What a handsome package. It’s almost too pretty to open, this bottle, capped as it is with a thick glob of wax and decorated with minimal yet humanist labels/artwork. But wine’s there to be drunk, so after admiring it for a moment, I attacked it with a waiter’s friend, revealing a lovely Diam seal. Mere moments with the pump action corkscrew and here we are, ready to taste.The packaging is so seductive and promises such satisfaction, it comes as a (perhaps unreasonable) surprise to find the wine inside isn’t quite so easy. For starters, there’s a powerfully feral pong that emerges from the glass at first. It’s not quite stalk, and not quite oaked spice, but exists somewhere in between, sitting somewhat lumpily atop bright, fresh strawberry/cherry fruit. As someone who likes a bit of pong in his Pinot, I enjoy this flavour profile, but it’s an intellectual experience. With about half an hour of swirling, the feral-ness has integrated nicely into the underlying fruit, becoming an extra layer of complexity rather than a disjointed, if characterful, sore thumb. The palate confirms the light, bright nature of this wine’s flavour profile, and introduces the assertive acid that provides such restraint and definition. It’s all sunshine and light on entry, the acid creating a vivid, fresh impression and the fruit backing this up with bright red, high toned flavour. This wine is a lesson in how impact can be completely different from weight, how intensity is not the same as density. It’s so fleet on the palate, one is surprised any flavour registers at all, let alone the reasonably intense coating of savoury red fruit and spicy oak this wine actually delivers. Things really start to get interesting through the after palate, where the wine’s structure opens out and promises even more flavoursome times ahead. It’s only getting better as the evening wears on, with additional, deeper registers starting to emerge. It’s not the most complex wine I’ve ever tasted, but the flavour profile is so characterful, you can forgive it for being a little straightforward.I’m betting some short to medium term cellaring (say, 2-5 years) will do some cool things to this wine. At the moment, it is drinking relatively well but its youthful restraint may prove a little frustrating too.Update: I gave this wine a night to think about what it had done. It’s quite transformed, with a lot less bright fruit and a lot more layered complexity. It is, dare I say it, becoming somewhat Burgundian in flavour profile. Nice drop.William DowniePrice: $A40Closure: DiamDate tasted: June 2008
Tag Archives: 2006
Collector Reserve Shiraz 2006
It’s interesting to compare wines from a producer that offers just two in its portfolio. Collector, a new Canberra-based producer, sells a lower price Marked Tree Shiraz, and this, its Reserve label. Both are made from Canberra region Shiraz grapes, which makes the comparison doubly interesting.
A heady nose of roast meats, vanilla, spice and rich red and black fruit, and of all things a bit of Yorkshire pudding. Showing a clear resemblance to the Marked Tree wine, this is a whole lot more of everything except perhaps a certain lightness of touch. But this is a Reserve level wine, presumably designed for extra oomph, and it attains this goal admirably.
Deep fruit flavours gush over the tongue on entry, and it’s the sort of cool, firm attack that marks wines of sufficient padding. Despite the rush of flavour, though, this isn’t a large scale or clumsy style. By contrast, there’s real balance here, with each element asserting itself just enough to be perceived before retreating into the complex harmonic flow. This wine has the sort of flavour profile that would be considered lolly-like if it were sweeter; that it shows only a touch of sucrosité means the fruit is beguiling and even a little elusive in character, despite its generosity. A lovely blanket of fine, slightly sandy tannins descends on the tongue as the after palate kicks in; they’re ripe and not especially drying, and so contribute primarily to the wine’s textural dimension. Despite the tannins, I wouldn’t describe the wine as overly structured — acid is not a feature. The finish morphs into a sort of raspberry liqueur-like note crossed with licorice that is utterly delicious.
Interestingly, food (well, the lamb chops I’m having tonight) dulls the wine and hollows out the after palate somewhat. I attribute this to the relatively subtle acidity. So, pair this wine wisely with food, or go the total alco route and drink it unaccompanied.
Collector Wines
Price: $A46
Closure: Stelvin
Date tasted: June 2008
Dog Point Pinot Noir 2006
I loved the 2005 vintage of this wine, and remember it as a generous, wonderfully regional Pinot of utmost deliciousness. Hence, great expectations for this wine.Somewhat hazy ruby colour. Intense, not-quite-funky aromas of sour red fruit and sweet spice (cinnamon/nutmeg, etc), perhaps some autumn leaf as well. There’s quite a lot going on in there, but it’s seductive, not intellectual. It’s also a bit reserved at this stage. An entry with impact, partly due to a flavour profile that registers as sweeter than the nose suggests. Acid moulds the wine’s flow quite assertively, and this creates some textual interest while adding a bright, edgy quality to the fruit flavour. A deeper, plummy note emerged as the wine sat in glass for a couple of hours. There’s a nice sense of widening as the palate progresses, and the finish shows excellent continuity, with ripe, slightly grainy tannins. Oak is notably well balanced.Compared to the rather lush 2005, this shows as a tighter, more controlled wine, perhaps needing some time to relax and unwind. For my taste, it’s just a tad brash for full satisfaction right now. One to revisit in a year or so, perhaps.Dog PointPrice: $A35Closure: CorkDate tasted: May 2008
Mike Press Wines Shiraz 2006
Another outrageously cheap wine from Mike Press in the Adelaide Hills. As with some other Mike Press reds, this seemed a bit oaky on initial release, but it’s drinking really well at the moment.Rich black pepper and dark fruits on the nose. Lively and with good depth, if not great complexity. On entry, quite mouthfilling and quickly flavoursome. The wine funnels generously to the mid-palate, whereupon it washes the mouth with fruit flavour. Medium to full bodied, there are further notes of spicy black pepper and blackberry. These two notes are dominant, but vanilla oak props up the flavour profile and adds extra interest, and there’s a slightly herbal edge to the palate that is distinctive and tasty. Not a hint of confectionery; in fact, the wine’s fruit flavour is nicely three-dimensional. The wine’s structure is assertive enough to match the its dense fruit flavour. There’s a nice interplay of fine acid and ripe, dry tannins. Really quite satisfying length.An attractive wine that packs a lot of flavour into its asking price. It’s not a wine you need to work especially hard at which, let’s face it, is sometimes a most welcome thing.Mike Press WinesPrice: $A8.34 ($100/dozen)Closure: StelvinDate tasted: April 2007
Peregrine Pinot Noir 2006
For those visiting the Central Otago region, do drop by Peregrine’s cellar door, as much for the spectacular setting and architecture as the wines. I enjoyed a wide range of wines when there last year, but right now we have the key label in its portfolio: the Pinot Noir.
This wine, made from fruit of the Cromwell Basin (Northburn) and Gibbston Valley sub-regions, makes an interesting stylistic comparison with well known wines from the Bannockburn sub-region (specifically, the 2006 Mount Difficulty and Felton Road Pinots previously tasted here at Full Pour). On the nose, this wine is a detailed, perfumed wine of impressive complexity. There are notes of bright sour plum, spice, sap, sausage and citrus mixed into a well integrated flavour profile. It’s a delicate nose, and if I were to compare it with the Bannockburn Pinots, I would say this wine shows greater finesse and complexity, perhaps at the expense of outright impact.
Initially, I found the palate to be structurally overwhelming, with prominent acidity and tannins washing away any substantial trace of fruit flavour. Some vigorous swirling, though, has helped to rebalance the palate, and through the evening it has become more drinkable, if still highly structured. Acidity and bright fruit weave in and out of each other on entry, creating a very focussed first impression. As the wine moves to the mid-palate, it remains quite driven in its line, but the fruit relaxes somewhat to express hints of sweetness amongst the primarily savoury, sour flavour profile. There’s a lot going on here, flavour-wise, with more sour plum and spice, plus a strong mineral streak. The flavour continues to build towards the after palate, where a clean, attractive burst of red fruit presents, before velvet tannins whisk the wine away to a lengthy finish.
Frankly, this wine isn’t ready to drink now and, as excited as I am about it, I should note that its best days are ahead of it. Having made that point, this is an excellent wine that has enormous potential to become superb with a few years in bottle. It’s already complex, and just needs time for its structure to soften and let the fruit emerge from its cage. One that’s worth waiting for (and excellent value).
Peregrine
Price: $NZ39
Closure: Stelvin
Date tasted: April 2008
Kooyong Massale Pinot Noir 2006
Kooyong’s Massale Pinot has two things immediately going for it: it is reasonably priced and classily packaged (I do like the Kooyong label design, generally). I saw this on a restaurant wine list the other day and had to give it a go. A piercing nose of sappy red fruits, minerality and a touch of oak. The palate shows good intensity from entry onwards, although this intensity is counterbalanced by an overall delicacy and lightness of touch. The wine’s acid structure is quite prominent, and this adds zip to the wine’s middle palate of sour red fruits, hints of sous-bois, perhaps some sweet nutty spice and minerality. The fruit character is bright and clear, and elegantly savoury. Mouthfeel is very fresh indeed, thanks to that acid, and the finish shows slightly grainy tannins that are noticeable but well-balanced.This wine is elegant and “adult”, although not especially complex. I found that it responded extremely well to food (creamy pasta), so for full enjoyment, one is well advised to try this with, not as, a meal. KooyongPrice: $A28Closure: DiamDate tasted: April 2008
Tyrrell's 4 Acres Shiraz 2006
I presented the 2005 4 Acres at a dinner with Chris last year, where it promptly stole the limelight from a table full of desirable labels we had both brought to the party, as much for its difference as its objective quality. It was like essence of Hunter Shiraz, quirkily different from “Australian Shiraz” as well as singular in the context of its own regional style. The 2006 is interesting for a number of reasons, not least because it shows a clear relationship with its Vat 9 sibling of the same vintage, perhaps indicating the degree to which vintage conditions shine through with these wines.
A bit of sulfur suppressing significant aroma at first, but lifting after an hour or so to show deep, rich smells of red fruit, eucalyptus and some regional stink. There’s also faint oak influence that adds richness and depth rather than anything especially “primary.” It’s a beguiling aroma, and quite complex.
Entry shows good impact and flavour intensity from the tip of the tongue onwards. There’s a lovely fanning out of flavour with this wine and, by the time the mid-palate arrives, the mouth is awash with intense, quality fruit. More red fruit and dirt here, mostly savoury but with edges of sweetness. As with the Vat 9, there’s a slightly plummy, very ripe fruit note. I think it works better in the context of this wine, though, because overall the 4 Acres is a lighter and more charming wine than the Vat 9, and can carry this idiosyncratic flavour profile more easily. The wine’s structure seems evenly split between prominent yet balanced acidity and velvety, mouth filling tannins. Mouthfeel is correspondingly bright and substantial. Nice, focused line through the after palate and finish.
I really love this wine, and I admit I’m biased towards its style. But it’s an easy wine to fall for and, despite its sophistication, I imagine wine novices would easily recognise the quality of this wine’s fruit, as well as its superb balance. If anything, it’s a more “complete” wine than the 2005, and I’ve a feeling it’s only showing the tip of the iceberg in terms of what it might become in a few years’ time. I’ll be waiting with anticipation.
Tyrrell’s
Price: $A30
Closure: Stelvin
Date tasted: April 2008
Taylors Cabernet Sauvignon 2006
It must be slightly nerve-wracking for producers known for their “excellent value for money” wines. When wine lovers sniff out a bargain, it’s easy to take for granted that a wine will, year after year, deliver a level of quality above its price point. It’s almost as if one waits for the reality to hit (as it has in the past with countless labels). Taylors, though, seems to maintain a good line in value Clare Valley wines, and their Cabernet Sauvignon is known as perhaps their greatest bargain. I read, I think over at Winefront, that it’s Australia’s biggest selling Cabernet Sauvignon wine. Here’s the 2006 version. A lovely, expressive nose of cassis and leafiness (or is it gravel?), with a dash of powdery vanilla for good measure. It’s instantly varietal and generous, if quite ripe. Entry is flavoursome and focused, with a nice line starting from the tip of the tongue and widening through to the mid-palate. The wine’s physical presence down the centre of the tongue is tight, yet this never creates an impression of being lean or intellectual. Rather, the flavour profile shows quite ripe cassis and blackberry alongside generous yet delicious vanilla oak. Body is medium to full. The wine’s structure is assertive, with acid tingling the tongue at the same time as powdery, slightly chunky tannins fill the mouth. I’m quite sure the wine could take some ageing, as it has not deteriorated significantly in the two days since I opened it. There’s a diminution of body as the wine moves through the after-palate, but this thinning is compensated by the wine’s decent, dry finish.I bought this wine for $15 and I’m glad to say that it remains a great bargain. A delicious wine that should satisfy any craving for flavoursome, generous Cabernet.TaylorsPrice: $A15Closure: StelvinDate tasted: April 2008
Torbreck Juveniles 2006
The first of an irregular series of online wine tastings. Participants are Julian (Brisbane), Chris and Dan (San Diego), and Hiro (San Diego house guest).]]> Continue reading
Cumulus Climbing Chardonnay 2006
I’m not terribly familiar with wines from the Orange region in NSW, but there’s no time like the present to become acquainted with new friends. I picked up this bottle on the way home as accompaniment for chicken salad.The aroma of this wine reminds me in a strange way of moderately aged Hunter Semillon. It’s an intense yet subtle nose that wafts out of the glass slowly. A mix of white stone fruit (more stone than fruit) and some astringent greenness, a bit like honeydew without the sugar. There’s also a pleasingly offbeat nuttiness that reminds me of roasted pine nuts. Entry is quite powerful, with intense and slightly clingy fruit flavour coating the tongue from the tip onwards. Although it’s a lively, acidic wine, the emphasis is on forward cool-climate Chardonnay fruit and some nutty oak. Flavour is generous, yet it’s a focused wine that retains its shape through the palate. The after palate emphasises nutty, caramel oak as it moves to a decent finish. This won’t be to everyone’s taste, especially not those who favour a more worked, broad Chardonnay style. But for me, it’s a characterful wine that goes well with food or on its own. Good value. I should also mention the label, which is stylishly individual and always stands out in the retail lineup.Cumulus WinesPrice: $A18Closure: StelvinDate tasted: February 2008