Cardinham Estate Cabernet Sauvignon 2006

The final of three Cardinham Estate reds recently tasted. I’ve been impressed with the honesty and straighforwardness of these wines, and feel they are well-priced for what are true regional styles (the Sangiovese excepted, if only because I’m not sure what Clare Sangiovese “should” taste like). Clare Cabernet can be quite rustic, with full-throttle warmer fruit flavours and powerful oak. This wine is very much in the mainstream of the style, with a sense of drinkability that is quite convincing.

An expressive nose of slightly stewed plums, spice, sweet oak and twiggy vegetal notes. The elements are well balanced between each other and, although it’s not an elegant aroma profile by any means, it’s clean, full and generous and, if you like the style, most appealing. The palate is true to the nose’s overall impression, being both full-flavoured and quite chunky. Gobs of fruit and oak flavour coat the tongue at first, and it’s only towards the after palate that a slinky, sophisticated mouthfeel asserts itself, a little unexpected, perhaps, and a pleasant surprise. Some tannins, loose-knit and sweet, add texture and grip. A good long finish of bubblegum oak and plum skins. 
I crave wines like this on certain nights after work when all I want is a flavoursome, robust red to accompany a steak meal. It’s a Cabernet to warm the heart rather than challenge the mind.

Cardinham Estate
Price: $A20
Closure: Stelvin

Offcuts

A few wines consumed in between notes.
The 2008 Hoddles Creek Pinot Noir, like its sister Chardonnay, needs some time to settle, but this seems to affect immediate drinking pleasure more in the case of the red. Currently, it’s almost a caricature of itself, flagrantly aromatic and with piericing intensity of fruit, but without the depth and structural poise to round out what will undoubtedly become a delicious expression of Yarra Valley Pinot. I’ll retaste in a year or so, at the earliest.
A 2007 Water Wheel Memsie Red, however, is drinking at its peak now; I just wish its peak were a little higher. A nice enough, fruit-sweet flavour profile (it’s an interesting blend of Shiraz, Cabernet Sauvignon, Malbec and Petit Verdot) with the mouthfeel (and alcohol) of a bigger wine, but lacking the intensity to match its other dimensions. Not a bad quaffer, and extremely well priced (I’m sure I paid well under $A15). Just not my thing, I guess.
A better bet for quaffing is the 2008 Second Nature Cabernet Shiraz Merlot from the McLaren Vale. No great complexity, just full of easy flavour. This wine is a sure bet; the one you know you’re going to go home with. Dark berries, chocolate, a few tannins here and there; what’s not to like? I’ll take two.

Karra Yerta Shiraz Cabernet 2006

This wine (and winery) defines boutique in many respects. A limited run production of 170 cases, made by James Linke from Eden Valley and Barossa fruit, then blended by Pete Schell to create this quite outstanding little number. When I asked the engaging Marie Linke the intent behind this wine, her answer was “a good home brew, for ourselves, but plans change.” And how.

I tasted this over two days, and recommend a good decant at the very least if drinking now. The nose is almost provocatively complex, with notes of gunpowder, barbecued meats, five-spice, lavender, mulberries and cocoa powder. It sounds cacophonous but it’s more like a plaid wool blankie: textured and comforting. The aroma profile softened overnight, not becoming less complex but simply settling into its groove, less puffed out, more sophisticated. If there’s a hint of volatility, it works well to lift into and penetrate the nostrils. 
The palate has shown an even greater transformation with time. At first, unexpectedly bright red fruit shoots down the mouth, accompanied by the same savouriness as in the aroma, falling away a bit on the after palate. A couple of hours later, it fills out significantly, gaining weight and elegance at the same time, and losing the slightly disjointed construction I saw at first. The next day, now, it has melted into a thing of beauty, a limpid pool of dark richness that seems to dissolve onto the tongue with an impossible sense of control. The fruit flavour has gone to dark cherries, with a range of other flavours (including sappy oak) that resist being teased apart from one another. The slinky mouthfeel is a highlight here; tannins are almost excessively fine and ripe. 
This is a “fall in love” sort of wine; distinctive, beautiful. I’m not going to resist.

Karra Yerta Wines
Price: $A25
Closure: Stelvin

Domaine Pierre Amiot et Fils Grand Cru Clos de la Roche 2006

It was perhaps indulgent of me to crack this over a casual weekday lunch, but I’m worth it. As Grand Cru Burgundy goes, this is definitely on the more affordable side; Burgundy, with its intersection of villages, classified vineyards and myriad producers is nothing if not a fascinating case study in free market economics and pricing.

This wine had been decanted for an hour or so prior to tasting. On the nose, bright notes of cherry, spice, char siu and what seems like aromatic stalkiness. Very expressive, definitely on the higher toned side, and really pretty. I wouldn’t say it knocked me out with complexity or thrust, but there’s a sense of correctness to the aroma that is alluring in its prim and proper poise.

Length is the most striking aspect of the palate; the wine really does go on and on. It’s light bodied, with more cherry fruit and what I can confidently describe as a bloody delicious flavour profile. It reminds me a bit of Yarra Valley Pinot in its beetrootey, rhubarbey vibe, but it is both more elegant and powerful than most. Truly an iron fist in a velvet glove, it disarms with its charming, casual air and proceeds to punch the mouth with detailed, ephemeral lightness. There’s a good deal of very well matched oak too, along with delicious sweet tannins. Again, not terribly complex at this stage, but it drips of good breeding.

One is no doubt to be chastised for opening these sorts of wines so soon after they are vintaged, but I reckon it’s drinking quite superbly now. A featherweight powerhouse.

Domaine Pierre Amiot et Fils
Price: $A120
Closure: Cork

Domaine Dublère Puligny-Montrachet 1er Cru Sous le Puits 2006

The best thing I can say about this wine is that, alongside its many sensual charms, it prompted a conversation that ranged from the irony of Burgundian terroir to the application of Bloom’s The Anxiety of Influence to winemaking. Some people’s worst nightmare, no doubt, but Heaven to this particular wine tragic; I love wines that are larger than themselves.

An expressive, assertively complex aroma comprising (amongst other things) grilled almonds and cashews, detailed lees-derived notes, vanilla and an attractive level of sulphur. It’s fresh and savoury, and wears both its fruit character and winemaking very much on its sleeve. That it’s a typically Burgundian, worked style is evident immediately (barrel fermentation, batonnage, malolactic fermentation); thankfully, its technique is sympathetically applied. 
A burst of canned peaches in the mouth, accompanied by a range of mostly-savoury flavours like banana skins, almond meal and spicy oak. The flavours are granular within the fabric of the wine, accompanied by a lively, textural mouthfeel. Flinty acid underlines the palate from start to finish and feels slightly raspy on the tongue, a foil to rounder, creamier textures. The wonderful thing about this sophisticated mix of textures, aside from providing its own interest, is the way it prompts the clear expression of individual flavours: one can both taste and feel almonds, peach syrup, and so on. The effect is especially wonderful on the minerally after palate.  This is a great example of truly integrated structure. 
A really nice Chardonnay, then, smart and delicious in equal measure. The extent of the winemaking poses its own questions that I won’t explore in detail here, except to suggest the archetype of the “winemaker as custodian of terroir” (as I believe my lunch companion phrased it) demands critical thought.

Domaine Dublère
Price: $A90
Closure: Cork

Jimbour Station Shiraz 2008

I like the idea of this wine. Its fruit is sourced from a single estate vineyard in the (I believe undeclared) Darling Downs region of Queensland. The region was an important centre for winemaking at the turn of last century, so there’s some provenance at work here. 

I admit to having no experience of Shiraz from this or any other producer in the area, so I’ve no preconceived ideas as to flavour profile or style. Which can be a little anxiety-producing when it comes to tasting. I’m not sure if anyone else finds this, but having no immediate context in which to place a wine recalls, in a sense, Sartre’s nausée. It’s always more comforting to know what to expect. 
To the wine itself, the nose shows fresh juicy plums, some vegetal or stalky influences, and a high toned note that is not quite white pepper. There’s also a bit of vanilla oak. Not complex but very lively and quite distinctive. It’s also a bit angular, as if the Other Mother’s spindly hands from Coraline are reaching out of the glass to poke at your nostrils. 
The palate reflects many of these impressions in the way it is put together. There are, individually, some attractive elements. The fruit flavour in particular is really vibrant and fresh, with good depth and clarity. There’s also spice and some higher toned stalky notes (not sure if the winemaking included an element of whole bunches). I like this expression of Shiraz; it’s built for tasty quaffing. But I’m struggling with the structure here. It feels clunky and disjointed and really needs some time to settle down. Spiky acidity is the most prominent influence, contributing excitement but also fatigue after a few sips. Tannins are quite dry and even, though a tad raw too, ensuring good thrust and persistence through the finish. The alcohol is unbalanced, with perceptible heat on the palate and a roundness to the mouthfeel that doesn’t quite match the wine’s flavour density and profile. One longs for a less pumped up presence that enables great gulps of tasty Shiraz flavour.
A mixed experience, then, but full of promise too. There’s real merit to the fruit in this wine, and I’d love to see a more balanced expression of its flavours. 

Jimbour Wines
Price: $A13.30
Closure: Stelvin

Hoddles Creek Chardonnay 2008

This wine smells and tastes like a pomelo. I know this because I was shopping at my local market this morning and one particular stall was selling nothing but enormous, yellow pomelos. I tasted one and would have bought some if my plaid Nanna basket on wheels were not already filled with other goodies. Wikipedia accurately describes pomelos as tasting like “sweet, mild grapefruit.” Pomelo. Like typing it, like saying it. 

I like tasting it too, but there are some other smells and flavours here as well. Spicy, toasty oak, for starters, evident on both nose and palate and needing some time to integrate further into the wine’s flavour profile. Maybe some white nectarine-like flavours, softening the pomelo and adding a bit of lusciousness. It’s all varietal and all there.
What I like most about this wine, though, are its bones. Even as a young’un, this packs a real punch, especially in the mouth, with fresh flavours that show inviting immediacy and impressive intensity. There’s a particularly good tangy sourness to the flavour profile that is absolutely mouthwatering, in the way a Sao with butter and Vegemite can be mouthwatering. A tight line straight through the mouth leads to a finish that vibrates with citrus fruit and lovely oak. 
It’s so very young right now and, although it’s tasty (and a great accompaniment to sardines on toast), I’ll be leaving my stash alone for a few months (if not years) to flesh out. Should be outstanding at the right moment.

Hoddles Creek
Price: $A18
Closure: Stelvin

Cardinham Estate Sangiovese 2007

Refreshingly, the back label doesn’t lie; it reads straightforwardly: “Everything about this wine seems to be built around dark chocolate and black cherries.” And so it is. Which may not sound very Sangiovese-like, but let’s proceed with an open mind to the wine itself.

On the nose, there’s… oo, chocolate, of the quality sort, edging towards cocoa powder. Some almonds perhaps, cherries too, and an impression of gustatory delight I usually get when selecting what to buy at the bakery. It’s funny; some wines remind me of eating, and this is one of them. There’s nothing especially complex about the aroma, it just smells good, in the way a freshly made chocolate muffin smells good. 
In the mouth, surprisingly light and nimble. The flavour profile continues to revolve around key notes of cocoa, red fruits and almonds. On first sip, I felt a bit let down as there’s a lack of thrust through the entry and middle palate. After adjusting to the style, though, I started to appreciate it more. It’s what I call a “watercolour” wine; one that can seem delicate to the point of transparency, but which nonetheless carries an entire picture within its frame. Mouthfeel is quite interesting, in that it’s very supple and finely textured too, especially towards the after palate, where ultra-fine tannins settle gently on the tongue. Surprising power and persistence on the finish, with sweet cherries and almonds riding a flavoursome wave. I wonder if the alcohol is slightly too high for the style; in absolute terms, 14.2% abv isn’t groundbreaking, but there does seem some heat on the palate, and I suspect aspects of the mouthfeel are similarly pumped up.
This isn’t at all what I expected, but I am enjoying it, and it seems to me a “real life” wine, made for drinking on a weeknight with one’s favourite pasta dish. Drink now for maximum pleasure.

Cardinham Estate
Price: $A20
Closure: Stelvin

Unison Rosé 2008

I have previously tasted the 2006 version of this wine and, swirling this more recent edition tonight, my earlier note remains relevant to a large extent. This is a savoury rosé style, quite full and somewhat angular; in other words, a more challenging wine than some. 

On the nose, a funky meatiness mixes with flowers, spice, red fruits and vegetation. It’s a serious aroma profile, not blowsy or even particularly expressive. But there’s a nice clean fruit character underlining the whole thing that I like very much. The palate has an unexpected thrust of fruit sweetness that is both sympathetic and a little surprising – the effect is akin to the North African habit of adding fruit to elaborately spiced, savoury dishes, in that it is organic but also creates tension in the flavour profile. Aside from this rounded, sweet red fruit, there are florals and peppery spice and a general masculinity (in the context of rosé style, anyway). It’s fresh and with a good slippery yet somewhat grainy texture. Nice medicinal finish.
Not your usual rosé, then, and perhaps a provocative drink to those who like more outré pink styles, sweet or dry. Personally, I like it a great deal.

Unison Vineyard
Price: $A20
Closure: Stelvin

Cardinham Estate Shiraz 2006

I have a soft spot for Clare Shiraz and this is good example of the genre, in an easygoing and very much fruit-driven mode. In terms of provenance and winemaking, this comes from 100% Estate grapes and is aged in older American oak for eighteen months. 

A dark, brambly nose that shows juicy blackberries, sambuca and a bit of sweet vanilla. There’s a sense of straightforwardness to the aroma profile that suggests easy satisfaction; it doesn’t play hard to get. Very much a similar story on the palate, with plenty of juicy dark berry fruits and enough oak to frame the fruit flavours appropriately. Entry is fairly slow to get started, though by the time the middle palate arrives there’s an abundance of generous fruit and edges of spicy anise. Very well judged tannins begin to flow at this point, quite loose-knit and ripe. The after palate shows a lighter fruit character, verging on red berries, before a coffee and liqueur finish of some deliciousness.
Nice wine, this one. It combines the spirit of a quaffer with the flavour profile of something considerably more distinctive and regional. 

Cardinham Estate
Price: $A20
Closure: Stelvin