Gilligan Shiraz Grenache Mourvèdre 2010

Posted on June 23, 2012 by Julian Coldrey

It’s sometimes said that first impressions are the truest, and I think that is often the case in wine as in life. But wine can be a funny thing, moving around under your nose, proving you right and wrong in equal measure. It’s one of the fun things about the drink, that it can be hard to pin down, and often those wines that defy you are the most alluring.

I note these thoughts because this wine, clothed in typically handsome Gilligan packaging, showed an initial face that didn’t have me swooning. The most striking aspect of the aroma profile was a stinky sulfur reductiveness, and the palate seemed dominated by an acid line that was both unbalanced and disjointed.

An hour in glass has seen a fascinating transformation, though. The aroma has lost its feral edge, though not so much as to deny the funky presence of Mourvèdre. It is angular and in two halves, bright red fruit colliding with darker, slightly vegetal notes that are as unsettling as the red fruits are cuddly. This is not an easy wine, but I will never begrudge a wine that asks the drinker to meet it half way. I keep smelling it, never quite capturing all its components in a way that makes easy sense.

While this is a brisk, bright style in terms of structure, the initially overwhelming acid has definitely folded back into the rest of the wine. There is a lovely texture that runs the length of this, acid and tannin weaving around one another in a lively dance. Above floats the sort of slightly challenging flavour profile suggested by the aroma. It is simultaneously dark, fruity, angular and oak-influenced, not pandering but at the same time showing a crisp deliciousness that encourages further tastes. The finish is particularly it notable for its harmonious mix of dried fruits and chocolate.

This certainly isn’t the sort of slutty blend some drinkers might expect, but it’s a compelling wine and one that is worth trying, especially at the price. It will benefit from a good deal of air this early in its life, and perhaps some bottle age if you have the patience. I retasted this two days after opening and it was even more cohesive, darkening a touch in flavour profile and thickening in texture.

Gilligan Wines
Price: $A25
Closure: Stelvin
Source: Sample

Yelland & Papps Devote Old Vine Grenache 2010

Posted on June 16, 2012 by Julian Coldrey

This grapes for this wine are sourced from a site near Greenock that bears vines planted in the 1960s. As I taste this, I am imagining what the vineyard was like as it was being planted those 50 or so years ago; who was doing the planting, what they were wearing (essential detail), and the thought that what I’m doing right now — blogging about a wine they, in a sense, gave birth to — must have been unimaginable.

Whoever dreamed of great things for the vineyard would surely be pleased by how sympathetically its grapes have been treated here. This is a surprising wine in many respects, although I’ve long thought Yelland & Papps do Grenache especially well, so that this wine is a refined, savoury, delicate example of the varietal should not come as such a shock. But given its tendency to blow out into excess, I’m still grateful this wine has such attractive dimensions.

The nose is refreshingly savoury, even as it expresses some luscious dark berry fruit. There’s a depth and sense of layering to the aroma that encourages repeated sniffs – first some berry, then turned earth, then pointed oak. It’s neither ingratiatingly expressive nor muted; rather, the aroma expresses steadily and with confidence. The palate seems underdone at first. I thought intensity was mismatched to its other elements, but a few sips sees my sense of this wine readjusting to its dimensions. It’s actually really well proportioned, and the palate unfolds in a precise series of steps. Entry is relatively high toned, showing some florals alongside red fruit. The middle palate becomes more expansive, though never sloppy, thanks in part to a firm structure that keeps the wine focused as it moves through to an oak-driven after palate. The finish becomes quite pretty and it’s here that the wine comes together in a final flourish of notes, high to low, singing beautifully.

This is elegant and controlled, and its 14% ABV remains contained within the wine’s other elements. Excellent, adult Grenache.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Dowie Doole Garnacha & Tempranillo 2011

Posted on May 22, 2012 by Julian Coldrey

This has become one of my favourite smart quaffers over the past little while. As with all Dowie Doole wines, it’s made with an emphasis on drinkability, though this more than most. It has taken an increasingly savoury path since its initial release in 2009, and I’m happy to see this vintage continue the trend.

The nose is rich and dark, almost liqueurous in character, with dried dark berries oozing past spice and some woody, pleasantly vegetal notes. Without being especially serious or forbidding, the aroma profile seems deep to me, with a sense of plushness without simplicity that is very attractive. The palate is supple and just structured enough. The fruit is quite intense in an easygoing way, perhaps because its character is full and generous. Although there’s a decent amount of savouriness to the flavour profile, this wine has an almost total lack of angles, and that makes it outrageously easy to drink. Yes, drink. Tasting this wine as I am doing now entirely misses its point, as it practically begs a generous pour in a large glass with a hearty lamb pie.

Which is exactly what I’m about to do with it.

Dowie Doole
Price: $A25
Closure: Stelvin
Source: Sample

Yelland & Papps Divine Grenache 2009

Posted on January 5, 2012 by Julian Coldrey

I think of Yelland & Papps as something of a Grenache specialist, something that isn’t necessarily reflected in its portfolio of wines. Indeed, all the usual red suspects are equally represented; the reason why I associate this variety with this producer is that I feel there is a special synergy between the two. This reserve-level wine is a great case in point. As significant as is the companion Shiraz, this is quite a different wine in the glass, more fruit-focused and hedonistic.

The oak intrudes at first, throwing coffee grounds into your face as you smell the wine, but (unlike with the Shiraz) these notes develop quickly and fold back into an aroma profile that is lusciously typical: red fruits, a medicinal note, some confection. The curse of cheap Grenache can be an overly sweet fruit character, akin to boiled lollies and, for me, quite unattractive. While this wine hints at that character, it escapes completely its destructive side, expressing an altogether denser, though still bright, set of flavours.

The palate’s structure and mouthfeel are notable. There’s a sense of freshness here, thanks in part to an acid line that is firm and textural (though somewhat disconnected at this stage). Tannins are soft and quite plush, seeming to disappear into the density of the wine’s mouthfeel at some points. That’s not a bad thing; this is a big wine in the mouth, rounded and smooth, and I like how the tannins simply add stuffing rather than create contrast. Flavours are again utterly typical and gorgeously delicious. I guess when you have 130 year old vines to play with, it makes sense to highlight what they bring by way of fruit and structure, rather than to smother the fruit with winemaking artifice. Not minimal intervention so much as a sensitivity to what makes this particular wine special.

Stylistically, this probably represents what Australia is often criticised for making, but there’s a legitimacy to these fruit-driven Barossa wines, especially when the fruit is clearly this good. I liked it a lot.

Yelland & Papps
Price: $A75
Closure: Stelvin
Source: Sample

Spinifex Esprit 2009

Posted on November 23, 2011 by Julian Coldrey

Mataro, Grenache, Shiraz, Carignan, Cinsault; why not?

Some performances consist of one idea. Sometimes this is enough to carry the weight of the show; it all depends on the strength of the idea and how well the audience connects with it. And so it is with this wine. It says one thing clearly and consistently, which may be the most wonderful thing if you like what it has to say.

The nose is dense and savoury, a strongly liquerous character instantly emerging from the glass, speaking of dark berries and darker oak, shadowy corners and even shadowier conversations. I see dark tones each time I smell this wine; it’s moody if somewhat monochromatic and blunt. The blend seems beautifully executed in terms of coherence.

The palate is of a piece with the nose, stylistically. It strikes a dense, flavoursome note immediately on entry, the extra dimension here being textural, driven mostly by a streak of acid that sits a little uneasily alongside the fruit’s density of flavour. More dark berry liqueur and velvety plushness on the middle palate, though an element of hardness starts to creep in gradually, perhaps related to the character of the oak. Things get progressively more savoury as the line progresses, before an oak-driven finish of vanilla curls and ice cream rounds things off.

There’s a lot in here by way of flavour and interest, but at the same time I am left wishing for some light and shade, a bit of nuance, less emphatic a statement. Sometimes, less certainty can be charming.

Spinifex Wines
Price: $A40
Closure: Stelvin
Source: Retail

Yelland & Papps Delight Grenache Shiraz 2010

Posted on September 23, 2011 by Julian Coldrey

To my mind, Yelland & Papps is a bit of a Grenache specialist, or at least I consistently like its Grenaches more than any other wines in its range. There’s something about the Yelland & Papps style that lends itself especially well to Grenache’s generosity and sweet fruit character. I’ve enjoyed this label in the past, perhaps more than the straight Shiraz and Cabernet Sauvignon in the Delight range.

In 2010, though, the Shiraz remains the best release. The nose here is expressive and smells of artificial vanilla essence, a slightly edgy sappiness and gobs of sweet, somewhat stewed fruit. The fruit is red and black, ranging from plums to blackberries, all arguably overripe, showing a jammy rather than fresh fruit vibe. To my palate, more freshness would have led to a better aroma profile, along with more subtlety of oak character and volume.

The palate is again very generous, fruit driving a flavour profile that backs up with abundant, rather edgy oak and some pretty spiky acidity. I like the wine’s consistent volume through its line; there’s certainly plenty of fruit to go around. Again, fruit character has a question mark over it, with an overripe edge contributing hardness and detracting from the suppleness this wine occasionally hints at but never achieves.

A pretty good quaffer, then, but not quite up to the same year’s Shiraz.

Yelland & Papps
Price: $A19.95
Closure: Stelvin
Source: Sample

Kurtz Family Boundary Row Grenache Shiraz Mataro 2006

Posted on September 6, 2011 by Julian Coldrey

This is the kind of wine I’d usually consume soon after release, in expectation of the sort of plush fruit that can carry 15% ABV; it’s interesting to try this now, after a little time in bottle. That a sub-$20 wine can age few years shouldn’t be taken for granted, so I’m pleased to note this is, at the very least, still very drinkable.

Whether it’s preferable now compared to as a youngster is less sure. There are definite signs of decay here, starting with an aroma that is somewhat liquerous, overlaid with autumn leaves and leather. It’s relaxed, speaking of middle age rather than boisterous youth, perhaps having lost the naive enthusiasm that can make Barossa reds so attractive on release. My only complaint is a thinness to the aroma profile, as if it has lost a tad too much stuffing.

The palate confirms these mixed impressions, from fruit character to leanness of profile. Overall, it’s a dark, brooding wine, treading on the right side of portiness while flowing over the mouth in a surprisingly elegant, quite seamless way. Acid and tannin are both fairly relaxed, creating plenty of space for a clean expression of gently ageing fruit to flow down the line. I wish there were a bit more roundness to the palate structure, more fullness of fruit, because its tendency towards leanness exposes the alcohol, which circles back around to further compress the fruit. It’s also pleasantly warm, though, and a hint of mixed herbs adds to the impression of rustic comfort.

Kurtz Family Vineyards
Price: $NA
Closure: Cork
Source: Gift

Sandstone Cellars III

Posted on August 28, 2011 by Christopher Pratt

First off, allow me to note that I did not pay full retail for this wine. A couple of years ago, I had to travel to San Angelo, Texas to do some work at a local hospital. It was cheaper to fly to Austin and drive, so I did; I passed Sandstone Cellars on the way over to San Angelo, thought it looked kinda interesting, got my work done there, and stopped in on the way back. I thought the wine was damned good and bought a bottle; leaving Mason, the town where the winery’s located, I checked my email and saw that they’d sent an email a few hours earlier, so I made a U-turn and headed back to the winery to chat a bit more. They offered the bottle at half price; I met them half way, and that’s the story here. So: I paid $30, which – now that I’ve finally opened the bottle – feels like I ripped them off for $10.

Right. First time I’ve had this wine, second Sandstone Cellars wine I’ve ever tasted. What’s it like?The first impression I get is of whatever you call the tea leaf equivalent of coffee grounds. If you make a pot of tea – and I’m thinking something malty like, say, Assam – and leave the used tea leaves aside, they tend to smell like this, especially if (say) someone’s made lavender Earl Grey out of them; think vanilla, orange blossoms, just a touch of smoke and cedary wood. It’s lovely, and it doesn’t remind me of anywhere else I can think of. Nice to see that the second bottle I’ve had from Mason County is as idiosyncratic as the first: both have been of uniformly high quality, and it seems that Don Pullum, the winemaker (do check out his Twitter feed if you haven’t), is definitely onto something here.

And how does it taste? First off, it’s tannic (still). Firm, dusty, blocky tannins a go go. It’s also nicely acidic; the overall mouthfeel doesn’t approach the silky smooth California profile I’m used to (think higher alcohol and a bit of residual sugar). Fruit’s here too, thankfully: more than anything, I taste Zinfandel, but the label tells me we’re mostly working with Mataro here; I don’t sense the Mataro particularly save for the smoky-floral notes on the nose. To me, this wine shows a real tension between the fruit, tannin, and acidity; although there’s plenty to love about the vanillin, cherry-blackberry fruit, it’s slightly attenuated by the acidity (think food wine). That being said, part of what makes this wine such a pleasure is its tension: it’s the vinuous equivalent of a tritone.

The finish… yes, Dorothy, there is a finish, and it’s very Bach: four part harmony all the way down. Sweet fruit, nervy acidity, lingering tannins, and spice, not staying in any one key too long before nervously jumping to the next.Sitting here thinking about this wine (and the people that made it), I find myself wondering if there’s a place in most folks’ wine cellars for this kind of thing. Looking at CellarTracker, for example, I see that there’s less than a dozen bottles of every wine they make represented on the Internet. They don’t ship to California, I couldn’t find a bottle in Dallas to save my life last year, and this kinda bothers me. Look, I know I’m something of a hipster when it comes to wine: I prefer the experimental over the tried-and-true, I’m always up for things I haven’t heard of from places I can’t pronounce, and novelty is more interesting to me than safety. Part of this is of course financial: unlike my Dad, I grew up in a world where first growth Bordeaux costs as much as a month’s rent. Much of my drinking has necessarily been local or obscure: if you can’t afford Pingus, might as well make the best of Bierzo.

Even more: as a Californian, I’ve always been especially open to things that are (strictly speaking) unique to my region and my cultural traditions. Field blends (‘mixed blacks’) for example: drinking something like that is a tangible link to the past I share with everyone else in this state, and I honestly believe that’s there no reason why that shouldn’t stand tall compared to other countries’ traditions (be it Hunter semillon or autochtonous Georgian grapes fermented in clay amphorae). And when I come across something like this wine, I really do get excited at the possibility that someone, a pioneer, may be discovering (crafting?) something new, something specifically Texan, something that a hundred years from now will be as well known as, say, California Zinfandel, something that’s universally recognized as Texan.If so, this a damn good start.

Sandstone Cellars
Price: $40
Closure: Cork
Source: Retail

Yelland & Papps Devote Old Vine Grenache 2009

Posted on May 26, 2011 by Julian Coldrey

This is the third vintage of this wine I’ve tasted, and I do believe it’s getting better with each iteration. Looking back over my notes, the 2008 was a significant advance over the 2007. The current vintage is again a really good expression of Barossa Grenache, notable for the way it balances typically sweet fruit with a range of sappy, savoury notes.

The nose is clean and highly expressive, showing sharp snapped succulent and fresh red fruit, coffee, brown spice and charry oak. The fruit and oak influences are very well balanced, fruit presenting first then relaxing into complex, subtle, pleasingly rustic barrel-derived notes. It’s both warm and fresh at the same time, sort of like wearing the warmest, wooliest jumper you own on a crisp, early Spring day.

The palate is true to the nose in both flavour profile and balance, starting early and sustaining fruit presence along most of its line. There’s a core of clean, medicinal fruit around which a range of other flavours gather, some fruit and some from oak. Reasonable intensity (Yelland & Papps wines never seem to want to be powerhouses, even the upper labels), medium weight, nice drive. A bit of heat, but I expect that from this style of wine. The only disappointment here is a simplistic texture that is just a bit too pumped up and slippery for its own good. I’d like to see more tannin texture and dimensionality. It’s a small niggle, though.

Very nice, strongly regional Grenache.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Dowie Doole Garnacha & Tempranillo 2010

Posted on April 4, 2011 by Julian Coldrey

This wine’s packaging, with which I was so taken when I tasted last year’s release, still made me grin when I unpacked the sample box this evening. It’s just so bold and fun, without resorting to the sort of immediately dated look that so many other producers seem to arrive at when trying to make their wines stand out on the liquor store shelf.

I was also impressed with the wine in the bottle last year; for my taste, though, the 2010 is a marked step up in sophistication and style. If I were to level a criticism at the 2009, it would be at its fruit character, which was quite sweet, perhaps too much so for some, and overpowering the positive, dirty influence that Tempranillo can bring. This is still a lusciously generous wine that wears its Grenache on its sleeve, but there’s a savoury dimension that seems more prominent this time around, taking the aroma profile to a darker place and helping the whole seem more complex.

The palate is perhaps a tad more gushy than the aroma suggests. Viscosity and intensely gorgeous red fruits on entry, this moves to the middle palate with a whoosh of acid and several licks of sweet/savoury character. I’m sure if I had a very savoury red wine alongside, this would seem hopelessly naive, but on its own terms it is positively delicious and, given the style sought, it seems quite perfectly judged.

Bloody good quaffing wine for the drinker with attitude.