Karra Yerta Shiraz Cabernet 2006

This wine (and winery) defines boutique in many respects. A limited run production of 170 cases, made by James Linke from Eden Valley and Barossa fruit, then blended by Pete Schell to create this quite outstanding little number. When I asked the engaging Marie Linke the intent behind this wine, her answer was “a good home brew, for ourselves, but plans change.” And how.

I tasted this over two days, and recommend a good decant at the very least if drinking now. The nose is almost provocatively complex, with notes of gunpowder, barbecued meats, five-spice, lavender, mulberries and cocoa powder. It sounds cacophonous but it’s more like a plaid wool blankie: textured and comforting. The aroma profile softened overnight, not becoming less complex but simply settling into its groove, less puffed out, more sophisticated. If there’s a hint of volatility, it works well to lift into and penetrate the nostrils. 
The palate has shown an even greater transformation with time. At first, unexpectedly bright red fruit shoots down the mouth, accompanied by the same savouriness as in the aroma, falling away a bit on the after palate. A couple of hours later, it fills out significantly, gaining weight and elegance at the same time, and losing the slightly disjointed construction I saw at first. The next day, now, it has melted into a thing of beauty, a limpid pool of dark richness that seems to dissolve onto the tongue with an impossible sense of control. The fruit flavour has gone to dark cherries, with a range of other flavours (including sappy oak) that resist being teased apart from one another. The slinky mouthfeel is a highlight here; tannins are almost excessively fine and ripe. 
This is a “fall in love” sort of wine; distinctive, beautiful. I’m not going to resist.

Karra Yerta Wines
Price: $A25
Closure: Stelvin

Jimbour Station Shiraz 2008

I like the idea of this wine. Its fruit is sourced from a single estate vineyard in the (I believe undeclared) Darling Downs region of Queensland. The region was an important centre for winemaking at the turn of last century, so there’s some provenance at work here. 

I admit to having no experience of Shiraz from this or any other producer in the area, so I’ve no preconceived ideas as to flavour profile or style. Which can be a little anxiety-producing when it comes to tasting. I’m not sure if anyone else finds this, but having no immediate context in which to place a wine recalls, in a sense, Sartre’s nausée. It’s always more comforting to know what to expect. 
To the wine itself, the nose shows fresh juicy plums, some vegetal or stalky influences, and a high toned note that is not quite white pepper. There’s also a bit of vanilla oak. Not complex but very lively and quite distinctive. It’s also a bit angular, as if the Other Mother’s spindly hands from Coraline are reaching out of the glass to poke at your nostrils. 
The palate reflects many of these impressions in the way it is put together. There are, individually, some attractive elements. The fruit flavour in particular is really vibrant and fresh, with good depth and clarity. There’s also spice and some higher toned stalky notes (not sure if the winemaking included an element of whole bunches). I like this expression of Shiraz; it’s built for tasty quaffing. But I’m struggling with the structure here. It feels clunky and disjointed and really needs some time to settle down. Spiky acidity is the most prominent influence, contributing excitement but also fatigue after a few sips. Tannins are quite dry and even, though a tad raw too, ensuring good thrust and persistence through the finish. The alcohol is unbalanced, with perceptible heat on the palate and a roundness to the mouthfeel that doesn’t quite match the wine’s flavour density and profile. One longs for a less pumped up presence that enables great gulps of tasty Shiraz flavour.
A mixed experience, then, but full of promise too. There’s real merit to the fruit in this wine, and I’d love to see a more balanced expression of its flavours. 

Jimbour Wines
Price: $A13.30
Closure: Stelvin

Dominique Portet Shiraz 2002

Sadly, I only had one bottle of this left – and I opened it just now only to find that it was corked. Based on the previous bottles of this I’ve enjoyed over the years, though, I’ll leave this not-a-tasting-note up here as a reminder of the quality of the other bottles; this wine is a good example of New World wine made with a nod towards Old World sensibilities: it’s not over-oaked, not overly alcoholic, and yet hasn’t artificially been limited in its elevage so that it slavishly mimics Old World wines. Instead, what you get is a wine that walks the line between the two: fully ripe New World fruit, yet with earth and minerality (subtle, but it’s there). Even relatively soon after its release – a year or two, if memory serves – it had characteristics of older wines: a relatively flat, gracious palate with fine grained tannins and a rich nose of sweet brambly fruit.I’ll miss this stuff and hope to find more of it again in the future.Dominique Portet
Price: $20
Closure: Cork

Sandstone Cellars V

There’s something to be said for a wine that makes itself smelled even from across the table. I poured a glass of this, sat down at the computer, and at no point forgot that it was there: it positively exudes perfume. The color is remarkable: rich and deep, dark red with a slightly watery rim, at first giving the appearance of an older wine but somehow it’s all very youthful at the same time.

One smell of this and I’m transported: this does not smell like any wine I’ve had before. All kinds of random associations come to mind: the crisp, dry, crinkly skin of fresh tomatillos; dusty corridors in government buildings in distant counties, dessicating in the summer heat; the smell of the upstairs closet with Mom’s college papers, reel-to-reel tapes and all; a warm summer’s night in the house where grew up in the San Joaquin valley, crickets and trains on the night breeze, the warmth never fully gone from the hay bales outside. It’s remarkable.

Trying to think more traditionally about this for a minute, there seems to be a dry, dusty mint or basil note hovering over dry baker’s chocolate on the nose, wet earth, dried meats (not smoked), and (remarkably) something like dried violets. In all honest, I find it absolutely fascinating: so many different smells, such odd suggestions of things that really don’t have tastes or smells. If a mark of a great wine is that it somehow manages to remind you of things in your past that you’ve forgotten, well, then this wine’s a great one.

The first thing that strikes me about this wine in the mouth is the texture: it seems much richer, unctuous, fat, wide than most others do. Taking a minute to experience the physicality of the wine, I sense that it seems to slip away quietly, somehow vanishing towards the middle-back of the mouth while leaving that same impression of fullness behind. There’s good acidity here, which I suppose guarantees the soft disappearance; the tannins are finely checked and leave a lingering sense of elegance.

As far as the flavor of the thing goes, it again doesn’t really taste like any other wines I know. There are fleeting hints of typical syrah and zinfandel – snatches of deep, plummy fruit and smoky bacon fat – and yet there’s some other flavor dominant which (and I do apologize for the suggestion) somehow reminds me of mucilage or packing tape: it’s definitely not the usual thing. At times I find it challenging and not quite welcome; at other times, especially when paired with some soppressata-style salami, it calms down into something more conventionally agreeable, with flashes of comforting sweetness amongst rich smoky earth and ripe red fruits.

I have absolutely no idea what Don Pullum and the rest of the folks at Sandstone Cellars are doing, but it’s some of the most interesting wine I’ve ever tasted. If there ever needed to be proof that Texas makes serious wine, this is it.

Sandstone Cellars
Price: $25
Closure: Cork

Cardinham Estate Shiraz 2006

I have a soft spot for Clare Shiraz and this is good example of the genre, in an easygoing and very much fruit-driven mode. In terms of provenance and winemaking, this comes from 100% Estate grapes and is aged in older American oak for eighteen months. 

A dark, brambly nose that shows juicy blackberries, sambuca and a bit of sweet vanilla. There’s a sense of straightforwardness to the aroma profile that suggests easy satisfaction; it doesn’t play hard to get. Very much a similar story on the palate, with plenty of juicy dark berry fruits and enough oak to frame the fruit flavours appropriately. Entry is fairly slow to get started, though by the time the middle palate arrives there’s an abundance of generous fruit and edges of spicy anise. Very well judged tannins begin to flow at this point, quite loose-knit and ripe. The after palate shows a lighter fruit character, verging on red berries, before a coffee and liqueur finish of some deliciousness.
Nice wine, this one. It combines the spirit of a quaffer with the flavour profile of something considerably more distinctive and regional. 

Cardinham Estate
Price: $A20
Closure: Stelvin

Mount Langi Ghiran Langi Shiraz 1999

I’ve been really impressed with the various Grampians Shirazes tasted of late – consistency of style, distinctiveness of character, at all price points. No wonder it is such a renowned region for this variety, though arguably lower in profile than it deserves. Swings and roundabouts, though; as attention shifts to cooler climate expressions of Shiraz, the role of regions like the Grampians may end up being disproportionately significant.

There’s more than a hint of Gimblett Gravels Syrah in this wine’s nose, though here the aroma is not so aggressively spiced/floral as some from Hawkes Bay. Still, there’s definitely a shake of potpourri within this complex aroma profile of pepper, blueberries and mushroom. Although it’s almost ten years old, it remains strikingly primary, with only some mushroom or leather notes to betray almost ten years of bottle age. I can only imagine it as a young wine. Overall, very aromatic, rich and exotic. 
In the mouth, an intense punch of fruit flavour. Again surprisingly primary, this wine is resolutely alive on the tongue, an impression to which all its elements contribute. The fruit is dark and concentrated, and frankly inseparable from the array of spice notes also present. The acid is quite firm, though certainly not dominant, ditto the tannins; there’s some of the clean flow of an older red wine, but it’s early days. What I like most here is an easygoing, almost casual, elegance. This isn’t some obsessive study in high style (though it’s extremely stylish). Rather, it drapes effortlessly and hence gives off a vibe of natural vitality. All of which adds up to a wine that is all quality but that is so easy to drink it’s almost quaffable. The finish is especially long and fine, laden with spice and hints of cedar oak. 
A delicious, benchmark Shiraz that is just starting to show some positive signs of age. Along with the 2004 Clayfield, this would be my favourite amongst recently tasted Grampians Shiraz wines.

Mount Langi Ghiran
Price: $A61.75
Closure: Cork

Best's Great Western Bin No 0 Shiraz 2004

This is building really well in the glass. It started simple and lacking in depth, but a very few minutes’ swirling yields excellent development of the aroma. Juicy yellow plum flesh, vibrant spice and a note that is half way to turned earth; that’s quite a reductive description, though, because it smells very coherent with good complexity, not easily separable into individual notes. It is perhaps brighter than some of the other Grampians Shiraz wines I have been drinking lately. 

In the mouth, the fruit becomes deeper in profile, with a rich dark plum note the centre around which spice, earth, coffee and other goodies revolve. Good impact on entry, with a strong burst of texture hitting the tongue along with intense fruit flavour that builds nicely. Assertive tannins take over somewhat on the middle palate, and mask to an extent the fruit, which becomes increasingly savoury as the wine sits in the glass. They are the kind of tannins that start off luxuriously chocolatey and rich, before crossing the line to become aggressively dry. Very fine and flavoursome, though. Really good drive through the after palate to a finish that struggles a bit against all the tannins. The whole is medium bodied and, at times, I thought I could detect some alcohol heat, but this was a fleeting rather than consistent impression.
This is flavoursome and impressive, though in the mouth there isn’t elegance so much as the tangle of limbs associated with a fashion model in training. Should fill out, soften and gain ease in time but, as it is, not ready for its close up.

Best’s Wines
Price: $A55.09
Closure: Cork

DXG Yorkville Highlands Rosé of Syrah 2007

Reading between the lines on the beautifully designed label, it would appear that this is another attempt at selling cleanskins (i.e. wines sold not by the wineries that made them, but by third parties that resell them under the own labels) in the USA. Although K&L have been doing this for years under the Kalinda label, and although the Cameron Hughes label has been around for a couple of years, I have yet to see anyone selling wines cheaply. Instead, what you generally get is relatively high end wines at relatively high prices – this, it seems to me, is a mite perverse in what’s generally acknowledged as pretty crappy economic times. After all, a California pink wine at $10 is still relatively expensive considering that this wine was displayed near $7.50 wines from Argentina, $5 wines from Australia, and of course our very own white zinfandels at $3.So how’s the wine?First off, the color is entrancing. It’s a wonderful, dark pink that’s similar to pomegranate juice.  It’s not quite so dark that it could be mistaken for a thin red Burgundy, but just barely. The nose is medicinal, shot through with camphor, cotton candy, roasted corn, and a fair whack of spicy black pepper.Tasting at first of nothing but fresh wild strawberries, it’s unsettlingly like a gourmand perfume aimed at teen-aged girls. That passes quickly, though, calming down into rhubarb-ridden cream shot through with subtle spicy notes; the texture is fairly serious for a pink wine, with a sort of supporting tannic note that gives it a certain gravitas. There’s a brief uptick in acidity on the finish, giving it a much needed freshness, and yet the finish does go on for a while, restating the themes of the wine – pepper, strawberry, rhubarb – with a steely repetition of serious, serious, serious. This could be the closest pink wine to a red wine that I’ve ever experienced; it’s an interesting style to say the least. Whether or not it’ll work for you isn’t something I can guess, but I can say that you’re getting a hell of a lot of wine for your money here. Yes, I still wish we had a cleanskins industry of Australia scale, but as long as we have wines like this available for not-outrageous prices, I’m more than satisfied with what we’ve got.Piaceri Wines
Price: $10
Closure: Synthetic cork

Best's Great Western Bin No 1 Shiraz 2006

Jeremy over at Wine Will Eat Itself recently blogged about terroir and (amongst other things) its relationship to quality. I’m inclined to think that a sense of place contributes interest quite apart from objective notions of quality and that, indeed, the two can be quite separate. This wine is a real live example, albeit on a regional scale. 

Utterly regional on the nose, with exotic spices overlaying darkly-fruited aromas and some vanilla oak. It’s quite straightforward and lacks the complexity that might elevate it beyond simply being correct. However, if you like Great Western Shiraz, it will be like coming home.
Very much more of the same in the mouth. Lots of flavour from the word go, with ripe plums and blackberries the key fruit characters, along with tantalising spice and balanced oak. Medium bodied, the middle palate is especially luscious, showing the greatest level of flavour density and a velvet texture. The acid and tannin seem very well balanced and provide a nice framework within which flavours can move over the tongue. For all that, there’s a blocky or blurry character  that prevents it from feeling truly sophisticated. And, despite the rich flavour profile, it’s not the last word in intensity, which leaves me wanting more.
Impressive typicité, then, without rising to an exalted level of quality.

Best’s Wines
Price: $A22.80
Closure: Stelvin

Mount Langi Ghiran Cliff Edge Shiraz 2005

Bit of a Grampians-fest here at Full Pour lately, and why not? Long renowned for quality wine,  and apart from a couple of high flying labels, this historic region seems to sit under the radar and the total number of producers remains low. 

A forthright nose of ripe plums, cherries and not just a pinch but a whole market of exotic spices. The spiciness here is striking and, it seems to me, very regional. It’s quite a dark aroma profile overall, robust too, so words like “heady” spring to mind rather than “elegant.” There’s something to be said for impact, though, and this certainly has punch.
The entry is explosively satisfying, confirming the nose’s character with up-front flavour and substantial palate weight. This really is quite in-your-face, in a good way, with notes of incense, cedar oak, plum jam and other dark fruits intermingling on the mid-palate. Good drive through the mouth, with the after palate lightening a shade, showing less spice and more fresh fruit flavours. A tantalising, lingering finish, riding a velvet carpet of fine tannins.
This is an exceptionally flavoursome wine; not the last word in refinement, but generous and quite delicious. This is the sort of wine that I love, because it’s so true to its region and hence sacrifices none of its essential character, even though it is (nominally) a second tier label. 
As an aside, I do like Mount Langi Ghiran’s classy, strong branding. Nice work.

Mount Langi Ghiran
Price: $A21.85
Closure: Stelvin