residual sugar, that helps the package slip down oh-so-easily. On entry, lively acidity and passionfruit flavour promise satisfaction. The mid-palate is where the slippery, unexpectedly viscous mouthfeel appears, taming the wine’s acidity and helping flavours to show greater generosity. The after palate and finish thin out as one might expect, though there’s a trace of intensely aromatic passionfruit on the finish that is quite persistent. 
A smart wine with a clear purpose.

Mud House
Price: $A22
Closure: Stelvin
Source: Sample