Groom Sauvignon Blanc 2008

James Halliday thinks this is the best sauvignon blanc in Australia.Sadly, it smells mostly of kraft paper, banana peels, and girls’ Olsen Twins perfume – there’s a strange, plastic-y fake fruit smell here that is somewhat unsettling. Acidity is good, but the mouthfeel is somewhat strange – it reminds me of cheap ice cream with an overdose of carrageenan –  and the finish is reminiscent of cheap imitation almond extract and the taste left in your mouth after playing a wax paper comb for too long at summer camp.Honestly, I don’t get this wine. Sauvignon blanc isn’t riesling: if needs something other than itself in the bottle unless it’s grown in Sancerre or Marlborough, I reckon. What could have been an elegant wine is undone by the lack of oak or other winemaker input that would have attenuated the inherently boring characteristics of the grape; I don’t think that this terroir is enough in and of itself to create a wine of interest. Yes, there are absolutely brilliant wines from the Adelaide Hills, but in my experience they tend to be chardonnays which benefit from some creative input on the part of the winemaker. The fruit is good; I’d just like to see something more complex than what’s in this bottle.Groom
Price: $13
Closure: Cork

Simply Sunshine White 2009

From my perspective, this is a curio: an inexpensive white wine made for the German market. I was sent samples by the apparently indefatigable Leigh Gilligan, whose various ventures enjoy strong distribution, and seem to resonate strongly, in Germany. The interest for me, apart from the wine itself, is the marketing approach, which draws explicitly on Australia’s reputation for “sunshine in a bottle” wine styles. While this approach is now hotly contested in the local industry, there’s no doubt Australian wine is known in export markets largely for this type of wine, so if nothing else I’m eager to taste wines with a claim to representing the style and, hence, a certain face of the industry.

The interest in terms of what’s in the bottle relates to a particular concept of wine at this price point, something Chris recently touched on. He described a certain kind of wine as “fermented grape juice beverage product;” drinks that are technically wine but stylistically about as far as you can get from the generally accepted definition. Of course, I’m applying a massive, snobby value judgement to this description, even though I have no desire or ability to argue with the enjoyment many gain from imbibing [yellow tail]. Then again, what I do have is a desire for authenticity at all price points, and I believe well-priced wine does not need to taste like an industrial, wine-flavoured beverage.
I’m vindicated in this belief by this wine, at least. It’s not a secret Grange by any means, but it looks, smells and taste like real wine. It’s easygoing, with bubblegum florals, a bit of sharp citrus and sweeter, rounder fruit that oddly reminds me of Lipton’s peach iced tea.  There are no varieties listed on the bottle, and from the aroma profile I thought there was some Rhone action in there, but no, it’s mostly Chardonnay with a splash of Sauvignon Blanc and Chenin Blanc. The palate is soft and cuddly. More peach tea, a hint of crisper florals and, well, not a lot else. So complexity isn’t a high point, nor is it the aim I should imagine. Rather, this wine delivers generosity, a round mouthfeel of satisfying viscosity and perhaps just a hint of residual sugar to help it go down. It’s a bit low in acid, which translates to a somewhat clumsy progression through the mouth, if not outright flab. But it’s hard to argue with the tasty flavour profile here. 
Great barbeque wine. Nicely done.

Simply Sunshine
Price: €5.45
Closure: Stelvin

Régis Minet Pouilly Fumé Vielles Vignes 2007

After all this chardonnay, it’s kind of awesome to be hit smack in the face with a huge faceful of cat piss. Honest. There’s also a strange emptiness hinting at celery seed and fresh unsalted butter somehow; I know that’s a bit precious but it’s frankly quite difficult to describe what this thing smells like. It almost reminds me of unmilled wheat; there’s a potentiality in the smell that suggests raw materials, not finished product. Turns out the cat piss was only temporary anyhow; on second thought, it’s much more herbal than that. Hrm.Surprisingly broad on entry, this isn’t a wispy-thin, steely, acidic white. Oh, no, not by a long shot. Acids aboud, yeah, but there’s a surprisingly rich, nearly honeyed aspect to the mid-palate that slyly, teasingly turns like a cat that doesn’t want its belly scratched to reveal other aspects of mineral bananas, carbon honey, I again am at a total loss for words here. It’s like a Karo spill in the dried-herbs cabinet: it’s like licking white sage honey off of stony pebbles.Seriously, I don’t know how to describe this wine at all, and that’s a good thing. Every connection it suggests; every experience it conjures is playful and unexpected. It’s all a bit overwhelming and unnerving as I was just looking for a simple sauvignon blanc, but this wine is the opposite of that.Régis Minet
Price: $20
Closure: Cork

Neudorf Sauvignon Blanc 2007

Although I was fortunate enough to visit Neudorf last January, I completely neglected to write anything about my visit there. However, I did find a bottle of their wine (the only one in the entire shop!) upon returning to San Diego, and here it is:The nose is intensely tropically fruity and reminds me of pineapple more than anything else; it’s exuberant and nine-tenths of the way to a Mai Tai. However, the simplicity of the nose is deceiving: once you get some of this in your mouth, it goes in unexpected directions. First of all, the texture of this wine is unusual for sauvignon blanc (at least to me, New World kid that I am). It’s vaguely reminiscent of, I don’t know, Mexican fresas con crema, which is basically a light whipped cream dessert; this wine seems to me to have similar light-yet-creamy characteristics, a lovely balance between fruit and cream. Going back to the nose for a minute, the wine seems to have more in common with gewürztraminer than sauv blanc; it seems to be slighlty floral, tending towards roses, with some black pepper sneaking in at the side. Very, very curious.The mid-palate to finish of the wine return to relative normalcy; it does in fact wind up at the somewhat stereotypical gooseberry note you’d expect from a NZ sauv blanc. However, what’s exceptional is that it doesn’t dissolve into a shrill hoot of acidity; instead, it somehow maintains its composure and sneaks out on a soft ebb of sweet cream.This is really, really good stuff.As for visiting the winery itself, well, I don’t regret it, but I also was nonplussed by the experience. Obviously, Neudorf do great business; their parking lot was entirely full with Land Rovers and other Toorak tractor-esque metal, leaving little choice for many but to park on the grass. Once inside, the entire tasting room experience was one of those uncomfortable commerce-oriented experiences designed mostly to sell you product; although tasting room staff were friendly and knowledgeable, they turned decidedly cool when I declined to purchase anything opting instead to put $5 in the charity box they kept on hand for “gold coin donations” to their favorite charity for anyone who dared not buy wine on the premises. If there’s anything I truly despise at a tasting room, it’s being hounded to buy wine, no matter how good it is. Yes, Neudorf, your wine is amazing, but do you have to make us feel so little for not buying any on-site? It’s not always easy for international visitors to get wine home; some of us have to wait until we get home before hunting down some locally.That being said, I’m glad I did, and I’ll buy it again – I’m just bummed at the lingering bad taste your tasting room experience left behind.Oh, and would you please export your Pinot? It was amazing. kthxbye!Neudorf
Price: $16
Closure: Stelvin

Château de Tracy Pouilly-Fumé 2002

It’s Sunday afternoon and the storms keep threatening to hit, but never quite do. Still, the air is thick with humidity and the smell of imminent rain, and it’s moments like this where I tend to reach for something in white. If it’s pungently aromatic, then so much the better.

Golden colour, pretty and showing signs of bottle age. A really striking nose, intoxicatingly rich with aromas of honey, tropical fruit and a little flint. There’s also a sour floral dimension that reminds me of the smell you get when you shake a flowering weed. Sharp, astringent, yet oddly pretty. Taken as a whole, it reads as a dessert wine with considerable edginess.

In fact, it’s a dry wine that tightens considerably on the palate. Immediate, intense flavour on the tongue as the wine enters the mouth. Acidity provides immediate textural interest and accentuates the wine’s fruit flavours early. In fact, this wine’s acidity is worth a few more words. Sauvignon Blanc-based wines often have quite aggressive acidity, which can be fun, but here it’s on an altogether more sophisticated plane. If one were to consider a wine’s acid visually, this wine would show a straight line from left to right, fine and firm and absolutely mouthwatering. Fruit weight gathers steam and, by the mid palate, there’s a gorgeous richness washing through the mouth. More honey and sharp tropical fruits, with a sideline of minerality that blends well into the acid structure. The sweetness of fruit and bottle age resonates through the after palate and continues well into the finish. A slight bitterness here is the only element that disrupts an otherwise harmoniously balanced flavour profile.

This is surely drinking at its peak, with a range of youthful and bottle aged characters existing in complementary fashion. I love this expression of Sauvignon Blanc and would happily drink this as an aperitif or with smoked salmon canapes.

Château de Tracy
Price: $NA
Closure: Cork
Date tasted: November 2008

Chard Farm Swiftburn Sauvignon Blanc 2008

There seems to be two types of Sauvignon Blanc made by Central Otago producers: those using local grapes and those made from Marlborough fruit. This wine is the only regional blend I’ve tasted. I must admit, I wasn’t especially taken with this at cellar door, but the other half requested we purchase a bottle, and I’m nothing if not obliging when it comes to purchasing wine. Much to my wallet’s chagrin.

Interesting nose that shows some Marlborough influence in a whiff of capsicum, but this is predominantly a round, fruity aroma profile that is reminiscent of straight Central Otago Sauvignon Blanc. There are some smokey, mineral complexities too. Very pleasant. On the palate, acidity is present but relatively soft, avoiding the harshness that can sometimes mar this variety. Fruit flavours are as per the nose, with some green notes adding an edge to rounder tropical fruit (paw paw, passionfruit, etc). There’s an interesting transition on the after palate to phenolic textures and a herbal tang that remind me a little of some dry Rieslings. Pretty good finish. One might want a bit more intensity of fruit, but what’s there is balanced and tasty.

I’m glad I listened to my better half, as this is actually really quaffable. The regional blend works well and serves to add some verve to a fruit-driven Central Otago flavour profile. Nice wine, nice price.

Chard Farm
Price: $NZ21
Closure: Stelvin
Date tasted: January 2009

Te Mata Estate Woodthorpe Vineyard Sauvignon Blanc 2008

I’ve occasionally written up Hawkes Bay Sauvignon Blanc wines on this site and have expressed some reservations about the style in light of its more famous cousin to the South. I’ve been waiting for a wine to change my mind and I may have found it in this Te Mata number.

Prickly, rich aromas of passionfruit with a bit of herbal astrigency. On its own terms, this is a very sniffable aroma, quite different from the Marlborough wines but no lesser for it. It’s a bright wine, but less aggressive in comparison and consequently more approachable. On entry, good impact both via structure and flavour intensity. There’s no shortage of fruit here, passionfruit jumping onto the tongue along with a nice line of fine acid and some other complexing flavours. Quite impressive. It reminds me a bit of Adelaide Hills Sauvignon Blanc in its clean, bright and fruit-driven flavour profile. Not as rich as some Hawkes Bay Sauvignon Blancs I’ve had, and I like this leaner profile, as it successfully avoids the laziness observed in some other wines. Not especially long.

Nice wine and, for me, a viable alternative to Marlborough.

Te Mata Estate
Price: $NZ20
Closure: Stelvin
Date tasted: December 2008

Stoneleigh Rapura Series Sauvignon Blanc 2008

Interesting wine, this one. To pontificate for a moment, the potential for obviousness with this style tends to produce a couple of extremes: wines that capitalise on the most outre aspects of the typical flavour profile, and wines that play down the astrigency and aromatic dimension to the point where they become almost apologetic for what they are. Of course, in most cases one seeks a happy medium, and I was happy to discover this wine falls at neither end of the spectrum.

A soft aroma profile that nonetheless shows a range of typical notes: grass, passionfruit and other slightly tropical delights. As a style, it definitely tends towards subtlety, perhaps even dilution, but compensation comes in the form of considerable complexity and delicacy. It’s a nice wine to smell. On the palate, if its tendency towards dilution is confirmed, so too is its complexity, impressive in the context of this style. Entry is driven more by structure than flavour, but this trend is reversed as the wine gains pace. More aromatic and slightly astringent tropical fruits cascade over the middle palate, generating some satisfaction. The after palate and finish gently stroke the palate, fairly subued.

I wonder if the lack of flavour intensity is a result of the vintage? In any case, a very drinkable wine that shows good complexity and well judged balance.

Stoneleigh
Price: $NZ24
Closure: Stelvin
Date tasted: December 2008

Vidal Sauvignon Blanc 2008

It’s fashionable to bash Marlborough Sauvignon Blanc, but I confess I’m a fan. At their best, they represent the sort of flamboyant vulgarity that is its own reward. I think their style misleads some into thinking all examples are equivalent, but I’d suggest their outré character makes things like balance and scale more important than many other, perhaps more forgiving, wine styles. When Marlborough Sauvignon Blanc goes off the rails, it really shows.

All of which is a less than promising introduction to this wine, made by a Hawkes Bay winery from Marlborough fruit. From what I understand, 2008 wasn’t a spectacular year, many wines showing the challenges of the vintage. This is the first I’ve tried, and it’s not a disaster by any means, but it is firmly tilted towards the sort of herbal grassiness I associate more with Margaret River than Marlborough, and which I have trouble with in excessive quantities.

On the nose, typically forthright yet showing a strident grassiness that sits atop the aroma profile, dominating other notes of crisp passionfruit and gooseberry. This somehow makes it more astringent yet duller at the same time; not a great outcome. It says something for the resilience of this style that, despite the odd balance, this wine is still quite clearly a Marlborough Sauvignon Blanc. The palate shows a softer wine that, whist remaining shackled to grassy notes, also remains quite drinkable through clever winemaking. By tempering any excess of acidity, the winemakers have softened this wine’s inherently astringent flavour profile to the point where it goes down quite easily. It continues to lack substance in terms of fruit notes, but it’s crisp and clean and refreshing. One could do a lot worse.

As an aside, I must come up with some form of shorthand for “Marlborough Sauvignon Blanc,” as it’s quite cumbersome to type over and over again. Any suggestions?

Vidal Estate
Price: $NZ20
Closure: Stelvin
Date tasted: December 2008

Château de Tracy Pouilly-Fumé 2001

It’s Sunday afternoon and the storms keep threatening to hit, but never quite do. Still, the air is thick with humidity and the smell of imminent rain, and it’s moments like this where I tend to reach for something in white. If it’s pungently aromatic, then so much the better.

Golden colour, pretty and showing signs of bottle age. A really striking nose, intoxicatingly rich with aromas of honey, tropical fruit and a little flint. There’s also a sour floral dimension that reminds me of the smell you get when you shake a flowering weed. Sharp, astringent, yet oddly pretty. Taken as a whole, it reads as a dessert wine with considerable edginess.

In fact, it’s a dry wine that tightens considerably on the palate. Immediate, intense flavour on the tongue as the wine enters the mouth. Acidity provides immediate textural interest and accentuates the wine’s fruit flavours early. In fact, this wine’s acidity is worth a few more words. Sauvignon Blanc-based wines often have quite aggressive acidity, which can be fun, but here it’s on an altogether more sophisticated plane. If one were to consider a wine’s acid visually, this wine would show a straight line from left to right, fine and firm and absolutely mouthwatering. Fruit weight gathers steam and, by the mid palate, there’s a gorgeous richness washing through the mouth. More honey and sharp tropical fruits, with a sideline of minerality that blends well into the acid structure. The sweetness of fruit and bottle age resonates through the after palate and continues well into the finish. A slight bitterness here is the only element that disrupts an otherwise harmoniously balanced flavour profile.

This is surely drinking at its peak, with a range of youthful and bottle aged characters existing in complementary fashion. I love this expression of Sauvignon Blanc and would happily drink this as an aperitif or with smoked salmon canapes.

Château de Tracy
Price: $NA
Closure: Cork
Date tasted: November 2008