Tahbilk Marsanne 2009

Authenticity in the realm of luxury brands is one of those difficult-to-define qualities that, ironically, is terribly easy to spot. For example, Hermès has it, Louis Vuitton doesn’t. QED. It can also, once possessed, be lost; see Vacheron Constantin or RM Williams.  In the case of Australian wine, Tahbilk is one of those wineries that seems to effortlessly exude a sense of history and authenticity, which is laudable in itself, but doubly so considering its reputation rests in part on some wines that, let us say, aren’t exactly at the forefront of vinous fashion.

Take this Marsanne. It’s arguably Australia’s cheapest most undervalued icon wine, made from a variety that, until the recent elevation of interest in white Rhône varieties, was pretty much off the radar. Ask an Australian wine geek and, chances are, they will acknowledge this wine as a classic, certainly sui generis in the history of Australian wine and one that continues to stand with few peers today. 
Given this legacy, it’s lovely to sit down to a glass of the 2009 Marsanne this afternoon and find not only a nice wine, but a familiar friend too. This is the real deal, with aromas of preserved lemon, pineapple and other, similarly pungent, yellow things. It’s a very appealing, fresh aroma profile, really direct in the way it communicates its composition, even if it is necessarily straightforward as a very young wine.
The palate has a couple more tricks up its sleeve, relating to structure and mouthfeel. But first, the entry is solid and quite immediate, with lots of lemons and unripe nectarines filling the mouth, underlined by quite textural acidity. As a fuller white variety, this really swells towards the middle palate, intensity remaining measured and the whole delicate within the confines of the style. The after palate and finish are interesting in that they show a waxed lemon attitude that I would expect to appear further down the wine’s development line. A promising sign? 
You really can’t go wrong with this wine. Personally, having been inducted into the pleasures of this with a few years’ bottle age, I’d be drinking some now and stashing the rest in a cellar. Surely the cheapest way to get your aged white wine kicks?

Tahbilk
Price: $A15
Closure: Stelvin
Source: Sample

Tahbilk Shiraz 2006

I have a mini-fascination for wine labels, both new and, especially, old. A case of Tahbilk samples arrived the other day with a media pack, the first two pages of which focus entirely on the new label design being rolled out across the range. As someone who has an affection for Tahbilk’s terminally daggy yellow label, I was initially disappointed to see the modern, cleanly graphic design now applied to most wines in the range. But on closer examination, I’m forced to admit it’s a very successful design, engaging key aspects of the older label without creating an excessively modern look. 

The wine itself echos its label, a veneer of contemporary oak overlaying gleefully old-fashioned aromas and flavours. The nose is mostly savoury and slightly elusive, modulating between bubblegum and baked goods but never settling on either. It’s actually quite hard to describe, and the closest I can come is the smell and taste of blackberries that are, somehow, robbed of their sugar, leaving an appealingly plump, yet savoury, fleshiness. 
The palate amplifies this impression, a determinedly savoury core of dark berry fruit running its full length. Quite relaxed on entry, a peachy plushness develops towards the middle palate thanks to dense fruit flavours and chocolate-like tannins. It’s medium bodied and friendly, which masks to an extent the honest rusticity of its flavour profile, kind of like a farmer who scrubs up especially well. A slight objection is the prominence of nougat-like oak, which seems at times unnecessarily assertive. The after palate is dry and fruit-driven, with a slightly liqueur-like flavour. A surprisingly long, satisfying finish, filled with residual berry flavour and seductive oak.
A good wine and exceptional value for money, I reckon.

Tahbilk
Price: $A20
Closure: Stelvin
Source: Sample

Yelland & Papps Greenock Shiraz 2007

Some producers, often the more interesting ones, evolve a consistent house style that, presumably, speaks to a certain idea of wine. In the case of Yelland & Papps, there’s an easygoing lack of pretentiousness to its wines that is, frankly, a relief after tasting more ambitious, overwrought styles. On the minus side, it can come across as excessively dilute and unstructured, as I felt was the case with the 2007 Cabernet I tasted (but did not write up) the other day. But when it works, as with this Shiraz, it’s very pleasing indeed.

Once past an initial bit of stink, lots of expressive, soft aromas, with a mixture of milk coffee, sweet juicy berries, crushed leaf and warm brown spice. It just smells good really, the same way coming home to an almost-ready roast dinner smells good, and it’s not hard to forgive a hint of overripe fruit that is also in the mix.
The palate is attractively structured, with the same prominent acidity I noted in this producer’s 2007 Grenache propping up each flavour and tempering the sweeter tendencies of the fruit. The entry is straightforward and quite lively, introducing a core of clean blackberry fruit surrounded by supporting spice and coffee oak. The middle palate is just so easy and clean, it’s hard not to enjoy. Nice movement through the after palate, with lighter red berry flavours coming to the fore. Decent, balanced finish with subtly textured tannins lightly brushing the tongue.
A very down-to-earth wine. Provided you don’t have any issues with acid-driven, relatively fruit sweet red wines, it should go down a treat.

Yelland & Papps
Price: $A30
Closure: Stelvin
Source: Sample

Grampians Estate Rutherford Sparkling Shiraz 2005

I shared this with colleagues over dinner on Monday evening, so my recollections of the moment are as much social as vinous. Still, this wine went down easily and accompanied our Indian meal rather well. 

An extremely vigorous mousse, almost as aggressive as Diet Coke when poured into a fresh glass. As an aside, are there any more wonderful sights in wine than sparkling Shiraz as it fizzes and foams on pouring? There’s something gloriously vulgar about the purple mousse, profoundly unnatural yet appealing. It reminds me of Christmas, somehow. But back to the wine; a nose that seems even-tempered, recalling a still wine more than a sparkling one. It’s blackberried and plummed in equal measure, all sprinkled with dark spice.
The palate shows me why some of the best sparkling Shiraz wines come from the Grampians, home of the style and long renowned for its elegant, medium bodied Shiraz-based table wines. Sparkling red wines, especially at the low end, can tend towards too much sweetness, with a rough structure and obvious fruit. This, by contrast, showcases its moderate body and relatively subtle effervescence, creating an impression of elegance and style rather than skirt-raising good times. A nice, lively spritz on entry, followed by a middle palate that shows great balance between savoury spice and fruit sweetness, between spritz and linearity. It’s all quite restrained, really, almost quiet, which only serves to highlight the tasty, if simple, flavour profile. The whisper of a middle palate surges again through the after palate and finish.
I wouldn’t call it a great wine, but the elegance of its palate weight and structure really impresses, and turns what can be a neon style into something subtle and alluring.

Grampians Estate
Price: $A45
Closure: Crown seal
Source: Retail

Curly Flat Chardonnay 2005

There’s a lot of chatter about how out of favour Chardonnay has become, and I’m reminded in all this of the difference between fashion and style. Good wines will always find an audience, even if the size of that audience fluctuates based on what’s hot at any given time. The focus must remain on wines that draw out the best of their underlying fruit, and which retain an authenticity of style that transcends the fashionable buzz of the day. I can only speak for myself, of course, but the truth underlying each wine is what I crave most each time I open a bottle, and what disappoints me the most when it is absent.

I mention all this because the wine in front of me defies a few trends. As a fairly worked Chardonnay, it goes contrary to the trend towards “Chablis style” Chardonnay wines that, marketing material would have one believe, are the true antidote to a decade of flabby, butterscotch monsters. To the wine itself: the nose is pleasingly complex, with curious crushed leaf notes alongside white and yellow stonefruit, almond meal, Weet-Bix and vanilla. It all comes together really well, and seems to smell of itself rather than as a collection of components.
The palate is powerful and shapely, with especially notable intensity of flavour. On entry, immediate peaches and cream flavour, along with slightly rough acidity and a savoury almond note that runs the length of the palate. The middle plate evolves some further fruit sweetness and a bit of caramel delight, too. Mouthfeel is rounded and generous. It’s here that things threaten to become slightly simple, because of the dominance of the fruit character (verging on pineapple) and the influence of some winemaking choices. The after palate, though, draws in a whole bunch of baked goods to add to the flavour profile, and this tempers the still-sweet fruit to a satisfactory extent. The finish is beautifully nutty and long.
Exceptional Chardonnay drinking well right now. You can keep your faux Chablis. 

Curly Flat
Price: $NA
Closure: Stelvin
Source: Gift

Balnaves The Tally Reserve Cabernet Sauvignon 2007

Somes wines deliver an initial slap – excitement, intensity, distaste, and so on – as soon as you begin tasting. Despite what they might become over time, there’s a frisson associated with this first impression that tends to stay with you. 

In the case of this wine, it’s a slap that says “don’t even try to understand me.” It’s not a seduction, or a challenge. It’s a blunt refusal to yield. Feshly poured, it shows an impossible level of concentration on the nose. There’s a lot there, to be sure, yet it’s bound up in its own depth and richness, and takes a hell of a lot of swirling (or a good decant) to let go of some secrets. Coffee grounds, freshly polished antique furniture, deeply steeped black tea, greenhouses full of ferns, the most essence-like dark fruit. It’s a remarkable aroma profile that communicates seriousness of intent and absolute confidence. 
The palate carries through on this concentrated seriousness. To begin, the entry sings with dark berry essence, and it’s well before the middle palate that tannins emerge. It’s worth lingering for a moment on the tannins, as they are a feature of this wine, not only in terms of abundance but character, too. Textured, even and quite sweet, they present the most prominent face of the palate and, if nothing else, promise a long future for the wine. For now, if they (inevitably) prevent the line from flowing as freely as it might, this can hardly be considered a fault, and as a tannin enthusiast I must admit I’m kind of getting off on it. The middle palate shows impressive, powerful fruit beneath all the tannin, such that the whole achieves a curiously correct sense of proportion. Perhaps even giants can be elegant. The after palate is more of the same, and the level of tannin here shows good control through to a finish that is dry and fruit-sweet at the same time. 
It’s hard not to be impressed by this muscular wine. Haul a bottle out in ten years’ time to retaste. 

Balnaves
Price: $A90
Closure: Procork
Source: Sample

Grosset Polish Hill Riesling 2009

Sometimes I have trouble getting into this wine but no such problems tonight. It’s a cracker.

Intense, racy bath salt-like aromas overlay a good deal of floral, mineral notes and some fine citrus rind. It’s incredibly complex for a young Riesling which, like other simply made white styles, can seem simple in youth. Not this one, though; it exudes sophistication and confidence, not through volume or excess, but simply by being classically well-built from tip to toe. I’m sniffing this wine again and again and there’s more to extract each time.
The palate is, if anything, even more impressive, as it adds great thrust and length to the nose’s proportioned, complex aroma profile. It’s a curious thing — intensity that sings with minerality rather than fruit flavour — I love it. The entry is immediate thanks mostly to some pretty assertive acidity, and it all builds from here to a middle palate of great shape and flinty texture. There’s an edge of sweetness that softens the relatively austere flavour profile, and this smidge of soft focus makes this Polish Hill more approachable than some others I have tried. Swift movement through the after palate to a reverberant finish of snazzy length. 
Many critics tend to rate the Polish Hill above the Watervale, and in this instance I’d have to agree. What a great Riesling.

Grosset
Price: $A39
Closure: Stelvin
Source: Retail

Grosset Springvale Riesling 2009

Née Watervale. 

Amongst the many things for which I enjoy Riesling, one of the recurring highlights of a particularly good one is the directness with which it communicates its quality. Personally, I find quality one of the less tangible aspects of wine, intersecting (and at times contradicting) other considerations like drinkability and style. Somehow, though, I find with Riesling that an increase in quality tends to align with an increase in my enjoyment, and I think part of it is the somewhat facile satisfaction I obtain from being able to clearly grasp what makes a good Riesling so good. At least, I flatter myself this ability. 
Take this Grosset wine, which is bloody good. It’s complex, and as I sniff the wine and take in this complexity, I remind myself that’s all there is. No oak, apparently straightforward winemaking; it’s just fruit character shining forth. This is a case, surely, of minimalist winemaking enhancing terroir (not, I believe, something to be regarded as a truism, but that’s another post for another time). Though less exhuberant than the 2008 vintage, there’s an obvious family resemblance, with a range of high toned notes overlaying deeper, almost tropical fruits and detailed citrus aromas. Great balance, interest and style. 
The palate shows the youthful impact for which this label is known, placing relatively full, rich fruit in a framework of textured, slatey acidity and etched complexity. The entry is like a wedge; it starts from nothing and works its way confidently to a bright middle palate filled with flavour, beautiful texture and the kind of drape normally reserved for high end couture. It’s the facted angularity of its architecture as much as any other, more prosaic dimension that satisfies me here. And, to be hyper-critical, the intellectualism associated with this style might get in the way of purely sensual appreciation. I tend to think, though, that bottle age might cure any such faults, if one were to find them distracting. Personally, I love that it drags me to a higher level of appreciation as a taster. If only more wines held drinkers in such high regard.

Grosset
Price: $A31
Closure: Stelvin
Source: Retail

Balnaves Cabernet Sauvignon 2007

I struggle to articulate more abstract, aesthetic dimensions of wine. It’s one thing to list flavours and try to describe structure, all of which are quite tangible with a little experience of tasting and writing. But what of crucial notions such as coherence, style, philosophy? Much harder to crystalise intellectually, let alone write about. And so I grapple with this note, because it’s a good wine, indeed well achieved given the vintage, yet there’s something that separates it from the best years, and it’s that intangible quality that I’d like to pin down, and repeatedly fail to do.

It’s oaky for sure – arguably too much so, depending on one’s tastes. The nose is flagrantly vanillan alongside varietal cassis and sweet dusty leaf. It has the dark, clean fruit for which I adore Coonawarra Cabernet and, in a sea of increasingly full, plush wines, I’m glad for the rustic simplicity of the style. Despite the modern slickness of the oak, this strikes me as a gleefully old-fashioned wine, perhaps less concerned with appearing seamless than it is providing a decent hit of flavour. At the very least, it seems totally unpretentious. 
The palate is similarly rustic, perhaps lacking in fruit intensity (similarly to the recently tasted 07 Cabernet Merlot), but somehow managing to emerge with a good degree of satisfaction. Sort of like a diver who straightens up just moments before hitting the water. A nice clean entry, dark berry fruit and prominent vanilla oak creating a dessert-like flavour profile without, however, any overwhelming sweetness. It’s home cooking to a glossier wine’s night out. The middle palate remains lean, with little evolution in flavour profile, save for some attractively ferny herbaciousness. Straight through to the after palate and finish, then, with relatively abundant tannins that are chalky and somewhat lumpy in character. It certainly dries the mouth in a pleasant way, suggesting food, rather than another sip, is the right answer.
I’ve definitely tasted better Cabernets from this region, with greater complexity and less rusticity. But what value enjoyment? Drink with outrageously flavoured Italian food.

Balnaves of Coonawarra
Price: $A35
Closure: Cork
Source: Sample

Balnaves Cabernet Merlot 2007

Mostly Cabernet Sauvignon with a dash (6.6%, or thereabouts) of Merlot. 

A cool, clean, currant-like nose of moderate expressiveness. Some varietal, leafy notes too, and a fair amount of spicy cedar oak. I can’t quite put my finger on it, but there’s also an undercooked aspect to the aroma profile – as if a banana cake hadn’t quite finished baking in the oven. Not unpleasant so much as curious.
The palate is notable for a good amount of grainy tannin. This isn’t a wine for those who seek “smooth, fruity” experiences. Being a tannin enthusiast, however, I’m just fine with that. Quite sweet, clean red and black fruits flow through the entry and middle palates, along with an assertive level of vanilla custard oak, all of which ends up tasting rather Christmassy, if astringent. This is a lean wine, verging on underdone in terms of fruit intensity, and I wonder at the level of oak present given the relatively subtle fruit contribution. I understand 2007 was quite a challenging vintage, so perhaps the fruit character is to be expected. For all that, a pretty impressive, long finish that is squeaky clean.
There’s no question this is a drinkable, generously oaked wine whose tannin structure in particular is quite daring given the lean fruit. 

Balnaves of Coonawarra
Price: $A24
Closure: Stelvin
Source: Sample