Glaetzer Wallace Shiraz Grenache 2006

Barossa Valley reds aren’t terribly well represented in my cellar (or, by extension, in my posts to this blog), about which I feel vaguely irresponsible. It’s one of our classic red wine regions, after all, and the fact that I don’t often feel like drinking its wines probably says more about my lack of discernment than anything else. No matter — tonight I’m cooking a spicy pasta dish, and a fruit-driven red wine will be (I hope) just the ticket. Hence this Shiraz/Grenache blend.

Before I describe the wine, I must say a word in favour of the packaging, which is distinctive and classy. A nice alternative to retro/euro labels without descending into tackiness. An intense, pungent nose of baked clay/earth and spice. It smells like a hot Summer’s day, and I’d like to think the fruit experienced a fair few along its journey towards this bottle. There’s also a slightly volatile vanilla note and, of course, a whack of jammy red fruit. Somewhat complex, commendably regional and expressive of real personality.

Good line from nose to mouth, with a clean, immediate continuation of the aroma’s baked earth and fruit notes. The wine is lighter in body than I expected, and more acidic, all of which subverts an abortive expectation of this as a lazy fruit bomb. Not at all. Flavour is certainly generous, but there’s too much spice, earth and structure to allow complete relaxation in the mouth. It’s lively and bright, with acid and loose-knit tannins creating an almost crunchy mouthfeel. There is more red fruit and vanilla here, along with nut/bark-like spice notes. I wish there were a notch more intensity at the mid-palate. Good drive through the lifted after palate, with nary a dip or dodge along the way to a decent finish.

Good balance, complexity and distinctiveness, but little of the depth and three dimensionality of better wines. I admire such a strong sense of style in a wine at this price point, even if this means the wine will be necessarily (and happily) divisive. Lovers of Barossa reds needn’t hesitate.

Glaetzer
Price: $A22
Closure: Stelvin
Date tasted: October 2008

Clonakilla Viognier 2006

I hope I’m not alone in feeling a daggy sense of anticipation whenever a favourite winery’s newsletter drops into my mailbox (virtual or otherwise). Clonakilla’s gets the heart racing more than most. The Spring 2008 edition is now here, and, as someone always in search of an excuse to celebrate, I thought I’d open a bottle of Clonakila’s 2006 Viognier.

A rich, unctuous nose, thick with apricot (part kernel, part syrup), fresh vanilla ice cream and a little astringency. It seems quite responsive to temperature, showing lush opulence when relatively warm. I remember tasting a Petaluma Viognier with Chris way back when and it smelled of raspberry coulis — this wine has the same richly acidic fruit flavour. It’s brassy, no doubt, but controlled, too.

The palate is deceptively austere compared to the nose, although it’s still true to its variety. This perceived austerity derives from the wine’s acid structure, which is (happily) assertive in the context of such a luxurious style. So, a crisp entry, lively and fresh. Movement to the mid-palate is quite controlled and precise — one can feel acid reaching down either side of the tongue as an altogether more slippery component drives down the centre line. Soon, we’re in decidedly plush territory, the mouth awash with crisp apricot kernel and vanilla, plus some fresh phenolic bitterness as a background note. Good impact, impressive intensity. Flavour complexity is decent, but I’m fascinated most by the three dimensional texture of this wine. There’s no drop-off in intensity through the after palate, and the finish is quite long.

I suppose most wines are subject to personal preference and taste, and this is no different. I still struggle to understand where Viognier fits in my life as a wine style. Despite all that, this wine is all quality and is, quite frankly, delicious. From memory, it’s a broader wine than the 2005, but no less enjoyable.

Clonakilla
Price: $50
Closure: Stelvin
Date tasted: September 2008

Lake's Folly Chardonnay 2006

This is the current release Lake’s Folly white, although I believe it sells out rather quickly, so its currency is rather academic. Lake’s Folly, as a winery, fascinates me. It is historic in terms of the modern Australian wine industry, has deviated little from its original purpose (releasing just two wines each year, and white and a red), exists in a currently daggy wine region and seems to fly under the radar most of the time. And yet its wines remain sought after. I think that’s pretty cool.

The appearance of wine is usually of secondary importance when I’m enjoying a glass, but this wine has such a lovely golden green hue, it deserves mention as its own particular pleasure. Distinctive, slightly sharp nose of marzipan, lightly caramelised stone fruit and more astringent citrus. It’s full and luscious but shows beautiful restraint, and I love this ostensible contrast. In the mouth, fresh acidity contributes impact on entry, but there’s so much flavour packed into this wine it doesn’t take long for texture to assume second place. Quickly, the mouth is awash with fresh peach, almond and a hint of vanilla cream. There’s good intensity and attractive fruit character, but overwhelmingly a sense of poise and balance that defies the rich flavour profile. This

d'Arenberg The Stump Jump Grenache Shiraz Mourvèdre 2006

And so we come to the end of our bargain dozen. I’ve enjoyed the tasting and, for the most part, have been pleasantly surprised by the quality and variety available at around the $10 mark. I came across remarkably few corporate lolly-water type wines, and it’s nice to know one can buy a dozen wines at this price point whose flavours are willfully different from one another. To finish, I’m tasting a well-known quaffer, The Stump Jump, d’Arenberg’s entry-level blend of McLaren Vale fruit. 

Nose is slightly hot, with some green funkiness alongside savoury red fruit and sweet spice. It’s got personality. On entry, it’s surprisingly acidic, with a fresh and quite textured mouthfeel establishing early and carrying right through the line. Riding this acid wave is bright red fruit, some round spice and an astringent, sappy edge. Light to medium bodied, this wine has an almost Pinot-like flavour profile in some respects, initially savoury but gathering fruit sweetness as it moves through the after palate. There’s nothing outrageously complex here, and the acid is, to my taste, somewhat too aggressive, but it’s good drinking. The finish is perfectly acceptable, with subtle, plush tannins blanketing the tongue. 
A good wine to finish with, then. Rustic, unsophisticated, real. 
Price: $A10.45
Closure: Stelvin
Date tasted: August 2008

Deen De Bortoli Vat 1 Durif 2006

Durif isn’t a variety you see too much of, especially outside the Rutherglen and surrounds. This wine, made from Riverina grapes, is part of De Bortoli’s value-priced “Deen” range. De Bortoli does better than most with its wines at the lower end of the market, so I’ve been looking forward to tasting this curiosity.

An attractive nose, with plum, some spice and a darker, slightly vegetal oak character that adds depth without any hint of unripeness. A bit of lift too. The fruit character is ever so slightly confected, but because the aroma profile is dark and dense, it’s not unduly distracting. The palate shows an interesting array of flavours. There’s a rich, very ripe plum note, teetering on overripe, held in check by a range of savoury influences (including quite prominent oak) that, together, create a flavour profile miles away from the sweetness of many cheaper red wines. Definition isn’t all that great, but it’s a very generous wine, with heaps of flavour and good presence in the mouth. Mouthfeel is interesting, being a little rough and almost spritzy, whilst also showing ripe, slightly chunky tannins. Intensity of flavour tapers off through the after palate and the finish isn’t all that long.

Tatachilla Growers Semillon Sauvignon Blanc 2006

Anecdotally, Sauvignon Blanc, alone and in blends, seems to be the quaffer of choice for casual work lunches and similar occasions. It’s not hard to see why; flavours are for the most part easily discerned and unchallenging. There are some quite lovely versions of the “classic dry white” blend. The Grosset springs immediately to mind, and the Margaret River style seems especially prized by the lunchtime crowd. Most examples, though, seem to express more modest vinous aspirations. This one, from McLaren Vale based winery Tatachilla, is made from fruit sourced across South Australia.

Angove's Long Row Shiraz 2006

I’ve got a head cold, am slightly cranky and, quite frankly, couldn’t take another cheap wine last night. So instead I opened a bottle of Collector Marked Tree Red. Thus sated, I can once again turn my attention to our value priced offerings. Here is a South Australian Shiraz from Angove’s, a Renmark-based winery with a broad portfolio of products. At $A6.60, it’s one of the least expensive wines in the dozen.

An attractive deep ruby colour, not overly dense. The nose speaks of black pepper and spice as much as fruit. Not the high toned floral spice of a cooler climate wine, but deep, rich spice that tends towards the brown, nutty type. Fruit character is subservient, dark and straightforward. The palate has good impact and its upfront acid brings more spice to the fore, at least on entry. Fruit emerges on the mid-palate as dark and slightly jubey in character, simple but certainly clean.

Arrogant Frog Lily Pad White Viognier 2006

Full marks for creativity. As a name and label concept, the “Arrogant Frog” range is all very New World, and I’m sure you don’t need me unravel the various ironies here. The angle is “best of both worlds;” New World approachability combined with Old World character. This is so fraught with stereotypes that I won’t even attempt to engage it, but I can certainly taste and write about what’s

Somerton Shiraz Cabernet Merlot 2006

Surely, at $4.25, I’m tempting fate. The bargain dozen has gone quite well so far, with some unexpectedly unusual wines and a bit more character than I dared to hope for. Here, then, is a red blend from that vaguest of “regions”, South Eastern Australia. Having barely escaped a critter wine encounter with my sense of wine still intact, I’m interested, if a little apprehensive, regarding this equally inexpensive label.

A hint of black pepper and spice on the nose, backed up by smooth, rather flat berry fruit and a bit of toasty oak. Bland to be sure, but it smells more or less vinous. The palate reveals the extent to which this wine emphasises round, easy fruit. Relatively sweet, slightly confected berry fruit hits the tongue early and travels easily down the line. Some vanilla jumps on board as the wine chugs steadily towards the finish, and it all sort of disappears before you’ve had an opportunity to think about how you really feel. There’s not much in the way of structure, but neither are there off flavours or anything that makes you stop and think. In other words, it drinks like a good soft drink.
We’ve definitely jumped into “extreme value” territory with this wine, and style has shifted gears accordingly. At $10, it’s possible to get some sense of individuality. At $5 or under, I’ve yet to see it.

William Downie Yarra Valley Pinot Noir 2006

Clad in equally stylish packaging, this wine is the Yarra Valley sibling to William Downie’s Mornington Peninsula Pinot tasted earlier at Full Pour. I really enjoyed the latter wine, especially after some extended breathing, and I enjoy what Mr Downie is doing with Pinot; that is, allowing regionality to speak for itself without attempt at imposing a sense of homogeneity. This is winemaking without ego, and it’s what I drink wine for.Deep but not especially dense colour, mixtures of orange and red and purple (and nowhere near as gaudy as that sounds). The nose is a riot of aromas from first pouring, and only improves with air. Instantly a deeper, darker wine than the Mornington Peninsula label, there are notes of turkish delight, ripe plum, bubble gum, sweet spice and other goodness, even a hint of sous-bois. Expressive and complex but with a sense of poise too, despite its generosity. Palate is equally fascinating, though perhaps a little unexpectedly controlled after the nose. The fruit’s depth and ripeness is certainly confirmed here. Entry is alive and sufficiently (though not overly) acidic, with a nice focused flow over the tongue. Flavour drives a tight line to the middle palate, where things settle and relax a little. The wine, interestingly, shoots off in a few directions at this point, with a high toned fruit lift on the one hand, and a foundation of ripe plum on the other, not at odds, but instead indicative of excellent definition and structure. Grainy tannins emerge quite late in the palate and help dark fruit flavour to reverberate through a very lengthy, impressive finish.There’s a lot going on with this wine, and its complexity will surely increase with time. If you can keep your hands off it. The fact is, it is fabulous right now, with its ultra-delicious flavour profile and approachable structure. Now or later, it’s a win-win. William DowniePrice: $A40Closure: DiamDate tasted: June 2008