Kirrihill Tullymore Vineyard Cabernet Sauvignon 2009

Posted on May 8, 2011 by Julian Coldrey

They’re hardly fashionable, but I do like a good Clare Valley red now and then. Back in the day, and like many wine lovers of my generation I suppose, I cut my teeth on well-priced Clare reds from makers like Annie’s Lane. As a consequence, I have a soft spot for the somewhat rustic character a lot of reds from this region can show. Here we have a single vineyard wine, well priced at $19, from maker Kirrihill.

The nose is gentle and clean, with aromas of old nougat oak, blackcurrant, crushed leaf and some pencil shavings. It’s not especially complex, but it is well integrated and, in profile, quite pretty. It’s also a bit wan, and I wish it had just a bit more bite, less polish, more sex. As it is, the aroma is tentative and too softly-spoken.

The palate is a bit more satisfying thanks to a really attractive mouthfeel that modulates between loose knit tannins and a line of crunchy acid, tossing the wine into various corners of the mouth with a nice sense of liveliness. Flavours take a while to gather steam, peaking on the middle palate with a burst of bright red fruit and sweet oak. Though it’s not a big wine, it feels generous and warm, giving everything it’s got to the drinker.

Not a bad wine then, showing decent character on the palate in particular.

Kirrihill
Price: $A19
Closure: Stelvin
Source: Sample

Dowie Doole Shiraz 2009

Posted on April 30, 2011 by Julian Coldrey

I’m slowly recovering from the most unpleasant cold I’ve had in years, and tonight I thought I’d ease back into tasting with what is usually an easy wine to enjoy — Dowie Doole’s regular Shiraz. As impressive as this producer’s upper echelon of wines can often be, I enjoy the regular release for its extreme drinkability and unpretentious style.

I suspect the tricky 2009 vintage is showing through here in a slightly harder flavour profile than usual; there’s a woody, spicy, vegetal influence that competes with the wine’s lush, sweet fruit, though the latter is never overpowered by it, ensuring the style’s fundamentals still shine through in the end. The aroma starts with spice and transitions quickly to cherries and plums and rich, dark chocolate. It’s a guilty pleasure candy bar of an aroma profile, again with that slightly hard edge but also a soft, gooey core.

The palate echoes the nose quite precisely, wood and spice giving way to slightly stewed plum fruit that dominates the middle and after palates. This is a pricklier wine than usual, more angular and challenging. Still, it’s also a Dowie Doole Shiraz, so remains firmly in easy drinking territory, still showing as much freshness and drinkability as possible. The finish is a lovely surprise, long and spiced and red fruited.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Dowie Doole Garnacha & Tempranillo 2010

Posted on April 4, 2011 by Julian Coldrey

This wine’s packaging, with which I was so taken when I tasted last year’s release, still made me grin when I unpacked the sample box this evening. It’s just so bold and fun, without resorting to the sort of immediately dated look that so many other producers seem to arrive at when trying to make their wines stand out on the liquor store shelf.

I was also impressed with the wine in the bottle last year; for my taste, though, the 2010 is a marked step up in sophistication and style. If I were to level a criticism at the 2009, it would be at its fruit character, which was quite sweet, perhaps too much so for some, and overpowering the positive, dirty influence that Tempranillo can bring. This is still a lusciously generous wine that wears its Grenache on its sleeve, but there’s a savoury dimension that seems more prominent this time around, taking the aroma profile to a darker place and helping the whole seem more complex.

The palate is perhaps a tad more gushy than the aroma suggests. Viscosity and intensely gorgeous red fruits on entry, this moves to the middle palate with a whoosh of acid and several licks of sweet/savoury character. I’m sure if I had a very savoury red wine alongside, this would seem hopelessly naive, but on its own terms it is positively delicious and, given the style sought, it seems quite perfectly judged.

Bloody good quaffing wine for the drinker with attitude.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Karra Yerta Cabernet Sauvignon 2009

Posted on March 21, 2011 by Julian Coldrey

One of the benefits of writing a not-for-profit wine blog is that I can skew my tasting towards wines and producers in which I have a particular interest. So, when this wine arrived today, it shot straight to the top of the sample pile and indeed was quickly opened when I sat down to taste. I’ve enjoyed all the Karra Yerta wines I’ve tasted, to varying degrees of course, and I believe this is the first straight Cabernet I’ve tried from this producer. Grapes are sourced from High Eden, thirty two cases produced.

I was half expecting the down-home, earthy style I’ve enjoyed so much in Karra Yerta’s Shiraz and Shiraz Cabernet wines, but this is a different beast, stylistically. The nose is positively squeaky with bright fruit and high toned aromas. I don’t look to Barossa Cabernet for (what I consider) varietal character, and I’m not getting a lot of the cooler climate leaf and cassis typical of, say, Coonawarra Cabernet. In its place, a simpler and more accessible aroma profile, with edges of well-judged nougat oak.

The palate was initially both disjointed and confected, and for a moment I thought this might be the first Karra Yerta wine that disagreed with me. But just a few minutes of air has seen this really come together with dramatically increased complexity and a satisfying, acid-driven structure. It’s a fundamentally bright, crowd-pleasing wine in style, though, and may not be everyone’s idea of Cabernet. No matter – entry shows a gentle attack that builds quickly to a red fruited middle palate, all riding nicely textural acidity. Oak is a discernible yet subtle influence throughout, contributing vanilla and nougat in turn. The after palate gently darkens in profile before a soft, lightly tannic finish rounds things off.

Karra Yerta Wines
Price: $A25
Closure: Stelvin
Source: Sample

Flaxman Drone Blend 2009

Posted on March 7, 2011 by Julian Coldrey

I never know what to expect when I open a Barossa Valley Rhône-ish blend. Stylistically, producers seem to try everything, from the richest of rich wines through to lighter, more claret-like interpretations, a category to which this wine belongs.

On pouring, it’s immediately apparent there’s no great density of colour here, and this is the first clue as to the style on offer. The second comes quickly on the nose, where instead of the wall of fruity goodness one might anticipate, there is instead an angular, prickly aroma profile that teases rather than leaps from the glass. The second interesting feature of this wine now presents: the Mataro component is very prominent. There’s some typically sweet, confectionary Grenache fruit, but dominating this note is a meaty, savoury, frankly challenging set of Mataro aromas that are really fascinating and moreish.

The palate confirms this wine’s light attitude as well as its curious savouriness. Entry is quite striking, with an edge of acid leading to a flash of sweet fruit before the meat takes over and carries this wine through to an elegant, supple middle palate. I like the way the two constituent grapes appear to fight against each other as this winds its way down the line, sweet and savoury intertwining and constantly threatening to pull apart but never seeming to go that far. A lift of well-judged oak supports the after palate and ushers in a dry, slightly resinous finish.

Be careful how you match this with food. Its distinctiveness will be lost with something too robust (like my burger dinner). A subtle, sloppy ragu would be perfect, I reckon.

Flaxman Wines
Price: $A25
Closure: Stelvin
Source: Sample

Flaxman Eden Valley Shiraz 2008

Posted on March 6, 2011 by Julian Coldrey

To the many ways one might measure value for money in wine, I vote for the addition of a “cred” scale. If such a measure existed, this wine would score very highly indeed. For a mere ~~$A25~~ $A45 (see below), the buyer can enjoy an Eden Valley Shiraz (ding!), made by an utterly boutique producer (ding!) from Estate fruit (ding!) grown on old vines… well, you get the idea. My pocket authenticiometre really does register off the scale here.

None of which guarantees any measure of enjoyment. But it’s a conceptual start, and if one believes wine is, ideally, more than simply what’s in the glass, such things can matter. For instance, it may raise certain expectations of style and even quality: one might look to wines like this for fashionably traditional winemaking, or a clearer view into vintage conditions, and so on.

First impressions are solid; the aroma expresses a thick, ripe plum note that seems half way between the Barossa Valley and the Grampians, in that it combines the lusciousness of the Valley’s styles with a hint of the angularity one sees in cooler climate wines. I do such a classic style a disservice by comparing it to other wines, though; this is Eden Shiraz, if a ripe, relatively forward expression of the style. There are other aroma nuances too – a hint of pepper, some twig and dust.

This fullness of expression carries through to the palate, and here the wine is likely to polarise drinkers. This is a full-throttle wine whose density of flavour alone is impressive. Right from the entry, there’s chewy plum fruit, ripe brambles (the fruit and the wood) and nervous oak. The trade-off for all this flavour is a certain brutality to the flavour profile and in the way it registers on the tongue. It slams rather than floats down, creating a vivid sense of impact but lacking some finesse. Tannins are thick and chewy, contributing to a notably dry after palate and finish.

You could never mistake this wine for the product of large-scale winemaking; it wears its imperfections too flagrantly for that. Something to be thankful for.

Update: price on the sample bottle was wrong. This wine in fact retails for $45.

Flaxman Wines
Price: $A45
Closure: Stelvin
Source: Sample

Yelland & Papps Delight Grenache Shiraz 2009

Posted on January 17, 2011 by Julian Coldrey

This is a very tidy release from Yelland & Papps. Increasingly, I’m interested in the wines I choose and the reasons why I might feel like one style versus another. Tonight, I didn’t want to be challenged. I wanted a wine to caress my palate with generosity and warmth, ripe fruit, lighter coloured berries. The trade-off with these styles can often involve limited complexity and an obviousness of structure that can mitigate one’s full enjoyment. But I reckon this one’s got it about right.

There’s no doubt this is is a buxom, fruit-driven wine, as befits its varieties and regional origins. The nose is full of stewed plums, fresh raspberries and other fleshy fruits, all tinged with a hint of earthiness and the sort of alcohol heat that may be objectionable to some but to me, tonight, promises guilty enjoyment. But it’s the fruit that’s the star in this aroma profile, pulpy and ripe and more than a bit loose.

The palate is a genuine continuation of the nose, flavours translating authentically to middle and after palates of some lushness. It’s not as intense as one might like, and this fact leaves me wanting a little more with each sip. So, in this sense, the wine never fully delivers on its olfactory promise. No matter; a slippery mouthfeel adds the requisite sense of luxe to one’s experience, and there’s enough prickly acidity to prevent ripe plum and red berries from overstaying their welcome. Slight, powdery tannins overlay a finish that is part heat and part hollow. It’s all over much too quickly.

I’m enjoying this beyond what is reasonable and, despite its flaws, feel this really works.

Yelland & Papps
Price: $A19.95
Closure: Stelvin
Source: Sample

Flaxman Shhh Cabernet 2008

Posted on January 10, 2011 by Julian Coldrey

I was home late this evening, a consequence of having too much to do and not enough time in which to do it. Being generally indecisive when faced with too much choice, I was amused to observe an instinctive lunge towards a box of Flaxman samples as I was pondering what to drink. My experience of this producer’s red wines is one of generous deliciousness, perhaps going the extra mile in ripeness and oak to achieve more giving wines. Just the ticket.

Interestingly, although this shows no shortage of flavour, there’s an essential elegance to this wine that remains true to its variety. The nose is a nice blend of Eden earthiness and Cabernet purity, the former adding edge and texture to red fruit character that would otherwise tend towards confectionary. Hints of twig, crushed leaf and tart skins add complexity. There’s some oak in there for sure, and it tends to sit in the background, contributing some subtle spice and nougat aromas.

The palate is medium bodied and acid driven, surprisingly so in a way, and what I am enjoying most about this wine is the clean way it moves through the mouth, leaving trails of intense fruit flavour behind, but never cloying or appearing heavy. Entry is lively and immediate, building quickly to a middle palate that is both textural (mostly acid) and powerfully flavoured. If you can accept the fruit flavour profile on its own terms (and it’s very different from cooler climate Cabernets), this will be a pleasure. If not, you may wish for a less exuberant, more subtle wine. It’s all a matter of taste and occasion, I suppose; this is a wine that gives plenty without asking for much in return. And, as attractive as a bit of mystery can be, there’s a place for easy charms, even when it comes to Cabernet. A bit dippy through the after palate and finish, with a light dusting of charmingly coarse tannins.

Flaxman Wines
Price: $A35
Closure: Stelvin
Source: Sample

Yelland & Papps Divine Shiraz 2008

Posted on December 19, 2010 by Julian Coldrey

At $65, this wine sits firmly in “icon” territory on price alone. What’s interesting to me is that its producer, Yelland & Papps, typically produces joyously, perhaps even excessively, easy-drinking expressions of the classic Barossa Valley varieties (Grenache, Shiraz). How will this approach translate to a price point at which drinkers will undoubtedly expect so much more?

Once I recovered from pouring a glass from what is surely the heaviest bottle I’ve ever encountered, the nose screamed immediately “more.” More fruit, greater density, a surplus of oak; this wine is quite packed with elements, and they struggle at first to make their way coherently from the glass. It’s like the Boxing Day sales of yore, shoppers trampling over each other to get to the single, ridiculously discounted fridge freezer on Level 3. There’s plum essence, fruit cake spice and rather glossy cedar oak in the main. Perhaps slightly lifted, which helps the red fruit notes sing. I don’t think there’s an excess of complexity; rather, the focus is on impact and sheer quantity.

If anything, the palate is even more forceful. There’s a thickness of mouthfeel and generosity of flavour that’s immediately evident on entry, and it fairly forces the mouth open in order to accommodate all that it has to offer (including a fairly visible alcohol level of 15% abv). Super concentrated plum juice, all manner of red and black berries, more spice, more oak. There’s so much here I’m not sure where to look, but I can remark with some certainty that few will be left wanting more flavour than is here.

All of which causes me to return to my starting point, which is to question the stylistic implications of a reserve-level wine. Yelland & Papps has taken a relatively conventional approach of “more is more,” and within the style this is a really good wine, full of quality fruit and showing well-handled oak in particular. And, although it’s not what I’d class as an easy drinking wine, this somehow feels right within the context of the producer’s house style. Yet I can’t help wondering what the alternate options might be. A finer wine, perhaps, more detailed and characterful? Something challenging, with more adventurous winemaking or angular flavours? A style that mines less well travelled implications of Barossa terroir?

It’s no doubt wrong to criticise something for what it isn’t, and I hope my note makes clear that this wine has several outstanding features. Perhaps my own craving for novelty is the issue in this instance; drinkers are advised to crack open a bottle of this and enjoy what the Barossa does best.

Yelland & Papps
Price: $A65
Closure: Stelvin
Source: Sample

Flaxman Riesling 2010

Posted on December 18, 2010 by Julian Coldrey

There’s a collection of quality-focused producers, rather micro in scale, in and around the Flaxman Valley who are together creating a real stir amongst the cognoscenti. Flaxman is one such producer, and I’m pleased tonight to be tasting the latest estate Riesling, sourced from vines considerably older than myself.

The Flaxman Riesling style is typically a fuller, richer interpretation of the grape, and this is no exception. Where the Karra Yerta wines from the same area, for example, play with delicacy and pastel hues, this is a full throttle streak of sunlight, yet still identifiably Eden Valley, preferring floral and talc notes to the Clare’s juicy flavours. The nose first, which is full of bath salts, powder, puffs of citrus oil and spongey pith. It isn’t out-and-out powerful so much as firm and persistent, carving a clear line into one’s senses and never letting up until it’s time to sniff again.

The palate is an icepick of a thing, so cleanly articulated are the flavours and sharp the impact. But it’s not clumsy; indeed, there’s masses of detail as the wine unfolds from entry, notes of slate, talc and citrus rind each dovetailing neatly, culminating in a cool, crystalline climax on the middle palate. From here the wine softens marginally, some tropical flavours like pineapple adding a rich opulence to the flavour profile. Nice dry texture kicks in as the finish takes over, ending things on a flinty flourish of Riesling goodness.

You won’t go wrong with this.