Mitchell Harris Rosé 2010

Another adventurous rosé, this time from Victorian producer Mitchell Harris. This is a multi-region blend of unusual varieties; Pinot Noir from the Macedon Ranges and Sangiovese from the Pyrenees. This might seem a bit of a hodge-podge but for the fact that both regions tend towards boutique production and the price of this wine is anything but low-end. At $22 or thereabouts, it sits firmly in the “serious rosé” price bracket.

Quite a pale colour, more like dilute strawberry than salmon. The nose is controlled, with layers of piercing spice, pale red fruit and slightly muskier notes. It’s getting noticeably more complex the longer it sits in the glass, with some feral earthy notes adding depth and texture to the aroma profile. Ends up savoury and quite singular, with some juicy rough edges.

In the mouth, a bit more relaxed than suggested by the nose, with some fruit sweetness to temper the more angular elements of the flavour profile. I like this wine’s structure very much; the acid seems right and there’s some lightly drying texture through the after palate. There’s also a pleasing sense of fullness here that does not come at the expense of brisk movement through the mouth. What’s challenging is the set of flavours; they veer from sweet cherries to wet leaves and back. There’s a sense of boisterousness verging on disorganisation in how they present. Yet it’s so flavoursome and fun, I keep wanting to take another sip.

Really interesting wine that communicates a sense of exploration and seriousness in the context of a style that is, ostensibly, all about mindless enjoyment.

Mitchell Harris
Price: $A21.95
Closure: Stelvin
Source: Sample

Yelland & Papps Delight Grenache Rosé 2010

And now for something completely different (at least compared to this and this).

The nose is quite thick, with turkish delight, fresh red fruits and ripped berry skins. Not hugely complex nor terribly piercing; instead, generous, soft, fun. This is a comfortable rosé (if such a thing exists) with as much dark, sweet berry juice as flowers and other higher toned aromas.

The palate shows consistently with the aroma. It’s very relaxed on entryl fruit flavour soon flops onto the middle palate then gushes over the tongue. This is surprisingly full and rich for a rosé. It’s not overly sweet, though there’s clearly a degree of Grenache fruit character (which can seem inherently sweet) and a touch of residual sugar too. I’d like more acid — the thickness of the flavour profile would benefit from some cut and thrust, structurally. The finish is surprisingly, satisfyingly long, with candy and sour lollies the main notes.

I’m not sure this would cut it as a refreshing summer drink. Rather, I feel it would make a great red wine substitute where you’re looking for something lighter without sacrificing generosity of flavour. Like other Yelland & Papps wines I’ve tasted, it is purpose-designed for utterly frictionless drinking pleasure.

Yelland & Papps
Price: $A18
Closure: Stelvin
Source: Sample

De Bortoli Yarra Valley La Bohème Act Two Dry Pinot Rosé 2010

Act Two in my own De Bortoli 2010 rosé notes, having yesterday tasted the Estate edition. This is altogether less fine a wine, but to my mind meets a different need. A few bucks cheaper too.

The nose is slightly feral, with firmly savoury fruit and a wildly aromatic bent that some dry rosés can show. I tend to like such aroma profiles and don’t mind some vulgarity, though here there’s enough density to temper the sharper aromas. With some time and a bit of air, some cuddlier aromas begin to emerge; slightly simple red fruit flavours and a bit of sap. All in all, an interesting nose.

The palate is less chiselled and precise than the Estate wine. It place of the latter’s clear delineation of flavours, this wine shows robust, more softly generous fruit and bouncy texture. Although there are some sweet raspberries lurking in there, the dominant flavours are again savoury in character. My main criticism of this wine is that its flavours lack definition; each thread blurs into the next and compromises an overall impression of freshness. Acid provides bubbly texture through the after palate in particular, while flavours take off in a crushed leaf and fresh red berry direction.

This seems to be De Bortoli’s interpretation of an accessible rosé style. Like the Estate wine, it emphasises savouriness and texture, but offers a less sophisticated and in many respects more accessible flavour profile.

De Bortoli
Price: $A18
Closure: Stelvin
Source: Sample

De Bortoli Yarra Valley Estate Pinot Noir Rosé 2010

The back label parenthetically describes this wine as “pale and dry.” They’re not kidding. This is a daring wine and one that may defy many drinkers’ expectations of rosé.

A very pale salmon colour, this gives off a range of angular, fragrant aromas. Peach skins, light plum juice, minerals, pink flowers. This is far from a sweet style, yet there’s a hint of icing sugar peeping out from amongst all the straight-faced seriousness that is making me smile. It’s a cheeky nod to rosé’s typical function as a refreshing, accessible drink, and here it works to draw you in past what might be a forbidding level of savouriness. Overall, the aroma is moderately expressive, neither too flouncy nor irritatingly reticent.

The palate, however, shows a degree of power that isn’t really suggested by the nose.This is a serious wine, to be sure. There’s a nice fleshy fullness in the mouth that accentuates red fruit and rosehip notes, and which is balanced out by tart, firm acid. Structurally, this wine is full of interest and I especially like the hit of chalky, dry texture through the after palate. This dimension is so enjoyable that I’m prompted to wonder whether a more extreme approach to texture, with additional lees work or even some barrel action, would yield an even more interesting style. No matter, there’s lots of satisfaction here. Good drive through the line and a very satisfying, lightly candied finish.

Fascinating wine.

De Bortoli
Price: $A24
Closure: Stelvin
Source: Sample

Gilligan Roussanne Marsanne 2010

Gilligan’s second release of this wine, and I note last year’s model was more Marsanne-heavy, at least judging by the order in which the varieties are listed on the label. I enjoyed the 2009, though felt it could have used an extra ounce of intensity, considering its fullness of body and luxe vibe. This wine, happily, has noticeably more fruit flavour, bringing the style’s elements into greater balance.

I thought this was a Viognier when I first smelled it, but the richness that presents is less apricot and more honeysuckle. Yes, this is a vulgar French perfume of a wine, and all the more glorious for it; I like wines that don’t try to be something they aren’t. And this is about as far from Riesling (on the one hand) and Chardonnay (on the other) as you can get. It’s redolent of white flowers, peach stones and fresh laundry with just a hint of something more challenging, savoury and feral underneath.

The palate has good impact due, at first, to a thickness of texture that smacks the mouth and winds its way onto the tongue. Flavour follows soon after, with surprisingly delicate accords of stonefruit and florals. There’s plenty of flavour on offer. The risk with richer wines styles such as this is that they become cloying, but I’m pleased to note there’s a nice thrust of phenolic texture (and decent acid) that underlines the entire palate, roughing up the mouthfeel and freshening the flavour profile. Good continuity through the after palate and a very long finish, hinting at some alcohol heat but never quite crossing over to the other side.

Not a bad wine after only two goes. Really good value for money.

Gilligan
Price: $A21
Closure: Stelvin
Source: Sample

Tinja Preservative Free Merlot 2010

It strikes me as difficult to write about this wine without making its preservative free, organic status central to the discussion, purely because such wines are relatively uncommon. This wine understands the value of rarity; its back label acknowledges it has been made to meet an “overwhelming demand” for such styles. I don’t know enough about the market to know if this is accurate or anticipatory. In any case, it appears this isn’t a one-trick pony. For starters, the fruit originates from low-yielding, unirrigated vines and was handpicked; hardly the most cost-effective way of supplying a niche market that (and perhaps I’m being unkind) may not be driven primarily by a passion for beautiful wine.

So I approach it assuming an integrity of intent, and am pleased to note it is, at the very least, soundly made. It’s also extremely young; there’s even some spritz in the glass that seems to have wandered in from a bottle of Hunter Semillon. Given its age and style, the flavour profile is inevitably bright and redolent of fermentation esters as much as fruit notes. I’m a little torn; on the one hand, my instinct is to suggest leaving it for a few months to settle, but I’ve no experience with this type of wine so wouldn’t have a clue how it will evolve.

The palate is light and quite savoury, with crunchy (perhaps overly assertive) acid cutting through moderately intense fruit flavours that tend towards the red fruit spectrum. What tannins there are come across as chalky, loose and pleasantly textural. There’s basically no complexity, and nor would one expect there to be. What’s important here is a flavour profile that avoids obvious, sweet fruit, and which I suspect is very food friendly.

I’m not sure this wine has a place in my life, but it’s nice to know there’s a worthwhile example available to those who value the style.

Lowe Wines
Price: $A20
Closure: Stelvin
Source: Sample

Windowrie Family Reserve Sparkling 2010

Curiously, the label makes no mention of the grape variety from which this wine is made. A quick search shows the answer to be Chardonnay, which means this is a blanc de blancs. So much more enticing, no?

In the end, I wanted to like this wine more than I did. That’s not to say I didn’t enjoy it; in fact, it went quite well with a mid-week fish and chip fest. The disappointment for me here lies in this wine’s coarseness of texture, something that will hold any sparkling wine back, so dependent is the style on a certain finesse of spritz and delicacy of palate. No, this is full-throttle, more soft-drink than Champagne in terms of its mousse and bead.

On the plus side, there’s real flavour locked in this wine, the fruit clearly possessing a degree of power, if not subtlety. Almost tropical in character, this flavour profile is about as far away from Champagne as one might get, but I don’t believe that automatically devalues the style. What I miss from the model, though, is the savoury complexity that transforms the best sparkling wines from frivolous fun to something worth considering as more than a simple accompaniment to miniature deep fried food. There are hints of brioche and mushroom, but they don’t stand a chance against all that buxom fruit flavour and what appears to be a reasonably generous dosage. The after palate and finish are rich and clingy, not quite showing the freshness one might look for.

There are better value wines at this price point (the standard Brown Brothers springs to mind), but I am glad Windowrie is trying something new and upscale with this wine. The packaging is quite beautiful and, although it’s not pressing my Champagne-loving buttons, this is undeniably flavoursome and fun. I hope it finds an audience.

Windowrie
Price: $A25
Closure: Cork
Source: Sample

Karra Yerta Riesling 2010

This is a wine I look forward to each year.

Youthful spritz in the glass and swirling, estery fragrances on the nose. This is many things at once: the Karra Yerta vineyard with the vivid, neon-pastel tones characteristic of this site, an Eden wine full of bath salts and minerals, and a product of its vintage, showing a richness I’ve not seen from this label before. Realistically, this needs a few more months to blow off some residual sulfur and show its pristine self, but already there’s much complexity and detail, which is impressive in any wine, let alone a wine made so simply and available at such a reasonable price. No wonder Australian Riesling is so revered.

The palate is powerful and full, again showing a relatively rich, fleshy fruit flavour profile. In addition to the expected lime rind and lemon juice, there’s a hint of papaya alongside crystalline minerals and rather breathtaking acid. Good intensity. The texture here is wonderful; chalky, dry, etched. It’s a refreshing foil to the fruit flavours and ensures this wine leaves the palate clean and refreshed and, most importantly, eager for another sip.

Another cracker from this vineyard.

Karra Yerta Wines
Price: $A25
Closure: Stelvin
Source: Sample

Angullong Sauvignon Blanc 2010

If you’re going to drink cheap Sauvignon Blanc, it had better, at the very least, be a fresh release. It had also better be characterful, a bit of a coquette perhaps, not sweet so much as fruitful, bursting with the sort of guileless enthusiasm that’s embarrassing in company but awesome when it’s just you.

Except that, when you realise that you’re kind of digging it, you begin to want to share it with friends, because something this fun seems a shame to keep to yourself. And while you’re contemplating that contradiction, the smell of it yanks you back into the land of simple enjoyment, and makes you forget thoughts of wine as a mark of sophistication, or even as something that should attract your attention for more than a brief moment. And you just sniff it for fun.

But then you notice some subtle cut grass on the nose, and a refreshingly bitter phenolic twist through the after palate. And you start to think this wine’s kind of punching above its weight, that there might be something more to it than you first thought. Come on, though, it’s a $17 Sauvignon Blanc, and it’s not even from New Zealand! Surely it can’t hope to present a coherent alternative to the instantly recognisable Marlborough style without resorting to residual sugar, hideously vulgar fruit character, or both.

You keep sniffing, and tasting, and it all goes down terribly well, especially with some mid-week fish and chips. You begin to realise this is, in some ways, the perfect quaffing wine, the success of which isn’t about avoiding angularity so much as having just enough sharpness to challenge your palate and prime your senses for enjoyment of the fruit-driven flavour profile. If you’re a complete wine tragic, you might even blog about the experience of drinking it. Then, fish and chips eaten, wine consumed, the memory of it disappears in a puff of smoke, and your overriding impression is simply of an evening enjoyed, relaxation, pleasure.

Angullong
Price: $A17
Closure: Stelvin
Source: Sample

Best's Great Western Riesling 2010

Riesling is one of those varieties we do especially well in Australia, and what’s exciting for me is that, in addition to the beautiful, unique Rieslings from the Clare and Eden Valleys, there are a range of other authentic styles that are either emerging (as in those from the Canberra District) or long term classics that fly under the radar. Rieslings from Western Victoria fall into the latter category for me, so it’s with some anticipation that I tasted this new release from Best’s. 

The 2009 was, from memory, a rather searing experience, but this wine is somewhat different. It’s more elaborately perfumed for starters, all florals and talc with hints of fuller, cumquat-like fruit. One could never describe the aroma as rich, but there’s a softness here that is nicely approachable. There’s a streak of minerality too that runs beneath the higher toned aromas. I can see some spritzig in the glass, which isn’t surprising for such a young wine. 
The palate shows a similar range of flavours as the nose but, given the slightly fuller notes, is surprisingly tight, and very much in the regional mode. Entry is driven by minerality before lime blossom and citrus rind thicken the middle palate. Acidity is full-on to say the least, aided by some light spritz and a flavour profile that remains angular along the line, but offset by a nicely rounded mouthfeel on the after palate. I don’t think the palate structure is hanging together quite yet and feel some time in the bottle will help things to cohere. The finish is delicate, mostly minerals and flowers. 
Nice wine. Give this a few months then tuck in! 

Best’s Wines
Price: $A22
Closure: Stelvin
Source: Sample