Tyrrell's Vat 5 NVC Shiraz 2003

This label seemed to disappear from the Tyrrell’s portfolio after the 2004 vintage. I recall reading something about damage to the NVC vineyard, but the details escape me. In any case, I have enjoyed it on numerous occasions, and the vineyard seems to impart an earthiness that’s quite regional and perhaps even more prominent than in some other Hunter wines.

A forthright, savoury nose of wet earth, cooked meat, an iodine-like note and concentrated, slightly stressed fruit. It’s deep and dark, and bulkier than many of its regional siblings. In the mouth, intriguing despite dimensions that extend towards clumsiness. Savoury berry fruits flood the mouth on entry, and are joined on the mid-palate by assertive minerality and an equally assertive, astringent mouthfeel. Despite the benefit of a few years in bottle, this wine is still vibrantly primary, with rustic acidity and chunky tannins key to its current balance. The after palate and finish are puckeringly dry.

To be critical, the fruit is slightly dead tasting, and the overall impression is one of heft rather than elegance. Still, it’s a clear view into vintage conditions and perhaps all the more interesting for it. In fact, if you ever find yourself facing a bottle of the 2003 and 2004 NVC Shiraz, they provide a great insight into how vintage conditions can influence a wine’s character. Personally, I loved the 2004 wine. Not a renowned red wine vintage in the Hunter by any means, 2004 nevertheless gave birth to a light, funky, elegant NVC Shiraz. I wish I had more bottles of it.

Tyrrell’s
Price: $A30
Closure: Cork
Date tasted: September 2008

Lake's Folly Cabernets 2006

In amongst Max Lake’s considerable oeuvre is a slim volume of memoirs, richly recounted and highly enjoyable. It colours my view of the Lake’s Folly wines. It’s tempting to view wine solely in terms of what’s in the bottle but, perhaps inevitably, knowing something about its maker, the vineyard from which it came, regional history, and so on, makes for a more complete experience. The difference between wine evaluation and wine appreciation, perhaps. In any case, Max Lake’s memoirs are a nice view into what he originally set out to do with this label, and where it sits in the grand scheme of Australian wine.

A striking, pungent nose showing tobacco leaf, raw spice, fragrant cabernet fruit, sweet earth and a whole lot else besides. It’s really quite complex and distinctive — no doubt too distinctive for some tastes. Certainly not one for Cabernet purists. Very flavoursome entry that starts cool and savoury, but quickly reveals a wider range of flavours. There is a core of moderately sweet dark fruit around which revolve a number of high toned notes: some vegetal, some earthy, some oak-derived. As with the nose, complexity of flavour is a standout. The wine is medium bodied and full of interesting textures, from detailed acidity to ripe tannins that seem to land on the tongue in silty globs. The latter become a gorgeous influence on the after palate, and help flavour to persist with good intensity through a decent finish. It’s young but very well balanced and extremely drinkable now.

This is quite a funky number and, looking back over my impressions of the 2005 Cabernet, perhaps more immediately accessible than its predecessor. I probably prefer the 2005 but this is a lovely wine, full of personality.

Lake’s Folly
Price: $A50
Closure: Cork
Date tasted: September 2008

Tyrrell's Single Vineyard Old Patch 1867 Shiraz 2007

The renowned GW called my attention to the trophy recently awarded to this wine at the 2008 Hunter Valley Wine Show. Congratulations, Tyrrell’s. What better excuse to taste it now?

A deep, dark purple hue, dense and inky. I really didn’t get anything from this wine for the first hour or so. It’s so tight. I must admit, I shook the bottle up before pouring my second glass and, after some further mistreatment in the glass, I’m smelling a range of aromas. First, black pepper and spice, then blackberry, clean and deep. A bit of sappy oak, then aniseed and ripe brambles round things out. It ends up being quite distinctive and characterful, but it’s not a wine that reaches out to you. Not right now, anyway.

The palate shows an interesting mix of elements, all tied to a core of assertive but integrated acid. Despite its primacy, somehow the acid feels unforced and already it sits within the overall context of the wine, rather than apart from it. But back to the entry, which is dark and alive with tart, clean blackberry flavour. Things open up as the wine moves confidently through a medium bodied mid palate, and it gathers quite remarkable intensity of flavour along the way. There’s some fruit sweetness and savoury spice, all of which is currently subservient to acid. I love the way it widens in the mouth, creating an impressive sense of scale without any hint of heaviness or excess. In fact, the whole wine strikes me as architectural in the precision of its form. The finish lingers well, although it lacks a sense of weight that, I imagine, will come as the acid softens.

This is a very clean, characterful wine, and its quality is undeniable. It’s also an infant. I suspect it needs a few years, if not decades, to blossom and reveal the full spectrum of its personality. It is completely different in style from the 4 Acres, being a much darker, more brooding wine, less exuberantly fragrant and expressive.

Irrespective of whether you like this wine, it’s nice to be given the opportunity to taste the fruits of remarkable vineyards (or sections therein) that would otherwise disappear into larger production labels. Viewed from this perspective, the Old Patch and 4 Acres wines are an instant lesson in Hunter Valley Shiraz, its common character but also the range of styles that exist within its ranks. Perhaps the outmoded “Burgundy” nomenclature was appropriate in ways we’re only now beginning to see.

Tyrrell’s
Price: $A35
Closure: Stelvin
Date tasted: August 2008

Tyrrell's 4 Acres Shiraz 2007

This label seems to have gathered quite a following over its short life. I count myself amongst its fans. Ever since Gary Walsh created a stir with his review on Winorama, I’ve been particularly excited to taste the 2007 vintage.

The most lovely purple-red hue, deep and moderately dense. To smell, it’s very “4 Acres” but in an altogether deeper register. The characteristically pretty red and blue fruit is there yet, compared to previous vintages, it  demonstrates greater, quite extraordinary extension into the bass octaves. With only minimal swirling, an array of other aromas; earth, minerals, purple flowers, the slightest hint of gum leaf; emerge to create significant complexity. There’s also a slightly funky, barnyard dimension that strikes me as essentially regional, though very much secondary. I’ve been smelling this for a good half hour now and remain fascinated by each twist and turn the wine takes.

To the palate, then. So much goes on here, and it’s so attractive, I find it hard to respond analytically. But I’ll try. First, the acid. Structurally, this wine is driven by acid rather than tannin, so the acid’s quality is both critical and highly exposed. The attack is not overwhelming in this regard; instead, acidity builds linearly over the tongue, like a wedge that opens up from front to back of the mouth. It’s finely textured, three dimensional, and would be enough on its own to make a lesser wine worthwhile.

But it’s not on its own here. Flavours that precisely echo the nose run in and around the acidity, winding their way across the palate. The 4 Acres is always intense and finely etched but, as with the nose, there’s a density and depth here that goes beyond my previous experience of this wine. Body is also up on previous vintages. When you add acid to the mix, the effect is not unlike the richest textured velvet caressing one’s tongue. Silt-like, ripe tannins make a contribution to this texture. There’s a climax of acidity on the after palate, and then it all relaxes into a shapely finish that goes on for some time. Sensuous, complex and delicious.

If I were to highlight one quality this wine possesses above all others, it would be an immaculate line. From initial smell to lingering finish, there’s a sense of wholeness and integrity here that unifies each individual component and delivers a wine that, in the end, has its own philosophy. Whether you enjoy it as much as I do will, I suspect, hinge on whether you can relate to its point of view. It had me enthralled.

Tyrrell’s
Price: $A35
Closure: Stelvin
Date tasted: August 2008

Tyrrell's Vat 9 Shiraz 2002

Do we overrate the importance of vintage when assessing wine? Vintage conditions have an effect, at times profound, on the character of wine, but I wonder how productive is an absolute view of quality? Does our obsession with a “best” vintage enhance our ability to enjoy the drink? Or do we, in fact, neglect wines that have something interesting to say in favour of the latest “vintage of the century?”
More and more, I find myself happy, indeed quite interested, to taste wine from supposedly inferior vintages.

d'Arenberg The Stump Jump Grenache Shiraz Mourvèdre 2006

And so we come to the end of our bargain dozen. I’ve enjoyed the tasting and, for the most part, have been pleasantly surprised by the quality and variety available at around the $10 mark. I came across remarkably few corporate lolly-water type wines, and it’s nice to know one can buy a dozen wines at this price point whose flavours are willfully different from one another. To finish, I’m tasting a well-known quaffer, The Stump Jump, d’Arenberg’s entry-level blend of McLaren Vale fruit. 

Nose is slightly hot, with some green funkiness alongside savoury red fruit and sweet spice. It’s got personality. On entry, it’s surprisingly acidic, with a fresh and quite textured mouthfeel establishing early and carrying right through the line. Riding this acid wave is bright red fruit, some round spice and an astringent, sappy edge. Light to medium bodied, this wine has an almost Pinot-like flavour profile in some respects, initially savoury but gathering fruit sweetness as it moves through the after palate. There’s nothing outrageously complex here, and the acid is, to my taste, somewhat too aggressive, but it’s good drinking. The finish is perfectly acceptable, with subtle, plush tannins blanketing the tongue. 
A good wine to finish with, then. Rustic, unsophisticated, real. 
Price: $A10.45
Closure: Stelvin
Date tasted: August 2008

Angove's Long Row Shiraz 2006

I’ve got a head cold, am slightly cranky and, quite frankly, couldn’t take another cheap wine last night. So instead I opened a bottle of Collector Marked Tree Red. Thus sated, I can once again turn my attention to our value priced offerings. Here is a South Australian Shiraz from Angove’s, a Renmark-based winery with a broad portfolio of products. At $A6.60, it’s one of the least expensive wines in the dozen.

An attractive deep ruby colour, not overly dense. The nose speaks of black pepper and spice as much as fruit. Not the high toned floral spice of a cooler climate wine, but deep, rich spice that tends towards the brown, nutty type. Fruit character is subservient, dark and straightforward. The palate has good impact and its upfront acid brings more spice to the fore, at least on entry. Fruit emerges on the mid-palate as dark and slightly jubey in character, simple but certainly clean.

Sirromet Perfect Day Burnbelt 2005

Sirromet, located about twenty minutes from my house, is a winery I’ve driven past on many occasions but never visited. I thought I’d browse its website as part of writing this note, and in doing so discovered a rather large range of wines. Whilst there is a vineyard at the cellar door facility in Brisbane, I gather its fruit comes primarily from vineyards located in the Granite Belt region, near Stanthorpe. This wine, a blend of Shiraz, Cabernet Sauvignon and Merlot, is part of Sirromet’s entry level “Perfect Day” range, and is made from Granite Belt grapes.

I tasted this over two evenings, which is just as well as the wine improved markedly overnight. At first, I wasn’t terribly inclined to taste in depth; it struck me as all stalk, with very little underlying fruit. The second night brings things somewhat back into balance, although I still think the stalky/vegetal notes are overplayed. Funky, prickly aromas of stalk, with some spice and a hint of red fruit. It’s different, but whether in a good way will depend on your tolerance for greener flavours. The palate is quite bright, with more funk and stalk overlaying subservient yet attractive red and black berry flavours, and powdery vanilla oak. The wine veers from astringent greenery to sweet oak, without the depth of fruit to harness and make sense of this progression. Structure is quite well judged, with balanced acid and just enough dry tannins to round off the unremarkable finish.
I don’t have enough experience with this label or region to know how this wine sits in the overall scheme of things. It’s certainly interesting enough in its way, and I’d prefer to drink this, flaws and all, to a mass-produced wine of technical correctness but absolutely no character.

Somerton Shiraz Cabernet Merlot 2006

Surely, at $4.25, I’m tempting fate. The bargain dozen has gone quite well so far, with some unexpectedly unusual wines and a bit more character than I dared to hope for. Here, then, is a red blend from that vaguest of “regions”, South Eastern Australia. Having barely escaped a critter wine encounter with my sense of wine still intact, I’m interested, if a little apprehensive, regarding this equally inexpensive label.

A hint of black pepper and spice on the nose, backed up by smooth, rather flat berry fruit and a bit of toasty oak. Bland to be sure, but it smells more or less vinous. The palate reveals the extent to which this wine emphasises round, easy fruit. Relatively sweet, slightly confected berry fruit hits the tongue early and travels easily down the line. Some vanilla jumps on board as the wine chugs steadily towards the finish, and it all sort of disappears before you’ve had an opportunity to think about how you really feel. There’s not much in the way of structure, but neither are there off flavours or anything that makes you stop and think. In other words, it drinks like a good soft drink.
We’ve definitely jumped into “extreme value” territory with this wine, and style has shifted gears accordingly. At $10, it’s possible to get some sense of individuality. At $5 or under, I’ve yet to see it.