Yelland & Papps Devote Greenock Shiraz 2008

The third in Yelland & Papps’s trio of new release reds (Grenache and Cabernet Sauvignon reviewed earlier). I think I like the Grenache most of all, though this comes in a close second.

The nose shows brown spice, oak, liquerous dark fruits; generous and comforting without being excessively rich. It’s a very clean aroma profile with a hint of mystery too — a dark pool of smells, rippling gently and promising cool refreshment.
A gentle entry follows, showing no great rush to get to the middle palate. Rather, fruit begins to come in waves, riding slightly prickly acidity and an incline of grainy tannins. Not a highly defined wine, this is more about expressionist brushstrokes and broad statements. It’s also quite sophisticated; the flavour profile, mixing sourness and nutty oak flavours with just enough fleshy fruit, seems quite adult to me. A nice, long, gentle finish.
This held up well over three days of tasting. Give it a couple of years and then tuck in.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Yelland & Papps Devote Cabernet Sauvignon 2008

Two things to note up front regarding this wine: it doesn’t smell or taste much like Cabernet, and I’ve personally struggled with it over two days of tasting. From which some readers may conclude it’s a bad wine, or that I don’t like it, neither of which is necessarily the case. It is atypical and difficult. It’s also oddly compelling and quite drinkable. 

Starting with the nose: nougat-heavy, somewhat malty oak flavours cushion red, plum-like fruits and an odd tarry note. It’s very expressive in its way, though the aroma profile is angular and overwhelming in equal measure. It reminds me of a woolen blanket you’ve just taken out of storage; promising comfort but giving off strange smells that are both familiar and difficult to love.
In the mouth – plenty of flavour for sure. A rush of confectionary red fruit alongside a slightly raw, twiggy note, plus the aforementioned coal tar. In form, it’s quite uncontrolled, lurching this way and that, swelling on the middle palate and turning suddenly towards a thinner expression through the after palate. It’s also charismatic and a bit of a wag. Some heat on the finish seems oddly appropriate.
What to make of this? Bad vintage? Perhaps, though in terms of wine appreciation, that strikes me as a cop-out. Still, its aesthetics defeat me; you may have better luck.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Yelland & Papps Devote Old Vine Grenache 2008

As nice as it was, the 2007 vintage of this wine pales in comparison to the current release 2008. This is seriously good Barossa Grenache in all respects.

Part of the reason why it’s good is that it doesn’t try too hard. Rather than going down the “more is better” road to quality, I feel this aims for a distillation of the style’s potential, cleanly articulating instead of overreaching. The colour here is certainly approachable, quite see-through really, showing some vibrant purple hues and flashing brightly due to its moderate density. 
The nose is complex and bounces between sweet and savoury. There’s certainly a hit of sweet Grenache fruit, but there’s also musk, nougat, deeper plum fruit, coffee and more, wrapped in an expressive, almost piercing bundle. Though there’s clearly oak here, it’s not the dominant element. Good integration for such a young wine, and any slight edginess that is showing at the moment will no doubt calm further with short term bottle age (or some air).
The palate is simply awash with fruit from entry through to finish. It’s quite tingly at first, fine but edgy acidity pushing bright red fruits onto the tongue, at which point they take a fast ride to the mid-palate and are joined by an altogether darker series of notes. A slightly meaty element asserts at this point, along with black fruits and coffee grounds. Nervous structure aside, the flavours are well harmonised. Brisk movement through the after palate, where a medicinal note lifts and carries the wine through a high toned finish.
There’s lots going on here, most of it attractive and compelling. I suspect this will be a ripper in two to five years’ time.

Yelland & Papps
Price: $A32
Closure: Stelvin
Source: Sample

Tahbilk Eric Stevens Purbrick Shiraz 2004

People seem to have very strong reactions to Tahbilk’s red wines; not like or dislike so much as love or hate. I wonder both why this is and what it means; in any case I’m tempted, from an aesthetic perspective, to value Tahbilk’s wines all the more highly because of it. Increasingly, I am impatient with wines that don’t display intent beyond correctness and technical perfection. Especially at a price point such as this, I feel we ought as drinkers to demand personality, a provocation, a point of view.

So, for lovers of Tahbilk reds, here’s one for you. It’s the companion wine to the Cabernet Sauvignon tasted a while back and, while I don’t like it quite as much as that wine, it’s unmistakably of this maker. The nose is expressive and grainy, with red earth, gum leaf, rustic fruits, nuts, some vanilla. The trick it pulls off is to be both distinctive and multi-dimensional, which is rarer than one might think. 
The palate is pure elegance and moderation. Not to suggest intensity of flavour is the casualty; in fact, this is quite a piercing wine in its way. Entry is fruit-driven and soft, with berry juice flavours and a sense of warm sunlight pushing the wine towards an earthy, detailed middle palate. As with the Cabernet, and most Tahbilk red wines it seems, the tannins are especially remarkable, here being both smotheringly textural (like a woolen blanket) and somehow unobtrusive too. It’s medium bodied, with bright-enough acidity and a clean, brisk flow through the mouth. The after palate sings cleanly with savoury dark fruits, and the finish is gentle and elegant, not to mention bloody long. A slight excess of sweet oak towards the end of the line is almost forgivable.
Regional, complex and authentic. 

Tahbilk
Price: $A60
Closure: Cork
Source: Sample

JK Carriere Anderson Family Pinot Noir 2006

After a drink of this and a long, slow exhale I turned to my partner and said “yeah, this has it all.” A distinctly groovy blackish red, straight out of a 1960s steakhouse, the color itself is appealing enough to make me want to overfill my glass. Beautiful, really, and enough to telegraph the intentions of this pinot: rich enough and ripe enough to be New World, yet distinctly holding back before going off the Californian deep end, it suggests you’re in for a best-of-both-worlds kind of experience – and you are.Wonderfully complex on the nose, I’m having trouble keeping track of it all. Rich, ripe red fruit is seamlessly counterbalanced by politely serious French oak, but only just enough to support the fruit; this is not one of those oaked-to-death, overripe pinots that are all too easy to find here. The wine also smells incredibly youthful: at this point, I don’t see any secondary aged characteristics, but I get the sense there’s enough stuffing here to last at least a decade.At first sip, the wine is shy, hesitant, refusing to offer much of anything up save for a brief, surprising wallop of acidity. That’s quickly replaced by a wonderfully lush, silken, voluptuously textured ribbon of sensible red fruit with hints of roasted coffee, caramel, and violets. Not as dirty as Burgundy, the overarching effect is of a very smooth customer: however, what really sets this wine apart is the balance and elegance of an incredibly well crafted, peculiarly Oregonian experience. The finish does go on for quite some time, again subtly meandering between refreshing acidity, soft earth, and that wonderful, spicy red fruit peculiar to Oregon.Look, I’ll be honest here: if you wanted to try the best the USA has to offer, this is probably as good a pinot as you’re going to find, full stop. Less tannic and earthy than Burgundy, fuller and richer than Otago, and perhaps most resembling Bass Philip pinot noir, this is for my money one of the best wines made in North America. Best of all, it’s the kind of wine that doesn’t take a lot of explanation to enjoy: pace Parker, this really is a hedonistic experience in the best sense of the word. My only complaint is that I only had the one bottle and that I won’t get to try it again ten years from now. J.K. Carriere
Price: $65
Closure: Cork
Source: Retail

Gardners Ground Shiraz 2008

I don’t know much about this producer other than what I’m reading on the bottle (and website): based in Canowindra, organic viticulture, reasonably priced. Again, I’m struck by the number of producers in this region who are overtly pursuing organics.

First impressions are of overripeness, but this freshens quickly to show an aroma of savoury black fruits, gentle spice, a hint of volatility and cuddly oak. I don’t find it especially complex but it’s friendly and home-made in a positive sense. My key criticism of the aroma profile is that it is a bit blunt, lacking the finesse I’d ideally like to see. However, the spice is lovely and there’s no shortage of expressiveness.
The palate adds some lively acidity into the mix, and this helps the wine to express more sprightly fruit. Quite a flavoursome entry, with prickly acid and perhaps a hint of minerality, leading to a mid palate that is focused on savoury berry fruits. It’s refreshing to find a wine at this price point that is determinedly savoury, with just a hint of fleshiness. Any sweetness seems to come more from nougat oak, which becomes more prominent as the wine lifts through its after palate to an edgy finish.

Gardners Ground
Price: $A19.95
Closure: Stelvin
Source: Sample

Maison Nicolas Potel Santenay 1er Cru "Les Gravières" 2006

Do you enjoy chocolate-covered cherries? You do? OK, how would you like chocolate covered cherries if they were wrapped in musty used teabags? You would? OK, well, how would you like them if you were eating them next to a barnyard? Oh, you still would? Well, would it be even better if you were eating them in acid rain generated by a nearby sulfur producing chemical plant? Oh, it would? Well then! I believe I’ve found just the wine for you. Enjoy!In all seriousness, this wine is moderately good, but marred in my opinion by a deliberate stalkiness, excess sulfur dioxide, and a lack of any character other than simple cherry fruit with an anemic lashing of oak. It’s not strange enough to be Burgundy and not fruity enough to be a New World pinot. If you were looking for something along these lines but which was actually, you know, delicious, then I wouldn’t hesitate to recommend the Sherwood pinot noir from the south island of New Zealand: it’s half the price and twice the fun.Nicolas Potel
Price: $24
Closure: Cork
Source: Retail

Flaxman Shiraz 2005

In response to my write-up of the 2007 Shiraz, Colin Sheppard of Flaxman Wines very kindly sent me a bottle each of the 2005 and 2006 versions so I could compare the site and its wine across vintages. After having tasted all three, and quite apart from notions of quality, one thing I can confirm is this wine’s transparency.

This one, from 2005, is my firm favourite. The nose is slightly muted but terribly rewarding once you find your way in; there are aromas of fresh, damp earth, plum skins, crushed granite and ripened twigs. In short, it’s complex, dark, etched and very adult, but with a core of plum fruit that issues a seductive call to taste. There are oak flavours in there too, in a gently nutty, nougat mode, very much secondary and well-integrated. I’m not getting a lot of age on the nose, though admittedly I never tasted this on release.
The palate is quite full in presence and volume, though this strikes me above all else as an elegant wine, despite its dimensions (and 15% abv). This is mostly due to a flavour profile that is precise and delicate, with a firm streak of minerality that cuts through juicy plums and tart skins. The whole is linear and direct in terms of how it moves through the mouth, with steadily increasing complexity and less fruit influence through the back palate and finish. 
If you have some of this in your cellar, consider yourself lucky.

Flaxman Wines
Price: $NA
Closure: Stelvin
Source: Sample

Clayfield Black Label Shiraz 2002

“Go to town on this one.”

So said Simon Clayfield as he gave me this bottle during a recent visit to the Grampians. We had just finished tasting through his range and, of the 2006 Shiraz, he remarked the spice had receded, but would be back. As an example of what it might become, he suggested I try the 2002 wine, noting it is drinking well and showing plenty of spice character.

He wasn’t wrong. This is essential Grampians Shiraz, a regional style that appeals to me very much. Of course, quality matters even in the context of an attractive style, though it can be more difficult to sort through. Spotting a diamond in the rough is easy; sifting through wines that you like right off the bat for their collective flavour profile necessitates a closer look to stratify quality.

This wine, in any case, is top shelf. The spice notes here — in fact the aroma profile in general — is both regional and quite transcendent of its origins, being utterly integrated and complex in its intense exoticism. There’s an enveloping blanket of spice and pepper, akin to a fine curry of the highest order, a multitude of ingredients fusing into a single wall of finely detailed fragrance. Great wines taste of themselves first and foremost.

Notable is the oak character, which is perfectly matched in character to the aroma profile, bringing a cedar influence up to, but stopping some way short of, the spicy fruit.

In the mouth, what’s immediately striking is a burst of fresh plum fruit atop what devolves into a cascade of aged, sweet leather, more spice and a well integrated structure. The high toned flavours are almost overwhelming in their intensity and persistence, and might threaten to unbalance the wine were it not for a firm line of plum underlining the whole. While the mid-palate shows the greatest concentration of spice, the after palate reveals a liquerous expression of plum-like fruit, bringing a sense of harmony to the flavour components and a curiously fresh resolution to the overall profile.

This wine was an interesting counterpoint to the 05 Castagna Un Segreto tasted immediately prior to it. I’d characterise the Castagna as in many ways a baroque wine; sinewy, complex, full of intertwining themes that echo and complement each other, but with a slightly hard aesthetic that tilts away from sensuality at times. This, by contrast, is like a Debussy tone poem; its face is atmospheric, its mood emotional, its construction crystalline. Fucking beautiful.

Clayfield Wines
Price: $NA
Closure: Stelvin
Source: Sample

Castagna Un Segreto 2005

A Sangiovese Shiraz blend from Beechworth.

This wine raised a lot of questions for me – on the role of blending, on whether a wine is worth ageing, on what is value for money. It also had quite a few of the answers once I came to terms with it. 
For me, on the basis of this wine and a couple of others (notably the much cheaper Pizzini), Shiraz and Sangiovese are undoubtedly synergistic companions. The way aromas intertwine on the nose here is very exciting. Orange peel, almond meal, tonka bean – it all begins to smell rather like a Guerlain concoction before a big hit of nougat and vanilla oak reminds me it’s for drinking, not just smelling. 
The palate is sinewy and intricate, with an array of sensational, intense flavours. Black pepper, dried cherries, unfolding ferns, dark fruit. The fruit character reminds me of the strange little dried things my grandmother used to hide inside dumplings on Chinese New Year – savoury, dehydrated and intensely juicy at the same time. This seems designed to age in that its flavours hint at the sort of complexities that will develop with some time in bottle without yet possessing any such notes. Quite the opposite of a sweetly fruited wine whose vibe might contest developed flavours. Medium bodied, the structure is particularly sophisticated, with acidity blending beautifully into fabric of the wine, and chalky tannins providing textural counterpoint through the after palate.
An intellectual, strong, elegantly masculine wine. Classical sculpture and proportion. Just lovely.

Castagna
Price: $NA
Closure: Diam
Source: Gift