Tag Archives: Victoria

Hoddles Creek Chardonnay 2006

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On release, I gave what now strikes me as a rather lukewarm impression of this wine in my original writeup. Its firm acid structure prompted me, at the time, to put a few in my cellar for a rest, and I’m now tasting this again for the first time in three or so years. Of all the wines one might age, an $18 Australian Chardonnay wouldn’t be considered a sure bet. Indeed, the question of whether any Australian Chardonnay can productively age still pops up now and then. I’ll leave that debate to those more patient; for now, I have this wine in front of me and I do believe it’s better than it was as a fresher, younger wine.

As with most things vinous, the point at which one prefers to drink a particular wine is very much a matter of taste. So, to help you decide whether your stash of 2006 Hoddles Creek Chardonnay is ready for you, I’ll observe that this wine is in the initial stages of becoming more complex and, at the same time, more relaxed. The acidic nervousness I originally noted has mellowed to allow a looser, more expansive movement over the tongue. Flavours, which at first seemed so citrus and oak dominant, now express more cohesively, are perhaps harder to separate from one another, are certainly more numerous. There’s an especially delicious honey note that is just starting to emerge on the after palate. This will never be a fat, old fashioned style, but it’s starting to inch towards a fullness of palate weight and flavour profile that, to be honest, pleases me a lot more than a simpler, tighter style, especially given the inherent power of the Yarra Chardonnay flavour profile.

More of everything except edginess and simplicity; I like.

Hoddles Creek
Price: $A18
Closure: Stelvin
Source: Retail

Mount Avoca Merlot 2009

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And so I return from university sans a few layers of tooth enamel after tasting my way through a week’s worth of wines with solidly pedagogical intent; not entirely a pleasure, but I do feel in the zone. I may write up some of those tastings later on but, for now, I’m eager to try this new Mount Avoca release and see how it fits into the confusing, incoherent, yet lovable landscape that is Australian Merlot.

Thankfully, it doesn’t occupy the little stagnant pond where overripe Merlot goes to ferment and die. No, this is satisfyingly savoury on first sniff, with nary a hint of crassly pumped up fruit, an impression reinforced by tasting. Quite dark in character, the aroma presents black fruits and sour cherries, twigs and brown spice. It’s quite a generous nose and, at the same time, one that communicates restraint, as if the fullness of the fruit is somehow kept in check. Oak handling is especially good here, adding complexity and framing the fruit sympathetically.

The palate is quite friendly, and it’s here the wine becomes more like what some drinkers may expect from New World Merlot. There’s a softness to the black berry fruit that registers early on the palate and expands through the middle, at which point vanilla and spice oak pick up the line. Acid is certainly present but not firm enough to bring things out of relaxed territory. Tannins do a bit more in this regard as they settle on the tongue through the after palate and lightly dry the finish. What really makes this wine for me is the decided savouriness of the fruit; it turns what might have been a caricatured style into something adult and interesting.

Mount Avoca
Price: $A27
Closure: Stelvin
Source: Sample

Hoddles Creek Pinot Noir 2008

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Even if it’s unintentional, I pride myself on my reliability. The last time I tasted this wine, I gave it fairly short shrift and suggested I might taste it again in a year or two. Here I am, two years after that first tasting, sampling this little number again after quite randomly having selected it from my stash tonight.

The years have been kind. Where on release this was closed and quite gruff, it’s now able to express itself with more relaxation, even as it remains a highly textural, almost rustic experience. The nose thankfully avoids the sort of glossy fruit character that dodges criticism for lack of varietal definition but which is otherwise completely without value – in its place, there’s plush Pinot fruit, bundles of damp twigs and a rough whiff of vanilla. Also bacon fat, rotting white flowers and bubblegum. Not your typical $20 wine, then, and I can’t quite believe I’m getting so much out of a wine at this price point.

The palate is bold, intense and a bit rough. There’s no doubt, in an absolute sense, that a bit of extra refinement would be welcome, but I really can’t fault this wine on many levels: its impact, its concentration of flavour, its complex and savoury flavour profile. It registers with a nice slam of fruit flavour and progresses briskly through a middle palate full of expansive savoury berries and edgy, slightly hard vegetal notes. There’s still a way to go here before the wine sheds its aggressiveness; for now, you’ll need to put up with traces of overly firm structure on the after palate in particular. But why quibble when each mouthful offers up so much distinctive flavour?

Drink this with pungently flavoured food – Peking Duck, for example – to get the most from it right now. I’ll come back to this in about two to three years’ time. Promise.

Hoddles Creek
Price: $A20
Closure: Stelvin
Source: Retail

Mount Avoca Cabernet Sauvignon 2009

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Though its Shiraz wines can be of the highest quality, and tend to hog the limelight, my view is that Cabernet Sauvignon from the Pyrenees is seriously undervalued. It often combines a muscular structure with the sort of clear, supple fruit character that draws you right in. This wine from Mount Avoca exemplifies these qualities, and is well-priced to boot. What’s not to like?

The nose rings with clear, clean cassis fruit character, flanked by a bit of minty goodness and brown, textural oak. The more I swirl and sniff this wine, the greater the influence of that brown, earthy character, which creeps over the fruit and warms it through. It’s a remarkably coherent aroma profile for such a young wine, though it’s equally clear this is a raw beast, leaking undigested primary aromas in all directions. Still, there’s the beginnings of some focus and elegance here, and I suspect once the wine rests it will present even more impressively. As it is, full of potential and certainly not unenjoyable.

The palate is just all about structure at the moment, and whether you enjoy it as a young wine may depend mostly on your tolerance for acid and tannin. That’s not to suggest there’s no flavour or that it’s completely overpowered; indeed, there’s a strong, firm core of dark fruit that runs in a rather compressed line right the way along. But structure keeps it all in check, perhaps too firmly for now, suggesting some time in bottle is required. There’s a lovely gravel-like texture and flavour here, like licking berry-covered asphalt on a hot day. It’s the highlight of a flavour profile that is very correct and ultra-clean. Also notable is this wine’s length, which seems to springboard off all those tannins and carries a ribbon of crisp berry flavour right through the back palate.

This wine would be impressive at $35; at its recommended retail price, it’s a no brainer.

Mount Avoca
Price: $A27
Closure: Stelvin
Source: Sample

Curly Flat Chardonnay 2008

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The temptation here is to begin a long, intricate, stupefying rant about Chardonnay styles and how, arguably, some Chardonnays are more equal than others. In the interests of retaining at least some of my readership, though, I will simply comment that this wine gives ample ammunition to those Chardonnay enthusiasts who feel a worked, White Burgundy style may just be le dernier mot.

The nose is a little friend made of fruit, wrapped in a prickly, woolen jumper. Firm white peach and peach skin, mostly, with the faintest hint of rich, fine pineapple syrup. It’s all very expressive and striking, even before you really give it the time it deserves. Especially distinctive is a thread of light, powdery charcoal. There’s plenty going on, but it’s also poised, such that one has the impression of a calm, ripple-free surface under which currents flow and mix with slippery ease.

There’s a mix of plump stonefruit, caramel and rich pastry on the palate whose closest relation seems to be a particularly fine tarte tatin. Lest this suggest a cloying richness that isn’t there, I should add that a run of ultra-fine acid, gathering steam through the middle and after palates, ensures this is altogether fresher and livelier than a baked dessert. There are many other flavours — herbs, citrus peel, aniseed, flink, oak, orange juice — such that there’s plenty to see, taste and touch. Excellent continuity of line and briskness over the tongue. This will age a treat, I reckon, hopefully becoming a bit more relaxed and comfortable with its fundamentally warm, soft flavour profile.

Utterly delicious Chardonnay.

Curly Flat
Price: $A42
Closure: Stelvin
Source: Gift

Clayfield Massif Shiraz 2009

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Regular readers will know that at Full Pour we can embrace a more subjective approach as, at times, the most vivid way of communicating a particular wine’s pleasures. Even so, the reaction prompted in me by this wine is sufficiently extreme that it has pushed me towards one of my ultimate, if perverse, ambitions: to write a tasting note without describing the wine at all. I hasten to add that I won’t seek to achieve that ambition with this piece; if nothing else, Simon Clayfield’s 2009 Massif deserves a full account in conventional terms, and I’m committed to giving it at least that. Yet even starting down that path with this wine is hopelessly, frustratingly inadequate, because what matters most here is its personality.

Like a good friend who remains appealing despite thorough familiarity, this wine enters the room, sits right down next to you, issues a warm hug and leans back to chat. Talk starts, an accelerating cascade of comment and counterpoint, creating a dialogue that makes time seem irrelevant. Needless to say, trying to explain this in terms of the wine’s highly spiced, peppery aroma, its liquefied plum fruit, its ingratiating flow over the tongue, will never do. Perhaps its truly Grampians character gets a bit closer, but something that’s simply recognisable doesn’t necessarily imbue it with the sort of magnetism I’m seeing in this wine. I think what gets me here is the way in which each element is expressed; it’s not the words being said, it’s the tone, the rhythm, the harmonics that flow in, around and under each expression. Things that don’t consciously register but which nonetheless are full of meaning.

So that this wine has a complex flavour profile, including marvelously rich soy sauce, intense spice, mellifluous plum, is fine but insufficient by way of explanation. Like a fabulous raconteur, it takes what it has, which may be conventional when viewed in conventional terms, and transforms the experience of it into something special, purely through a sense of style, attractive flair, well timed vulgarity. And just as it would be difficult to fall in love with a page of printed words, but easy with an idea, so this wine is tugging firmly at my emotions, not my intellect. I encourage you to spend some time in its company.

Clayfield Wines
Price: $A30
Closure: Stelvin
Source: Sample

Giaconda Pinot Noir 2008

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As luck would have it, I’m enjoying my Easter long weekend in bed with a messy, feverish chest cold for company. Rather than attempt to taste wine in this condition, I thought I’d reflect on a bottle drunk a week or two ago. This was a gift from my ever-generous co-author Chris. I shall save the other bottle to taste with him, as I’d really like a second opinion here.

It’s clear this wine is all quality, with intensity, power and drive to spare. Stylistically, though, it raises an equally clear question: do these ostensibly desirable qualities contribute to drinkability? I’m not so sure. But first, my impressions of the wine itself. The nose is massively complex, even at a young age. The character of the fruit is alternately sweet/savoury, the Yarra component evident in what strikes me as a luscious, if somewhat blunt, slice of juicy fruit pie. There’s a good deal of oak here too, charry and bold. I was quite bowled over by this wine’s impact at first, and it took me a moment to realise I was being overpowered by the wine, pushed around and told what to do.

The palate is equally powerful and somewhat front-loaded in shape, with good acid and a lovely, drying chalky finish. Flavours echo the nose, with rhubarb and strawberries bursting through an underlay of savoury complexity and an overlay of glossy oak. Again, quite an overpoweringly awesome wine, but at the same time one that doesn’t encourage onward consumption. Indeed, one glass was quite enough, and though there’s no denying the skill and fruit at play, I ended up feeling slightly cornered.

Giaconda
Price: $NA
Closure: Stelvin
Source: Gift

Ocean Eight Aylward Pinot Noir 2010

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When attending a residential school for the course I’m doing, many wines are inevitably dragged out for tasting, some more interesting than others. Last night, they ranged from blandly commercial to full-throttle odd. This Pinot was the undoubted highlight of the evening’s selection, so I will write it up in full, noting that it’s not yet released and in fact has only been bottled for a month.

Cloudy in appearance, this is immediately savoury and dark on the nose, with stalk, edges of oak, bubblegum and marzipan, pinosity leaking from every pore. It’s complex and moody, and what I like most is the way the aroma profile draws you in despite what are some challenging and offbeat aroma components.

The palate is all over the place, which is understandable, but shows the hallmarks of a wine that will sing with time: power, intensity, drive and, most of all, length. The flavours balance a swell of sweet red berry fruit with a range of more savoury fruit notes and vegetal influences. It’s a very textural wine, partly due to some short-term CO2 and more interestingly through a good deal of acid, a big whack of slightly green tannins on the middle palate (stalk?) and a decent layer of puckery sweet fruit tannins on the finish. There’s minerality here too, just one of the many flavour components this wine throws into the mix.

This is exactly what I look for in Mornington Pinot — a broody, structured wine whose fruit shows an inherent complexity of flavour, and whose winemaking isn’t afraid to push the boundaries. Look out for this one.

Update: check out Andrew’s review over at the Australian Wine Review.

Ocean Eight
Price: $NA
Closure: Stelvin
Source: Other

Mitchell Harris Sauvignon Blanc Fumé 2010

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It seems fashionable to play with Sauvignon Blanc, and the results have often divided critics. Manipulating a grape like Chardonnay is a no-brainer; straightforwardly made wines of this variety can be boring (with notable exceptions, of course). Sauvignon Blanc, on the other hand, is a variety with intense character right from the starting line, some might say too much. So the choice of winemaking inputs may be less obvious here.

Mitchell Harris has chosen two techniques — wild yeast fermentation and barrel maturation — in the making of this wine. Of these, the oak is most immediately apparent on the nose, with a distinct smokey note sitting alongside gentle fruit aromas that remind me of red papaya. The smoky note brings in hints of bacon fat, but I’m not sure if that’s just me dragging in inappropriate associations; no matter, it’s a distinctive aroma profile, though I’d prefer the oak influence to be more tightly woven into the whole. The fact that it’s not speaks of fruit character that tends towards reticence.

The palate is marked by the same sharp smokey note that floats over the entire line. Underneath, a slippery, cool wine that slides along the tongue with a rather beguiling texture. I’ve learned to expect a degree of acidic bite from Sauvignon Blanc wines, and this has a decent spine of acid to be sure, but it’s the wine’s satiny voluptuousness that stands out for me most. As with the nose, fruit flavour could be more forward; as it is, there’s a slightly hollow impression to the profile, as if it needs to step forward a bit. Yet it manages decent impact and drive down the line, and the more time I spend with the wine the more I am appreciating its subtle complexities. The caramel finish is especially enjoyable.

An odd wine in some ways, and one I suspect will challenge peoples’ idea of the varietal. Nonetheless, I am enjoying its distinctiveness and hand-made vibe. Great value for the style.

Mitchell Harris
Price: $A19.95
Closure: Stelvin
Source: Sample

Clayfield Massif Reserve Shiraz 2007

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After suffering a significant loss of his estate crop due to frost in 2007, Simon Clayfield sourced grapes from a range of other vineyards in the Grampians region in order to produce this wine, a reserve-level version of his Massif label. This wine changed significantly over the course of two days, and my note (hopefully) reflects this progression.

Initially, lots of oak on the nose: mostly coffee grinds and vanilla milkshake. Swirl by swirl, the oak melts back into a fabric of dense berry fruit compote and plum flesh, iodine and brambles. The fruit doesn’t really begin to sing for a couple of days; it ends up gaining character and purity, becoming a thoroughly regional expression of Shiraz fruit aromas. The oak remains sexy, though, and the wine’s aroma is intensely sensual, almost gropable. This is an aroma profile with hidden, shaded places, suggestive of late night coffees and early morning walks home.

In the mouth, the wine swells quickly to fill the middle palate with soft, pliable volume. Intensity is only moderate, though it gains some weight over a day or two of air. One might wish for more, but by the same token this restraint allows the wine’s most interesting parts — flow, mouthfeel, sensuality — to shine. The after palate has a sweet, liquerous edge before the finish brings stubbly oak back to the foreground. Tannins are loose-knit and sweet, acid very well integrated. The alcohol level (15.1% abv) doesn’t translate to any objectionable heat, though it’s certainly present – I suspect its effect is more strongly felt via the wine’s slippery mouthfeel and its presence in the mouth.

A really earthy, sexy wine.

Clayfield Wines
Price: $A35
Closure: Stelvin
Source: Sample