Category Archives: Red

Yelland & Papps Greenock Shiraz 2007

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Some producers, often the more interesting ones, evolve a consistent house style that, presumably, speaks to a certain idea of wine. In the case of Yelland & Papps, there’s an easygoing lack of pretentiousness to its wines that is, frankly, a relief after tasting more ambitious, overwrought styles. On the minus side, it can come across as excessively dilute and unstructured, as I felt was the case with the 2007 Cabernet I tasted (but did not write up) the other day. But when it works, as with this Shiraz, it’s very pleasing indeed.

Once past an initial bit of stink, lots of expressive, soft aromas, with a mixture of milk coffee, sweet juicy berries, crushed leaf and warm brown spice. It just smells good really, the same way coming home to an almost-ready roast dinner smells good, and it’s not hard to forgive a hint of overripe fruit that is also in the mix.
The palate is attractively structured, with the same prominent acidity I noted in this producer’s 2007 Grenache propping up each flavour and tempering the sweeter tendencies of the fruit. The entry is straightforward and quite lively, introducing a core of clean blackberry fruit surrounded by supporting spice and coffee oak. The middle palate is just so easy and clean, it’s hard not to enjoy. Nice movement through the after palate, with lighter red berry flavours coming to the fore. Decent, balanced finish with subtly textured tannins lightly brushing the tongue.
A very down-to-earth wine. Provided you don’t have any issues with acid-driven, relatively fruit sweet red wines, it should go down a treat.

Yelland & Papps
Price: $A30
Closure: Stelvin
Source: Sample

Grampians Estate Rutherford Sparkling Shiraz 2005

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I shared this with colleagues over dinner on Monday evening, so my recollections of the moment are as much social as vinous. Still, this wine went down easily and accompanied our Indian meal rather well. 

An extremely vigorous mousse, almost as aggressive as Diet Coke when poured into a fresh glass. As an aside, are there any more wonderful sights in wine than sparkling Shiraz as it fizzes and foams on pouring? There’s something gloriously vulgar about the purple mousse, profoundly unnatural yet appealing. It reminds me of Christmas, somehow. But back to the wine; a nose that seems even-tempered, recalling a still wine more than a sparkling one. It’s blackberried and plummed in equal measure, all sprinkled with dark spice.
The palate shows me why some of the best sparkling Shiraz wines come from the Grampians, home of the style and long renowned for its elegant, medium bodied Shiraz-based table wines. Sparkling red wines, especially at the low end, can tend towards too much sweetness, with a rough structure and obvious fruit. This, by contrast, showcases its moderate body and relatively subtle effervescence, creating an impression of elegance and style rather than skirt-raising good times. A nice, lively spritz on entry, followed by a middle palate that shows great balance between savoury spice and fruit sweetness, between spritz and linearity. It’s all quite restrained, really, almost quiet, which only serves to highlight the tasty, if simple, flavour profile. The whisper of a middle palate surges again through the after palate and finish.
I wouldn’t call it a great wine, but the elegance of its palate weight and structure really impresses, and turns what can be a neon style into something subtle and alluring.

Grampians Estate
Price: $A45
Closure: Crown seal
Source: Retail

Balnaves The Tally Reserve Cabernet Sauvignon 2007

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Somes wines deliver an initial slap – excitement, intensity, distaste, and so on – as soon as you begin tasting. Despite what they might become over time, there’s a frisson associated with this first impression that tends to stay with you. 

In the case of this wine, it’s a slap that says “don’t even try to understand me.” It’s not a seduction, or a challenge. It’s a blunt refusal to yield. Feshly poured, it shows an impossible level of concentration on the nose. There’s a lot there, to be sure, yet it’s bound up in its own depth and richness, and takes a hell of a lot of swirling (or a good decant) to let go of some secrets. Coffee grounds, freshly polished antique furniture, deeply steeped black tea, greenhouses full of ferns, the most essence-like dark fruit. It’s a remarkable aroma profile that communicates seriousness of intent and absolute confidence. 
The palate carries through on this concentrated seriousness. To begin, the entry sings with dark berry essence, and it’s well before the middle palate that tannins emerge. It’s worth lingering for a moment on the tannins, as they are a feature of this wine, not only in terms of abundance but character, too. Textured, even and quite sweet, they present the most prominent face of the palate and, if nothing else, promise a long future for the wine. For now, if they (inevitably) prevent the line from flowing as freely as it might, this can hardly be considered a fault, and as a tannin enthusiast I must admit I’m kind of getting off on it. The middle palate shows impressive, powerful fruit beneath all the tannin, such that the whole achieves a curiously correct sense of proportion. Perhaps even giants can be elegant. The after palate is more of the same, and the level of tannin here shows good control through to a finish that is dry and fruit-sweet at the same time. 
It’s hard not to be impressed by this muscular wine. Haul a bottle out in ten years’ time to retaste. 

Balnaves
Price: $A90
Closure: Procork
Source: Sample

Dusted Valley Stained Tooth Syrah 2009

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Damn it, some wines just smell good. I came home from work, cracked a bottle of the 2002 Clonakilla Hilltops syrah, and wound up with a huge snootful of Brett and mousy band-aid aromas. Yuck. Poured that one down the sink, grabbed the other bottle sitting next to the coffeemaker, twisted off the cap, and boom: vinuous Nirvana.If you like your shiraz, er, syrah cofermented wtih some viognier for that patented Côte-Rôtie effect, this stuff will do you just fine. Wonderful notes of roasted nuts, bacon fat slide on up out of the glass and say hello; gentle floral aromas of iris root suffus it all in a gauzy Brian de Palma glow; the effect is of a beautiful young woman drinking Russian tea in the springtime.OK, that was ridiculously over-the-top, even for me. All I can really say is this: Damn, that’s beautiful, and a tough act to follow: somewhat disappointingly, the wine doesn’t taste anywhere as good as it smells. The entry onto the palate is clumsy, the body doesn’t seem quite as rich and filling as the nose would promise, it could use a little bit more acidity perhaps, and yet the finish is just fine, flavors fanning out into a truly lovely array of mostly fresh, grape-y flavors.The difference between a good wine and a great wine? Try a bottle of this, then a bottle of the Clonakilla shiraz viognier, the Columbia Crest reserve syrah, or something properly French and see for yourself. Full marks to the winemakers here for producing such a wonderful nose, but the rest of it just doesn’t live up to the promises that the glass offers up. Shame.Dusted Valley
Price: $25
Closure: Stelvin
Source: Retail

Agent for Change Zinfandel 2006

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Lovely, sweet, fruit-cake rich, with warm cocoa notes and candied fruit peel on the nose, this smells very much like a good, standard quality Paso zin; somehow, however, the alcohol has gone missing alone the way, resulting in a hole in the nose where the painful alcohol hit should’ve been, replaced instead by a label declaring this is only 13.5% abv, making me wonder if someone’s hiding a spinning cone around here or what…Still, what a love nose. Very soft and plush, it reminds me of  cru Beaujolais mixed with Angostura bitters, with slight hard earthy edges pushed up against the sweet red fruits. The palate doesn’t disappoint either, with simple, cheery red fruits ‘n berries served up on a nicely toasty background. Still, though, it seems to lack some of the weight I’d normally associate with zinfandel – or, rather, with higher alcohol levels. It all finishes relatively simply, and it seems like there’s something missing there too – either acidity or alcohol – but still: it’s a minor complaint. On the whole, this is good stuff – especially if you’re not a fan of one-glass-and-you’re-blotto California monster zinfandel. Most of what makes them good is still here, but you could actually consider finishing the bottle with your partner on a school night without worrying about the morning after.Bonus marketing spin: a portion of the sales price of every bottle goes to non-profit organizations of some kind. I’m cynical enough not to particularly care about that – I mean, if I honestly cared, I’d just write a check to the Avon Foundation and go buy a cheap bottle of wine – but honestly, why not? You’re probably not going to find a better Zin for this money, so you might as well go for it.Full disclosure: I received this wine as a press sample.Agent for Change
Price: $14
Closure: Cork
Source: Sample

Balnaves Cabernet Sauvignon 2007

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I struggle to articulate more abstract, aesthetic dimensions of wine. It’s one thing to list flavours and try to describe structure, all of which are quite tangible with a little experience of tasting and writing. But what of crucial notions such as coherence, style, philosophy? Much harder to crystalise intellectually, let alone write about. And so I grapple with this note, because it’s a good wine, indeed well achieved given the vintage, yet there’s something that separates it from the best years, and it’s that intangible quality that I’d like to pin down, and repeatedly fail to do.

It’s oaky for sure – arguably too much so, depending on one’s tastes. The nose is flagrantly vanillan alongside varietal cassis and sweet dusty leaf. It has the dark, clean fruit for which I adore Coonawarra Cabernet and, in a sea of increasingly full, plush wines, I’m glad for the rustic simplicity of the style. Despite the modern slickness of the oak, this strikes me as a gleefully old-fashioned wine, perhaps less concerned with appearing seamless than it is providing a decent hit of flavour. At the very least, it seems totally unpretentious. 
The palate is similarly rustic, perhaps lacking in fruit intensity (similarly to the recently tasted 07 Cabernet Merlot), but somehow managing to emerge with a good degree of satisfaction. Sort of like a diver who straightens up just moments before hitting the water. A nice clean entry, dark berry fruit and prominent vanilla oak creating a dessert-like flavour profile without, however, any overwhelming sweetness. It’s home cooking to a glossier wine’s night out. The middle palate remains lean, with little evolution in flavour profile, save for some attractively ferny herbaciousness. Straight through to the after palate and finish, then, with relatively abundant tannins that are chalky and somewhat lumpy in character. It certainly dries the mouth in a pleasant way, suggesting food, rather than another sip, is the right answer.
I’ve definitely tasted better Cabernets from this region, with greater complexity and less rusticity. But what value enjoyment? Drink with outrageously flavoured Italian food.

Balnaves of Coonawarra
Price: $A35
Closure: Cork
Source: Sample

Balnaves Cabernet Merlot 2007

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Mostly Cabernet Sauvignon with a dash (6.6%, or thereabouts) of Merlot. 

A cool, clean, currant-like nose of moderate expressiveness. Some varietal, leafy notes too, and a fair amount of spicy cedar oak. I can’t quite put my finger on it, but there’s also an undercooked aspect to the aroma profile – as if a banana cake hadn’t quite finished baking in the oven. Not unpleasant so much as curious.
The palate is notable for a good amount of grainy tannin. This isn’t a wine for those who seek “smooth, fruity” experiences. Being a tannin enthusiast, however, I’m just fine with that. Quite sweet, clean red and black fruits flow through the entry and middle palates, along with an assertive level of vanilla custard oak, all of which ends up tasting rather Christmassy, if astringent. This is a lean wine, verging on underdone in terms of fruit intensity, and I wonder at the level of oak present given the relatively subtle fruit contribution. I understand 2007 was quite a challenging vintage, so perhaps the fruit character is to be expected. For all that, a pretty impressive, long finish that is squeaky clean.
There’s no question this is a drinkable, generously oaked wine whose tannin structure in particular is quite daring given the lean fruit. 

Balnaves of Coonawarra
Price: $A24
Closure: Stelvin
Source: Sample

Collector Marked Tree Red 2008

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I blinked and, in addition to putting on a few kilos, missed the last couple of vintages of this wine. Which is a shame, as I thought the 2005 rather good.

This looks a lot darker and more serious than the earlier wine, an impression borne out by the nose. This is dense, full of squishy dark plums, laced with black pepper and spice. There’s a sappy edge too that contributes sophistication and a bit of funkiness to the aroma profile. I especially like the spiciness of the aroma – it tends towards dark, roasted spice and nuts rather than a lighter, more floral character one sees in some other cooler climate Shirazes. To level one criticism, the whole is a bit blunt, taking a caveman approach to seduction. It may be that time will teach it more subtly persuasive ways.

The palate remains dense and dark within a medium bodied frame. The entry is precise and cool, hitting the tongue with a satisfying sense of controlled movement. There’s no great widening on the middle palate, as acid and tannin combine to keep things on the straight and narrow. I find I like this type of wine more and more; there is a tantalising aesthetic tension when hedonism is combined with tautly expressed structure and shape. The middle and after palates pull their punches a bit, never delivering the sort of intensity demanded by the other elements. The flavour profile turns towards a sappy, savoury, oaky expression as the wine moves towards its reasonable finish.

My kind of wine stylistically; I’m just left wanting a bit more oomph from the fruit. I doubt, however, there’ll be any left in the bottle tonight.

Collector
Price: $A26
Closure: Stelvin
Source: Retail

Yelland & Papps Old Vine Grenache 2007

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There’s a lot of waffle about wine, to which I’m sure I contribute my fair share. So to read the back label of Yelland & Papps wines is a breath of fresh air: “[Yelland & Papps]’s sole aim is to enjoy all aspects of the process and sharing this with others.” Hard to argue with that.

The nose was initially sweet-fruited, slightly one-dimensional, definitely generous. It’s gained some complexity through the evening, with malty oak and a savoury, stemmy edge that runs alongside the main event: luscious, jammy Grenache fruit. It’s not a facile wine, yet it’s not intellectual either; the priority here is sensual enjoyment, which I respect absolutely as a stylistic goal. The fruit is quite dark in character, like a mixed berry conserve slathered over a fresh scone. 
The palate is very much more of the same, with a nice rush of fruit quite early that accelerates through the middle and after palates. There’s no stopping the fruit, except perhaps a personal aversion to fruit-driven, relatively sweet flavour profiles. Certainly, if one’s bent were strictly towards Bordeaux, this might seem hopelessly naive as a wine style. Yet within its stylistic bracket, this wine delivers a nice hit of clean, varietal fruit without pretense. It’s not flabby either, acid in particular propping up flavours and providing well-defined shape to the palate. The finish is quite long and doesn’t thin out until it’s almost out of steam; the fruit here really does have good thrust and penetration along the entire line.
Perhaps a matter of taste more than many other wines, this is a solid example of fruity, exuberant Barossa Grenache that fans of the genre needn’t hesitate purchasing. Worked rather well indeed with spicy Thai food.

Yelland & Papps
Price: $A30
Closure: Stelvin
Source: Sample

Balthazar Shiraz 2005

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2005Shiraz1.jpg

There are few things in art, and indeed life, more tantalising than a mistaken first impression.
The bottle in front of me is festooned with gold stickers (much more so than in the accompanying photograph); so much bling threatens to overwhelm a striking label design. To certain weary enthusiasts (that’s me), it might also signal an unsubtle, “show” style.  So its true character, when revealed, comes as a surprise. Indeed, what is remarkable about this wine is its powerful intimacy. It draws you in quietly, peeling itself back one translucent layer at a time, until you’re lost in its grasp.
I was advised by this wine’s mother to give it a good hour and a half of air before attempting serious evaluation. In fact, I left it overnight to breathe, and feel on day two its expression is close to complete. At first, a nose that is all mocha oak and deep, ripe plums. It’s complex yet utterly restrained from flowing as it ought. A couple of hours later, the aroma profile is wider and more expressive, though still deeply coiled and suggestive of untold generosity. Finally, a day on, there’s some freedom, structured yet moving without restraint, a multi-coloured kimono of aroma. Black fruit, complex spice, hot sun on brambles, some vanilla. It’s all quality, with good integration and poise, yet it’s subdued and subtle, in a positive sense. There’s no yelling, just sweet harmony and rhythm.
The palate is equally seductive, and it’s difficult to tease each element apart.  Flavours are in line with the nose, though a successful balance between sweet and savoury fruit is more evident here. There’s a voluptuous slipperiness to the mouthfeel that is also notable. On entry, inky fruit and coffee grounds create a dark flavour profile that carries through to the middle palate. Here, it lightens a little, red fruit and plums emerging alongside orange juice acidity and brown spice. There’s a lot going on. The after palate is positively fruit driven, and very clean in presentation. It sustains the momentum of the front palate through to a musky, powerfully soft finish of ultra-ripe tannins and sweet fruit.
What a lovely wine. It’s striking and intense and all of those good things, yet somehow manages to communicate with understatement. A most intriguing, satisfying wine.

Balthazar of the Barossa
Price: $A50
Closure: Procork