Tag Archives: Shiraz/Syrah

Mulyan Block 9 Shiraz Viognier 2007

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Some wines tread a fine line between angular and offputting. This wine (or this bottle) is certainly a good example; at least at first, where the overriding impression is one of tacky New Zealand geothermal theme parks (“Craters of the Moon!”) and mud. But just as I was about to reach for the term “European” to describe what felt like a borderline faulty wine, it has zapped into focus, becoming a peppery, meaty expression of Shiraz Viognier that is decidedly improving with air.

Full-on pepper steak aromas smother core of dense berry fruit, quite dark in character and brambly in expression. The aroma is actually quite fascinating in its cacophony; I can’t decide whether it’s disjointed or a radically different interpretation of coherence. I suppose that it prompts such aesthetic flights of fancy is a point in its favour, irrespective of taste.
The palate is also curiously styled, with a plump apricot presence alongside red berries and more cooked steak. It’s flavoursome for sure; the entry has good immediacy and zips along in the mouth, thanks mostly to some fairly prominent acidity. The middle palate relaxes a little, though it’s still bright. Medium bodied, this wine’s mouthfeel is slippery despite the acid, and reminds me a little of the way apricots feel when you bite into a ripe one. Fruit character is quite sweet, which is a provocative counterpart to the funky, meaty notes and makes for a flavour profile that is full of contradictions. Good continuity through the after palate, and a nice flourish on the finish helps berry flavour to linger on for a good while.
Despite its oddity, I’m fascinated by this wine. Its profile is far from conventional, and tends towards exaggeration. But it’s also more beautiful than many conventionally styled wines. 

Mulyan Wines
Price: $A25
Closure: Stelvin
Source: Sample

Collector Reserve Shiraz 2007

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I burned my mouth on soup today. Aside from causing me to wonder why on Earth I chose to drink hot soup on an almost-Summer Brisbane day, my tongue is now less than sensitive to the more subtle, textural nuances of this wine. I find the more I taste it, however, the more discerning I become (a fact not unique to this wine, or so it often seems).

It takes a few minutes to get going. On the nose, considerable complexity of spice-like notes overlaying rich, plummy fruit and sleek oak. Somehow, I’m reminded of modernist Californian residential architecture; think Richard Neutra. Clean, spatial and coherent, but with a sense of warmth missing from some harsher intepretations of the International style (and, in the vinous context, of cooler climate Shiraz). This is certainly well-formed and harmonious, and keeps getting better in the glass.

The palate is all class, showing a particularly compelling texture thanks to some bloody good tannins. Totally controlled on entry, dark plum fruit flavour leaps forward first, followed by a gush of spice and more of the cedar oak. It’s medium bodied at most, and presents as both delicate and confident. Everything comes together on the middle palate, which shows a unified flavour profile underlined by a blanket of sweet, ripe, powdery tannins. There’s also what seems to me like a thread of minerality running through the core of this that is fascinating. Fruit takes a liqueur-like turn through the after palate, and the finish is both dry and fruit-sweet at the same time.

Very Canberra, very classy. Just like me.

Collector
Price: $A46
Closure: Stelvin
Source: Retail

Château de la Negly Coteaux du Languedoc La Clape "La Falaise" 2006

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Wow, lots of tiny French words on the label here. At times like this, I throw my hands up and just Google the damn encépagement because I really can’t be arsed to remember details about every AOC under the sun, now, can I? Anyhow, what we have here is a straight-up grenache-syrah from the south of France with a slightly porty, slightly confected, and very much grilled nose, grilled meats and toasted wood, with a homeopathic dose of whatever French is for the funk. The wine offers up an enchanting mixture of stewed prune dessert, well judged wood, and a sort of strawberry-balsamic-black pepper effect – very complex and pretty freakin’ lovely.Very rich and mouth-filling, this is big enough to be Californian, and yet that fine-grained tannin and minerality gives it away instantly as Not Being From Around Here, if you know what I mean. Sharp, lively acidity underpins it as well, so the fullness of the wine doesn’t grow tiresome; the finish is long and smooth, all roasted toffee over a bed of freshly planed tannins.Absolutely lovely wine and a steal at this price.Château de la Negly
Price: $13
Closure: Cork
Source: Retail

Tahbilk Shiraz 2006

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I have a mini-fascination for wine labels, both new and, especially, old. A case of Tahbilk samples arrived the other day with a media pack, the first two pages of which focus entirely on the new label design being rolled out across the range. As someone who has an affection for Tahbilk’s terminally daggy yellow label, I was initially disappointed to see the modern, cleanly graphic design now applied to most wines in the range. But on closer examination, I’m forced to admit it’s a very successful design, engaging key aspects of the older label without creating an excessively modern look. 

The wine itself echos its label, a veneer of contemporary oak overlaying gleefully old-fashioned aromas and flavours. The nose is mostly savoury and slightly elusive, modulating between bubblegum and baked goods but never settling on either. It’s actually quite hard to describe, and the closest I can come is the smell and taste of blackberries that are, somehow, robbed of their sugar, leaving an appealingly plump, yet savoury, fleshiness. 
The palate amplifies this impression, a determinedly savoury core of dark berry fruit running its full length. Quite relaxed on entry, a peachy plushness develops towards the middle palate thanks to dense fruit flavours and chocolate-like tannins. It’s medium bodied and friendly, which masks to an extent the honest rusticity of its flavour profile, kind of like a farmer who scrubs up especially well. A slight objection is the prominence of nougat-like oak, which seems at times unnecessarily assertive. The after palate is dry and fruit-driven, with a slightly liqueur-like flavour. A surprisingly long, satisfying finish, filled with residual berry flavour and seductive oak.
A good wine and exceptional value for money, I reckon.

Tahbilk
Price: $A20
Closure: Stelvin
Source: Sample

Yelland & Papps Greenock Shiraz 2007

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Some producers, often the more interesting ones, evolve a consistent house style that, presumably, speaks to a certain idea of wine. In the case of Yelland & Papps, there’s an easygoing lack of pretentiousness to its wines that is, frankly, a relief after tasting more ambitious, overwrought styles. On the minus side, it can come across as excessively dilute and unstructured, as I felt was the case with the 2007 Cabernet I tasted (but did not write up) the other day. But when it works, as with this Shiraz, it’s very pleasing indeed.

Once past an initial bit of stink, lots of expressive, soft aromas, with a mixture of milk coffee, sweet juicy berries, crushed leaf and warm brown spice. It just smells good really, the same way coming home to an almost-ready roast dinner smells good, and it’s not hard to forgive a hint of overripe fruit that is also in the mix.
The palate is attractively structured, with the same prominent acidity I noted in this producer’s 2007 Grenache propping up each flavour and tempering the sweeter tendencies of the fruit. The entry is straightforward and quite lively, introducing a core of clean blackberry fruit surrounded by supporting spice and coffee oak. The middle palate is just so easy and clean, it’s hard not to enjoy. Nice movement through the after palate, with lighter red berry flavours coming to the fore. Decent, balanced finish with subtly textured tannins lightly brushing the tongue.
A very down-to-earth wine. Provided you don’t have any issues with acid-driven, relatively fruit sweet red wines, it should go down a treat.

Yelland & Papps
Price: $A30
Closure: Stelvin
Source: Sample

Grampians Estate Rutherford Sparkling Shiraz 2005

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I shared this with colleagues over dinner on Monday evening, so my recollections of the moment are as much social as vinous. Still, this wine went down easily and accompanied our Indian meal rather well. 

An extremely vigorous mousse, almost as aggressive as Diet Coke when poured into a fresh glass. As an aside, are there any more wonderful sights in wine than sparkling Shiraz as it fizzes and foams on pouring? There’s something gloriously vulgar about the purple mousse, profoundly unnatural yet appealing. It reminds me of Christmas, somehow. But back to the wine; a nose that seems even-tempered, recalling a still wine more than a sparkling one. It’s blackberried and plummed in equal measure, all sprinkled with dark spice.
The palate shows me why some of the best sparkling Shiraz wines come from the Grampians, home of the style and long renowned for its elegant, medium bodied Shiraz-based table wines. Sparkling red wines, especially at the low end, can tend towards too much sweetness, with a rough structure and obvious fruit. This, by contrast, showcases its moderate body and relatively subtle effervescence, creating an impression of elegance and style rather than skirt-raising good times. A nice, lively spritz on entry, followed by a middle palate that shows great balance between savoury spice and fruit sweetness, between spritz and linearity. It’s all quite restrained, really, almost quiet, which only serves to highlight the tasty, if simple, flavour profile. The whisper of a middle palate surges again through the after palate and finish.
I wouldn’t call it a great wine, but the elegance of its palate weight and structure really impresses, and turns what can be a neon style into something subtle and alluring.

Grampians Estate
Price: $A45
Closure: Crown seal
Source: Retail

Dusted Valley Stained Tooth Syrah 2009

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Damn it, some wines just smell good. I came home from work, cracked a bottle of the 2002 Clonakilla Hilltops syrah, and wound up with a huge snootful of Brett and mousy band-aid aromas. Yuck. Poured that one down the sink, grabbed the other bottle sitting next to the coffeemaker, twisted off the cap, and boom: vinuous Nirvana.If you like your shiraz, er, syrah cofermented wtih some viognier for that patented Côte-Rôtie effect, this stuff will do you just fine. Wonderful notes of roasted nuts, bacon fat slide on up out of the glass and say hello; gentle floral aromas of iris root suffus it all in a gauzy Brian de Palma glow; the effect is of a beautiful young woman drinking Russian tea in the springtime.OK, that was ridiculously over-the-top, even for me. All I can really say is this: Damn, that’s beautiful, and a tough act to follow: somewhat disappointingly, the wine doesn’t taste anywhere as good as it smells. The entry onto the palate is clumsy, the body doesn’t seem quite as rich and filling as the nose would promise, it could use a little bit more acidity perhaps, and yet the finish is just fine, flavors fanning out into a truly lovely array of mostly fresh, grape-y flavors.The difference between a good wine and a great wine? Try a bottle of this, then a bottle of the Clonakilla shiraz viognier, the Columbia Crest reserve syrah, or something properly French and see for yourself. Full marks to the winemakers here for producing such a wonderful nose, but the rest of it just doesn’t live up to the promises that the glass offers up. Shame.Dusted Valley
Price: $25
Closure: Stelvin
Source: Retail

Collector Marked Tree Red 2008

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I blinked and, in addition to putting on a few kilos, missed the last couple of vintages of this wine. Which is a shame, as I thought the 2005 rather good.

This looks a lot darker and more serious than the earlier wine, an impression borne out by the nose. This is dense, full of squishy dark plums, laced with black pepper and spice. There’s a sappy edge too that contributes sophistication and a bit of funkiness to the aroma profile. I especially like the spiciness of the aroma – it tends towards dark, roasted spice and nuts rather than a lighter, more floral character one sees in some other cooler climate Shirazes. To level one criticism, the whole is a bit blunt, taking a caveman approach to seduction. It may be that time will teach it more subtly persuasive ways.

The palate remains dense and dark within a medium bodied frame. The entry is precise and cool, hitting the tongue with a satisfying sense of controlled movement. There’s no great widening on the middle palate, as acid and tannin combine to keep things on the straight and narrow. I find I like this type of wine more and more; there is a tantalising aesthetic tension when hedonism is combined with tautly expressed structure and shape. The middle and after palates pull their punches a bit, never delivering the sort of intensity demanded by the other elements. The flavour profile turns towards a sappy, savoury, oaky expression as the wine moves towards its reasonable finish.

My kind of wine stylistically; I’m just left wanting a bit more oomph from the fruit. I doubt, however, there’ll be any left in the bottle tonight.

Collector
Price: $A26
Closure: Stelvin
Source: Retail

Balthazar Shiraz 2005

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2005Shiraz1.jpg

There are few things in art, and indeed life, more tantalising than a mistaken first impression.
The bottle in front of me is festooned with gold stickers (much more so than in the accompanying photograph); so much bling threatens to overwhelm a striking label design. To certain weary enthusiasts (that’s me), it might also signal an unsubtle, “show” style.  So its true character, when revealed, comes as a surprise. Indeed, what is remarkable about this wine is its powerful intimacy. It draws you in quietly, peeling itself back one translucent layer at a time, until you’re lost in its grasp.
I was advised by this wine’s mother to give it a good hour and a half of air before attempting serious evaluation. In fact, I left it overnight to breathe, and feel on day two its expression is close to complete. At first, a nose that is all mocha oak and deep, ripe plums. It’s complex yet utterly restrained from flowing as it ought. A couple of hours later, the aroma profile is wider and more expressive, though still deeply coiled and suggestive of untold generosity. Finally, a day on, there’s some freedom, structured yet moving without restraint, a multi-coloured kimono of aroma. Black fruit, complex spice, hot sun on brambles, some vanilla. It’s all quality, with good integration and poise, yet it’s subdued and subtle, in a positive sense. There’s no yelling, just sweet harmony and rhythm.
The palate is equally seductive, and it’s difficult to tease each element apart.  Flavours are in line with the nose, though a successful balance between sweet and savoury fruit is more evident here. There’s a voluptuous slipperiness to the mouthfeel that is also notable. On entry, inky fruit and coffee grounds create a dark flavour profile that carries through to the middle palate. Here, it lightens a little, red fruit and plums emerging alongside orange juice acidity and brown spice. There’s a lot going on. The after palate is positively fruit driven, and very clean in presentation. It sustains the momentum of the front palate through to a musky, powerfully soft finish of ultra-ripe tannins and sweet fruit.
What a lovely wine. It’s striking and intense and all of those good things, yet somehow manages to communicate with understatement. A most intriguing, satisfying wine.

Balthazar of the Barossa
Price: $A50
Closure: Procork

Balnaves Shiraz 2006

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Shiraz plays second fiddle to Cabernet Sauvignon in the Coonawarra, and one might suggest this is a good thing, considering the classic status of Cabernet from this region. Indeed, I’ve sometimes wondered at the local tendency to plant a fruit salad of grape varieties with little apparent regard for established regional styles. Two points, then. Firstly, if it tastes good, I want to drink it regardless of region or variety. Secondly, and more specifically, Shiraz has a lineage of some magnificence in the Coonawarra. The Wynns Michael Hermitages from the 50s are an obvious card to play in this regard, and on more personal terms I’ve had many lovely Coonawarra Shiraz wines over the years, including a remarkably ephemeral Redman Claret from 1976, consumed about 3 years ago. So yes, I’ve a soft spot for Shiraz from this region, and it’s with some anticipation that I taste this reasonably priced Balnaves from 2006.

Despite 15% abv (per the back label) and an impressive sense of scale in its flavour profile, this wine manages to retain a degree of elegance on both the nose and palate. Certainly, this isn’t due to restraint in oak treatment or a lack of ripeness. The nose shows lashing of blackberry brambles, coffee grounds and a certain (attractive) twiggy aroma. It’s dense and quite heady, hints of spice adding complexity and sophistication. There’s a hot edge to the aroma, which isn’t overly distracting to me. 
The palate follows through with a good dose of blackberry and spice, framed by oak that appears less dominant than on the nose. Indeed, the oak is remarkably well integrated into the flavour profile, adding a cedary, coffeed frame to generous fruit that, after a little tussle, grabs centre stage. The entry is subtle and creeps up slowly, showing mostly oak flavour underneath a rising surge of fruit that finds its full expression on the middle palate. Though the flavour profile suggests rich, ripe berries, this wine stops short of full-on hedonism, and seems between medium and full bodied to me. I think this is a good thing; as the body is contained, a nice tension develops between flavour and structure. There’s plenty of acid and tannin to keep things lively in the mouth; all in balance and well integrated. The after palate is quite light, with transparent fruit flavours and an astringently sappy, twiggy note. The finish is quite satisfying, if a tad hot.
Given its dimensions in terms of flavour and alcohol, this is refined and elegant. Most of all, though, it has that drinkability “X factor” that is rarer than it should be. Go Coonawarra Shiraz!

Balnaves of Coonawarra
Price: $A24
Closure: Stelvin